Art by Medium: Glass

Kerry Smith The Smiths - Meat Is Murder Mixed Media on Conservation Glass Year: 2017 Size: 12x12in Signed, dated by hand COA provided Ref.: 92-1651 *Black frame with a mirror-gloss ...

Contemporary Modernist Fusion Glass Torso Sculpture Signed by Karen Ehart Half Moon With an organic, painterly style, Karen Ehart draws her inspiration fro...

Sara Fine-Wilson's "Coming Up for Air" is a mixed media sculpture of multiple ceramic elements that were previously formed, fired, and glazed and the...

Handcrafted by TF Dutchman, MF DOOM is a one of a kind original traditional leaded stained glass panel. A detailed rendition of the infamous MF DOOM in his tr...

" Hang Tide " This unique sculpture was created by David Marshall and Jennifer Baker from sand cast aluminium and cast glass. Mounted on sandstone base. Certified authentic by both ...

Metaphors of time, space, earth and its elements are reflected in the elegant and glowing glass sculptures by Canadian artist John Paul Robinson. In this table-top piece, gently curved tubes of azure blue glass move together mimicking the effect of wind on water. Historically, the east wind...

This hand-crafted glass sculpture "Sunset" vividly depicts a desert scene with cacti and an intense sunset. Thousands of artfully arranged pieces of glass blend together to create th...

Hand-crafted Glassfusing Glass Sculpture Glass Artwork for Sale "Ravenna Purple", is a hand-crafted sculpture of colored glass using the fusion process. This window model sculpture...

Farbenlichthaut no. 140 is a contemporary modern organic sculpture painting relief by German artist Freddie Michael Soethout. The relief is made from a few hundred of hand-cut two mi...

Abstract expressionist oil painting with assembled objects by Bay Area artist Michael Pauker (American, b. 1957). Black and bright red expressive brushstrokes are layered with glass ...

Acrylic, oil, paper collage, car side mirror, branches, chimes, rag, clock radio (Instructions: Press “on” button on side of radio to turn on. Tune to suitable station) A pa...

With layers of bright oils and whisking brush strokes, the paint is able to shine and shimmer in a very unique pattern. The artist uses gold leaf with thick textured oils and glass t...

Antique Female Mask by Henry CROS (1840-1907) Polychrome glass paste presented on a wooden panel France circa 1900 height 16 cm width 10 cm panel : 25,4 x 19,4 cm Biography : Cés...

From canvas to kiln, Hunt Slonem brings his signature subject to life like never before. This wonderful hand-blown sculpture depicts one of Slonem's signature bunnies in beautiful pink opaque...

ADRIANA MARMOREK CAUSIS PLANTARUM PETAL, 2019 porcelain, blown glass 14.57 x 7.09 x 4.72 in. 37 x 18 x 12 cm. flower

"Solar Eclipse, Nebraska, 2017, Totality" by Kate Breakey is a limited edition print on museum glass and gilded with 24K gold leaf. About the artist: Kate Breakey is internationall...

A sculpturesque piece made from pieces of glass of iconic Campbell's Tomato Soup. Signed bottom right corner. Rudi Sgarbi was born in 1975 in Rio de Janeiro, Brazil. He is a versatil...

Dibond mirror Paul Gallaud is a French visual artist born in 1984 who lives and works in Croix, near Lille, France. After graduating with a BAC STI Applied Arts at the Institut Sain...

Patrik Illo is a very talented Slovak glass designer. This is a unique vase done by his personal technique. The vase si quite heavy 5,6. Kg but an ecqui...

Artist Commentary: Worked with a model for initial photographic images. Then used photograph to draw a simplified version of the image which I used to fabricate the mosaic. Over 2000...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

Handcrafted by TF Dutchman, Japanese Flower (Large) is a one of a kind original stained glass window panel. This piece uses Bullseye transparent copper bl...

Kerry Smith Iron & Wine - The Shepherds Dog Mixed Media on Conservation Glass Year: 2017 Size: 21x20in Signed, dated by hand COA provided Ref.: 92-1661 *Black frame with a mirror-gl...

With layers of bright oils and whisking brush strokes, the paint is able to shine and shimmer in a very unique pattern. The artist uses gold drips, mixed media and, pieces of glass t...

This painting depicts a Kiss made from broken pieces of glass. Each piece of glass was hand designed, creating a mosaic effect on canvas. In 2011, artist Cindy Shaoul endured a c...

*New Year Inventory Renewal Sale - 90 Days Until April 30th* *This Price Won't Be Repeated Again This Year* FOREVER AVICII is a very special creation both style and framing....

With layers of bright oils and whisking brush strokes, the paint is able to shine and shimmer in a very unique pattern. The artist uses thick textured oils and glass to add a very co...

Gail Norfleet earned her BFA at The University of Texas at Austin, and her MFA at Southern Methodist University in Dallas. Among others, she has had solo exhibitions in Dallas at The...

Cool Mid-Century Modern Scandinavian 1950s Kosta Boda Rurik clear round textured ashtray in great vintage condition. No chips or cracks. Glass has a nice weight to it —minimal wear c...

A core-cast glass sculpture by Joanna Manousis.

Tiffany style stained glass memorial work in honor of DJ Jam Master Jay Handcrafted by TF Dutchman, "Jam Master Jay" is part of series of works that are odes to the four elements of hiphop, with Jam Master Jay representing the DJ. This piece is a one of a kind original Tiffany style stained glass panel. A detailed portrait painted with vitreous paint memorializes the legendary hip hop artist DJ Jam Master Jay of RUN-D.M.C. Brilliant greens, yellows, blues and reds are enhanced by kiln fired, painted symbolic motifs including a turntable, JMJ's signature gold chain and the textured blue-gray drapery glass of JMJ's signature Adidas robe. TF Dutchman uses traditional original Tiffany window...

Richard Royal Glass Sculpture, titled "Relationship Series" hand blown glass sculptural vase. Signed with an incised signature, "Richard Royal '94" Measures 35 inches high by 7 inc...

Collage, oil stick, vinyl, enamel, spray paint and glass Collage or other Work on Paper Hand-signed by artist Frame: Included This work includes a certificate of authenticity.

'Last supper' of 13 Michelin-starred Chefs... John Reardon is particularly associated with his portraits of chefs for the Observer Food Monthly (UK) for which this commission based o...

Andrey and Alexey Kulibin are self-taught artists who established their studio in 2020. The advertising industry seemed too bureaucratic and regulated to us, so one day in 2019 we si...

The object is a part of a furniture, glass door opening a little bit difficult to close, due to the age. Wood in good shape, probably end of 19th Century or early 20th Century. This ...

"Porkpie", is a unique stained glass shadowbox handmade by TF Dutchman, contains an acrylic and paint marker painting on canvas set in a stained glass box. The canvas features TF DUTCHMAN's graffiti character wearing a pork pie hat...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. American Glassware (2010-present) which is presented in a small, wall-mounted vitrine. American Glassware is composed of three glass objects: a “souvenir” Walden Pond ashtray made by me as a multiple; a real souvenir ashtray from the 1964-65 New York World’s Fair; and an authentic “Happy Face” drinking glass from the same era. They are all nestled in crumpled, vintage newspaper from 1967, and are presented together in a dilapidated cardboard box, as if they have been found in someone’s attic or basement. Once again, in a similar manner to the Glass House Ashtray, versions of his Walden Pond ashtray (Walden Pond Souvenir) have been injected into the collectable stream of tag sales and flea markets, creating a souvenir that never existed. The ashtray is screenprinted with an image of Thoreau’s cabin on Walden Pond as pictured on the title page of his book Walden, or Life in the Woods (1854). (The original illustration was created by Thoreau’s sister, Sophia.) Walden Pond Souvenir was originally produced for the 2010 exhibition Renovating Walden at the Tufts University Art Gallery in Medford, MA. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

For his first time-limited sculpture, James Jean sets a ghostly figure in perpetual freefall. First seen tumbling through flowers and clouds in an epic 2019 painting, the Descendent has become a prominent motif in James Jean’s explorations of time, space and fantasy. Falling forever, yet somehow serene, the figure represents ‘caught in between' feelings of all kinds – up and down, east and west, dream and reality. Descendent - Lucid Dreamer...

Jeremy Novy’s unique brand of street art is ripe with thoughtful social examinations. Novy has combated a homophobic lack of representation with a celebration of gay iconography, bringing joviality and warmth to disused urban spaces. Since graduating from pecks school of the arts, Novy’s art has been met with acclaim across the country. His work has benefited non-profit foundations, advocacy organizations, and community service programs and has been featured in numerous films, books, publications, and collections public and private. His stencil work is cogent in its messaging and remarkably complex for its compositional simplicity-like the koi fish of his most-established series which, floating beneath the surface of concrete, refer to anti-authoritarian coded symbols in chinese art under communism. His pioneering images of drag queens, physique pictorials...

This painting is done with small broken pieces of glass, arranged in a mosaic creating a skull. A unique process done by the artist meticulously. Having built a diverse body of w...

Kerry Smith Etta James - At Last Mixed Media on Conservation Glass Year: 2018 Size: 12x12in Signed, dated by hand COA provided Ref.: 923423 *Black frame with a mirror-gloss finish a...

Slick Rick, 2008, traditional stained glass, custom shadowbox frame, LED lighting, icon, purple, blue, yellow.

Where the Road Crashes into the Sea, 2008 Aluminum, rivets, glass, acrylic paint, fabric Dimensions: 55 1/2 x 55" Mixed Media Sculptural Wall Hanging Art. This painting was made after visiting the location of the fatal Jackson Pollock car crash and includes a silkscreen photograph of the scene. The letters are formed from cut up old license plates. Ryan Humphrey (born 1971) is an American artist who currently lives and works in New York City. Education: BFA, Ohio University, MFA, Hunter College, New York 1999; Skowhegan School of Painting and Sculpture, Maine, 2001; Whitney Museum of American Art Independent Study Program, NY, 2005-2006 Ryan Humphrey grew up in a small town in Ohio building things in his yard, riding BMX bikes and skateboarding. He then moved to Pittsburgh, Pennsylvania for the next three years to work at The Carnegie Museum of Art and obtain a commercial art degree where he developed an interest in contemporary fine art. This inspired him (along with a scholarship) to attend Ohio University where he earned his BFA in Sculpture. After moving to New York City he received his MFA from Hunter College, paying his way through school by working at The Dia Center for the Arts. After attending The Skowhegan summer residency program in Maine he worked for The Andy Warhol Foundation and participated in the Whitney Museum Independent Study Program. He has exhibited extensively. He currently lives and works in New York City. His work has been featured in the traveling exhibition Will Boys Be Boys? Questioning Adolescent Masculinity in Contemporary Art :Photograph, video, painting and sculpture curated by Shamim Momin of the Whitney Museum of American Art. (it included Slater Bradley, Larry Clark, Lilah Freedland, Tim Gardner, Luis Gispert, Anthony Goicolea, Janine Gordon, Ryan Humphrey, Nikki S. Lee, Julia Loktev, Maria Marshall, Ryan McGinness, Chloe Piene, Jeff Reed, Tom Sachs, Dean Sameshima, Collier Schorr, Type A (Adam Ames and Andrew Bordwin Humphrey's most recent solo exhibition, All of Nothing, was at DCKT Contemporary. Humphrey was also a contestant in Season I of Top Design, Bravo's reality show. Recently, Humphrey was included in the Queens International 4 exhibition at the Queens Museum of Art. His large-scale installation, titled Fast Forward (2009), included BMX ramps adjacent to a wall-to-ceiling assemblage tapestry, collection of trophies and customized BMX bikes, and he continued this theme in his installation Look for the dream that keeps coming back (2010) at Kunsthalle Galapagos. Humphrey expresses his growing up in BMX and skateboard culture through his art. The assemblage also included several paintings, created by the artist for the exhibition, and several sculptures of BMX bike wheels. The paintings were small drips that recall the works of Jackson Pollock, and the BMX sculptures are similar to Marcel Duchamp's Bicycle Wheel. The installation included an opening night performance by legendary BMX pro Dizz Hicks and Ryan Humphrey on the ramps. An edition of 20 silkscreen posters was made by the artist, and signed by himself and Dizz Hicks, to commemorate the event. He was included in the show 5 X 5 at the Whitney Museum of American Art at Philip Morris. Reed Anderson, Rina Banerjee, Susan Graham, Ryan Humphrey and Larry Krone -- each created a work inspired by one (post-1985) from the museum's own collection. Christopher Wool, Donald Lipski...

Handcrafted by TF Dutchman, Japanese Flower (Small) is a one of a kind original stained glass window panel. This piece uses Bullseye transparent copper bl...

"Blown Glass" vase is a light beautiful wisp of blown glass infused with a milky white and blue fog of color and bold splashes of red. The vase has a long elegant neck and round body. Herb Babcock known as a Michigan Glass Artist began as a metal sculptor. He studied glass blowing in 1969 and created a series of Glass Image Vessels in 1974. Eventually he began to combine metal and glass in sculpture. The Pillared Series, which includes glass, steel and stone, began in 1989. Herb received both his BFA and his MFA in Sculpture: his bachelor’s degree from the Cleveland Institute of Art and his master’s from the Cranbrook Academy of Art Bloomfield Hills, Michigan. Cranbrook was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), and Morris Brose...

Shaker for sugar by DAUM Shaker with Thistles decoration Blown-molded multilayer glass Acid-etched decor in reserve enhanced with gold Pink frosted background The top and the foot i...

Artist/Designer; Manufacturer: Ross Richmond (b. 1971) Marking(s); notes: no marking(s) apparent Country of origin; materials: USA; blown and hot-sculpted glass, metal (stand) Dimensions: 10.75″h, 7.25″w, 5″d on stand Additional Information: Ross Richmond (b. 1971) is a contemporary American glass artist renowned for his mastery of hot-sculpted and blown glass techniques. A former assistant to William Morris, Richmond developed a distinctive approach to figurative glass sculpture...

Bonnie Seeman grew up in Miami, Florida with a propensity towards anatomy illustration and the dazzling colors and rich foliage of the Miami landscape. Developing her technique with...

Marcello Panza for Arcade Vase (this is for 1 of a pair I have, I am selling them separately). This has an African or Aboriginal tribal pattern to it. ...

This contemporary mixed media piece titled, "Heart Like the Moon," is 47" in diameter is made with mixed media on a circular mirror. The mirror bas...

Celebrated glass artist Robert Levin, whose work is in museums and published around the world, creates pieces of incredible finish and precision. There is nothing rough or amateurish...

Acrylic glossy glass + inkjet painting Paul Gallaud is a French visual artist born in 1984 who lives and works in Croix, near Lille, France. After graduating with a BAC STI Applied ...

Farbenlichthaut no. 160 is a brand new unique small size contemporary modern organic sculpture painting relief by German artist Freddie Michael Soethout. The relief is made from doze...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

Mid-Century enameled steel, glass sculpture that is visually balanced from 360 degrees. All the positive and negative spaces work in total harmony which is a testament to Samuel Cashwan...

Pierre & Gilles (Pierre Commoy and Gilles Blanchard) began their creative collaboration in France during the late 1970’s. Together they created a vivid fantasy world of their own, a ...

When it Comes to Money, a unique stained glass shadowbox handmade by TF Dutchman, has an acrylic painting on canvas set in a faceted stained glass...