Art by Medium: Glass

Jonas Noël Niedermann LOOP (Azure), 2022 Blown glass 13.50 x 7.50 x 3.50 in.

Rene Lalique (1860-1945) Chiens Cup, also called Grayhound Opalescent molded-pressed white glass 4 x 10 in Literature: Appears in the 1928 catalog. Deleted from the catalog in 1932 ...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

Christopher Windsor Ice, 2007 Borosilicate Glass 60h x 34w x 34d in

George William Bell Abstract Form Study in Bronze IV, 2022 Blown glass, mirrored 19¾ x 13½ x 13½ in.

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

Oscar Pacheco Oaxaca, Mexico Support: 25 1/2 x 21 in, Image: 21.6 x 16.5 in 2019 Technique: Coyotepec Black Clay on Glass

"La Petite Fille Orange" Portrait Painting 25 x 25 in by Katherine Bakhoum Tisné Techniques Bakhoum often paints on canvases that have been prepared with various materials. She gen...

Christopher Windsor Electric Artichoke, 2015 Borosilicate glass and steel 21.50h x 31.50w x 31.50d in

Ellen Frances Tuchman creates contemporary collages using various ephemera such as vintage postcard, books, leather, embroidered patches, ribbon,...

"Bonsai" Landscape Painting 8" x 12" inch by Katherine Bakhoum Tisné Techniques Bakhoum often paints on canvases that have been prepared with various materials. She generally make...

Hamm Brushland Untitled, 2011 borosilicate glass 16.5h x 28.25w x 21.5d in

David Colton Untitled (Clear Horizontal), 2011 Borosilicate glass 16 x 13 1/4 x 5 1/4 inches $ 4,500

Memento is the root of her odyssey, it is both a pilgrimage and its migration. These mixed media pieces vividly reflect on what is both past and present. Angelica’s multi-layered ...

Memento is the root of Angelica's odyssey, it is both a pilgrimage and its migration. These mixed media pieces vividly reflect on what is both past and present. Angelica’s multi-l...

"La Femme en Gris" Portrait Painting 25"x25"in by Katherine Bakhoum Tisné Techniques Bakhoum often paints on canvases that have been prepared with various materials. She generally ...

“la Belle au Drapé Jaune” Figurative Painting 79x39in by Katherine Bakhoum Tisné Mixed Media with Glass Frame Katherine Bakhoum represents art that has been forgotten for a long while. She draws upon the concept and the subject of the orientalism and the enchantment of that period. Through her work we can feel the researches she has done to reveal her Egyptian origins and the magic and power of the bygone times. Katherine Bakhoum has succeeded in imprinting her own stamp to evoke a new world full of charm, nostalgia and magic that is deeply implanted in her canvas. Her power dwells in creating her own style of contemporary expressionism building upon the old orientalism. Katherine Bakhoum’s art comes up out of an Egyptian childhood and from the distance of a life spent in France. What is left unsaid is as important as what is shown. Decorative yes, as in old orientalism, when everything was texture and what wasn’t texture was veiled, a reincarnation of old spirits, dervishes, orientalist motifs and the stuff of a once powerful civilization, the better to suggest it all might just come to life again. The choice of ancient subject matters, the echo of orientalist pieces in the collages, like the echo of the appeal of ancient gestures, of foreign lands, and domestic tapestries, all this weaves up out of Katherine Bakhoum’s creations. Sometimes we only have the line of a horizon on which to hang our imagination, sometimes we only have the trace of a profile in the shadows. What we always have is a persistent belief in beauty. Where there is beauty, there is hope. Katherine Bakhoum has abandoned neither. SOLO EXHIBITIONS Claudine Legrand Gallery: Annual exhibitions from 1996 to 2016 Safar Khan...

Christopher Windsor Tequila Star, 2012 Borosilicate glass and steel 28h x 24w x 24d in

Michael Cozza is a glass artist living and working in Seattle, Washington. Cozza’s work focuses on using traditional Venetian techniques combined with a ...

A multi-color print featuring the legendary Jimmy's junkyard entrance. The neighborhood junk yard located on Buffalo Ave in Freeport has been around since 1930s and was acquired by i...

An original page of the Delineator magazine of the June 1911 issue, page 473. The page features two model ladies showing attractive Summer gowns. The vintage magazine page is finely ...

George William Bell Abstract Form Study in Bronze V, 2022 Blown glass, mirrored 8 x 8.50 x 6.75 in.

George William Bell Abstract Form Study in Chestnut I, 2022 Blown glass 8¼ x 7¾ x 6½ in.

George William Bell Abstract Form Study in Bronze I, 2022 Blown glass, mirrored 18.25 x 12 x 11.50 in.

Can be sold as a pair with Aurora 1913 (LEFT IN PICTURE)

Cast Glass and Granite Sculpture

Kiva Ford Anatomical Heart Toasting Flutes, 2010 Borosilicate glass 10h in

LOOPS (Rose), 2022 Etched blown glass 13.75h x 7.25w x 4.25d in.

Celebrating the Little Elephant. Glass Sculpture Technique: Light Box with 16 layers of glass, delicate handmade painted with a black wood frame. Certificate of Authenticity. Oaxaca...

Celebrating the Little Elephant. Glass Sculpture. Technique: Light Box with 16 layers of glass, delicate handmade painted with a black wood frame. With Certificate of Authenticity...

Jonas Noël Niedermann Modular Shapes (Noir et Opaline), 2021 Blown, carved, and etched glass 11.25h x 7.50w x 4.50d in 28.57h x 19.05w x 11.43d cm

A photography archival pigment print of a a woman holding a reading magnifier close to her eye in black and white by Luciana Pampalone ( American, 1962) titled " Spy" and the first e...

A limited edition archival pigment photography print numbered 1/15 and entitled "Smile" by the contemporary artist Luciana Pampalone ( America, 1963). The print features a lady takin...

A modern genre photography archival pigment print titled " Bobbi's ghost" featuring a lady with three open umbrellas near a lake. The art work created by Luciana Pampalone ( American...

An impressionistic photography archival pigment print titled "Tree" by Luciana Pampalone ( American, 1961) limited edition 1/20 in black and white, framed and matted. The print comes...

Raphael Soyer (American, 1899-1987) "Girl Holding Flower", lithograph, signed in pencil lower right "Raphael Soyer". Glazed, matted and presented ...

The mirror bars of the “Reflexion” installation symbolize the prison bars, where the only horizon is the reflect of the prisoner and his own closed universe.

Jonas Noël Niedermann Modular Shape (Pink), 2020 14.25h x 8.75w x 4.25d in 36.20h x 22.23w x 10.79d cm