Art by Medium: Film

Katie Eleanor, St Medard and the Devil, 2019 Handcoloured portrait of a devil creature, immobilised in marble, inspired by the tale of St Medard. Purchasing on his rock, he lovingly...

Printed title on original mount, recto.

The photograph is available in three sizes. The print is proposed as a face-mount; it is mounted to acrylic at the front and Dibond at the back. It is ready to hang with a metal bracket on the wall. Anne Valverde's photograph "Endless" captures the essence of an infinite desert landscape, stretching far beyond the bounds of the frame. The scene is one of stark, natural beauty, dominated by the sweeping dunes and scattered stones that pepper the sand. The neon text 'endless' is inscribed onto the barren desert floor, resonating with the boundless view. The composition of this image is striking in its simplicity and scale, with the gradation of light hinting at the vast expanse of space and time encapsulated within the desert's embrace. The text itself, a human-made construct, contrasts with the timeless and untouched environment, yet it seems to belong there, highlighting the desert's relentless continuum. The photograph, with its subdued tones and soft light, evokes a sense of solitude and introspection. It encourages the viewer to ponder on the concept of eternity and our place within it. The desert is a metaphor for the endless possibilities and the enduring passage of time, a place where one can lose themselves in the horizon that stretches into infinity. "Endless" is not just a visual representation of a desert; it is a reflection on the vastness of nature and the human spirit. Valverde's work prompts a contemplative state, a meditation on the unending cycle of life, and the awe-inspiring scale of the natural world. It is an invitation to explore the depths of our own thoughts and the ceaseless nature of our existence. Since 2015, Valverde has been working on a neon light installation project in several countries, which she materialises through photography. The DREAM ART PROJECT Her portfolio “City Icons” in 2008 brought her work to public attention. A series about Iconic Monuments from Major cities like Paris, New York, Hong Kong, London, Dubaï… Writing with Neon brings together two passions for Anne Valverde: light and words thus incorporating her main medium of expression: Photography. Valverde brings artificial light to areas where electricity is absent, creating a dissonance in the landscape and an unexpected and dreamlike light, creating a new message, independent from preexisting signs and words. Valverde’s first message is "dream", as she invites the viewer to go past reality and reflect on open spaces for escape in a complex and tormented world. Some themes are recurring: an amused gaze on social media omnipresence, hyper-connectivity or even office language shortcuts. This contemplation of the natural landscape suddenly opens up to a perspective on social evolution. By inserting neon lights in her photographs, she initiates a return...

Bob Tabor is a well-established, New York based, photographer best known for his exquisite large scaled portraits of subjects ranging from horses to seascapes. It is his unique appro...

This listing is for an unframed print. Framing options are available. Virginie Drujon-Kippelen is a photographer whose work explores the visual representations of the natural world,...

Original Triptych photography by Cyrille Druart. Edition: III/V Dimensions: Each picture 150 x 100 cm Triptych (without space): 300cm wide Cyr...

The photograph is available in three sizes. The print is proposed as a face-mount; it is mounted to acrylic at the front and Dibond at the back. It is ready to hang with a metal bracket on the wall. This photograph by Anne Valverde, titled "No WiFi," is a profound commentary on the modern condition, where the absence of digital connectivity is a statement in itself. The image portrays a serene twilight scene by the water, with the sky painted in soft hues of pink, purple, and blue, reflecting onto the calm surface below. The contrast of colors between the sky and the water creates a tranquil and reflective mood. The neon text "no wi fi" glows with an ironic warmth in the foreground, a stark reminder of the digital tether that often binds us. Its presence in this natural setting is a powerful juxtaposition, suggesting a disconnection from the digital world and an invitation to reconnect with the natural one. The reflection of the text on the water's surface emphasizes the theme of disconnect, mirroring the sentiment of severing the constant need for digital engagement. This peaceful landscape, with its wide-open spaces, is an oasis away from the constant buzz of notifications and the glare of screens. It offers a moment of reprieve, a chance to breathe deeply and experience the environment with all senses unmediated by technology. The beauty of the scene is undisturbed, inviting viewers to contemplate the rare moments where we can be truly offline and present in the moment. Valverde's "No WiFi" can be seen as an ode to the increasingly scarce luxury of unplugging, a gentle nudge to embrace the world beyond our devices. It reflects a growing desire for spaces and experiences that are not dictated by the presence of a wireless signal, highlighting the innate human need to sometimes just be in a place—physically, mentally, and emotionally. The photograph is a quiet celebration of these increasingly precious sanctuaries of silence and peace in our hyper-connected era. Since 2015, Valverde has been working on a neon light installation project in several countries, which she materialises through photography. The DREAM ART PROJECT Her portfolio “City Icons” in 2008 brought her work to public attention. A series about Iconic Monuments from Major cities like Paris, New York, Hong Kong, London, Dubaï… Writing with Neon brings together two passions for Anne Valverde: light and words thus incorporating her main medium of expression: Photography. Valverde brings artificial light to areas where electricity is absent, creating a dissonance in the landscape and an unexpected and dreamlike light, creating a new message, independent from preexisting signs and words. Valverde’s first message is "dream", as she invites the viewer to go past reality and reflect on open spaces for escape in a complex and tormented world. Some themes are recurring: an amused gaze on social media omnipresence, hyper-connectivity or even office language shortcuts. This contemplation of the natural landscape suddenly opens up to a perspective on social evolution. By inserting neon lights in her photographs, she initiates a return...

The photograph is available in three sizes. The print is proposed as a face-mount; it is mounted to acrylic at the front and Dibond at the back. It is ready to hang with a metal bracket on the wall. The photograph titled "You Are Here" by Anne Valverde exhibits a minimalistic seascape where the vastness of the sea meets the expansive sky. The crisp horizon line divides the image into two broad swaths of muted color, imparting a sense of calm and infinity. The foreground is a textured white that looks almost like a continuation of the sea's surface, adding depth and grounding the photograph in a tangible reality. Against this serene backdrop, the phrase "You Are Here" is superimposed in a style reminiscent of neon signage. The contrast of the modern, human-made font with the natural setting plays on the idea of place and presence. It serves both as a marker of physical location and a philosophical statement about being present in the moment, offering a dual commentary on geography and consciousness. The artwork’s essence lies in its call for contemplation. In a world often dominated by haste and distraction, Valverde’s work is a gentle prompt to acknowledge and savor the present. The text acts as an anchor, pulling the viewer back from wherever their mind might wander, back to the 'here' that is not just a point in space, but a moment in time. The composition and the inclusion of the text work together to evoke a reflection on solitude and connectivity. In the absence of any human figures or traces of civilization other than the text, the image suggests isolation, yet the words imply a connection to the viewer. It is this paradox that enriches the photograph, encouraging a deeper engagement with the layers of meaning behind the simplicity of the captured scene. Since 2015, Valverde has been working on a neon light installation project in several countries, which she materialises through photography. The DREAM ART PROJECT Her portfolio “City Icons” in 2008 brought her work to public attention. A series about Iconic Monuments from Major cities like Paris, New York, Hong Kong, London, Dubaï… Writing with Neon brings together two passions for Anne Valverde: light and words thus incorporating her main medium of expression: Photography. Valverde brings artificial light to areas where electricity is absent, creating a dissonance in the landscape and an unexpected and dreamlike light, creating a new message, independent from preexisting signs and words. Valverde’s first message is "dream", as she invites the viewer to go past reality and reflect on open spaces for escape in a complex and tormented world. Some themes are recurring: an amused gaze on social media omnipresence, hyper-connectivity or even office language shortcuts. This contemplation of the natural landscape suddenly opens up to a perspective on social evolution. By inserting neon lights in her photographs, she initiates a return...

The photograph is available in three sizes. The print is proposed as a face-mount; it is mounted to acrylic at the front and Dibond at the back. It is ready to hang with a metal bracket on the wall. "Birdy Dream," a photograph by Anne Valverde, captures the ethereal beauty of a mist-enshrouded forest, with the word 'dream' crafted in neon lights, seamlessly integrated into the landscape. Valverde's artistry is evident in her ability to blend the artificial glow of neon with the organic forms of nature, creating a harmonious tableau that whispers of the unseen and the imagined. The forest scene is alive with varying textures of foliage, dominated by the large fronds of ferns that fan out across the frame. The mist rolls through the trees like a gentle tide, blurring lines and softening the world to a palette of muted greens and grays. In this dreamscape, the neon 'dream' is both a literal and figurative illumination—a call to the magic that lies in the heart of the wild. The neon text, positioned amongst the forest floor, is like a secret waiting to be discovered, a reminder that even in the dense and tangled growth, there is space for dreams to take root and flourish. The soft light from the sign pierces the fog, symbolizing clarity and hope amidst uncertainty. Valverde's "Birdy Dream" is a tribute to the quiet strength of nature and the power of dreams to persist in even the most unlikely places. It's a visual poem that invites contemplation, asking the observer to consider the myriad of dreams that live hidden beneath the canopy, in the soul of the forest, and within us all. Since 2015, Valverde has been working on a neon light installation project in several countries, which she materialises through photography. The DREAM ART PROJECT Her portfolio “City Icons” in 2008 brought her work to public attention. A series about Iconic Monuments from Major cities like Paris, New York, Hong Kong, London, Dubaï… Writing with Neon brings together two passions for Anne Valverde: light and words thus incorporating her main medium of expression: Photography. Valverde brings artificial light to areas where electricity is absent, creating a dissonance in the landscape and an unexpected and dreamlike light, creating a new message, independent from preexisting signs and words. Valverde’s first message is "dream", as she invites the viewer to go past reality and reflect on open spaces for escape in a complex and tormented world. Some themes are recurring: an amused gaze on social media omnipresence, hyper-connectivity or even office language shortcuts. This contemplation of the natural landscape suddenly opens up to a perspective on social evolution. By inserting neon lights in her photographs, she initiates a return...

Hand signed, numbered and titled on verso. Image Size: 10 X 10 Inches Sheet Size: 20 X 16 Inches. Artwork is in excellent condition. Certificate of Authenticity included. Edition o...

Cody Choi. Self portrait #10 - 30x40". is a self portrait during the time I shoot a commercial for Betfair in Latvia. This work will be sold with a signed certificate of authenticity. Photo size- 30″x40″. Additional information: Photographic Paper, Photograph 30 H x 40 W x 0.5 D cm (11.81 x 15.75 x 0.20 in) Sold unframed Image size: Height: 30cm (11.81 in) Width: 40cm (15.75 in) Complete size of unframed painting Height: 30cm (11.81 in) Width: 40cm (15.75 in) Depth: 0.5cm (0.20 in) Please note that insitu images are purely an indication of how a piece may look Artist BIO: Discover new art works by artist Cody Choi "Follow not only the movement but breathe with the dancers" is Cody Choi's approach to his dance photography. Cody Choi's photography journey started as he toured and danced around the world with Matthew Bourne’s Swan Lake for 3 years. Capturing different places, theatres and fellow dancers whom he went on the road with filled his days. As an experienced professional choreographer and dancer whose work have been performed in the Linbury Theatre at the Royal Opera House, The Place, Adidas, LG, World Dance Alliance, Greenwich Dance in London and other major venues across Europe and Asia. He also worked as a feature dancer for two Hollywood Movie – 47 Ronin (2013) and Walking on Sunshine (summer 2014). Cody’s photography demonstrates his acumen in dance and photography by being able to immerse himself into intimate visual dialogues with the dancers and their relationship do not stop at the movements but extends to the dancers’ ability, state of mind and emotions. Expect Cody to move about when he’s doing a shoot. He has been invited to host his solo exhibition at The Camera Club – one of the longest standing camera club in the world founded in 1885. Cody has exhibited/ shooted for Ben Sherman, The Other Art Fair, Urban Art Fair, Hong Kong Dance Alliance, Airwick, Beyond Repair Dance, The Place Theatre, Peacock Theatre London.

Photograph - Archival Pigment print, facemounted to Acrylic. Bob Tabor is a well-established, New York based, photographer best known for his exquisite large scaled portraits of sub...

This is a 16mm film With Archie, George Millaway Written on box in Andy Warhol’s hand: Archie, MARY + (illegible word) George b&w, silent, 100’ Footage...

Steve Schlackman is a lawyer by profession and a photographer by choice. Fascinated by the magical world of photography since his youth, he honed this...

A fan of photography since her early childhood, Mizrakli graduated from Yeditepe University in Istanbul, Interior Decoration Department, and continued her higher education in London, where she started out her work as a photographer. Later on, she moved to New York to further develop her career as a photographer and enrolled in classes at the Photography Department of the New York Film Academy. She received a Master’s Degree in photography in Los Angeles, where she is currently based. Mizrakli has conducted many shooting sessions for Mica Studios and Bullet Magazine in New York and had two solo exhibitions in Los Angeles. She has recently participated in the Contemporary Istanbul Exhibition (November 2013). In some of her black and white works she uses the human body only as a pictorial sign in order to create almost abstract works. First made anonymous, the female model is then cloned and circularly multiplied. The result is a kind of wheel in which the repeated human body gives birth to a new, seemingly vegetal or mineral structure. Thus, the human element seems to be transformed into different other natural...

Bob Tabor is a well-established, New York based, photographer best known for his exquisite large scaled portraits of subjects ranging from horses to seascapes. It is his unique appro...

*Note – A photogram is a photographic image made without a camera by placing objects directly onto the surface of a light-sensitive material such as photographic paper and then expos...

Bob Tabor is a well-established, New York based, photographer best known for his exquisite large scaled portraits of subjects ranging from horses to seascapes. It is his unique appro...

Bob Tabor is a well-established, New York based, photographer best known for his exquisite large scaled portraits of subjects ranging from horses to seascapes. It is his unique appro...

Steve Schlackman is a lawyer by profession and a photographer by choice. Fascinated by the magical world of photography since his youth, he honed this...

A fan of photography since her early childhood, Mizrakli graduated from Yeditepe University in Istanbul, Interior Decoration Department, and continued her higher education in London,...

Black and white original photography by Cyrille Druart. Edition: I/V Dimensions: 120 x 90 cm Signed and numbered Cyrille Druart is a French photograph and architect, a book about...

'Mick Jagger Performs', 1975 by famed American photographer, Allan Tannenbaum. Archival pigment print, 2017. 15 x 10 inch photo on 20 x 16 inch on the finest satin photo paper, AP 3/...

Artist: Michael DeCamp, American (1928 - 2013) Title: Another Door Opens Year: circa 1975 Medium: Color Photograph, signed and numbered in pencil Edition: 50 Image Size: 15.5 x 23.5 ...

Artist: Elena Kosharny Medium: Fine Art Photography Print, Signed and Numbered from an edition of 10, Bali, 2017 Dimensions: 30 x 45 in, 76.2 x 114.3 cm

Stepping off the train, Cala encountered the other-worldly landscape for the first time and decided this is what he wanted to make of photographic record of. Fascinated by the subjec...

This original vintage black and white photograph by Harold E. Malde (1923–2007) depicts Kin Klizhin, a remarkable Chacoan great house built during the late 11th century in present-da...

Sally Gall 'Shift,' 2001 Black and white photograph Sheet: 20 x 24 inches Frame: 20 x 25 inches Edition 3 of 20 Signed verso This work was donated by the artist to the Foundation in...

A one of a kind 5x7 Surreal Watercolor and Cyanotype on Hahnemuhle Platinum Rag Paper, Mounted on Wood Panel by artist Annalise Neil. A certificate of authenticity will be provided u...

A one of a kind 6" x 6" Surreal Watercolor and Cyanotype on Hahnemuhle Platinum Rag Paper, Mounted on Wood Panel by artist Annalise Neil. Neil’s cyanotype and watercolor works are ...

A one of a kind 14" diameter Conceptually Alternative Cyanotype executed on Hahnemuhle Sumi-E Paper by artist Annalise Neil. A certificate of authenticity will be provided upon its p...

A 17" diameter Conceptually Alternative Processed Cyanotype on Hahnemuhle Sumi-E Paper executed by artist Annalise Neil. A certificate of authenticity will be provided upon its purch...

A one of a kind 12x24 Bleach Toned Traditional Watercolor Cyanotype on Hahnemuhle Sumi-E Paper. A certificate of authenticity will be provided upon its purchase or delivery. Neil’s ...

Hand signed, numbered and titled on verso. Image Size: 10 X 10 Inches. Sheet Size: 20 X 16 Inches. Artwork is in excellent condition. Certificate of Authenticity included. Edition ...

Lambda digital c print on Ilford Ilfoflex Archival Super Gloss, 2003. Signed, dated, titled, and numbered 2/2 on verso. Artist Andrew George is based in Los Angeles. He recently pr...

Lambda digital-c print on Ilford Ilfoflex Archival Super Gloss. Signed, dated, titled, and numbered 1/2 on verso. Artist Andrew George is based in Los Angeles. He recently premiere...

Lambda digital c print on Ilford Ilfoflex Archival Super Gloss, 2003. Signed, dated, titled, and numbered 3/3 on verso. Artist Andrew George is based in Los Angeles. He recently pr...

Modern abstract photograph of the side of a building with pink and gold accents by the Texas artist Mark Greene. The off-centered window is balanced by the extension of the black mat...

Anonymous WILLIAM JENNINGS BRYAN. ELECTION POSTER. Lithograph, 1900 . Poster for Bryan's candidacy for President in 1900. He ran, with Adlai E. Stevenson as Vice President, against W...

Prince, George WILLIAM HOWARD TAFT AND JAMES S. SHERMAN CAMPAIGN POSTERS, 1908. The Taft with edge losses and a black line running from Taft's head to the right edge; the Sherman wit...

Lambda digital c print on Ilford Ilfoflex Archival Super Gloss, 2003. Signed, dated, titled, and numbered 2/2 on verso. Artist Andrew George is based in Los Angeles. He recently pr...

From the series "Light Leaks" (2008) Type-c print on Ilford Ilfoflex Archival Super Gloss, 2008. Signed, dated, titled, and numbered 2/2 on verso. Artist Andrew George is based in L...

Type-c print on Ilford Ilfoflex Archival Super Gloss, 2003. Signed, dated, titled, and numbered 1/1 on verso. This is a unique print. Artist Andrew George is based in Los Angeles. ...

Type-c print on Fujiflex Archival Super Gloss, 2004. Signed, dated, titled, and numbered 1/5 on verso. This work is framed. In the series ‘Weights & Measures’ (2003) Andrew George t...

Lambda digital-c print on Ilford Ilfoflex Archival Super Gloss, 2003. Signed, dated, titled, and numbered 1/1 on verso. This is a unique print. In the series ‘Weights & Measures’ (2...

Photography of a landscape with trees. The work is in a deep tone. It is signed in pencil by the artist. The photograph is framed in a black frame with a white matte. Artist Biograp...

Hand signed, numbered and dated by the artist in pencil. From the Self Portrait 1-5 series. Artwork is in excellent condition. Image size: 25 x 19 inches. Frame size: 32.6 x 25.75 in...

'James Brown Jumps on Broadway, New York City,' 1979 by famed American photographer, Allan Tannenbaum. Archival pigment print, 15 x 10 inch photo on 22 x 17 inch on the finest satin ...

Part of the “Wooden Postcards” series by husband and wife team Hugo Garcia-Urrutia & MK Semos, "Rays of City Light" is shot using cross-processed medium format film and a Holga camera. The imagery is a vibrant New York City street scene, showing an iconic yellow taxi cab and abstract orange patterns and "rays of light" emulating from the buildings. The frames are manually juxtaposed inside the camera to create “rays” emulating from the urban chaos of taxi cabs and skyscrapers. Urrutia crafts the substrate from white oak flooring, with the natural wood grain becoming an essential element of the composition. The choice of white oak, with its natural grain visible through the film overlay, reinforces a sense of history and urban grit, allowing the wood itself to become an active part of the composition. HUGO GARCIA URRUTIA Hugo Garcia Urrutia is an interdisciplinary artist, interested in the cross-pollination between art and architecture. A graduate and active member of the Architectural Association in the United Kingdom, Urrutia’s work creates a distinct spatiality located at the interstice of art and architecture. His work explores and uses the technology for design and fabrication, with a sensitive and conscious reminder of the creativity of human endeavor. Urrutia graduated from the Architectural Association in 2013, earning a Master of Architecture in the Design & Make programme. In 2000, he graduated from Texas Tech University, with a Bachelor of Architecture and Design and received the 2000 Outstanding Thesis Award. In 2004, he founded Decorazon Gallery in Dallas’ historic Bishop Arts District where he directed, curated and exhibited numerous art/architectural exhibitions for national and international artists. His personal artwork has been exhibited in the United States, United Kingdom, Thailand, Colombia, and Hong Kong. His participation in art and architectural competitions and public projects include; the AIA Cincinnati, where he received the Design Award for the 2000 National Urban Poetry I competition and the 2005 ARQUINE - International Architecture Competition in Mexico City. His art installations – The Mexican Tsunami, and Making a Killing – have both been featured at the Art Santa Fe 2010 Contemporary Art Fair, curated by Charlotte Jackson, and University of Dallas and the McKinney Avenue Contemporary (MAC) in Dallas curated by Charissa N. Terranova. Together with the AA-DLAB 2012 team, Urrutia presented the Fallen Star at the Architectural Association Back Member’s Room. MK SEMOS MK Semos is a Greek-American artist whose work is deeply rooted in her passion for storytelling. Raised in Dallas, Texas, her artistic journey began at the Booker T. Washington School for the Performing and Visual Arts and later at the University of Texas at Austin, where she earned degrees in photojournalism and photo illustration. It was in New York City during the vibrant 1990s that her artistic vision crystallized. Captivated by the city's energy, Semos photographed its dynamic urban landscapes and eclectic people, using her SL 66 Rolleiflex camera to capture movement and emotion. Even after three decades, she finds endless inspiration in the city’s pulse, describing it as an "endless source of inspiration." Semos’ work spans travel, portraiture, and environmental photography, with her mastery of the Holga camera earning her recognition in publications like New York Magazine, Business Traveler, and Timeout NY. Alongside her husband, Hugo Garcia Urrutia, she co-founded DeCorazon Gallery, showcasing global artists and exhibiting her own works in prestigious art fairs around the world. Semos also serves on the board of the Association of Women Art Dealers...

This is a 16mm film With Charlotte Gilbertson, Philip van Rensselaer Written on box in GM’s hand, and crossed out: Dracula – Last reel Written on l...

Present and Past (Abstract Painting) Acrylic on polyester resin film - Unframed. This work is part of a series titled Year of Color and is about time-keeping. Debra Ramsay captured...

Present Recorded (Abstract painting) Acrylic on polyester resin film - Unframed. This work is part of a series titled Year of Color and is about time-keeping. Debra Ramsay captured...

Time Collides (Abstract Painting) Acrylic on polyester resin film - Unframed. This work is part of a series titled Year of Color and is about time-keeping. Debra Ramsay captured ti...

Colors within a witch hazel blossom 2 (Abstract painting) Acrylic on polyester film - Unframed This work is part of a series whose inspiration comes from Witch Hazel, a deciduous s...

Present and Past (Abstract painting) Acrylic on polyester resin film - Unframed. This work is part of a series titled Year of Color and is about time-keeping. Debra Ramsay captured...

Pomegranate and mauve (Abstract painting) Acrylic on polyester film - Unframed This piece, part of a series, is the product of bringing together colors that Ramsay specifically mixed for other projects. The colors have one thing in common, they were all selected...

Acrylic on polyester film - Unframed This piece, part of a series, is the product of bringing together colors that Ramsay specifically mixed for other projects. The colors have one thing in common, they were all selected...

Acrylic on polyester film - Unframed This work is part of a series whose inspiration comes from Witch Hazel, a deciduous shrub in New York City. It blooms in January with bright yel...

'Patti Smith and John Belushi backstage at Saturday Night Live,' 1976 by famed American photographer, Allan Tannenbaum. Archival pigment print, 10 x 15 in...

Acrylic on polyester resin film - Unframed. This work is part of a series titled Year of Color and is about time-keeping. Debra Ramsay captured time passing by documenting the chang...