Art by Medium: Copper

Hyperrealist oil painting of wood horizon landscape still life painting by Anthony Adcock. **** This is a hyperrealistic oil painting. No wood o...

Simply stunning. They shine like jewels…This is Shayne Dark’s Reflections of Nature Series. Dark’s superb sculptural work is informed by nature. This series of wall sculptures—tondos...

This work was inspired by Berlin's many visits to the Peace Pagoda during his sojourn to Nepal over the Winter. Sax prepares his canvasses and waits for the right conjunction of crea...

El Anatsui uses typically discarded resources such as liquor bottle caps, cassava graters and newspaper printing plates, to create both floor-based sculptures and shimmering wall pie...

We are excited to bring this incredible painting to public attention. Berlin is renowned for his use of colour, pigments and texture but this piece is truly exceptional. Sumptuous in...

This statue is handcrafted by lost wax process which is one of the ancient process of metal craft. Manjushree is seated on lotus with one hand holding a sword which is a symbol to cu...

RAFAEL ATENCIA (Córdoba, España, 1954). Romería del Rocío. Óleo sobre cobre. Firmado en el ángulo inferior derecho. Medidas: 22 x 41.5 cm.; 51 x 71 cm. (marco). Precioso óleo sobre ...

This British artist is new to the Netherlands, her work is now a household name in the rest of the world. We understand why. A painting by Pam Hawkes is something remarkable. At th...

"June" is an oil on copper portrait by acclaimed figurative artist Steven Assael. A brunette woman with bangs and a ponytail gazes at the viewer from the corner of her eye. Her face ...

The Warm Wave

A whimsical painting of a little girl blowing bubbles out the window into an idyllic Italian landscape. Framed in a simple white-gold leaf frame. ...

The sculpture is a part of the series - Forward to the Future. The core idea of this project is to encourage people to use infinite and environmentally friendly natural energy. The ...

"White Feather on Stone Mountain" is a wall sculpture made of acrylic, pigments, bronze & steel dusts, quartz crystals, plexi and mica on wood panel + light. LED lights are insta...

Dana Hawk's (US based) "Lowland Savior" is an original, handmade oil painting that depicts a horse that seems to be stuck in a vat of copper, surrounded with...

Taylor Tynes' "White Petunias" is an original, handmade oil painting that depicts blooming white Petunia flowers growing with their green vines from a dark background.

UNDULA Copper Wall Light Copper and Brass H 48 x W 32 x D 8 in This artwork is conceived as a sculptural embodiment of light, where copper becomes a medium of fluid elegance. Its...

Same style different execution. Italian copper leaf and fluorescent thread sewn on Splendorlux Black Gloss

Four magnificent copper engraved plates with hand-colour from "Hortus Eystettensis", one of the earliest and most famous works in the field. [Nuremberg and Eichstatt, 1640]. The Hortus Eystettensis is a pictorial record of the flowers grown in the greatest German garden of its time, that of Prince Bishop of Eichstatt, Johann Conrad von Gemmingen. The garden was begun by Joachim Camerarius in 1596 and, after his death in 1598, completed by Basil Besler...

RAFAEL ATENCIA (Córdoba, España, 1954). Romería del Rocío. Óleo sobre cobre. Firmado en el ángulo inferior derecho. Medidas: 22 x 41.5 cm.; 51 x 71 cm. (marco). Precioso óleo sobre ...

Encaustic Copper Petroglyph Series with Paper Doll Outfits on Wood. 2010 The paper doll outfits are not clothes but images of states of mind from various sources, including images fr...

Gail Taylor (20th century, American) “Liquid Amber. Wonderful golds with the warmth of reds and greens in the copper sheet. A single leaf captured in th...

Bardol Thodol literally means liberation through hearing and comes from The Tibetan Book of the Dead. Bardo is the transitional state between death & rebirth. Lovers of jazz and music in general will be all too aware of how one can be transported to this suspended state when listening to music. This state is expressed beautifully in the Tibetan Book of the Dead, and here we quote directly from it "remember the clear light, the pure clear white light...............Let go into the clear light, trust it, merge with it. It is your own true nature". Jazz Bardo, Heavens Gate...

Pascal Kern (1952-2007) Icone (three panel triptych), 1987 Cibachrome print, inn copper handmade frame. (One is empty of photo on purpose.) Bearing artist label and inscriptions (frame verso) 48 x 48 inches. (each) Provenance: the Ginny L Williams...

J.B. Thompson "Photon" Mixed Media Etching w/ Copper and Aquatint Limited Edition J.B. Thompson (American, 1932-1984) Fantastic pencil signed and numbered mixed media etching with ...

"All that would happen to me in addition, well, it’s like rain on a pebble. It refreshes it and it’s already very beautiful. Another day, it will burn with sunshine. It always seemed...

See special shipping quotes offered by the gallery. Dusk Outside Florence is oil on aluminum which allows larger size oil paintings. This painting takes place in the area of Fiesol...

Mixed materials (wood & copper) Edition 4 of 75 Signed on the base, and numbered on the base and the accompanying insert card Mint. Small chip on the wooden box bottom back corner, o...

"Self Portrait" is an oil on copper painting depicting the likeness of renowned figurative artist Steven Assael, in his signature green brimmed hat, and glasses. The artist appears t...

Mixed materials (wood & copper) Edition 4 of 75 Signed on the base, and numbered on the base and the accompanying insert card Mint. Small chip on the wooden box bottom back corner, o...

Masculine inspiration can take many forms and looks different depending on the individual, his personality, energy, and emotional state. But generally speaking, masculine inspiration...

In 1972, the women’s movement was in full flower. Suzanne Benton had been an early activist, a founder and organizer of NOW Chapters, CT Feminists in the Arts, Women, Metamorphosis 1 (in New Haven, CT, the first women’s art festival in the USA). She'd already been creating metal sculpted masks and working with them in mask tale performances of Women of Myth and Heritage. Her inaugural performance of Sarah and Hagar n 1972 took place at Lincoln Center in NYC. Benton then became the artistic director and producer of an evening on Broadway, Four Chosen Women (performers included herself as mask tale performer, author Anais Nin, actress Vinie Burroughs and dancer Joan Stone). The evening took place at the Edison Theatre, November 22, 1972. While developing the evening on Broadway, Benton met renowned Swedish actress and Hollywood star, Viveca Lindfors. Viveca was then working on her solo performance, I AM A WOMAN, and was looking for a unique theatre set for the show. The happenstance that brought Viveca and Suzanne together. At that same time, recent travel to Macchu Picchu inspired her with the mountain’s great stones sitting on the edge of precipices. These vast stones led her to create welded steel Seated Sculpture Works. Viveca was intrigued by the concept and let her own imagination fly. Imagining a set of welded steel sculpture, she took the leap in commissioning Suzanne with complete faith in artist's ability to fulfill her mandate. Benton created groups of welded sculptures for two theater sets. Protection is one of three sculptures in first set created in 1973. Mother and Child, Pelvic Woman, Facing Each Other are three of five works from the 1974 second set. The first toured with her shows throughout the East Coast and into Toronto, Canada. The second set, created to nest together could travel as checked baggage for international and domestic airline travel. They flew to Denmark in 1980 for her performance at the UN sponsored 1980 Women’s International Conference, Copenhagen. In addition to creating the theatre sets, Benton mounted exhibitions of her masks and sculptures in the lobbies of theatres where she performed (NYC and Northampton). Continuing on with this theme, Becoming is her 1975 Seated Sculpture Work. The theatre sets were returned at the final end of its long run. These Seated Sculpture Works have often been featured in exhibitions, including both the 2003 and 2005 retrospectives. They are part of an oeuvre of 797 sculptures and masks. What attracted her to welded sculpture? This excerpt from her book, The Art of Welded Sculpture, Van Nostrand Reinhold, 1975 speaks of its lure: "Early in my life, when I had decided to become an artist, I had had an inner vision of being able to hold the physical material of my art in such a way as to bring it into existence with my hands. In welding, I wear a mask, a heavy apron, and gloves. I heat the metal and make it bend so smoothly and gracefully; I cut the metal, rigid metal, into endless shapes; I join the pieces by causing them to flow together with the heat of the flame. Welding was a return to my adolescent vision. It was fulfillment. At that beginning time I felt that even if I went no further, this experience in itself gave me astounding satisfaction. It was as thrilling as the moment of birth. It was my birth." (Pelvic Woman and Protection are illustrated in the book): What began in 1965 became by 2017 an oeuvre of 797 sculptures and masks. The magic of the welding mask...

Patrick Pietropoli was a teacher of political studies for several years before becoming a professional artist. Trained as both a painter and a sculptor, his oil on linen paintings ha...

Patrick Pietropoli was a teacher of political studies for several years before becoming a professional artist. Trained as both a painter and a sculptor, his oil on linen paintings ha...

Wonderful genre painting from 18th Century of pipe smoker. Signed lower right edge with monogram "I I E". Oil paint on copper. Condition: good: minor wear/rubbing from frame's rabbet...

“Autumn Days” is an oil on copper interior view of Melissa Franklin Sanchez’s painting studio. A rose in a silver vase and some plates rest on a wooden table. The double door latch w...

Patrick Pietropoli was a teacher of political studies for several years before becoming a professional artist. Trained as both a painter and a sculptor, his oil on linen paintings ha...

Wonderful abstract on reclaimed copper by Bay Area artist Michael Pauker (American, b.1957), circa 2010. Signed on verso. Condition: Good; copper is reclaimed so has some minor disto...

Very rare vintage screenprint on copper postcard featuring Eduardo Chillida's Antzo III, Proporción. Variations in color with oxidation of the copper. Framed and ready to hang.

Patrick Pietropoli was a teacher of political studies for several years before becoming a professional artist. Trained as both a painter and a sculptor, his oil on linen paintings ha...

About the Artist: Carolyn L. Barlock was born in Denver, Colorado on October 5th, 1947 to a native Coloradan family that dates back more than a hundred years to Central City’s rush ...

Artist's proof of hand copper application and aging techniques by Patricia Pearce (American, b. 1948). Unsigned, but was acquired with other Patricia Pearce pieces. Presented in a ne...

In 1972, the women’s movement was in full flower. Suzanne Benton had been an early activist, a founder and organizer of NOW Chapters, CT Feminists in the Arts, Women, Metamorphosis 1 (in New Haven, CT, the first women’s art festival in the USA). She'd already been creating metal sculpted masks and working with them in mask tale performances of Women of Myth and Heritage. Her inaugural performance of Sarah and Hagar n 1972 took place at Lincoln Center in NYC. Benton then became the artistic director and producer of an evening on Broadway, Four Chosen Women (performers included herself as mask tale performer, author Anais Nin, actress Vinie Burroughs and dancer Joan Stone). The evening took place at the Edison Theatre, November 22, 1972. While developing the evening on Broadway, Benton met renowned Swedish actress and Hollywood star, Viveca Lindfors. Viveca was then working on her solo performance, I AM A WOMAN, and was looking for a unique theatre set for the show. The happenstance that brought Viveca and Suzanne together. At that same time, recent travel to Macchu Picchu inspired her with the mountain’s great stones sitting on the edge of precipices. These vast stones led her to create welded steel Seated Sculpture Works. Viveca was intrigued by the concept and let her own imagination fly. Imagining a set of welded steel sculpture, she took the leap in commissioning Suzanne with complete faith in artist's ability to fulfill her mandate. Benton created groups of welded sculptures for two theater sets. Protection is one of three sculptures in first set created in 1973. Mother and Child, Pelvic Woman, Facing Each Other are three of five works from the 1974 second set. The first toured with her shows throughout the East Coast and into Toronto, Canada. The second set, created to nest together could travel as checked baggage for international and domestic airline travel. They flew to Denmark in 1980 for her performance at the UN sponsored 1980 Women’s International Conference, Copenhagen. In addition to creating the theatre sets, Benton mounted exhibitions of her masks and sculptures in the lobbies of theatres where she performed (NYC and Northampton). Continuing on with this theme, Becoming is her 1975 Seated Sculpture Work. The theatre sets were returned at the final end of its long run. These Seated Sculpture Works have often been featured in exhibitions, including both the 2003 and 2005 retrospectives. They are part of an oeuvre of 797 sculptures and masks. What attracted her to welded sculpture? This excerpt from her book, The Art of Welded Sculpture, Van Nostrand Reinhold, 1975 speaks of its lure: "Early in my life, when I had decided to become an artist, I had had an inner vision of being able to hold the physical material of my art in such a way as to bring it into existence with my hands. In welding, I wear a mask, a heavy apron, and gloves. I heat the metal and make it bend so smoothly and gracefully; I cut the metal, rigid metal, into endless shapes; I join the pieces by causing them to flow together with the heat of the flame. Welding was a return to my adolescent vision. It was fulfillment. At that beginning time I felt that even if I went no further, this experience in itself gave me astounding satisfaction. It was as thrilling as the moment of birth. It was my birth." (Pelvic Woman and Protection are illustrated in the book): What began in 1965 became by 2017 an oeuvre of 797 sculptures and masks. The magic of the welding mask...

In 1972, the women’s movement was in full flower. Suzanne Benton had been an early activist, a founder and organizer of NOW Chapters, CT Feminists in the Arts, Women, Metamorphosis 1 (in New Haven, CT, the first women’s art festival in the USA). She'd already been creating metal sculpted masks and working with them in mask tale performances of Women of Myth and Heritage. Her inaugural performance of Sarah and Hagar n 1972 took place at Lincoln Center in NYC. Benton then became the artistic director and producer of an evening on Broadway, Four Chosen Women (performers included herself as mask tale performer, author Anais Nin, actress Vinie Burroughs and dancer Joan Stone). The evening took place at the Edison Theatre, November 22, 1972. While developing the evening on Broadway, Benton met renowned Swedish actress and Hollywood star, Viveca Lindfors. Viveca was then working on her solo performance, I AM A WOMAN, and was looking for a unique theatre set for the show. The happenstance that brought Viveca and Suzanne together. At that same time, recent travel to Macchu Picchu inspired her with the mountain’s great stones sitting on the edge of precipices. These vast stones led her to create welded steel Seated Sculpture Works. Viveca was intrigued by the concept and let her own imagination fly. Imagining a set of welded steel sculpture, she took the leap in commissioning Suzanne with complete faith in artist's ability to fulfill her mandate. Benton created groups of welded sculptures for two theater sets. Protection is one of three sculptures in first set created in 1973. Mother and Child, Pelvic Woman, Facing Each Other are three of five works from the 1974 second set. The first toured with her shows throughout the East Coast and into Toronto, Canada. The second set, created to nest together could travel as checked baggage for international and domestic airline travel. They flew to Denmark in 1980 for her performance at the UN sponsored 1980 Women’s International Conference, Copenhagen. In addition to creating the theatre sets, Benton mounted exhibitions of her masks and sculptures in the lobbies of theatres where she performed (NYC and Northampton). Continuing on with this theme, Becoming is her 1975 Seated Sculpture Work. The theatre sets were returned at the final end of its long run. These Seated Sculpture Works have often been featured in exhibitions, including both the 2003 and 2005 retrospectives. They are part of an oeuvre of 797 sculptures and masks. What attracted her to welded sculpture? This excerpt from her book, The Art of Welded Sculpture, Van Nostrand Reinhold, 1975 speaks of its lure: "Early in my life, when I had decided to become an artist, I had had an inner vision of being able to hold the physical material of my art in such a way as to bring it into existence with my hands. In welding, I wear a mask, a heavy apron, and gloves. I heat the metal and make it bend so smoothly and gracefully; I cut the metal, rigid metal, into endless shapes; I join the pieces by causing them to flow together with the heat of the flame. Welding was a return to my adolescent vision. It was fulfillment. At that beginning time I felt that even if I went no further, this experience in itself gave me astounding satisfaction. It was as thrilling as the moment of birth. It was my birth." (Pelvic Woman and Protection are illustrated in the book): What began in 1965 became by 2017 an oeuvre of 797 sculptures and masks. The magic of the welding mask...

Wall hanging, Framed 16 X 20. Enamel measures 16 X 12 Dominic Mingolla (1922 – 1999) Mingolla created paintings in many different materials and genres. Best known for his large...

"At Sea Between Fossils and Satellites" is a large-scaled textured mixed-media painting that explores the connection between the ancient and the celestial. Created with acrylic, late...

Well-fed, well-dressed, and well satisfied, counting and accounting for the money. The unknown painter--although the name Quentin Matsys was scratched into the verso of this work pro...

oil on copper

Modern abstract fish sculpture made of copper by Houston, TX artist Frank Dolejska. The work features a rounded fish shape with the words "random harves...

Modern abstract fish sculpture made of copper by Houston, TX artist Frank Dolejska. The work features an elongated fish shape with the words "sweet eats...

Snakes by Albertus Seba (1665-1736) Early 18th century-copper engravings with original colour. Published to illustrate Seba's 'cabinet of curiosities' Framed Dimensions: Including ...

Snakes by Albertus Seba (1665-1736) Early 18th century-copper engravings with original colour. Published to illustrate Seba's 'cabinet of curiosities' Framed Dimensions: Including ...

"At Sea Between Fossils and Satellites II2" is a textured mixed-media painting that explores the connection between the ancient and the celestial. Created with acrylic, latex, copper...

Contemporary Oil Painting on Copper, Framed Portrait, The Most Beautiful Man Jed Jackson was born in Fayetteville, Arkansas. Throughout his education, he studied under artists such ...

Materials: Orogolite, canvas, oil, craquelure, nautilus shell, polymer clay, natural leather, parchment leather, bambek, decorative cord, copper, bronze casting / wenge-colored ash f...

Mixed Media Sculpture with Waxed Linen, Hammered Copper and Iron Wire Mary Giles (1944-2018) received her BS in Art Education from Mankato State University in Minnesota. After rece...

"Copper Green" by Joel Perlman Abstract metal sculpture in copper Joel Perlman has been creating complex sculptures out of steel, bronze, and aluminum since the early 1970's. While ...

Pair of 19th C Continental Oil Paintings on Copper After Bartolome Esteban Murillo "The Little Fruit Seller" After Gerrit Dou "Kitchen Maid at the Window" 6.5" x 8" 9.5" 10.5"

Referencing industrial space detritus and the allure of artifacts, this disc floats free from the constraints of the wall and mesmerizes with a hypnotically beautiful jeweled center....

Dina Brodsky is a contemporary realist painter. Known for her miniaturist style, her highly detailed depictions of urban interiors, natural environments, and unsuspecting human and animal subjects are evocative of renaissance portraiture and landscape. Brodsky often paints on small circular surfaces, forcing viewers to move closer to the work. She was drawn to miniature painting from her study of Islamic miniature art and medieval illuminated manuscripts...

Origin: Chinese Artist: Unknown Dates: Early-Mid 20th Century Title: Pair of Cloisonne Tall Urns Medium: Enameled Copper on Carved Wood base Size: 56 in. x 26 in. x 26 in. (142.24 cm...