Art by Medium: Copper

Sébastien Ardouin Dumazet (b. 1972) – "Twilight" (Crépuscule) Oil on oxidized gilded leaf on canvas, 2026, 15¾ × 15¾ in. (40 × 40 cm) "Twilight" is a small-scale floral composition ...

This piece titled "Diptych: Egg Bag & Insect Net" is an original artwork made from beeswax, quail eggs, mica, plastic, copper, linen, and silverpoint, moun...

ARTIST - Workshop of Alessandro Allori (1535–1607) // PERIOD - Circa 1570–1580, 16th Century // ORIGIN - Florence, Italy // MEDIUM - Oil on Copper // STYLE - Late Florentine Renaissa...

Maria Meriggi, born in 1935, is an Italian painter known for her evocative depictions of urban landscapes and everyday scenes, particularly those of Venice. Her notable works include...

The Virgin and Child with two music-making angels, after Van Dyck; in clouds, the Virgin shown half-length supporting the infant Jesus on an orb, looking to right at an angel playing...

Interested in communicating ideas of history, place and nature in her painting practice, Jennifer Wolf utilizes natural dyes and minerals to feature a historically significant palett...

The title means to ‘shine a light’ or illuminate. Alice Vander Vennen’s beautiful contemporary compositions are designed to tell a story. Fashioned by hand, the canoe-like shape of t...

Multifaceted Copper Enamel Tiles Abstract by N.G. Bloome Enameled Copper panels "Picasso" esq by an unknown artist. N.G. Bloome (American, 20th C). Uniq...

Elephant lidded kuduo container from the Ashanti peoples of Ghana. Kuduo were created to store valuable possessions such as gold dust and served the sym...

This original piece by Luke O'Sullivan is made from wood that the artist has silkscreen printed onto with his original drawings and patterns, which he then cut and assembled into a three-dimensional, wall-hanging sculpture with additional wire and copper details. The finished piece measures 40”h x 35”w x 11”d. About the Artwork O’Sullivan creates invented buildings, places, and objects describing unexplored worlds conjuring a sense of discovery and adventure. Rise and Shine represents a shift from the artist’s earlier work featuring structures, facades, and panoramic landscapes toward a more detailed approach. These new works depict encapsulated, floating environments devoid of humans. The sculptural objects are keepsakes or relics from these faraway places. Each piece plays with the shifting relationships between two and three dimensions, surface and underworld. O’Sullivan’s recent screen prints introduce color, imbuing these works with a certain levity and illustrative quality. The playful nature of O’Sullivan’s work draws from Nintendo games, maps, science fiction movies, and movie set design. Likening his process to a lego set...

Flower Garland Surrounding the Virgin and Child, after Jan Brueghel the Elder (flowers), Circle of Frans Francken II (figures), Antwerp, circa 1615–1625, Oil on copper This finely executed garland painting on copper belongs to the Antwerp tradition of collaborative devotional cabinet pictures developed in the early seventeenth century. The meticulously rendered floral wreath may be associated with the circle of Jan Brueghel the Elder, while the central figures are attributable to the circle of Frans Francken II. The copper support, favored for high-quality works of this type, provides an exceptionally smooth surface that permits minute precision of detail and preserves the jewel-like luminosity of the colours. Set against a dark, subtly modulated background, the oval garland appears to float freely within the pictorial field, leaving the corners and margins open and lending the composition an airy sense of balance. The wreath is constructed from a carefully orchestrated rhythm of large, voluminous blossoms—roses in varying hues, carnations, anemones, and marigolds—interwoven with a profusion of smaller flowers, leaves, and stems. Each bloom is individually characterized, displaying botanical precision, crisp highlights, and delicate tonal transitions consistent with early seventeenth-century Flemish flower painting...

A Tavern Interior - 18th Century Old Master, Figurative Oil Painting by Schaak Little is known about the artist J.S.C. Schaak. He was active in England as a portraitist between 1760-1770. His name indicates his German or Dutch origin. Especially portraits of generals...

Contemporary Art, Abstract Painting Copper paint and Acrylic on canvas 150x100cm Signed and dated on the back About the artist Alejandro Legorreta...

This rare painting in a tondo format, attributed to Jean-Baptiste Pillement (1728-1808) and executed in oil on copper during the zenith of the French Rococo at the court of Marie Ant...

Anonymous Artist "La Anunciación" from the 18th Century. Oil on Copper 21.5 x 15.7 inches Perfect Condition It represents the moment when Mary accepts the divine designs transmitted by the archangel Saint...

Fire and Rain, abstract sculpture, copper, unique, geometric, blue red, brown PUBLIC COLLECTIONS U.S. Embassy, Tokyo,Japan Mountain Bell Corporate Of...

"Artemis" Figurative Sculpture 6.5 x 7 in Ed. of 5 by Colin Burn Limited Edition Crystal Vagina Sculpture Edition: Artist Proof 1/1 Limited Edition - 5 Only The Artemis sculpture ...

Shell from Viareggio inspired by the moment you put your ear to a shell and hear the sound f the sea. If you are silent and close your eyes and believe, you may hear it. The Painting...

Limited Edition 400% Pewter BE@RBRICK: Green Copper Patina. Dimensions: 28 cm Tall, Swipe for Reference Photos. Steven Harrington teams up with Royal...

Jiri Kolar (Jiří Kolář) Analphabetogramme - Signatur Objekt Nr. 23 (Collages, Assemblages, Poetry, Surrealism) Analphabétogramme (hand-pressed copper print) with matte Year: 1995 Size: 12×11.6×0.6in Edition: 756 of 990 Signed, numbered by hand Publisher: First Edition, Verlag Rommerskirchen, Rolandseck - Germany COA provided Ref.: 924802-1933 White original cardboard in a Plexiglas slipcase, signed and numbered, number 756 of 990. 28 pages in block book form, texts and colored illustrations of collaged sculpture photographs, 1 loosely enclosed hand-signed original hand-pressed copper print ("Analphabétograms") under passepartout. The cardboard cover is cut out like a passe-partout so that the title illustration is visible when the book is hung on the wall as an art object using the acrylic glass frame provided. Tags: Czech artist,Poet,Visual artist,Political activist,Collages,Assemblages,Poetry,Surrealism,Dada...

Pair of copper paintings, military march with cavalry. Adam Frans van der Meulen, 17th century. Artist: Adam Frans Van Der Meulen. Attributed. Dimensions without frame: 21 × 18 cm e...

Mocking of Christ, with all around in grisaille: the Crucifixion, the Resurrection, God the Father, Mankind after the Fall,; in the corners the four evangelists. J. Dijkstra ao, cat. The paintings of Museum Catharijneconvent, Utrecht (Museum Catharijneconvent) 2002, p. 196, pict., as Frans Francken...

Adoration of the Magi Attributed to Frans Francken II (1581-1642), 17th century Antwerp School, circa 1620 Oil on copper, dimensions: h. 44.5 cm, w. 32 cm. (17.52 in x 12.60 in) Ebon...

This is a monumental sculpture which gives us a conversation about our relationship with the natural world. It is not only a straight up beautiful form of our majestic elk but it is ...

Simply stunning. They shine like jewels…This is Shayne Dark’s Reflections of Nature Series. Dark’s superb sculptural work is informed by nature. This series of wall sculptures—tondos...

Just when you think an artist has reached the zenith of creativity and beauty a piece arrives that is simply breathtaking. It truly is Sax Berlin's destiny to create these stunning w...

Brian O'Neill's "What Lies Beneath" is an exquisite original artwork created in 2024. This piece, measuring 24 x 48 x 1.50 inches (60.96 x 121.92 x 3.81 cm), features a masterful com...

This exquisite painting, resembling a precious jewel, serves as an exceptional illustration of the devotional cabinet paintings created by Giuseppe Maria Crespi, a highly original Bolognese artist during the late 17th and early 18th centuries. Crespi's distinctiveness extended beyond his unique style and technique to the subjects he chose to portray. While his portraits and genre paintings often displayed a light-hearted and even irreverent tone, his treatment of religious themes resonated with deep emotion, even in its most inventive forms. This recently uncovered work by Crespi is a typical representation, invoking the tender connection between mother and child, and the Child's destiny, all within a compact and intimate format. Executed on a small scale, the painting showcases Crespi's remarkable sensitivity and mastery of paint, especially evident in the expressive brushwork of the drapery. The restrained and focused composition of the Holy Family allows for contemplation of the figures. Mary cradles the Christ child gently, seemingly presenting him to the viewer, her gaze knowing as the infant holds a diminutive cross, symbolizing his future crucifixion. Joseph appears in the background, emerging from the left side of the frame, gazing upward with folded hands in prayer. Individual motifs from this painting reappear in other works by Crespi, suggesting a synthesis of familiar elements into a vibrant composition. The artist's revisitation of designs throughout his career is evident, and this painting on copper likely belongs to a later period, reflecting stylistic ties to other works and Crespi's increased production of smaller devotional pieces. Distinguished by its cool palette, bold coloration, and the expressive force of the artist's hand, this Holy Family painting...

Portrait (Untitled), c. mid 1930s, hammered copper, 11 1/2 x 8 1/2 inches Beryl McCarthy Wynnyk was a California-based painter, sculptor, and craftsperson. She studied at the Califo...

Brent Artman Firework, 2025 flame on copper 24 x 24 in (60.96 x 60.96 cm)

Portrait of young Garibaldi is mixed colored painting realized by Anonymous artist of the XIX century. Oil on copper. Rare portrait of a young Garibaldi. Includes frame 39 x 3 x 29.

RAFAEL ATENCIA (Córdoba, España, 1954). Romería del Rocío. Óleo sobre cobre. Firmado en el ángulo inferior derecho. Medidas: 22 x 41.5 cm.; 51 x 71 cm. (marco). Precioso óleo sobre ...

"June" is an oil on copper portrait by acclaimed figurative artist Steven Assael. A brunette woman with bangs and a ponytail gazes at the viewer from the corner of her eye. Her face ...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

Albrecht Dürer 1471-1528 German The Penance of St. Chrysostom Monogrammed in the plate lower center "AD" Copper engraving on laid paper “Whatever was mortal in Albrecht Dürer li...

Abstract sculpture

The eye is first drawn to the delicate balance of this structure. A gnarled trunk rises with graceful flexibility to support a dense canopy. The metal imitates nature with remarkable...

Patrick Pietropoli was a teacher of political studies for several years before becoming a professional artist. Trained as both a painter and a sculptor, his oil on linen paintings ha...

A mixed media sculpture by James Johnson from 2002. A pregnant female figure of epoxy resin with copper wings and a simian face. Artist: James Johnson Title: Monkey Girl 2 Year...

"Clay connects me to the earth, the smell, the feel, the tactility of the material. I surrender to it and give it presence; it gives me form. Following its own frequency, clay dictat...

Chagall was born in 1887 in Vitebsk, Belarus, into a Hasidic Jewish family. Animals were part of daily life — in the yard, the market, the street. They were not symbols then, they we...

EDITION Monogrammed, stamped and dated on reverse: C.L ; Lalanne ; 87

Nicolò Cercignani, known as “il Pomarancio,” *The Transfiguration*, a large-scale oil painting on copper plate. The work is attributed to Nicolò Cercignani, known as il Pomarancio (P...

Produced under the auspices of the Frank Lloyd Wright Foundation. It is an exact replica of the Robie House No. 2 Window. Inscribed "1988 Frank Lloyd Wright Foundation #60" lower b...

Stony Signs, wool, sisal, copper, 35" x 90", 1978. This Mid-Century Modern abstract woven tapestry was done by Postwar and Contemporary Polish textile...

"Make Me Proud or At Least Less Ashamed" captures a moment of quiet persistence. The surface shimmers with layered paint, paper, resin and copper, materials that hold both fragility ...

FREE SHIPPING TO WORLDWIDE! Artisan: Jose Antonio Martinez Velazquez FONART 1st. Place Metalwork  FONART 1st. Edition National Award "De Principio a Fin Tradiciones Populares Me...

An original conceptual hand carved and joined wood wall sculpture by Kevin Kegler. This work is currently featured in the artist's solo exhibition inside The Corridors Gallery at ...

The Triumph of the Infant Bacchus, Workshop of Hendrick Van Balen (1575-1632) Antwerp, c.1630 Oil on copper, h. 28 cm (11.02 in), w. 35 cm (13.78 in) A large Roman 17th century golden painted frame Framed: h. 52 cm (20.47 in.), w. 58 cm (22.83 in) This artwork is sold with a certificate of authenticity guaranteeing its origin, date of execution, and attribution to the artist. Our finely painted work depicts The Triumph of the Bacchus as a young boy and is one of the most popular mythological subjects in Antwerp at the beginning of the 17th century. Feasting, wine and fun are the themes that constantly appeal to the public. Thus unfolds before our eyes on our painting the procession composed of nymphs, baccantes, fauns, satyrs and children, their bodies naked, partially covered with brightly coloured draperies that help to brighten up the parade. Playing various instruments, dancing and drinking, while carrying vases and poles adorned with grapevines, participants to the rhythm of a noisy brass band make their way to an ancient temple standing on the right. The exaggerated gestures convey to us the frenzy of the excited crowd. The Child Bacchus follows the joyous procession, carried by satyrs and nymphs, crowned with ivy and joyfully raising a cup of wine. In the foreground, the drunken participants leave the procession, the children on the left and the group of bacchantes and satyrs on the right are resting among various objects scattered at their feet: cups, vases, ewers bear witness to the festivities in progress. In the background, a hilly landscape stretches out on the horizon, a semblance of calm that contrasts with the bustle of the foreground. The artist strives to multiply the many details, whether it be figures, costumes, flowers or vegetation, in order to demonstrate his know-how and the perfection of his execution. The acidulous palette with fresh and varied colours is characteristic of Hendrick Van Balen's works. There are several versions identical to ours with similar dimensions painted by Hendrick Van Balen and his workshop. Related works: • Koller Auction, Zurich, 21/09/2007, oil on copper, 28,5 x 37,4 cm. • Staatliche Kunsthalle, Karlsruhe, Inv. N° 809 (oil on copper, 40 x 53,5 cm) • Auktionshaus für Altertümer Glückselig, Vienne, 10/05/1932, ( oil on copper, 34 x 42 cm) • Gemäldegalerie of Pommersfelden, Schloss Weissenstein, oil on panel, 47 x 64 cm Hendrick Van Balen, Flemish painter, born and died in Antwerp (1575-1632). A pupil of Adam Van Noort, he entered the Guild of St. Luke in 1593, later trained in Italy and was Van Dyck's first teacher. He often painted small figures taken from scenes from the Bible or classical mythology, on paintings whose backgrounds and landscapes were painted by Josse de Momper...

Sébastien Ardouin Dumazet (b. 1972) – "The Delicacy" (La Délicatesse) Oil on oxidized gilded leaf on canvas, 2025, 31½ × 31½ in. (80 × 80 cm) "The Delicacy" is a contemporary floral...

This super colorful and vibrant wall sculpture is both a painting and a sculpture in one. The piece floats off the wall and is created using black plexiglass which is carved with an...

Allegory of summer, personified by Ceres Workshop of Hendrick Van Balen Antwerp School, early 17th century. Oil on copper, Dimensions: h. 54 cm, l. 40cm Ebonised wood frame with moulded and guilloché decoration. Framed dimensions: h. 80 cm, l. 66 cm Very good condition This finely executed oil on copper belongs to the rich tradition of allegorical and mythological painting that flourished in Antwerp during the early seventeenth century. Hendrick van Balen and Jan Brueghel the Younger were among the leading exponents of this artistic genre, whose workshops produced numerous compositions depicting the Seasons, the Elements, the Senses, and the gods of Olympus, set within luxuriant landscapes populated by animals and mythological figures. At the centre of a verdant landscape dominated by a flourishing apple tree stands Ceres, the Roman goddess of the Earth, agriculture, and the harvest. Partially draped in a flowing blue garment, she wears a crown of wheat ears, her traditional attribute. In her right hand she holds a sickle and carries sheaves of wheat, symbols of fertility and abundance. Beside her, a nymph presents a cornucopia while playful putti gather and offer flowers. The foreground celebrates the bounty of summer through an abundant still life composed of figs, cherries, apples, and lemons. A squirrel nibbling cherries symbolizes diligence and foresight, virtues echoed by the harvesters working in the wheat fields visible in the distance. The background unfolds in a profusion of vegetation: to the right, a wild rose bush rises against the trunk of a tree, while the centre is animated by majestic trees with silvery-green foliage. The artist, likely a pupil or close follower of Hendrick van Balen, draws direct inspiration from the master's repertoire. The nymph in the yellow drapery seen from behind—a recurring figure in Van Balen’s compositions—is a particularly telling example. The graceful gestures, luminous flesh tones, and wind-swept draperies further reflect the master's distinctive style. The influence of Jan Brueghel the Younger can be seen in the meticulous rendering of the trees, flowers—particularly wild roses and tulips—and in the richly detailed still life with animals in the foreground. Throughout Europe, there was considerable demand for these virtuoso compositions, in which mythological figures served as a pretext for the refined depiction of nature and its abundance. This painting is a charming and accomplished example of that tradition, combining elegant storytelling, technical refinement, and rich iconographic content. Hendrick Van Balen, Flemish painter, born and died in Antwerp (1575-1632). A student of Adam Van Noort, he entered the guild of Saint-Luc in 1593, later trained in Italy and was Van Dyck's first master. He often painted small characters taken from scenes from the Bible or classical mythology, on paintings in which Josse de Momper...

Blossom Copper Mosaic 36.0 x 36.0 x 1.5, 23.0 lbs Copper, mixed media Hand signed by the artist Artist's Commentary: "Vibrant hues radiate from this copper mosaic, whose delicate ...

A remarkable trio of 18th century, oil-on-copper paintings of, Ottoman Empire figures in colorful robes and accouterments, posing in European style landscapes. Each figure is labeled...

How To Eat An Elephant is an original etching by Will Taylor. It explores animal images and mathematics, including the integral of volumes. Each impression is marked on the reverse w...

Madonna and Child with Angels Attributed to Louis de Caullery (1565 -1622) for figures & Abraham Govaerts (1589 - 1626) for landscape Not signed 17th century Antwerp school, circ...

Corrina is inspired by the work of Louise Bourgeois, Louise Nevelson, Albert Paley, Lee Bontecou. Corrina Sephora is an Atlanta-based mixed-media Artist specializing in sculpture, p...

The Carmen portfolio occupies a particular place within this legacy. Based on Prosper Mérimée's 1845 novella, the same source that inspired Bizet's opera, Picasso's Carmen suite dist...

"At Sea Between Fossils and Satellites I1" is a textured mixed-media painting that explores the connection between the ancient and the celestial. Created with acrylic, latex, copper ...

"Moonlight makes me dizzy, Sunlight makes me clean. Down is the dizziness of a hot summer night and Up is the cool calm of the morning." Becca Fuhrman says of her work... My work a...