Art by Medium: Digital

Under the Illusion, Original Signed Contemporary Blue Abstract Digital Painting 32" x 24" x 1.5" (HxWxD) Archival Print on Canvas Hand-signed by the artist in verso. This abstract digital painting by artist Denise Dundon...

Three skiing waiters on a ski slope, with the man in the foreground carrying a bird on a tray, the second man carring a wine in an ice bucket and the third carrying a menu, Stowe, Ve...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘FlowerHead ‘ who was captured on film in...

This late 1960s photograph, captured by society photographer Slim Aarons, features the apres-ski in Zermatt, Switzerland. This is an estate stamped and hand numbered edition of 150 ...

Miriam Schapiro, "Curtain Call" 2002 Hand signed, dated and titled verso and signed and dated recto. acrylic paint, digital images, glitter and textile fabric on canvas, tooling with gold leaf embossing around self edge of painting. size: 60 x 50 in Miriam Schapiro (or Mimi Schapiro) (November 15, 1923 – June 20, 2015) was a Canadian-born artist based in America. She was a painter, sculptor and printmaker. She was a pioneer of feminist art. She was also considered a leader of the Pattern and Decoration art movement. Schapiro's artwork blurs the line between fine art and craft. Her paintings contain craft elements because crafts and decoration is associated with women and femininity. She used icons that are associated with women such as hearts, floral decorations, geometric patterns and the color pink. In the 1970s she made a small woman's object, the fan, heroic by painting it six feet by twelve feet. This bears the influence of the Pattern and Decoration movement artists such as Brad Davis, Mary Grigoriadis, Joyce Kozloff, Robert Kushner, Kim MacConnel, Sonya Rapoport, Miriam Schapiro and Valerie Jaudon. Shapiro was born in Toronto, Ontario, Canada. Her father was an industrial design artist who fostered her desire to be an artist and served as her role model and mentor. Her mother was a stay at home mother who worked part-time during the depression. As a teenager, Schapiro was taught by Victor d’Amico, her first modernist teacher at the Museum of Modern Art. In the evenings she joined WPA classes for adults to study drawing from the nude model. In 1943, Schapiro entered Hunter College in New York City, but eventually transferred to the University of Iowa. At the University of Iowa, Schapiro studied painting with Stuart Edie and James Lechay. She studied printmaking under Mauricio Lasansky and was his personal assistant, which then led her to help form the Iowa Print Group. Lasanky taught his students to use several different printing techniques in their work and to study the masters' work in order to find solutions to technical problems. At the State University of Iowa she met the artist Paul Brach, whom she married in 1946.. By 1951 they moved to New York City and befriended many of the Abstract expressionist artists of the New York School, including Joan Mitchell, Larry Rivers, Knox Martin and Michael Goldberg. Schapiro worked in the style of Abstract expressionism during this time period. Shapiro and Brach lived in New York City during the 1950s and 1960s. During this period Shapiro had a successful career as an abstract expressionist painter in the hard-edge style. In December 1957, André Emmerich selected one of her paintings for the opening of his gallery. Schapiro not only honored the craft tradition in women's art, but also paid homage to women artists of the past. In the early 1970s she made paintings and collages which included photo reproductions of Mary Cassatt's and Georgia O'keefe's paintings. Early in her career, Schapiro started looking for maternal symbols to unify her own roles as a woman. Her series, Shrines (1963), was her first artistically successful attempt at compartmentalizing her life roles. Her painting, Big Ox No. 1, from 1968, references Shrines, however no longer compartmentalized. The center O takes on the symbol of the egg which exists as the window into the maternal structure with outstretched limbs. Her series, Shrines was created in 1961–63. It is one of her earliest group of work that was also an autobiography. Each section of the work show an aspect of being a woman artist. They are also symbolic of her body and soul. In 1964 Schapiro and her husband Paul both worked at the Tamarind Lithography Workshop. One of Schapiro's biggest turning points in her art career was working at the workshop and experimenting with Josef Albers' Color-Aid paper, where she began making several new shrines and created her first collages. In the 1970s, Schapiro and Brach moved to California so that both could teach in the art department at the University of California. Subsequently, she was able to establish the Feminist Art Program at the California Institute of the Arts, in Valencia with Judy Chicago. The program set out to address the problems in the arts from an institutional position. They wanted the creation of art to be less of a private, introspective adventure and more of a public process through consciousness raising sessions, personal confessions and technical training. She participated in the Womanhouse exhibition in 1972. Schapiro's smaller piece within Womanhouse, called "Dollhouse", was constructed using various scrap pieces to create all the furniture and accessories in the house. Each room signified a particular role a woman plays in society and depicted the conflicts between them. Along with Nancy Spero, Joan Snyder, Joyce Kozloff, Audrey Flack and Judy Chicago, she is from that first generation of Jewish American feminist women artists and includes Judaica in her work. Schapiro's work from the 1970s onwards consists primarily of collages assembled from fabrics, which she called "femmages". As Schapiro traveled the United States giving lectures, she would ask the women she met for a souvenir. These souvenirs would be used in her collage like paintings. Her 1977-1978 essay Waste Not Want Not: An Inquiry into What Women Saved and Assembled - FEMMAGE (written with Melissa Meyer) describes femmage as the activities of collage, assemblage, découpage and photomontage practised by women using "traditional women's techniques - sewing, piercing, hooking, cutting, appliquéing, cooking and the like..." She was involved in Abstract expressionism, Minimalism, Computer art, and Feminist art. She worked with collage, printmaking, painting, femmage [fr] – using women's craft in her artwork, and sculpture. Schapiro not only honored the craft tradition in women's art, but also paid homage to women artists of the past. In the early 1970s she made paintings and collages which included photo reproductions of past artists such as Mary Cassatt. In the mid 1980s she painted portraits of Frida Kahlo on top of her old self-portrait paintings. In the 1990s Schapiro began to include women of the Russian Avant Garde in her work. The Russian Avant Garde was an important moment in Modern Art history for Schapiro to reflect on because women were seen as equals. Schapiro also did collaborative art projects, like her series of etchings Anonymous was a Woman from 1977. She was able to produce the series with a group of nine women studio-art graduates from the University of Oregon. Each print is an impression made from an untransformed doily that was placed in soft ground on a zinc plate, then etched and printed. Her image is included in the iconic 1972 poster Some Living American Women Artists by Mary Beth Edelson...

A woman sunbathing nude by Tom Darlington's pool in Carefree, Arizona, April 1967. Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure, a history of glamour that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. Increasingly known for his influence, Aarons's casually glamorous jetset aesthetic can be seen today in fashion, art, and celebrity photography. Recent articles credit his work with inspiring the casually flawless style of top Instagram influencers, full of sunshine and escapism. Reference: "Dive in: how Slim Aarons art directed the poolside summer. French brand Maje are the latest label to take inspiration from Slim Aarons’ pictures of the jetset on holiday." Slim Aarons Sunbathing in Arizona...

Sunbathers at the Hotel du Cap Eden-Roc, Antibes, France, August 1969, printer later Sunbathers at Eden Roc Chromogenic lambda print Estate stamped and numbered edition of 150 Slim...

From a series of photographic observances capturing found conceptual objects in urban cityscapes Diptych Found Object A + B (2025) by Frank Schott 2 individual prints 40 x 32 inch...

Wolfgang Hutter - "The first stars and the sky of the Aphrodite". Giclée print. Hand signed and numberd. A beautiful artwork that looks good in ever...

Swiss Alps, 1964: This landscape photograph, captured by society photographer Slim Aarons, features holiday-makers taking in the sunset on a white snowy mou...

David Hockney 19th March 2021, Sunflower with Exotic Flower, 2021 Signed and dated in pencil iPad painting printed on paper 89 x 63.5 cm 35 x 25 inches Edition of 50 David Hockney i...

This mid-1960s photograph, captured by society photographer Slim Aarons, features the apres-ski in Zermatt, Switzerland. This is an estate stamped and hand numbered edition of 150 w...

Jason and the Argonauts: The legendary Greek hero leads a team of intrepid adventurers in a perilous quest for the legendary Golden Fleece. Ar...

This print features a Blue Emperor Dragonfly flying over verbena and cornflowers. Printed in a palette of lilac, green and blue. It is a Hybrid Print - Tr...

Fortezza Letteraria by Gina Soden [2020] limited_edition and hand signed by the artist Digital photograph on Baryta paper Edition number 1 Image size: H:70.02 cm x W:105 cm Complete Size of Unframed Work: H:74.2 cm x W:109 cm x D:0.1cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look "This was a huge imposing fortress like castle in the middle of the countryside - and on my second attempt and the last location of the whole trip I was desperate to get inside. Luckily it went without a hitch and this was one of the last rooms I came across. I wanted to capture the whole scene - The beautiful grand hall with the antique furniture...

This late 1950s portrait photograph, captured by society photographer Slim Aarons, features Sicilian-born American gangster Charles 'Lucky' Luciano (...

Dimitris Kritsas, a fashionable young couturier, poses among the gleaming white Doric columns of the temple to Poseidon at Sounion, Greece, 1967. Posing with him, four models show off colorful dresses of red, salmon, turquoise, and pastel yellow. This iconic photo depicts a scene of vintage glamour set against a classic Greek blue sky. Slim Aarons Dmitris Kritsas at the Temple to Poseidon, Sounion, Greece Estate Edition of 150 1967, Printed Later 48 x 48 inches $4500 40 x 40 inches $3950 30 x 30 inches $3350 20 x 20 inches $2500 Complimentary dealer shipping to your framer, worldwide. Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Site Details: The Temple of Poseidon is an ancient Greek temple on Cape Sounion, Greece, dedicated to the god Poseidon. There is evidence of the establishment of sanctuaries on the cape from as early as the 11th century B.C. Sounion’s most prominent temples, the Temple of Athena and the Temple of Poseidon, are however not believed to have been built until about 700 B.C., and their kouroi (freestanding Greek statues of young men) date from about one hundred years later. The material and size of the offerings at the Temple of Poseidon indicate that it was likely frequented by members of the elite and the aristocratic class Approximately 13 kilometers south of Thorikos in the southern most region of Attica, the deme of Sounion is most well known for its sanctuaries of Poseidon and Athena. Its placement at the foot of Attica allowed it to function as a border deme as it could easily been seen by ships nearing Attica. The temple of Poseidon at Sounion was constructed from 444 to 440 BC. This was during the ascendancy of the Athenian statesman Pericles, who also rebuilt the Parthenon in Athens. The temple of Poseidon was built on the ruins of a temple dating from the Archaic period, about which the Greek geographer Strabo noted: "Geraistos [in Euboia] . . . is conveniently situated for those who are sailing across from Asia to Attica since it is near Sounion. It has a sanctuary (hieron) of Poseidon, the most notable of those in that part of the world, and also a noteworthy settlement. The main temple we see today is mainly made out of marble with an intricate taenia (the fancy borders on the ceiling). The marble is an Agrileza marble. The marble used on the Temple of Poseidon at Sounion came from the marble quarries, a place where marble is removed from the earth, in the Agrileza mines. This type of marble was 'coarsed grained' meaning that it had a rougher texture than smooth, shiny marble. As indicated by literary and archaeological evidence, the "leveled summit" on the coast of Cape Sounion was likely a cult site from as early as the end of the eighth century BC. Two cult centers dedicated to Athena and Poseidon respectively are believed to have been established by 700 BC. Subject: The name of Greek fashion designer...

Mexican film star Dolores Del Rio (1905 - 1983) floating in a swimming pool in Acapulco, 1952. 20 x 20 inches $2500 Estate stamped and hand numbered ...

This late 1960s photograph, captured by society photographer Slim Aarons, features, from left to right; singer Marianne Faithfull, the Honorable Desmond Guinness and Mick Jagger (of ...

High schoolers picnic on the beach at Bonita Springs, Florida, 1955. Slim Aarons Spring Break Black and White Photography Slim Aarons Estate Edition Nu...

Godley & creme - Signed limited edition archival pigment print - Edition of 5 London, 1983 Tinted Black & White Art print This is an Archival Pigment print on fiber based paper...

"Daisy (blue center #2)" Print on Canvas 40 x 40 in Ed. of 75 by Mick Fleetwood Digital print on canvas Mick Fleetwood, the legendary drummer and founding member of Fleetwood Mac,...

A woman sunbathing in a motorboat as it tows a waterskiier, in the sea off the Hotel du Cap Eden-Roc in Antibes on the French Riviera, August 1969. Leisure in Antibes Hotel du Cap E...

Formula 1 Ferrari - Signed limited edition archival pigment print, 2011 - Edition of 5 Formula 1 , Preseason test, 2011 , Barcelona, Spain. Felipe Massa for Ferrari Photo/Repo...

Elizabeth Matthews, descendant of H M Flagler co-founder of Palm Beach, sits in her great-grandfather’s favourite chair in front of the family mansion now the Flagler Museum, Palm Be...

This mid-1980s photograph, captured by society photographer Slim Aarons, features models from Parisian jeweller M. Gerard enjoying drinks on the terrace of The Palace Hotel in Gstaad...

"Baltimore 67" Landscape Photography 18" x 27" in Edition 1/24 by Larsen Sotelo Not framed. Ships in a tube Signed and numbered by the artist. Comes with COA issued by the artist. ...

This mid-1970s portrait photograph, captured by society photographer Slim Aarons, features Journalist Lucius Beebe beside a gold place setting in t...

A Cadillac with Florida plates parked outside the Carlton Hotel, Cannes, France, circa 1955. The Carlton Hotel Black and White Photography Slim Aarons E...

Divided Lands, Signed Contemporary Blue Abstract Color Field Digital Painting 30" x 30" x 1.5" (HxWxD) Archival Print on Canvas Hand-signed by the artis...

"Jim Morrison Mugshot" Print 39 x 36 inch Ed. of 75 by Gerard Marti Digital print on paper Ships rolled in tube Signed and numbered by the artist. The lead singer of The Doors Ji...

A jetty juts out from the rocky shoreline at the Hotel Il Pellicano in Porto Ercole, Tuscany, August 1973. Rich red and royal blue umbrellas dot a white sand beach, off translucent turquoise waters. In the lower left, lush green foliage overhangs the beach. Slim Aarons 'Il Pellicano Beach, Porto Ecole' Il Pellicano, Porto Ercole, Tuscany, Italy Chromogenic Lambda print Printed Later Slim Aarons Estate Edition Complimentary dealer shipping to your framer, worldwide. Stamped and hand numbered by the Slim Aarons Estate. Certificate of Authenticity included. 60 x 40 inches $3950 40 x 30 inches $3350 30 x 20 inches $3000 Complimentary dealer shipping to your framer, worldwide. Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). * Undercurrent Projects, New York, is proud to represent Aarons' full collection of negatives and transparencies. Housed at Getty Images Hulton Archive in London, The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Internal: Slim Aarons, Porto Ercole, Italy, Il Pelicano, Vintage Glamour, 70s photography...

Nelda Linsk (left, in yellow), wife of art dealer Joseph Linsk with guests by the pool at the Linsk's desert house in Palm Springs, January 1970. At centre, left is actress Lita Baro...

Holidaymakers on the deck of yacht in Saint-Tropez, France, August 1971. 40 x 60 inches $3950 30 x 40 inches $3350 20 x 30 inches $3000 10 x 12 inches $1350 Complimentary dealer...

Any custom charges/taxes ARE INCLUDED in the final price agreed. frame included upon request, plastic glass and frame limited edition print on paper 70x50cm hand signed Desc...

17" x 40" Unframed Limited Edition Giclee with Hand Embellishment of 195 Hand Signed by Todd White Todd white captures restaurant, night and Hollywood scenes with contrasting colors...

A jetty juts out from the rocky shoreline at the Hotel Il Pellicano in Porto Ercole, Tuscany, August 1973. Slim Aarons 'Porto Ercole' Il Pellicano, Porto Ercole, Tuscany, Italy Chromogenic Lambda print Printed Later Slim Aarons Estate Edition Complimentary dealer shipping to your framer, worldwide. Stamped and hand numbered by the Slim Aarons Estate. Certificate of Authenticity included. 60 x 40 inches $3950 40 x 30 inches $3350 30 x 20 inches $3000 Complimentary dealer shipping to your framer, worldwide. Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). * Undercurrent Projects, New York, is proud to represent Aarons' full collection of negatives and transparencies. Housed at Getty Images Hulton Archive in London, The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Internal: Slim Aarons, Porto Ercole, Italy, Il Pelicano, Vintage Glamour, 70s...

This early 1960s landscape photograph, captured by society photographer Slim Aarons, features holidaymakers at a ski lodge at Gstaad, Switzerland, March 1961. This is an estate stam...

Hot fan - Vintage style, Signed limited edition archival pigment print - Edition of 5 Record cover for 'Hot Little Mamma' , London 1981 This image was captured on film. The ne...

Terry O'Neill (1938-2019) Raquel Welch on the Cross, Los Angeles 1970 lifetime edition Lambda C-Type print 48 x 48 in. (paper size) edition of 50 signed and numbered printed later Price: £25,200 GBP (inc. 20% UK VAT) Notes: A publicity shot for One Million Years B.C. From the start of the 1960s and continuing until the present day the name of Terry O'Neill has become inextricably connected with some of the most interesting takes on photographic portraits of celebrities. From the Beatles and Rolling Stones in the 1960s to the Royal Family and the Prime Minister's family in more recent times Terry O'Neill has proved adept at recording the significant subjects of the day in a visually stimulating and sometimes unexpected way and thus illuminated history of our age. Terry O'Neill was born on 30 July 1938 in the East End of London. His career as a photographer evolved by chance out of his first ambition to become a jazz drummer. Leaving school at fourteen and then doing his National Service his ambition was to go to America to study with the great drummers there. He thought that the best way to travel frequently and inexpensively to the USA would be to get a job as an air steward for BOAC. The airline at that time had no vacancies for stewards but suggested he took a vacancy in their technical photographic unit, which he combined with time at an art school and he then became interested in photojournalism. At first, O'Neill worked as freelance at London Airport, later was offered a stunt as a reportage photographer at Heathrow. This was followed by three years in Fleet Street, with O'Neill at 21, the youngest photographer in Fleet Street taking pop pictures for the up-tempo Daily Sketch. One thing lead to another and O'Neill quickly became a significant image-maker and one of the group of talented young photographers who helped create the photographic icons of the 1960s and create part of the buzz that became Swinging London. The peer group that emerged in this decade included David Bailey, Terence Donovan and Brian Duffy from the East End and Patrick Lichfield and Lewis Morley...

Madame Jean Serpieri sits in the ballroom of the Tour La Reine near Athens, wearing a gown which belonged to the wife of Otto, the first king of modern Greece...

"Armed and Dangerous" Photography 16" x 24" inch Edition of 15 by Brendan North Signed and numbered by the artist. Comes with COA issued by the Artist Available sizes: Edition of 1...

A beautiful limited edition giclée print - Hydrangea stem in a turquoise vase. Edition in graphite to the lower margin. 50/85. Presented in a contemporary lime-washed frame. Unsigned...

Guests lounging by the indoor swimming pool of the Gasthof Post in Lech, Austria, February 1979. Slim Aarons Gasthof Post Pool Chromogenic Lambda print Printed Later Slim Aarons Est...

INVADER - RUBIK COUNTRY LIFE Date of creation: 2023 Medium: Diasec-mounted Giclée on aluminium composite panel Edition: 431 Size: 100 x 100 cm Condition: Brand new, in mint condition...

Slim Aarons's iconic and unusual photograph of 60's rock and roll legends, captured in a moment of casual glamour. 1968: Singer Marianne Faithfull, the Honorable Desmond Guinness and Mick Jagger (of the Rolling Stones) sit on a sofa under a large gilt framed portrait of a woman in 18th century silk dress at Leixlip Castle, Ireland, the home of Desmond Guinness. The sofa is a deep burgundy red, and the background features a richly patterned and gilded wallpaper...

Old couple, Paris - Signed limited edition archival pigment print - Edition of 5 This image was captured on film in 1994. This print that is being...

This late 1960s photograph, captured by society photographer Slim Aarons, features the apres-ski in Zermatt, Switzerland. This is an estate stamped and hand numbered edition of 150 ...

This early 1960s landscape photograph, captured by society photographer Slim Aarons, features a signpost indicating various ski slopes and toboggan tracks in the resort of St Moritz,...

The Empresses: Nūr Jahān (H10-2 ) Laminated Giclée print on aluminum composite, screen printed with glitter. Limited Edition: Edition Number 157/3041 Artwork dimensions: 100 x 100 cm...

An epic pictorial history of the City by the Bay Starting with an early picture of a gang of badass gold prospectors who put this beautiful Northern California city on the map, this ambitious and immersive photographic history of San Francisco takes a winding tour through the city from the mid–nineteeth century to the present day. Enjoy eye-catching views of the city’s most enduring landmarks and symbols: the Golden Gate Bridge, Chinatown, the picturesque trams that wind up and down the famously steep hills, the popular waterfront, its beautiful bay, and its spectacular cityscapes and vistas. San Francisco’s counterculture movements that shaped our collective consciousness are also featured prominently: the beats of North Beach, the hippies of Haight-Ashbury, the gay communities of Castro, and the Black Panthers of neighboring Oakland. Some of the city’s most famous residents also make appearances: Robin Williams, The Grateful Dead, Angela Davis...

This early 1960s landscape photograph, captured by society photographer Slim Aarons, features holidaymakers at a ski lodge at Gstaad, Switzerland, March 1961. This is an estate stam...

Biblioteca Gambalunga Rimini, Italy 2022 A view of the main table and globe of the main scientific library in the Istituto Ortopedico Rizzoli, named for Italian King Umberto I. The ...

A beach in Freeport, in the Bahamas, April 1969. 40 x 60 inches $3950 30 x 40 inches $3350 20 x 30 inches $3000 10 x 12 inches $1350 Complimentary dealer shipping to your framer...

Digital C-print Signed and numbered, verso 30 x 40 inches (Edition of 5) Chromogenic print Signed and numbered, verso 20 x 24 inches (Edition of 7) This photograph is offered by Cl...

C.Z. Guest, 1955: The American socialite with a Great Dane at her ocean-front estate, Villa Artemis, in Palm Beach, Florida, 1955 Slim Aarons C.Z. Guest With Her Great Dane, 1955 La...

This late 1960s landscape photograph, captured by society photographer Slim Aarons, features two women stand in the foreground of a snowy landscape with a helicopter on the slopes of...

This late 1960s landscape photograph, captured by society photographer Slim Aarons, features two women stand in the foreground of a snowy landscape with a helicopter on the slopes of...

Paris Panorama - Signed limited edition archival pigment print, Edition of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-f...

Valentine Love (number 10 white) R By Agent X [2021] limited_edition Mixed Media Edition number 100 Image size: H:55 cm x W:55 cm Complete Size of Unframed Work: H:55 cm x W:55 c...