Art by Medium: Copper

Artist's proof of hand copper application and aging techniques by Patricia Pearce (American, b. 1948). Unsigned, but was acquired with other Patricia Pearce pieces. Presented in a ne...

This work of art was done with 14,570 delicately placed pins upon hanging ropes. The concentration of pins is what makes the tiger appear. They are all firmly inserted with resin which makes them stay in place. On the back side the pins were all trimmed so they don´t overpass the cotton ropes. This piece is extremely flexible while installing for it can be either hung from above and delicately separate two places or hung on walls with three screws that will hold the copper tube. It decorates places in a beautiful way for the colors are very neutral. Design Art Interior Spaces Gallery Unique Yarn Sculpture on Wall...

This work of art was done with 14,570 delicately placed pins upon hanging ropes. The concentration of pins is what makes the tiger appear. They are all firmly inserted with resin which makes them stay in place. On the back side the pins were all trimmed so they don´t overpass the cotton ropes. This piece is extremely flexible while installing for it can be either hung from above and delicately separate two places or hung on walls with three screws that will hold the copper tube. It decorates places in a beautiful way for the colors are very neutral. Design Art Interior Spaces Gallery Unique Yarn Sculpture on Wall...

'Abstraction 1' Enamel on copper plate by Irwin Whitaker, Walnut frame , 1960s Oklahoma-born artist who was prolific in California, Taos and Austin. We have a number of his works ava...

'Canyon De Chelly' enamel on copper plate by Irwin Whitaker. Enamel measures 16.25" W x 12.25" H, frame measures 19.5" H x 23.5" W. Irwin Whitaker - Oklahoma-born artist who was pro...

Original work in XL American box Made on a wooden panel (MDF 10mm) prepared in the traditional way with a gesso coating, the painting is entirely done by hand, no gluing, no AI... Th...

In the 1960’s, Canadian Otto Rogers was one of the first artists to create abstract sculptures out of welded steel and continued to do so during his long career. The elegant curves a...

A one of a kind 15" x 15" x 9" Surreal Abstract Mixed Media Resin Porcelain Ceramic Sculpture executed by artist Sasha Koozel Reibstein. A certificate of authenticity will be provide...

Growth Is, 2021

Sara in Red

The Warm Wave

Cherubs - Ettore Frattini Italia 2006 - Oil on copper cm.30x50. This delightful oil on copper in Baroque style depicts dancing cherubs, most likely inspired by the allegories with c...

Liopai Constellation, 2020

Handcrafted by TF Dutchman, MF DOOM is a one of a kind original traditional leaded stained glass panel. A detailed rendition of the infamous MF DOOM in his tr...

Simply stunning. They shine like jewels…This is Shayne Dark’s Reflections of Nature Series. Dark’s superb sculptural work is informed by nature. This series of wall sculptures—tondos...

Bryanna Marie's "Still Reflections 1958D" is an original, handmade oil painting on a copper coin that depicts a body of water reflecting all the greenery...

Bryanna Marie's "Incoming Weather 1949" is an original, handmade oil painting on a copper coin that depicts a white house with storm clouds swelling in the background. About the Ar...

Robin Hextrum's "Unfolding Petals on Copper" is an original, handmade oil painting that depicts a white Peony flower opening and blossoming with its green le...

Tom

Zane York coaxes and cajoles with a bit of humor which belies a deeper sensitivity. His eye-catching subjects never fail to cause a double-take. In our age of nearly constant visual ...

Mary Giles (1944-2018) received her BS in Art Education from Mankato State University in Minnesota. After receiving her degree she began exploring various textile processes. She ho...

Acrylic, Texture, Rust, Oxidized Copper, Gold Leaf, Bitumen Climate Collapse has been happening for years but now as countries are literally on fire around us, is it too late for pe...

Tiffany style stained glass memorial work in honor of DJ Jam Master Jay Handcrafted by TF Dutchman, "Jam Master Jay" is part of series of works that are odes to the four elements of hiphop, with Jam Master Jay representing the DJ. This piece is a one of a kind original Tiffany style stained glass panel. A detailed portrait painted with vitreous paint memorializes the legendary hip hop artist DJ Jam Master Jay of RUN-D.M.C. Brilliant greens, yellows, blues and reds are enhanced by kiln fired, painted symbolic motifs including a turntable, JMJ's signature gold chain and the textured blue-gray drapery glass of JMJ's signature Adidas robe. TF Dutchman uses traditional original Tiffany window...

Handcrafted by TF Dutchman, Japanese Flower (Large) is a one of a kind original stained glass window panel. This piece uses Bullseye transparent copper bl...

Pair of 19th C Continental Oil Paintings on Copper After Bartolome Esteban Murillo "The Little Fruit Seller" After Gerrit Dou "Kitchen Maid at the Window" 6.5" x 8" 9.5" 10.5"

Pink Roses (vase) 20" x 24" oil on copper Florence Academy Floral Still-life "Pink Roses" is a realist still life painting of pink roses in porcelain vase w green accents. Situa...

Handcrafted by TF Dutchman, Japanese Flower (Small) is a one of a kind original stained glass window panel. This piece uses Bullseye transparent copper bl...

Portrait of young Garibaldi is mixed colored painting realized by Anonymous artist of the XIX century. Oil on copper. Rare portrait of a young Garibaldi. Includes frame 39 x 3 x 29.

Silvana Pestana's oeuvre presents a critical interrogation of contemporary Peruvian socio-environmental realities, with a particular focus on the ecological devastation wrought by ex...

Katie Edwards Best Mates Original Silkscreen print with hand painted layers Mounted Size: H 40.5cm x W 50.8cm Free Shipping Please note that in situ images are purely an indication o...

"Spring in the Garden" is a realist painting of cherry blossom blooming, standing w support of a wooden post. In the real world, beautiful ...

Materials: Orogolite, canvas, oil, craquelure, nautilus shell, polymer clay, natural leather, parchment leather, bambek, decorative cord, copper, bronze casting / wenge-colored ash f...

Jed Jackson was born in Fayette, Arkansas. Throughout his education, he studied under artists such as Janet Fish, Fairfield Porter, and Leland Bell, and reaps influence from the “gri...

In 1972, the women’s movement was in full flower. Suzanne Benton had been an early activist, a founder and organizer of NOW Chapters, CT Feminists in the Arts, Women, Metamorphosis 1 (in New Haven, CT, the first women’s art festival in the USA). She'd already been creating metal sculpted masks and working with them in mask tale performances of Women of Myth and Heritage. Her inaugural performance of Sarah and Hagar n 1972 took place at Lincoln Center in NYC. Benton then became the artistic director and producer of an evening on Broadway, Four Chosen Women (performers included herself as mask tale performer, author Anais Nin, actress Vinie Burroughs and dancer Joan Stone). The evening took place at the Edison Theatre, November 22, 1972. While developing the evening on Broadway, Benton met renowned Swedish actress and Hollywood star, Viveca Lindfors. Viveca was then working on her solo performance, I AM A WOMAN, and was looking for a unique theatre set for the show. The happenstance that brought Viveca and Suzanne together. At that same time, recent travel to Macchu Picchu inspired her with the mountain’s great stones sitting on the edge of precipices. These vast stones led her to create welded steel Seated Sculpture Works. Viveca was intrigued by the concept and let her own imagination fly. Imagining a set of welded steel sculpture, she took the leap in commissioning Suzanne with complete faith in artist's ability to fulfill her mandate. Benton created groups of welded sculptures for two theater sets. Protection is one of three sculptures in first set created in 1973. Mother and Child, Pelvic Woman, Facing Each Other are three of five works from the 1974 second set. The first toured with her shows throughout the East Coast and into Toronto, Canada. The second set, created to nest together could travel as checked baggage for international and domestic airline travel. They flew to Denmark in 1980 for her performance at the UN sponsored 1980 Women’s International Conference, Copenhagen. In addition to creating the theatre sets, Benton mounted exhibitions of her masks and sculptures in the lobbies of theatres where she performed (NYC and Northampton). Continuing on with this theme, Becoming is her 1975 Seated Sculpture Work. The theatre sets were returned at the final end of its long run. These Seated Sculpture Works have often been featured in exhibitions, including both the 2003 and 2005 retrospectives. They are part of an oeuvre of 797 sculptures and masks. What attracted her to welded sculpture? This excerpt from her book, The Art of Welded Sculpture, Van Nostrand Reinhold, 1975 speaks of its lure: "Early in my life, when I had decided to become an artist, I had had an inner vision of being able to hold the physical material of my art in such a way as to bring it into existence with my hands. In welding, I wear a mask, a heavy apron, and gloves. I heat the metal and make it bend so smoothly and gracefully; I cut the metal, rigid metal, into endless shapes; I join the pieces by causing them to flow together with the heat of the flame. Welding was a return to my adolescent vision. It was fulfillment. At that beginning time I felt that even if I went no further, this experience in itself gave me astounding satisfaction. It was as thrilling as the moment of birth. It was my birth." (Pelvic Woman and Protection are illustrated in the book): What began in 1965 became by 2017 an oeuvre of 797 sculptures and masks. The magic of the welding mask...

Same style different execution. Italian copper leaf and fluorescent thread sewn on Splendorlux Black Gloss

This sculpture was part of a show reviewed in the Boston Globe. "Dewart sculpts gatelike forms and mandalas that read like sacred geometry. The gate template, is basic and universal,...

Ancient woman is a modern artwork realized by Artist of the early 20th Century. Copper plate engraved. Includes frame: 50 x 37 cm Engraved signature on lower margin.

In 1972, the women’s movement was in full flower. Suzanne Benton had been an early activist, a founder and organizer of NOW Chapters, CT Feminists in the Arts, Women, Metamorphosis 1 (in New Haven, CT, the first women’s art festival in the USA). She'd already been creating metal sculpted masks and working with them in mask tale performances of Women of Myth and Heritage. Her inaugural performance of Sarah and Hagar n 1972 took place at Lincoln Center in NYC. Benton then became the artistic director and producer of an evening on Broadway, Four Chosen Women (performers included herself as mask tale performer, author Anais Nin, actress Vinie Burroughs and dancer Joan Stone). The evening took place at the Edison Theatre, November 22, 1972. While developing the evening on Broadway, Benton met renowned Swedish actress and Hollywood star, Viveca Lindfors. Viveca was then working on her solo performance, I AM A WOMAN, and was looking for a unique theatre set for the show. The happenstance that brought Viveca and Suzanne together. At that same time, recent travel to Macchu Picchu inspired her with the mountain’s great stones sitting on the edge of precipices. These vast stones led her to create welded steel Seated Sculpture Works. Viveca was intrigued by the concept and let her own imagination fly. Imagining a set of welded steel sculpture, she took the leap in commissioning Suzanne with complete faith in artist's ability to fulfill her mandate. Benton created groups of welded sculptures for two theater sets. Protection is one of three sculptures in first set created in 1973. Mother and Child, Pelvic Woman, Facing Each Other are three of five works from the 1974 second set. The first toured with her shows throughout the East Coast and into Toronto, Canada. The second set, created to nest together could travel as checked baggage for international and domestic airline travel. They flew to Denmark in 1980 for her performance at the UN sponsored 1980 Women’s International Conference, Copenhagen. In addition to creating the theatre sets, Benton mounted exhibitions of her masks and sculptures in the lobbies of theatres where she performed (NYC and Northampton). Continuing on with this theme, Becoming is her 1975 Seated Sculpture Work. The theatre sets were returned at the final end of its long run. These Seated Sculpture Works have often been featured in exhibitions, including both the 2003 and 2005 retrospectives. They are part of an oeuvre of 797 sculptures and masks. What attracted her to welded sculpture? This excerpt from her book, The Art of Welded Sculpture, Van Nostrand Reinhold, 1975 speaks of its lure: "Early in my life, when I had decided to become an artist, I had had an inner vision of being able to hold the physical material of my art in such a way as to bring it into existence with my hands. In welding, I wear a mask, a heavy apron, and gloves. I heat the metal and make it bend so smoothly and gracefully; I cut the metal, rigid metal, into endless shapes; I join the pieces by causing them to flow together with the heat of the flame. Welding was a return to my adolescent vision. It was fulfillment. At that beginning time I felt that even if I went no further, this experience in itself gave me astounding satisfaction. It was as thrilling as the moment of birth. It was my birth." (Pelvic Woman and Protection are illustrated in the book): What began in 1965 became by 2017 an oeuvre of 797 sculptures and masks. The magic of the welding mask...

The Flagellation of Christ Old Master Flemish School 17th century Medium: Oil on copper Dimensions: Image size 22 x 17 cm, frame size 39 x 31 cm

Limited Edition 400% Pewter BE@RBRICK: Green Copper Patina. Dimensions: 28 cm Tall, Swipe for Reference Photos. Steven Harrington teams up with Royal...

Roman boy is a modern artwork realized by Artist of the early 20th century. Copper plate engraved. Includes frame: 50 x 37 cm Engraved signature on lower ...

Encaustic wax, pigments & copper on deep-fame board

Divyendu Anand - Through the Changes Aged Copper Skin over Stone Composite Granite Base, Edition of 9 H 28 x W 9 x D 8.5 inches, 2025 Growing up with the thoughts of altruism, ideal...

Divyendu Anand - Morning Healing Edition of 9, Hand Paint & Patinated Copper Skin over Stone Composite Granite H 29.5 x W 12 x D 10 inches, 2025 Growing up with the thoughts of altr...

Midnight Observatory [2012] limited_edition etching and aquatint Edition number 69 Image size: H:20 cm x W:13.5 cm Complete Size of Unframed Work: H:37.5 cm x W:27.5 cm x D:.03cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look An etching and aquatint depicting the Royal Observatory at midnight in winter, printed from a copper plate in deep blue. This view of the Royal Observatory in Greenwich Park as seen from One Tree hill...

Original work in XL American box Made on a wooden panel (MDF 10mm) prepared in the traditional way with a gesso coating, the painting is entirely done by hand, no gluing, no AI. The ...

Mary Giles (1944-2018) received her BS in Art Education from Mankato State University in Minnesota. After receiving her degree she began exploring various textile processes. She ho...

Wonderful abstract on reclaimed copper by Bay Area artist Michael Pauker (American, b.1957), circa 2010. Signed on verso. Condition: Good; copper is reclaimed so has some minor disto...

Portrait of Giosuè Carducci is an original modern artwork realized by Libero Andreotti in the first half of 20th century. Relief on copper plate. Includes frame. Signature on the ...

"Vortex" Wall Sculpture 39 x 39 x 8 in Ed. 1/2 by ILLYA TIGOIS Medium: steel & acrylic varnish,copper leaf ABOUT THE ARTIST Illya Trofymchuk is a Ukrainian sculptor and founder of...

Stephen Scott Young, "Yellow Shutters" Etching on German copperplate paper 5.5 x 7.5 in. [sight], 13.25 x 14.75 in. [framed] Pencil-signed lower right, titled lower center, and num...

"Pink Hydrangeas" is a still life painting of a glass vase with pink hydrangeas. Framed in a black frame with gold inner lip. Melissa Franklin Sanchez was born in 1984, in Warwicks...

Copper and wood box. "Americordo #7" is composed of copper tiles inlaid to the bottom half of the box and on the top rests a patinated etched copper or bronze circle. The box when closed measures to be 17" Sq. x 3.5" H. David Barr (1939-2015) is an American sculptor and painter from Detroit, MI. Known for constructivist sculpture, architecture and surrealist, assemblage box sculpture collage works. Born in 1939, Barr is an internationally known artists and has created many installations in natural settings. Vault took over a year to complete. His sculptures represent mathematics, geography and structurist nature, and otherwise known as "geo-structures." This one is kinetic and can be moved around. Barr is a graduate of Wayne State University and recipient of the WSU Distinguished Alumni Award. Influenced by sculptor Charles Biederman. In 1995 he founded the Michigan Legacy Art Park, and has pieces at the Chrysler World Headquarters, Flint's Bishop Airport, the Detroit Zoo, the State of Michigan Historical Museum and the Meadowbrook Festival Grounds Barr earned a master’s of fine arts degree from Wayne State University and was an associate professor of sculpture at Macomb Community College in Warren for 37 years. He worked on perhaps the largest sculpture in the world, the Four Corners Project, with installations at Greenland, Africa, Irian Jaya (New Guinea) and Easter Island. His sculptures are located all over the state of Michigan, but perhaps his most recognizable is Transcending, a blend of bronze, steel and granite that acknowledges the contributions of Detroit’s laborers and skilled tradespeople. David Barr is the founder of Michigan Legacy Art Park. David’s career as an artist, instructor, author and global thinker has crossed borders around the world, bringing people and ideas together. Over fifty years as a sculptor, David created a body of work that includes hundreds of wall-hanging structurist reliefs, sculptures for public spaces (such as Transcending in Hart Plaza, Detroit done with Sergio De Giusti), works for private collections, massive global projects (such as The Four Corners Project) and Michigan Legacy Art Park. David’s studio was in Detroit for fifteen years until he realized he needed nature as a source of inspiration. In 1977 he bought 4 acres of land in rural Oakland County (now Novi) and in 1979 built his home, a contemporary structure that has become the centerpiece of his own art park. His work is included in the collection of outdoor sculptures at The Dennos Museum Center along with Clement Meadmore, Hanna Stiebel...

Arturo Angel Punzo Vase #7 Hand Chiseled Copper Michoacan, Mexico Weight: 5 lbs., height: 16 in., width: 11 in.

Contemporary Art, Abstract Painting Copper paint and Acrylic on canvas 150x100cm Signed and dated on the back About the artist Alejandro Legorreta...

This is a masterfully executed wall hanging enamel on copper painting of Jerusalem. it is signed in Hebrew. Israel has had a Vibrant Folk Art, Naive art scene for a long time now artists like Yisrael Paldi, Nahum Guttman, Reuven Rubin had naive periods. The most well know of the strict naive artists are Shalom of Safed, Irene Awret...

Over many decades Loren Eiferman has created and mastered a unique technique of working with wood—her primary material. First, she begins with a drawing of an idea. Then she take...

Wood, stone, iron. The raw material and the material of a sculptor. ancestor of any architectural practice. But the architect, the sculptor and the artist do not remain alone in thei...

Enamel on Copper Pendant A small enamel similar to this one was shown in VOGUE Magazine in the early 1950s. Jewelry by the artist is quite rare. There are two examples at the Metal...

Rirkrit Tiravanija (b. 1961) is a Thai-born artist and pioneer of relational aesthetics. He is best known for his immersive and participatory installations that explore themes of com...

Midnight Observatory [2012] limited_edition etching and aquatint Edition number 69 Image size: H:20 cm x W:13.5 cm Complete Size of Unframed Work: H:37.5 cm x W:27.5 cm x D:.03cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look An etching and aquatint depicting the Royal Observatory at midnight in winter, printed from a copper plate in deep blue. This view of the Royal Observatory in Greenwich Park as seen from One Tree hill...