Art by Medium: Gouache

Painting titled "Ice Skating" and dated 2021 by Jeanne Cosimano. Painting is gouache on paper and framed. The painting was recently included in a solo exhi...

Best Laid Plan (Mixed Media Collage on Board in Bright Colors), made by Hudson Valley based artist, Donise English, in 2025 mixed media collage on board, framed Image size: 20.50 x 2...

Watercolor on paper, sheet measures 12 x 17.5 inches. Unframed. Signed and dated lower right. Estate stamp on verso. EVE PERI (1897-1966) Born in Bangor, Maine, Eve Peri worked...

'Composition in Orange and Red', gouache on paper, by James Pichette (circa 1970s). A dynamic, lively abstract composition by an artist known for such s...

Untitled (Brown and Blue Shapes) Gouache and watercolor 18.25 x 11.62 inches Framed: 32.5 x 26 inches

Liz Barber pursued painting while obtaining her degree from the Massachusetts College of Art and Moore College of Art. She currently resides in Marietta, Georgia. Barber’s paintings ...

Abstract Portrait of a Woman in Gouache on Paper A vibrant abstract portrait of a woman with raven black hair accented in bold red and yellow, by California-based artist, Ricardo de Silva (American...

Still Life with Flowers, 1962. Gouache and ink on paper, 16.25 x 22 inches. Signed and dated center right. Framed measurement: 26 x 31 inches. original frame and glass. Excellent con...

Abstract Composition by Sally Vaughan (contemporary) gouache painting on card, unframed measurements: 8.75 x 6.75 inches condition: very good provenance: from a large private collec...

Work on paper White wooden frame with glass pane 43 x 53 x 1,5 cm

Desmond Mclean (1929-2015). Untitled, ca. 1960 Mixed media onpaper. Sheet measuring 12.25 x 16.5 inches. Unframed. Born: Ireland Studied: Heatherly School of Art, London; Am...

'Untitled' abstract composition, mixed media on soft board, Japanese ink, oil, pencil and gouache by Erez Yardeni (2018). Beautifully balanced, stunningly...

'Untitled II' abstract composition, mixed media on soft board, Japanese ink, oil, pencil and gouache by Erez Yardeni (2018). There is so much energy in th...

Abstract Composition British School, monogrammed/ dated lower corner gouache painting on paper laid over card, unframed actual painting: 22 x 15.5 inches Superb - bold - and very co...

George Dannatt (1915-2009) Henge-Line 1985 Oil on card Image: 5 1/4 x 4" 13.3 x 10.2 cm Frame: 9 7/8 x 8 5/8" 25.0 x 22.0 cm George Dannatt’s long career as a pai...

Gloria Dudfield Sitting with Green 1960's Gouach on paper 11"x17.5" unframed. Gloria (Fischer) Dudfield July 12, 1922 – May 27, 2015 Came from a portfolio of her work in the San Fr...

Work on paper White wooden frame with glass pane 44,5 x 52,7 x 1,5 cm

Abstract Expressionist painting of Bay Area Hills by Honora Berg Berkeley San Francisco Bay Area abstract expressionist landscape by Honora Berg (American, 1897-1985). A brilliant e...

The clean, contemporary lines of this large graphic diptych were created by Canadian artist Yvonne Lammerich. This is one of a series of paint and paper collage pieces that were shown at the Maison des Congrés in Paris. Each side of the diptych mirrors...

Work on paper Stamp of the artist's studio on the back lower right Dimensions of the master key 42 x 50 cm

Contemporary mixed media on board painting by Polish artist Anna Mikke. Birds are next to people favourite artistic subject of Mikke. This piece is in neutral colors, the background ...

Abstract Composition by Sally Vaughan (contemporary) gouache painting on card stuck on green card painting: 25.5 x 20.5 inches card: 24 x 19 inches condition: very good provenance:...

Charmion von Wiegand Pillar of Zen #124, 1959 Gouache on paper painting Hand signed, titled and dated on the front Unique Provenance: Andre Zarre Gallery, with label verso (Estate of renowned gallerist Andre Zarre, ne Andre Sowulewski) Measurements: Framed 26.5 inches vertical by 25.5 horizontal by 2 inches Artwork: 21 inches vertical by 22 inches horizontal Mid century modern, geometric, spiritual abstraction, mystical The Estate of the celebrated artist Charmion Von Wiegand has been represented exclusively by Michael Rosenfeld Gallery since 1998. From March 3 to August 13, 2023, Charmion Von Wiegand was the subject of an acclaimed retrospective at the Kunstmuseum Basel, and she has received major attention in the price, including a June, 2023 ArtNews feature entitled, "Who Was Charmion von Wiegand and Why Is She Important?". Her work was also featured in a solo presentation by Rosenfeld Gallery at the New York Art Show held at the Park Avenue Armory, which also received critical acclaim. Artists Biography - courtesy of Michael Rosenfeld Gallery: Known for her vibrant, geometric paintings that originate a deeply personal language of spiritual enlightenment expressed through a constructivist mode of abstraction, Charmion von Wiegand (1896–1983) was born in Chicago but spent much of her childhood traveling. The daughter of a journalist for Hearst, von Wiegand eventually settled in New York in 1915 to attend Barnard College and Columbia University, where she took classes at the School of Journalism while nurturing a growing interest in art history. In 1925, von Wiegand realized that she wanted to be an artist and set up a studio in Greenwich Village, teaching herself how to paint while pursuing a career as a journalist. In 1929, she secured a position in Moscow as a foreign correspondent for Hearst, the only woman at the desk at the time. In 1932, von Wiegand returned to New York and married Russian émigré Joseph Freeman, who co-founded and edited the leftist journal New Masses. Von Wiegand began writing art criticism for New Masses as well as for other publications, including New Theatre, ARTnews, and Arts Magazine. When the Abstract American Artists (AAA) held their inaugural exhibition, von Wiegand reviewed it. An early champion of abstract art, von Wiegand became close friends with AAA founder Carl Holty. In 1941, Holty introduced von Wiegand to Piet Mondrian, who would have a profound impact on her art. Fascinated by Mondrian’s artistic philosophy, von Wiegand played a key role in the introduction of his work to American audiences, translating many of the Dutch artist’s writings into English and assisting in the composition of his influential article “Toward the True Vision of Reality” (1941). Through her friendship with Mondrian, von Wiegand re-kindled her interest in Theosophy (a religion established in the late 19th century that combines aspects of Hinduism, Buddhism, occultism, and esotericism) and embarked on an extended study of neoplasticism. In her artwork, she incorporated Mondrian’s iconic grid but rejected the constraints of pure neoplasticism and embraced a wide range of influences including surrealism and German expressionism. In 1942, von Wiegand became a member of the AAA, exhibiting regularly with the group and eventually serving as its president from 1951 to 1953. In the late 1940s, sculptor and fellow AAA member Ibram Lassaw gave her a translation of The Secret of the Golden Flower: A Chinese Book of Life, which inspired von Wiegand to immerse herself in a study of Buddhist art. She began incorporating Buddhist motifs such as stupas and mandalas into her paintings, and her spiritual practice steadily intensified throughout the 1950s. In 1953, her husband gifted her a copy of the Taoist I Ching Book of Changes, a guide for divining meaning from randomly derived numbers arranged in a hexagram—a form the artist readily incorporated into her painting. Von Wiegand’s study of Theosophy also intensified over these years, bolstered by her increased access to the religion’s primary sources composed by the religion’s founders and their successors at the New York Theosophical Society’s library. Von Wiegand’s search for the sacred and transcendent ultimately led her to Tibetan Buddhism and, in 1967, von Wiegand met Khyongla Rato Rinpoche, a Gelugpa monk who had recently arrived in New York, who would mentor her spiritual study in the tradition of Mahayana Buddhism until her death. Her travels in the 1960s and 1970s took her to Tibet and India, where she had an audience with the Dalai Lama, who was living in exile in Dharamsala. Many works from these decades incorporate symbols and schematics drawn from Theosophical prismatic color charts, Chinese astrology and tantric yoga. In 1978, she was the subject of a PBS documentary titled The Circle of Charmion von Wiegand, which was scored by Philip Glass. In 1980, von Wiegand was elected to the American Academy of Arts and Letters and in 1982, the Bass Museum of Art in Miami Beach (FL) organized her first retrospective exhibition. She died the following year in New York, bequeathing her estate to Khyongla Rato and the Tibet Center of New York. In 1998, Michael Rosenfeld Gallery became the sole representative of her estate and has presented her work in four solo and multiple group exhibitions. Recent notable exhibitions that have included her work are The Third Mind: American Artists Contemplate Asia (Solomon R. Guggenheim Museum, New York, NY, 2009) and Constructive Spirit: Abstract Art in South and North America (Newark Museum, NJ, 2010). In March 2023, the Kunstmuseum Basel (Switzerland) opened the first comprehensive museum retrospective of von Wiegand’s work in Europe. Von Wiegand’s work is represented in numerous museum collections including the Addison Gallery of American Art, Phillips Academy (Andover, MA); Albright-Knox Art Gallery (Buffalo, NY); Arithmeum, University of Bonn (Germany); Birmingham Museum of Art (Alabama); Blanton Museum of Art, The University of Texas at Austin; Brooklyn Museum (NY); Carnegie Museum of Art (Pittsburgh, PA); The Cleveland Museum of Art (OH); Indianapolis Museum of Art (IN); Fondazione Marguerite Arp (Locarno, Switzerland); Museum of Fine Arts, Boston (Massachusetts); The Metropolitan Museum of Art (New York, NY); The Museum of Modern Art (New York, NY); Newark Museum of Art (New Jersey); Seattle Art Museum (WA); Smithsonian American Art Museum (Washington, DC); Walker Art Center (Minneapolis, MN); Weatherspoon Art Museum, The University of North Carolina at Greensboro; Wellin Museum of Art at Hamilton College (Clinton, NY); Whitney Museum of American Art (New York, NY); and Yale University Art Gallery (New Haven, CT). More about gallerist Andre Zarre A tribute in the New Criterion: Dispatch August 11, 2020 Andre Zarre, 1942–2020 by Dana Gordon On the late New York gallery pioneer. Art should never be aggressively explained; art should be felt. —Andre Zarre, 1977 Often, in the starlit New York cultural mecca, a longtime important figure fades away through the penumbra and dies without notice. Such was the fate of Andre Zarre, the contemporary art dealer, who passed away a few weeks ago. Andy, as he wanted friends to call him, opened his eponymous gallery in 1974 just off Madison Avenue on Sixty-ninth Street. He soon moved it to the omphalos of the art world in that era, 41 East Fifty-seventh Street, the Fuller Building. Over the years he moved to SoHo and then to Chelsea, as fashion and real estate prices pushed the art souk hither and thither. To understand his importance, all you need do is take a look at a list of artists who had solo shows at the Andre Zarre Gallery. This includes such names, from an early generation, as Sonia Delaunay, Nassos Daphnis, Sari Dienes, and Perle Fine. Among a subsequent generation are Pat Lipsky, Jay Milder, Thornton Willis, and Kes Zapkus.1 And this list does not include the many knowns and unknowns who were in his lively group shows. Zarre had a real “eye” and was a champion of abstract art from the moment he founded his gallery—even among the gathering storms of conceptual and political art, which he eschewed. He showed a good deal of figurative art as well. His galleries were always spacious and unpretentious, oriented simply to show the art. In the words of Dee Shapiro, who showed with the Zarre gallery many times, “He had a photographic memory and knew a lot about art and was always interested in the artist’s life.” Reliable biographical information on Zarre is scarce, but he said of his background that he was born in Poland in 1942 and that his parents were a diplomat and a socialite. He left home for the United States at the age of fifteen. During his decades as an art dealer in New York, Zarre did not appear to accumulate wealth, though he acquired a collection and lived on Park Avenue. “He was not personally aggressive in that way. People had to come to him,” Dee Shapiro said. He was honest in his financial dealings with artists, which not all art dealers are. For a long time while running the gallery he had a second job as a supervisor in an airline office and he kept little to no additional staff in the gallery. He supported a brother who remained in Poland. Among artists, Zarre was known to be quite ornery. After my show at his gallery in 1997, I refused to enter it for seventeen years. Then I ran into him in Chelsea and he offered me another show, an opportunity I gladly accepted, but he remained just as disagreeable. He showed the work of many women, probably more than any other gallery, save those devoted to showing only women. Collectors, curators, and writers found him mostly friendly. As Peter Reginato put it, Zarre was a “strange guy but I liked him. I think he was a dealer who was more interested in the art than in making money, but somehow he lasted forty-plus years.” Zarre is not known to have kept extensive or extant records of his gallery’s long history, though these may emerge in time. Scouring the Internet, one may compile a partial list of more than eighty artists who had solo shows at the Andre Zarre Gallery:Nancy Azara, Ellen Banks, Mary Barnes, Tony Bechara, Juan Bernal, Stephanie Bernheim, Randy Bloom, Elena Borstein, Michael Boyd, Fritz Bultman, Ed Buonagurio, Yoan Capote, Sonia Delaunay, Nassos Daphnis, Cathy Diamond, Sari Dienes, Joseph Dolinsky, Beata Drozd, Ronnie Elliot, William Fares, Perle Fine, Lynne Frehm, Ben Georgia, Mikel Glass, Dana Gordon, Juanita Guccione, Fred Gutzeit, Don Hazlitt, Amy Hill, Clinton Hill, Monroe Hodder, Budd Hopkins, Arlan Huang, Richard Hunt, Rhia Hurt, Buffie Johnson, Alexander Kaletski, Robert Kaupelis...

Canada’s Yvonne Lammerich created this intriguing graphic composition using paint and paper collage. It’s one of a series of diptychs that first appeared at a show in Paris while Lam...

Joanne Freeman Squares and Strokes (Cadmium_16), 2025 gouache on handmade paper 28 x 20 in. image: 16 x 16 in. (freem240) My paintings and drawings incorporate elements found in arc...

Jack Youngerman Untitled Study #26, 1967 Gouache painting on paper (with original JL Hudson and PACE Gallery labels) Hand signed and dated '67 on the front; J.L. Hudson Gallery Label on Verso. Unique Abstract Expressionist work on paper Frame included Framed Measurements: Framed: 15 inches by 15 inches by 1.5 inch Artwork: 7.75 inches by 7.5 inches Provenance From the estate of Anne Markley Spivak J. L. Hudson Gallery Label affixed to verso (back). The J.L. Hudson Gallery, Detroit, Michigan This 1967 unique, signed gouache painting by renowned abstract expressionist painter Jack Youngerman was acquired from the estate of Anne Markley Spivak. It is held in the original vintage metal frame with the original J.L. Hudson Gallery label, as well as the PACE gallery label on the verso The artwork has been newly loated and framed in a museum quality white wood frame; the original labels from the original back board have been affixed to the back to preserve provenance. Jack Youngerman Biography Jack Youngerman was born in St. Louis, Missouri on March 25, 1926. He moved to Louisville, Kentucky in 1929 and studied at the University of Missouri, Columbia from 1944 to 1946 under a wartime navy training program. He graduated from the University of North Carolina Chapel Hill in 1947 and, that same year, he returned to Missouri to finish his Bachelor’s degree in Journalism before moving to Paris on a G.I. scholarship. In Paris, Youngerman enrolled at the Ecole des Beaux-Arts, studying drawing with Jean Souverbie. He explored Paris, taking in the cathedrals, museums, and history in order to grasp a greater sense of art history. He also traveled to the Netherlands, Spain, Belgium, Italy, and Greece on fine art excursions. In 1948, Youngerman became friends with Ellsworth Kelly, Eduardo Paolozzi, and Cesar – fellow students at Ecole des Beaux-Arts. He married Delphine Seyrig in 1950, and later that year he had his first group exhibition at Galerie Maeght in Paris. He visited the studios of Constantín Brancusi and Jean Arp and became heavily influenced by the organic forms present in their work. He also met artist Alexander Calder through his father-in-law, Henri Seyrig, and experimental filmmaker and artist, Robert Breer...

Thomas Anderson Abstract Expressionist painting on paper, ca. 1987 Mixed media watercolor, gouache and marker on paper Signed in black marker lower right front Unique Frame included ...

Perle Fine Untitled, circa 1945 Estate stamped and numbered "#632" on the reverse Gouache and pencil on Kraft paper 12 x 20 inches Provenance The artist Estate of the artist Thomas McCormick Gallery...

To see our other original vintage London Transport posters and designs, scroll down to "More from this Seller" and below it click on "See all from this Seller". Gerald Mac Spink (fl...

Gloria Dudfield (1922-2015) Untitled c.1960s Mixed media: gouache, pastel and encaustic on newsprint 11"x15.5" unframed Unsigned Gloria (Fischer) Dudfield July 12, 1922 – May 27, 20...

Abstract Composition British School, monogrammed/ dated lower corner gouache painting on paper laid over card, unframed actual painting: 22 x 15.5 inches Superb - bold - and very co...

'Abstract in Ivory and Blue' by Robert Inman, 1979. Chouinard, Osaka, Butler Institute of Art, Los Angeles County Museum of Art ---- Signed lower left, '...

"Mini Token" (2018) by Catherine Hart Acrylic, gouache, and graphite on wood panel; pink and purple palette with text Framing available COA included

Large black and marigold orange abstract interior scene of a bust in front of a window with fingerprints and painterly brushstrokes. Rich color and texture ideal for hanging in minim...

Abstract Composition signed by Sally Vaughan (contemporary) gouache painting on card, unframed measurements: 9.25 x 10 inches condition: very good provenance: from a large private c...

Abstract Composition by Sally Vaughan (contemporary) gouache painting on card, unframed ( frame used in photos are for display purposes only. Not including in purchase.) measurement...

Work on paper Golden wooden frame with glass pane 68.5 x 57.5 x 4 cm

“Water Blooms 8” — Oil, Acrylic, and Ink on Canvas, 48 x 72 inches "Water Blooms 8" is a monotone abstract painting with richly layered tones of black, greys and bright whites, inks...

Abstract Composition British School, monogrammed/ dated lower corner gouache painting on paper laid over card, unframed actual painting: 22 x 15.5 inches Superb - bold - and very co...

John von Wicht (German American, 1888-1970) Hand signed lower right Oil and media painting on Japan paper Dimensions: 17 X 24 inches Johannes Von Wicht was born in Holstein, Germa...

Modernist abstract "Manan du Terre" by LT Milton 1987 Abstract landscape on paper by Milton (American, 20th century). Bright colors in Gouache and Acrylic paints. A bold green mount...

Playful Garden I (Abstract painting) Mixed media - acrylic, oil pastels, gouache on raw linen This artwork will be shipped rolled in a dent-resistant tube. This method is especiall...

John Hultberg (1922-2005). Girl in Window, 1960. Gouache on illustration board measures 22 x 30 inches; 29.25 x 37.5 inches framed. Chestnut wood frame with beloved edge. Excellent ...

Karin Kahlhofer Untitled Gestural Abstraction Gouache Year: 1993 Size: 38 x 26.3 inches Signed and dated by hand Mounted on Board COA provided Karin Kahlhofer studied painting and sculpture at the Düsseldorf Art Academy from 1961 to 1965 with Gerhard Hoehme and Karl Otto...

"Sculpture Model" Abstract American Drawing Modernism Mid 20th Century Cubism Charles Biederman (American, 1906-2004) Sculpture Model Ink and gouache on Arches paper Sight: 18 x 1...

Shaun O’Dell More Love Four, 2017 gouache and ink on paper 30 x 22 in (76.2 x 55.9 cm) At once investigations of surface and depth, representation and reality, Shaun O'Dell's newes...

A Case of the Blues - Abstract Expressionism An abstract expressionist painting in vibrant hues of blue swimming in multiple layers and colors, creating a work that is defined by d...

Abstract Composition Stan Brodsky American (1925–2019) Gouache and Watercolor on Paper Size: 17 x 14.5 in. (43.18 x 36.83 cm) Frame Size: 23 x 20.25 inches

This elegant work by Jean Lurçat reflects the artist’s deep appreciation for classical form interpreted through a distinctly modern sensibility. Depicting a standing female figure dr...

Bright, monochromatic abstract in warm, glowing desert tones by Marianne K. Brown (American, 1928-2019), 2000. The free flowing color field background is accented with areas of patterns evoking the Southwest. Signed "Marianne K. Brown" in the lower right and was acquired with a collection of Brown's work. Title "Desert Days" and date 2000 are written on verso. No frame. Marianne K. Brown (American, 1928-2019) has taught watercolor and design for thirty years. Her work has been shown in many art magazines, including Watercolor Magic and The International Artist Magazine, and several books on watercolor painting. She was elected secretary of Orange County Art Association in 1964. Listed in the National Watercolor Society. Author, Watercolor by Design Member, East Bay Watercolor Society 1964 - 3rd Place, non-figurative exhibit of Orange County Art Association 1978 - Honorable Mention, Central California Art...

Diana Kurz Study for TH Pastel and gouache on paper 21 1/2 x 20 inches Diana Kurz (born 1936) is an Austrian-born feminist painter. In 1938, Diana Kurz's family fled Austria, first...

Covers 13 Red Orange (Abstract painting) Gouache on handmade paper. Unframed. Joanne Freeman's works on paper are made with gouache on handmade Indian Khadi paper. She uses tape t...

Abstract, 1987 Hand signed and dated verso Not sure of technique. this might be a monotype or monoprint with hand painting. The handmade paper is cut somewhat irregularly as per the ...

Bold, large-scale geometric abstract with primary color blocks by Marianne K. Brown (American, 1928-2019). Red, yellow and blue rectangles are separated with white borders, which are accented with the delicate detail of thin colorful lines. Signed "Marianne K. Brown" in pencil the lower right and was acquired with a collection of Brown's work. No frame. Marianne K. Brown (American, 1928-2019) has taught watercolor and design for thirty years. Her work has been shown in many art magazines, including Watercolor Magic and The International Artist Magazine, and several books on watercolor painting. She was elected secretary of Orange County Art Association in 1964. Listed in the National Watercolor Society. Author, Watercolor by Design Member, East Bay Watercolor Society 1964 - 3rd Place, non-figurative exhibit of Orange County Art Association 1978 - Honorable Mention, Central California Art...

Abstraction 1. 1964, paper, gouache, 83 x 59, 5 cm Gunars Klava (1933 – 1989) Gunars Klava was born in 1933 in Priekule. 1953 - graduated from J. Rosenthal Art School 1964 - began...

Jack Wolfe Untitled, 1965 Acrylic and collage on board Hand signed on the front Acrylic and collage painting on board Hand signed and dated on the front Provenance: Parker Street 470...

American modernist still life painting. Watercolor on paper, circa 1980. Signed. Image size, 24"L x 18"H.

gouache & watercolor on paper

Multi-layered collotype by Patricia A. Pearce (American, b. 1948). This piece is unsigned, but was acquired with a collection of other Pearce work. No frame. Patricia Pearce (Americ...

Woman Abstract Portrait Repaired tear upper left and minor wear along the edges of the work, otherwise in good condition Artist signed lower right corner, 23.5h x 18.5"w Rolph Scarl...