Art by Medium: Encaustic

Artist Comments
A cradled panel is laid with vintage sewing tissues as a mordant to adhere the beeswax. I did an underpainting in ink then used a prismatic palette to lead th...

The texture of this artwork is both subtle and engaging. Standing far away this painting invites the viewer to step forward and see up close the eye-catching texture Ottesen created....

This abstract encaustic painting by Linda Bigness is made on board and features a vibrant multicolored yellow, turquoise, and muted pink palette with a neutral grey background and ne...

Artist Comments
Fiery trees tower over a path that opens up to a sparkling hidden beach. Artist James Hartman rendered this piece by first creating his own cradled panel. He ...

Patricia Zippin Moon View VIII 1980s Mixed Media 24"x 16", unframed Titled, signed, materials, and dimensions in pen on reverse Patricia Jayne Zippin (1930-2015) She was born to B...

This encaustic collage is mounted on a birch wood panel with 3/4 deep natural wood sides. The thick transparent slightly frosty encaustic beeswax coating on the front gives it a cool...

Vibrant mint green and sky blue encaustic (pigmented beeswax) painting accented with subtle gold details on birch panel. Signed, dated and titled on verso. Joanne Mattera’s painting...

Encaustic Art is a kind that touches the the viewer with raw emotion. This work by Midland, Michigan artis Fletcher Dean comes with advice from the artist himself on the back to prot...

Barbara Hocker sees her life’s vocation as being an ambassador for the natural world through her art. Nature is facing many challenges right now. Hock...

Rinat Goren (Israeli, American, born 1964) "Windows of Opportunity" 2021 Encaustic paint on cradled wood panel The artist signed the bottom right corner of the painting. “Windows of Opportunity” unfolds as a quiet grid of softly rendered rectangles and window-like forms, layered in warm tones of apricot, saffron, pale peach, and muted white. Subtle line work and translucent wax layers give the surface a luminous, atmospheric depth. Goren’s encaustic technique allows each shape to feel both deliberate and ephemeral, evoking architectural plans, urban facades, and moments of pause within a structured environment. The repeated square and rectangular motifs suggest windows, thresholds, and openings, visual metaphors for possibility, transition, and choice. Fine incised lines and faint architectural markings add rhythm while preserving a sense of openness and calm. The painting balances abstraction with suggestion, offering viewers space for contemplation rather than narrative certainty. “Windows of Opportunity” is emblematic of Goren’s practice, which explores systems, repetition, and human-scaled geometry through a restrained, tactile language. About the Artist: Rinat Goren is an Israeli-American artist based in California whose contemporary encaustic works explore the relationship between thought, structure, and emotion. Born in Israel and residing most of her life in the U.S., Goren has long been drawn to both observation and creation, translating the complexity of the human mind into layered visual compositions. Her encaustic paintings—formed by applying molten beeswax mixed with pigment—evoke a tactile, sensory experience that reflects her fascination with systems, decision-making, and the creative act itself. She works with geometry, color, and abstraction to celebrate our innate capacity to reflect, choose, and act with intention. Goren’s process is rooted in one of the world’s oldest painting...

Series: Untitled 1 Encaustic and Oil On Wood Panel Size: 30" x 40" Using unconventional hardware - a blow torch, iron and other heated tools - along with paper, encaustics, photog...

Rinat Goren (Israeli, American, born 1964) "Almost There" 2021 Encaustic paint and paper on cradled wood panel The artist signed the bottom right corner of the painting. “Almost There” is a luminous abstract work created with encaustic and paper on a cradled wood panel. The composition is anchored by a radiant golden field layered with softened geometric forms, linear markings, and a flowing turquoise passage that guides the eye across the surface. Goren’s use of encaustic allows for rich translucency and depth, with molten wax binding pigment and paper into a tactile, atmospheric surface. Repeating rounded shapes and subtle linear rhythms suggest movement, mapping, and quiet progression, while the contrast between warm yellows and cool blues creates a sense of balance and anticipation. The title reflects this visual language, evoking transition, momentum, and the emotional space between arrival and journey. Blending abstraction with a meditative sense of structure, “Almost There” exemplifies Goren’s refined approach to encaustic painting, where color, texture, and process converge. The work is well-suited for collectors drawn to contemporary abstraction, material-driven practice, and pieces that offer both visual warmth and conceptual subtlety. About the Artist: Rinat Goren is an Israeli-American artist based in California whose contemporary encaustic works explore the relationship between thought, structure, and emotion. Born in Israel and residing in the U.S. for most of her life, Goren has long been drawn to both observation and creation, translating the complexity of the human mind into layered visual compositions. Her encaustic paintings—formed by applying molten beeswax mixed with pigment—evoke a tactile, sensory experience that reflects her fascination with systems, decision-making, and the creative act itself. She works with geometry, color, and abstraction to celebrate our innate capacity to reflect, choose, and act with intention. Goren’s process is rooted in one of the world’s oldest painting...

Brown, Orange, Blue, Pink, Green, Yellow, Red Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she be...

Francis, Shingo (Japanese/American, born 1969), W3 , 1999 Encaustic and watercolor painting on Arches paper, 23.5 x 22.5 inches, Hand signed and dated verso Provenance: Garner T...

This encaustic collage is mounted on a birch wood panel with 3/4 deep natural wood sides. The thick transparent slightly frosty encaustic beeswax coating on the front gives it a cool...

Brown, Orange, Blue, Pink, Green, Yellow, Red Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she be...

This encaustic collage is mounted on a birch wood panel with 3/4 deep natural wood sides. The thick transparent slightly frosty encaustic beeswax coating on the front gives it a cool...

Barbara Hocker sees her life’s vocation as being an ambassador for the natural world through her art. Nature is facing many challenges right now. Hock...

19 x 36 cm (7.5 x 14.2 in) image mounted on board 41 x 51 cm (16 x 20 in) matted Janise Yntema’s practice is rooted in the mastery of wax-based media, ranging from traditional heate...

Rinat Goren (Israeli, American, born 1964) "Waiting" 2023 Encaustic paint on cradled wood panel The artist signed the bottom right corner of the painting. “Waiting” is a refined, contemporary figurative-abstract encaustic work. The composition centers on a stylized female figure set against a richly layered grid of warm reds, oranges, and golden tones. The figure is integrated into the architectural structure of the painting, appearing both present and suspended within the surrounding geometry. Goren’s encaustic technique builds luminous depth through translucent wax layers, incised lines, and embedded shapes. The grid-like background evokes urban systems, schedules, and quiet rhythms, while the elongated figure introduces a human pause within this ordered framework. Her posture suggests stillness and anticipation, reinforcing the painting’s title and emotional undercurrent. Balancing abstraction with figuration, “Waiting” reflects Goren’s ongoing exploration of time, presence, and human experience within structured environments. The warm palette and tactile surface give the work an inviting yet contemplative quality. About the Artist: Rinat Goren is an Israeli-American artist based in California whose contemporary encaustic works explore the relationship between thought, structure, and emotion. Born in Israel and residing most of her life in the U.S., Goren has long been drawn to both observation and creation, translating the complexity of the human mind into layered visual compositions. Her encaustic paintings—formed by applying molten beeswax mixed with pigment—evoke a tactile, sensory experience that reflects her fascination with systems, decision-making, and the creative act itself. She works with geometry, color, and abstraction to celebrate our innate capacity to reflect, choose, and act with intention. Goren’s process is rooted in one of the world’s oldest painting...

encaustic on paper

Series: Deep Woods Encaustic oil and shellac Size: 28" x 58" Using unconventional hardware - a blow torch, iron and other heated tools - along with paper, encaustics, photography,...

Brown, Orange, Blue, Pink, Green, Yellow, Red Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she be...

Layered and complex abstracted landscape by Lauren Ohlgren (American, b. 1959). At the base layer, this piece is an abstracted landscape, with saturate purple and green trees. Sketches of trees...

Signed unique encaustic monoprint depicting an erupting volcano. Elise Wagner painter, printmaker, and teacher, is a recent recipient of the Pollock Krasner Foundation Grant. Origin...

abstract 29/29, Original Signed Contemporary Neutral Abstract Encaustic Painting 29" x 29" x 3" Beeswax, Resin, Pigment, and Oil on Wood Panel Hand-signed by the artist in verso. A contemporary minimalist encaustic work by artist Michele Renée Ledoux...

Brown, Orange, Blue, Pink, Green, Yellow, Red Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she be...

Martha Rea Baker’s technique of choice is driven by her selection of mediums. She has successfully moved between the unique properties of oil and cold wax, acrylic paint, and encaust...

encaustic, mixed media Martha Rea Baker’s technique of choice is driven by her selection of mediums. She has successfully moved between the unique properties of oil and cold wax, ac...

encaustic, mixed media Martha Rea Baker’s technique of choice is driven by her selection of mediums. She has successfully moved between the unique properties of oil and cold wax, ac...

Signed and numbered from an edition of 12. Medium: encaustic collagraph monoprint Image Size: 12 x 20 inches Year: 2016 Elise Wagner painter, printmaker, and teacher, is a recent r...

Unique monoprint from Collision Transit Study suite. Medium: encaustic collagraph monoprint Year: 2011 Image Size: 11 x 9 inches Elise Wagner painter, printmaker, and teacher, is a ...

1/1, steel frame, Can be hung vertical or horizontal Oil and encaustic Size: 30" x 40" This painting will be shipped directly from the artist's studio.

Layered and complex abstracted landscape by Lauren Ohlgren (American, b. 1959). At the base layer, this piece is an abstracted landscape, with saturate purple and green trees. Sketches of fruit, leaves, and cross hatching are layered on top, with a final layer of white color pencil highlights. Signed "Lauren S Olgren" in the lower right corner. Signed, titled, and dated on verso. No frame. Lauren Ohlgren (American, b. 1959) began her art career in the mid 1990’s making hand-painted silk and art-to-wear. She then began to work in encaustics, and later incorporated various mixed media into her artwork. Ohlgren was the curator of Journal 365, A Page A Day community project in 2015 and The She Project, 2005-2013. Ohlgren is also the author of 2005 award winning book, The She Project; How ‘She’ Inspired a Community. Exhibitions and Instruction: 1999 - “Rags 99 Wearable Art Show”, Tacoma, Washington 2005 - Red Horse Coffee, Albany, Oregon 2010 - Giustina Gallery, Corvallis, Oregon 2011 - The Teal Artists Co-Op, Corvallis, Oregon 2018 - The Art Center, Corvallis, Oregon 2019 - Philomath Open Studios Instructor, Sitka Center for Art and Ecology Instructor, Linn Benton Community College Instructor, Portland Urban Sketchers...

Brown, Orange, Blue, Pink, Green, Yellow, Red Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she be...

Dale O Roberts' "Oxidized Boxcar" is an original, hand made encaustic painting that depicts a rusting boxcar in an industrial setting. About the artist: Born 1959 in Waterville NY, ...

'Somewhere In Between' by Susan Thornbury is a striking abstract work rendered in mixed media on panel. Measuring 36 x 36 in, this piece showcases the artist's distinctive style and command of composition. A perfect addition for collectors seeking contemporary strikings with presence and personality. Susan Thornbury creates richly layered mixed media paintings that feel both modern and timeless. Working on wood panels with plaster and wax, she builds surfaces that are as much about what’s revealed as what’s concealed. Her compositions often begin with structure—repeating motifs inspired by antique textiles, vintage wallpaper, or family heirlooms—then soften and evolve through an intuitive, hands-on process of scraping, sanding, and waxing. The result is work that feels quiet but deeply tactile, inviting viewers to linger and discover the nuance within every petal, line, and edge. A background in graphic design shapes Susan’s sensibility: there’s a balance between pattern and spontaneity, symmetry and imperfection. Whether working in soft sage greens, misty grays, or whispery whites, she leans into the beauty of restraint, letting texture and subtle shifts in color carry the emotion. Susan lives and works in Atlanta, where she shares a home with her husband, two daughters, and their spunky rat terrier...

This scene echoes Aeling’s earlier years exploring Yellowstone and the northern Rockies, where geothermal landscapes and severe winters formed a visual laboratory for him. The stark verticals of dead trees rising through steam and snow evoke the quiet violence of natural forces—eruption, freeze, regrowth. Aeling often spoke of landscapes as records of time, and this painting exemplifies that belief: it is both serene and charged with memory, documenting a terrain shaped by fire, water, and cold. That sense of elemental transformation is deepened by the medium itself. This is the only encaustic painting found in his studio following his death—a rare departure from his familiar oil technique. The wax-based process, involving heat, layering, and an almost geological buildup of surface, mirrors the very forces depicted in the scene. It stands as a singular artifact in his oeuvre, a final and poignant testament to his fascination with how material, time, and natural forces converge. Jeff Aeling Pine Trunks and Mineral Springs, Yellowstone encaustic on panel 48h x 34w in 121.92h x 86.36w cm JAE041 Jeff Aeling (1958–2025): The Sky Remembers Through Jeff Aeling’s eyes, the landscape becomes a world shaped as much by air as by earth. In works such as North of Las Vegas, NM and Pond Near St. Cloud, MN, he balances the quiet structure of plains and wetlands with skies alive in constant motion. His mastery of atmosphere is unmistakable in Light Pillars (2023) and Light Pillar (2023), where rare optical events turn night into architecture. Even intimate scenes like Crabapple, Dogwoods, and Red Bud find their emotional power under skies that lend the land its shifting character. Aeling’s winters in Hawaii deepened his sensitivity to movement and weather. Surfing taught him to read the rhythm of the ocean, a knowledge reflected in Wave, Kauai (2018), where a breaking wave becomes a luminous wall of force. In Volcano (2023), he channels the islands’ elemental drama, linking fire, vapor, and sky through the same atmospheric vocabulary found in his plains paintings...

Francis, Shingo (Japanese/American, born 1969), W3 , 1999 Encaustic and watercolor painting on Arches paper, 23.5 x 22.5 inches, Hand signed and dated verso Provenance: Garner T...

On offer is a striking portrait, a late 19th-century reproduction by an unknown artist of what is widely considered to be an authentic self-portrait of Diego Rodríguez de Silva y Vel...

Les Thomas has long recognized painting as a language in its own right, and its diversity in terms of poetic and conceptual messages, exhibited by each individual picture. Les Thoma...

Signed encaustic monoprint, #15 in a series of 20 pieces. Elise Wagner painter, printmaker, and teacher, is a recent recipient of the Pollock Krasner Foundation Grant. Originally fr...

1/1, oil and encaustic Size: 36x48 (2 panels) In Andrea’s diptych, CONVERGENCE, the canvas is dominated in dreamy haze of blues, golds and purples. These colors blend together the ...

Signed encaustic monoprint, #7 in a series of 12 pieces. Elise Wagner painter, printmaker, and teacher, is a recent recipient of the Pollock Krasner Foundation Grant. Originally fro...

Signed encaustic collagraph monoprint. Elise Wagner painter, printmaker, and teacher, is a recent recipient of the Pollock Krasner Foundation Grant. Originally from Jersey City, New...

Celebrating our common colors as well as our diversity is Linden Godlove’s latest series of encaustics, “The Muses.” The paintings are modeled after icons, with a direct gaze that hearkens a response to their spirit, to find company in their character. This particular piece is the "Muse of Transition" and is part of a set of nine that are sold separately from one another. Encaustic painting is an ancient art form (some early icons are encaustic), where hot wax is mixed with pigment and resin, and painted while liquid. Throughout the process, everything is repeatedly fused with fire and sometimes things melt in an unintended direction. Linden’s process involves repeatedly carving parts out and filling them back in, so the works are splayed out in a loose application of hot liquid, then cut back, then washed over with brushes of hot wax again. It’s a combination of chaos and control. The series draws inspiration from women all over the globe, as originally photographed by Mihaela Noroc for her book The Atlas of Beauty. A portion of the proceeds from these sales will go towards her project. While internationally influenced, the pieces were painted, scraped, and carved at the artist’s hundred year old Detroit...

Far from Alone is an encaustic painting on panel by Colorado-based artist Shannon Mello. Based in Colorado Springs, Mello creates luminous landscape and abstract compositions using h...

Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she began working in encaustic in 2001. Mary grew u...

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

Signed and numbered from an edition of 10. Elise Wagner painter, printmaker, and teacher, is a recent recipient of the Pollock Krasner Foundation Grant. Originally from Jersey City,...

Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she began working in encaustic in 2001. Mary grew u...

My work is a visual and increasingly literal patchwork quilt containing little and big pieces of myself and the archetypal imagery developed over the course of my practice. Within the paintings are vintage bed sheets...

Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she began working in encaustic in 2001. Mary grew up ...

In this contemporary painting on panel, pale lavender, pinky purple encaustic (pigmented beeswax) is accented with light lilac details in and light teal blue along the edge. Signed a...

In this contemporary painting, dark red encaustic (pigmented beeswax) is accented with subtle lilac, gray and lavender details and a light purple edge. Signed, dated and titled on ve...

Dale O Roberts' "Flotsam" is an original, hand made encaustic painting that depicts water with various shells and colorful refuse. About the artist: Born 1959 in Waterville NY, Dal...

Celebrating our common colors as well as our diversity is Linden Godlove’s latest series of encaustics, “The Muses.” The paintings are modeled after icons, with a direct gaze that hearkens a response to their spirit, to find company in their character. This particular piece is the "Muse of Wonder" and is part of a set of nine that are sold separately from one another. Encaustic painting is an ancient art form (some early icons are encaustic), where hot wax is mixed with pigment and resin, and painted while liquid. Throughout the process, everything is repeatedly fused with fire and sometimes things melt in an unintended direction. Linden’s process involves repeatedly carving parts out and filling them back in, so the works are splayed out in a loose application of hot liquid, then cut back, then washed over with brushes of hot wax again. It’s a combination of chaos and control. The series draws inspiration from women all over the globe, as originally photographed by Mihaela Noroc for her book The Atlas of Beauty. A portion of the proceeds from these sales will go towards her project. While internationally influenced, the pieces were painted, scraped, and carved at the artist’s hundred year old Detroit...

Born in Beacon, New York, returning exhibitor Laura Moriarty received training through an apprenticeship in hand papermaking (1986-1990), and is otherwise self-taught. Since 1992, he...

Hazel Z Weckbach's (US based) "Long Run" is an original, hand-made oil painting that depicts a snow-laden forest clearing in early winter. Artist Statement: "Subject matter to me is...

Series: Santa Fe Day 1/1 Oil And Encaustic With Silver Floater Frame Size: 36" x 47" (91.44 x 119.38 cm) with silver floater frame Using unconventional hardware - a blow torch, i...