Art by Medium: Digital Pigment

Appearance 30" X 40" Ed. of 10, Unframed we can frame it in a white wood shadow box. The frame price is 400$. Also in size 41.5 x 59 A resolutely minimalist and suggestive approach to get to the essential. Not trying to show a subject for what it is, but for what it expresses. This is my way of telling stories, of translating my sensibility”. J-M. Lenoir A passion for nature from an early age led Lenoir to photography as a means to capture magical moments of nature and wildlife. Starting with wildlife and wide spaces, he developed his own vision of photography. Landscape photography is an eternal quest for atmosphere where the light and the quest of beauty are key references, his aesthetic landmark. His photographic intention relies on his magnetic attraction for wide spaces combined with his quest of beautiful lights. A way that inspires him and his instinct of freedom. In photography, he is looking for simple pictures, which go straight to the subject core, with very few things in the frame. Lenoir follows a suggestive approach: he does not try to show a subject as it is, but to share what it expresses. It is his way of telling stories and conveying his sensibility, like his recent work “Evanescence”. Combining his passion for pictures with rugged landscapes, he organizes and guides photo tours with Photographes du Monde agency for seven years. From north of Europe (Scotland, Norway, Finland) to South america (Chile and Bolivia),his photographic world leads him into areas of wilderness from where he draws his main source of inspiration. Lenoir is an ambassador for Fujifilm cameras...

This piece can be framed for an additional $1,500. 4" white border

Edition of 3 Signed, titled, dated and numbered. Paper size: 30 x 24 in., Image size: 16 x 16 in. A digital photograph is made up of pixels, tiny blocks of color. Within one image, ...

AP Signed, titled, dated and numbered on artist label on verso. Digital c-print, 23 1/2 x 31 1/2 in. Acrylic face mounting included. Esteban Pastorino Diaz is a South American photo...

Amir Baradaran is a New York-based Iranian-Canadian ARtificial artist. As the Arts-Based Creative Research Associate and Adjunct Faculty at Columbia University School of Engineering and Applied Sciences, Baradaran is developing iBegoo, a multi-user software that supports artists with limited knowledge of game design and programing by streamlining and automating the process of writing for, directing, and producing interactive Augmented Reality (AR) experiences that include responsive characters enabled with Artificial Intelligence (AI). Baradaran is the recipient of the Knight Foundation Arts Award, Canada Council for the Arts New-Chapter & 150th Anniversary Prize, UC Berkeley Artist Residency (from Center for Critical Theory, New Media, Race and Gender Studies), International Symposium on Mixed and Augmented Reality Future of Augmented Reality Prize, and Morgan Stanley Pulse Art Fair grant. As a researcher at Columbia University Computer Graphics and User Interfaces Lab and a member of the School of the Arts Digital Storytelling Lab, Baradaran’s praxis and writings focus on a critical {AR}ticulation of visual vocabularies that use AR and AI technologies around notions of interactivity, non-linear narrative formation, po{AI}try, data-mining, failed utopias, racialized and gendered bodies, infiltration, and the ephemeral. Baradaran is a TEDx speaker, and an invited presenter to His Holiness Dalai Lama’s World Headquarters in Dharamsala for the Summit on Fostering Universal Ethics and Compassion through Museums. Baradaran is the co-author of the chapter Augmenting Empathy and Decolonizing AR/VR Mediums: How Do We Reimagine Augmented and Virtual Reality Experiences?” (Ed. By Gokcigdem, 2019), the author of While Data Privacy Talks, Capitalism Walks: Urging for a Critical Take on the Artificial Intelligence Ecosystem, and the Rise of the Machine (Ed. By Brielmaier, Forthcoming), and the co-editor of The Color of Queer Health Care: Experiences of Multiple Oppression in the Lives of Queer People of Color (-with Ryan, B. & Brotman, S. (eds.), 2006). Reviews of Baradaran’s work include Oxford University Press, Art in America, New York Observer, ARTNET, National Public Radio, BBC, Forbes, Euro-News, and L'Actualité. ARTINFO described his public art, Transient (installed in 6,300 NYC...

Edition of 5 Signed, titled, dated and numbered. Series: Aerial Frame included. Esteban Pastorino Diaz is a South American photographer, born in 1972, in Buenos Aires, Argentina. Hi...

Edition of 15 + 3 APs Signed, titled, dated and numbered. Portfolio box: 13 1/4 x 16 3/4 x 2 1/8 in. A limited edition portfolio was published by Jeanine Michna-Bales in the spring of 2018. The numbered books (1-15 + 3ap) along with twelve images selected by the artist are enclosed in a hand-crafted box. The images are interleaved with vellum sheets that have quotations from those who played an integral part in the Underground Railroad...

Paper size: 20 x 24 in., Image size: 14 1/4 x 20 in. Signed, titled, and dated. *Photograph in images and video show print in size 17 x 22 in. Framing not included Neal Slavin is a...

Edition of 10 Signed, titled, dated and numbered. Series: Aerial Esteban Pastorino Diaz is a South American photographer, born in 1972, in Buenos Aires, Argentina. His childhood pas...

Edition of 25 Signed and dated in black ink on print verso by Peter Brown Paper size: 20 x 24 in., Image size: 16 x 20 in. Published: West of Last Chance (2008) Available in additio...

Signed. Edition of 15 Series: World of Wonders Jimmy Katz, born in New York City in 1957, received his B.A. in political science and studied photography with John McKee at Bowdoin C...

Edition of 15 Signed, titled, and numbered. Jimmy Katz, born in New York City in 1957, received his B.A. in political science and studied photography with John McKee at Bowdoin Coll...

Edition of 10 Signed, titled, dated and numbered. Esteban Pastorino Diaz is a South American photographer, born in 1972, in Buenos Aires, Argentina. His childhood passion for airpla...

This piece can be framed in white wood for an additional $550.

This piece can be framed for an additional $1,500. 4" white border

Amir Baradaran is a New York-based Iranian-Canadian ARtificial artist. As the Arts-Based Creative Research Associate and Adjunct Faculty at Columbia University School of Engineering and Applied Sciences, Baradaran is developing iBegoo, a multi-user software that supports artists with limited knowledge of game design and programing by streamlining and automating the process of writing for, directing, and producing interactive Augmented Reality (AR) experiences that include responsive characters enabled with Artificial Intelligence (AI). Baradaran is the recipient of the Knight Foundation Arts Award, Canada Council for the Arts New-Chapter & 150th Anniversary Prize, UC Berkeley Artist Residency (from Center for Critical Theory, New Media, Race and Gender Studies), International Symposium on Mixed and Augmented Reality Future of Augmented Reality Prize, and Morgan Stanley Pulse Art Fair grant. As a researcher at Columbia University Computer Graphics and User Interfaces Lab and a member of the School of the Arts Digital Storytelling Lab, Baradaran’s praxis and writings focus on a critical {AR}ticulation of visual vocabularies that use AR and AI technologies around notions of interactivity, non-linear narrative formation, po{AI}try, data-mining, failed utopias, racialized and gendered bodies, infiltration, and the ephemeral. Baradaran is a TEDx speaker, and an invited presenter to His Holiness Dalai Lama’s World Headquarters in Dharamsala for the Summit on Fostering Universal Ethics and Compassion through Museums. Baradaran is the co-author of the chapter Augmenting Empathy and Decolonizing AR/VR Mediums: How Do We Reimagine Augmented and Virtual Reality Experiences?” (Ed. By Gokcigdem, 2019), the author of While Data Privacy Talks, Capitalism Walks: Urging for a Critical Take on the Artificial Intelligence Ecosystem, and the Rise of the Machine (Ed. By Brielmaier, Forthcoming), and the co-editor of The Color of Queer Health Care: Experiences of Multiple Oppression in the Lives of Queer People of Color (-with Ryan, B. & Brotman, S. (eds.), 2006). Reviews of Baradaran’s work include Oxford University Press, Art in America, New York Observer, ARTNET, National Public Radio, BBC, Forbes, Euro-News, and L'Actualité. ARTINFO described his public art, Transient (installed in 6,300 NYC...

Amir Baradaran is a New York-based Iranian-Canadian ARtificial artist. As the Arts-Based Creative Research Associate and Adjunct Faculty at Columbia University School of Engineering and Applied Sciences, Baradaran is developing iBegoo, a multi-user software that supports artists with limited knowledge of game design and programing by streamlining and automating the process of writing for, directing, and producing interactive Augmented Reality (AR) experiences that include responsive characters enabled with Artificial Intelligence (AI). Baradaran is the recipient of the Knight Foundation Arts Award, Canada Council for the Arts New-Chapter & 150th Anniversary Prize, UC Berkeley Artist Residency (from Center for Critical Theory, New Media, Race and Gender Studies), International Symposium on Mixed and Augmented Reality Future of Augmented Reality Prize, and Morgan Stanley Pulse Art Fair grant. As a researcher at Columbia University Computer Graphics and User Interfaces Lab and a member of the School of the Arts Digital Storytelling Lab, Baradaran’s praxis and writings focus on a critical {AR}ticulation of visual vocabularies that use AR and AI technologies around notions of interactivity, non-linear narrative formation, po{AI}try, data-mining, failed utopias, racialized and gendered bodies, infiltration, and the ephemeral. Baradaran is a TEDx speaker, and an invited presenter to His Holiness Dalai Lama’s World Headquarters in Dharamsala for the Summit on Fostering Universal Ethics and Compassion through Museums. Baradaran is the co-author of the chapter Augmenting Empathy and Decolonizing AR/VR Mediums: How Do We Reimagine Augmented and Virtual Reality Experiences?” (Ed. By Gokcigdem, 2019), the author of While Data Privacy Talks, Capitalism Walks: Urging for a Critical Take on the Artificial Intelligence Ecosystem, and the Rise of the Machine (Ed. By Brielmaier, Forthcoming), and the co-editor of The Color of Queer Health Care: Experiences of Multiple Oppression in the Lives of Queer People of Color (-with Ryan, B. & Brotman, S. (eds.), 2006). Reviews of Baradaran’s work include Oxford University Press, Art in America, New York Observer, ARTNET, National Public Radio, BBC, Forbes, Euro-News, and L'Actualité. ARTINFO described his public art, Transient (installed in 6,300 NYC...

Amir Baradaran is a New York-based Iranian-Canadian ARtificial artist. As the Arts-Based Creative Research Associate and Adjunct Faculty at Columbia University School of Engineering and Applied Sciences, Baradaran is developing iBegoo, a multi-user software that supports artists with limited knowledge of game design and programing by streamlining and automating the process of writing for, directing, and producing interactive Augmented Reality (AR) experiences that include responsive characters enabled with Artificial Intelligence (AI). Baradaran is the recipient of the Knight Foundation Arts Award, Canada Council for the Arts New-Chapter & 150th Anniversary Prize, UC Berkeley Artist Residency (from Center for Critical Theory, New Media, Race and Gender Studies), International Symposium on Mixed and Augmented Reality Future of Augmented Reality Prize, and Morgan Stanley Pulse Art Fair grant. As a researcher at Columbia University Computer Graphics and User Interfaces Lab and a member of the School of the Arts Digital Storytelling Lab, Baradaran’s praxis and writings focus on a critical {AR}ticulation of visual vocabularies that use AR and AI technologies around notions of interactivity, non-linear narrative formation, po{AI}try, data-mining, failed utopias, racialized and gendered bodies, infiltration, and the ephemeral. Baradaran is a TEDx speaker, and an invited presenter to His Holiness Dalai Lama’s World Headquarters in Dharamsala for the Summit on Fostering Universal Ethics and Compassion through Museums. Baradaran is the co-author of the chapter Augmenting Empathy and Decolonizing AR/VR Mediums: How Do We Reimagine Augmented and Virtual Reality Experiences?” (Ed. By Gokcigdem, 2019), the author of While Data Privacy Talks, Capitalism Walks: Urging for a Critical Take on the Artificial Intelligence Ecosystem, and the Rise of the Machine (Ed. By Brielmaier, Forthcoming), and the co-editor of The Color of Queer Health Care: Experiences of Multiple Oppression in the Lives of Queer People of Color (-with Ryan, B. & Brotman, S. (eds.), 2006). Reviews of Baradaran’s work include Oxford University Press, Art in America, New York Observer, ARTNET, National Public Radio, BBC, Forbes, Euro-News, and L'Actualité. ARTINFO described his public art, Transient (installed in 6,300 NYC...

Amir Baradaran is a New York-based Iranian-Canadian ARtificial artist. As the Arts-Based Creative Research Associate and Adjunct Faculty at Columbia University School of Engineering and Applied Sciences, Baradaran is developing iBegoo, a multi-user software that supports artists with limited knowledge of game design and programing by streamlining and automating the process of writing for, directing, and producing interactive Augmented Reality (AR) experiences that include responsive characters enabled with Artificial Intelligence (AI). Baradaran is the recipient of the Knight Foundation Arts Award, Canada Council for the Arts New-Chapter & 150th Anniversary Prize, UC Berkeley Artist Residency (from Center for Critical Theory, New Media, Race and Gender Studies), International Symposium on Mixed and Augmented Reality Future of Augmented Reality Prize, and Morgan Stanley Pulse Art Fair grant. As a researcher at Columbia University Computer Graphics and User Interfaces Lab and a member of the School of the Arts Digital Storytelling Lab, Baradaran’s praxis and writings focus on a critical {AR}ticulation of visual vocabularies that use AR and AI technologies around notions of interactivity, non-linear narrative formation, po{AI}try, data-mining, failed utopias, racialized and gendered bodies, infiltration, and the ephemeral. Baradaran is a TEDx speaker, and an invited presenter to His Holiness Dalai Lama’s World Headquarters in Dharamsala for the Summit on Fostering Universal Ethics and Compassion through Museums. Baradaran is the co-author of the chapter Augmenting Empathy and Decolonizing AR/VR Mediums: How Do We Reimagine Augmented and Virtual Reality Experiences?” (Ed. By Gokcigdem, 2019), the author of While Data Privacy Talks, Capitalism Walks: Urging for a Critical Take on the Artificial Intelligence Ecosystem, and the Rise of the Machine (Ed. By Brielmaier, Forthcoming), and the co-editor of The Color of Queer Health Care: Experiences of Multiple Oppression in the Lives of Queer People of Color (-with Ryan, B. & Brotman, S. (eds.), 2006). Reviews of Baradaran’s work include Oxford University Press, Art in America, New York Observer, ARTNET, National Public Radio, BBC, Forbes, Euro-News, and L'Actualité. ARTINFO described his public art, Transient (installed in 6,300 NYC...

Hommage a René Gruau III • Paris, 2011 • Edition of 18 prints in 3 sizes. All prints are numbered and signed. Printed on Hahnemühle Archival Paper. Three different sizes are availabl...

Hommage a René Gruau III • Paris, 2011 • Edition of 18 prints in 3 sizes. All prints are numbered and signed. Printed on Hahnemühle Archival Paper. Three different sizes are availabl...

Hommage a René Gruau II • Paris, 2011 • Edition of 18 prints in 3 sizes. All prints are numbered and signed. Printed on Hahnemühle Archival Paper. Three different sizes are available...

Hommage a René Gruau II • Paris, 2011 • Edition of 18 prints in 3 sizes. All prints are numbered and signed. Printed on Hahnemühle Archival Paper. Three different sizes are available...

Homage a René Gruau I • Paris, 2011 • Edition of 18 prints in 3 sizes. All prints are numbered and signed. Printed on Hahnemühle Archival Paper. Three different sizes are available, ...

Faraon • Paris, 2010 • Edition of 18 prints in 3 sizes. All prints are numbered and signed. Printed on Hahnemühle Archival Paper. Three different sizes are available, the series is l...

Faraon • Paris, 2010 • Edition of 18 prints in 3 sizes. All prints are numbered and signed. Printed on Hahnemühle Archival Paper. Three different sizes are available, the series is l...

Faraon • Paris, 2010 • Edition of 18 prints in 3 sizes. All prints are numbered and signed. Printed on Hahnemühle Archival Paper. Three different sizes are available, the series is l...

Calla Lilies • 2005 • Edition of 18 prints in 3 different sizes. All prints are numbered and signed. Printed on Hahnemühle Archival Paper. Three different sizes are available, the ...

Mother's Little Helper I • Paris, 2012 • Edition of 18 prints in 3 sizes. All prints are numbered and signed. Printed on Hahnemühle Archival Paper. Three different sizes are availabl...

Mother's Little Helper I • Paris, 2012 • Edition of 18 prints in 3 sizes. All prints are numbered and signed. Printed on Hahnemühle Archival Paper. Three...

Mother's Little Helper II • Paris, 2012 • Edition of 18 prints in 3 sizes. All prints are numbered and signed. Printed on Hahnemühle Archival Paper. Three different sizes are availab...

Mother's Little Helper II • Paris, 2012 • Edition of 18 prints in 3 sizes. All prints are numbered and signed. Printed on Hahnemühle Archival Paper. Thre...

Mother's Little Helper III • Paris, 2012 • Edition of 18 prints in 3 sizes. All prints are numbered and signed. Printed on Hahnemühle Archival Paper. Thr...

"Bridges. Memphis I" is a limited-edition black & white photograph by contemporary artist Tadeusz Zych from the series entitled Black and white States. The photo was taken during a t...

"Shadow on Daytona Beachis" a limited-edition black & white photograph by contemporary artist Tadeusz Zych from the series entitled Black and white States. The photo was taken du...

Cotton Plantation is a limited-edition black & white photograph by contemporary artist Tadeusz Zych from the series entitled Black and white states. The photo was taken during a trip...

"Missouri Highway" is a limited-edition black & white photograph by contemporary artist Tadeusz Zych from the series entitled Black and white States. The photo was taken during a tri...

Calla Lilies • 2005 • Edition of 18 prints in 3 different sizes. All prints are numbered and signed. Printed on Hahnemühle Archival Paper. Three different sizes are available, the ...

Arthur Pina de Alba, Cuban-American (1943) Marlene Edition #2 of 7 iPad drawing printed on museum-quality archival pigment art paper. Signed in pri...

YSL / Marrakech (Red), 2019 Pigment print on Hotpress 20 x 15.5 inches Edition of 18 Publisher: Eminence Grise Editions Printer: Andre Ribuoli

YSL / Marrakech (Pink), 2019 Pigment print on Hotpress 20 x 15.5 inches Edition of 18 Publisher: Eminence Grise Editions Printer: Andre Ribuoli

YSL / Marrakech (Pink), 2019 Pigment print on Hotpress 20 x 15.5 inches Edition of 18 Publisher: Eminence Grise Editions Printer: Andre Ribuoli

CARLOS MERCADO TROPICALIA TROPICALIA...Inspired in Nostalgia of the Caribbean Puerto Rico and Cuban images from the Golden era of the 50's recollects th...

Linarejos Moreno Art Forms in Mechanism XVll, 2016 archival digital print on Baryta paper, ed. 1/3 75-5/8 x 51-1/4 inches paper size The series “Art Forms in Mechanism” began when Linarejos Moreno discovered a collection of 19th century botanical models while researching at the Cabinet of Scientific...

'9.3.16_11:01:36' 2020 by New York, contemporary camera artist Susan Wides. Pigmented ink print, Ed. of 5, 36 x 24 in. / Frame: 36.75 x 24.75 in. This color photograph features an ab...

'10.7.16_10:55:09' 2020 by New York, contemporary camera artist Susan Wides. Pigmented ink print, Ed. of 5, 36 x 24 in. / Frame: 36.75 x 24.75 in. This color photograph features an a...

'8.8.16_1:34:49' 2020 by New York, contemporary camera artist Susan Wides. Pigmented ink print, Ed. of 5, 36 x 24 in. / Frame: 36.75 x 24.75 in. This color photograph features an abs...

'11.2.19_2:17:32' 2020 by New York, contemporary camera artist Susan Wides. Pigmented ink print, Ed. of 5, 36 x 24 in. / Frame: 36.75 x 24.75 in. This color photograph features an ab...

'10.15.19_2:43:30' 2020 by New York, contemporary camera artist Susan Wides. Pigmented ink print, Ed. of 5, 36 x 24 in. / Frame: 36.75 x 24.75 in. This color photograph features an a...

'10.15.19_3:14:16' 2020 by New York, contemporary camera artist Susan Wides. Pigmented ink print, Ed. of 5, 36 x 24 in. / Frame: 36.75 x 24.75 in. This color photograph features an a...

Heather Bennett Anniversary, 2012 Digital print on Somerset Velvet paper 28 x 42 inches (71.1 x 106.7 cm) Edition 1/3

In his "Absence" series, Denis Darzacq mines his own work for raw material. By cutting and tearing recent photographic prints of his own work, he generated a wealth of formal materia...

In his "Absence" series, Denis Darzacq mines his own work for raw material. By cutting and tearing recent photographic prints of his own work, he generated a wealth of formal materia...

In his "Absence" series, Denis Darzacq mines his own work for raw material. By cutting and tearing recent photographic prints of his own work, he generated a wealth of formal materia...

Edition 15. Signed, titled, dated and editioned on label verso. Professionally framed in a dark charcoal gray frame. Luca Campigotto uses big equipment to capture big subjects, from...

Denis Darzacq's "Fake Stars" series present images of sky views with odd points of light - stars? UFO's? satellites? One's imagination can create a story behind these, but the artist...

Denis Darzacq's "Fake Stars" series present images of sky views with odd points of light - stars? UFO's? satellites? One's imagination can create a story behind these, but the artist...

Denis Darzacq's "Fake Stars" series present images of sky views with odd points of light - stars? UFO's? satellites? One's imagination can create a story behind these, but the artist...

20 x 25 inch digital pigment print Framed. Edition 15. Signed on verso. Luca Campigotto uses big equipment to capture big subjects, from the absolute vibrant density of 5...

Informed by microbiology, Laurent Lamarche’s sculptural installations and photographic production look like living unidentified microorganisms. Its narrative is ambiguous, constantly...