Art by Medium: Gouache

Roses by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back gouache painting on artist paper, unframed measures: 13 high by 16.5 inches wide condition: ov...

Gouache painted on cardstock, intended for a greeting card design, painted circa 1970. Unsigned. Displayed in a red archival mat. Cellophane tape on board.

Josine Vignon (French 1922-2022) ...

Simka Simkhovitch (Russian/American 1893 - 1949) This came with a small grouping from the artist's family, some were hand signed some were not. These were studies for larger paintings. This is a miniature watercolor and gouache vibrant, colorful bouquet of flowers in a vase. Simka Simkhovitch (Симха Файбусович Симхович) (aka Simka Faibusovich Simkhovich) (Novozybkov, Russia May 21, 1885 O.S./June 2, 1885 N.S.—Greenwich, Connecticut February 25, 1949) was a Ukrainian-Russian Jewish artist and immigrant to the United States. He painted theater scenery in his early career and then had several showings in galleries in New York City. Winning Works Progress Administration (WPA) commissions in the 1930s, he completed murals for the post offices in Jackson, Mississippi and Beaufort, North Carolina. His works are in the permanent collections of the Dallas Museum of Art, the National Museum of American Art and the Whitney Museum of American Art. Born outside Kyiv (Petrograd Ukraine) into a Jewish family who owned a small department store. During a severe case of measles when he was seven, Simcha Simchovitch sketched the views outside his window and decided to become an artist, over his father's objections. Beginning in 1905, he studied at the Grekov Odessa Art School and upon completion of his studies in 1911 received a recommendation to be admitted to the Imperial Academy of Arts. Though he enrolled to begin classes in architecture, painting, and sculpture at the Imperial Academy, he was dropped from the school roster in December because of the quota on the number of Jewish students and drafted into the army. Simchovitch served as a private in the 175th Infantry Regiment Baturyn [ru] until his demobilization in 1912. Re-enrolling in the Imperial Academy, he audited classes. Simka Simkhovitch exhibited paintings and sculptures in 1918 as part of an exhibition of Jewish artists and in 1919 placed 1st in the competition "The Great Russian Revolution" with a painting called "Russian Revolution" which was hung in the State Museum of Revolution. In 1922, Simkha Simkhovitch exhibited at the International Book Fair in Florence (Italian: Fiera Internazionale del Libro di Firenze). In 1924, Simkhovitch came to the United States to make illustrations for Soviet textbooks and decided to immigrate instead. Initially he supported himself by doing commercial art and a few portrait commissions. In 1927, he was hired to paint a screen for a scene in the play "The Command to Love" by Fritz Gottwald and Rudolph Lothar which was playing at the Longacre Theatre on Broadway. Art dealers began clamoring for the screen and Simkhovitch began a career as a screen painter for the theater. Catching the attention of the screenwriter, Ernest Pascal, he worked as an illustrator for Pascal, who then introduced him to gallery owner, Marie Sterner. Simkhovitch's works appeared at the Marie Sterner Gallery beginning with a 1927 exhibit and were repeated the following year. Simkhovitch had an exhibit in 1929 at Sterner's on circus paintings. In 1931, he held a showing of works at the Helen Hackett Gallery, in New York City and later that same year he was one of the featured artists of a special exhibit in San Francisco at the California Palace of the Legion of Honor in Lincoln Park. The exhibit was coordinated by Marie Sterner and included four watercolors, including one titled "Nudes". He is of the generation of Russian Soviet artists such as Isaac Pailes, Serge Charchoune, Marc Chagall, Chana Orloff, Isaac Ilyich Levitan, and Ossip Zadkine. In 1936, Simkhovitch was selected to complete the mural for the WPA Post office project in Jackson, Mississippi. The mural was hung in the post office and courthouse in 1938 depicted a plantation theme. Painted on the wall behind the judge’s bench, “Pursuits of Life in Mississippi”, a depiction of black workers engaged in manual labor amid scenes of white professionals and socialites, was eventually covered over in later years during renovations due to its stereotypical African American imagery. Simka painted what he thought was typical of Jackson. His impression of pre-civil rights Mississippi was evidently Greek Revival column houses, weeping willow trees, working class families, and the oppression of African Americans. He painted African American men picking cotton, while a white man took account of the harvest and a white judge advised a white family, calling it Pursuits of Life in Mississippi. Though clearly endorsed by the government and initially generally well-received, the mural soon raised concerns with locals as the climate toward racial segregation began to change. The main concern was whether depictions that show African Americans in subjugated societal roles should be featured in a courtroom. The following year, his painting "Holiday" won praise at an exhibition in Lincoln, Nebraska. In 1940, Simkhovitch's second WPA post office project was completed when four murals, "The Cape Lookout Lighthouse and the Orville W. Mail Boat", "The Wreck of the Crissie Wright", "Sand Ponies" and "Canada Geese" were installed in Beaufort, North Carolina. The works were commissioned in 1938 and did not generate the controversy that the Jackson mural had. The main mural is "The Wreck of the Crissie Wright" and depicts a shipwreck which had occurred in Beaufort in 1866. "The Cape Lookout Lighthouse and the Orville W. Mail Boat" depicted the lighthouse built in 1859 and the mail boat that was running mail during the time which Simkhovitch was there. The boat ran mail for the area until 1957. "Sand Ponies" shows the wild horses common to the North Carolina barrier islands and "Canada Geese" showed the importance of hunting and fishing in the area. All four murals were restored in the 1990s by Elisabeth Speight, daughter of two other WPA muralists, Francis Speight...

Step into the captivating world of "Promenade in Red," an artwork that invites you on a mesmerizing journey through landscapes teeming with vibrancy and movement. Framed on gouache p...

Untitled Fabric Design Gouache on paper, 1920-1935 Signed with the Atelier Stamp verso (see photo) Numbered with the Atelier Litt Archive number verso (see photo) No. 05535 ...

Original gouache, probably Belgian for matchbox covers. Mid-20th Century.

Untitled Fabric Design Gouache on paper, 1920-1930 Signed with the Atelier Stamp verso (see photo) Numbered with the Atelier Litt Archive number verso (see photo) Condition: E...

Dappled sunlight dances across an ancient stone wall in an unknown town bringing a luminosity to the perfectly balanced composition by Carol Pylant. Watercolor and gouache come toget...

Untitled Fabric Design Gouache on paper, 1920-1935 Signed with the Atelier Stamp verso (see photo) Numbered with the Atelier Litt Archive number verso (see photo) No. 24680 Co...

Untitled Fabric Design Gouache on paper, 1920-1935 Signed with the Atelier Stamp verso (see photo) Numbered with the Atelier Litt Archive number verso (see photo) No. 37365 ...

Untitled Fabric Design Gouache on paper, 1920-1935 Signed with the Atelier Stamp verso (see photo) Numbered with the Atelier Litt Archive number verso (see photo) Condition: E...

Untitled Fabric Design Gouache on paper, 1920-1935 Signed with the Atelier Stamp verso (see photo) Numbered with the Atelier Litt Archive number verso (see photo)No. 26190 Con...

Demon Mask with Skull Helmet in Neo-Japanese Style Boldly colored depiction of a demon mask by an unknown artist. A bright yellow mask stares out at the viewer, with a broad grin. A...

Margaret Michel (American, 20th Century) Signed: Michel (Lower, Right) " Water Street Market ", c. 1960s Gouache and Watercolor on Illustration Board 20" x 30" Housed in a 3/4" ...

Margaret Michel (American, 20th Century) Signed: Michel (Lower, Right) " Ramono's Foods ", c. 1960s Gouache and Watercolor on Illustration Board 20" x 30" Housed in a 3/4" Frame...

Pierre MONTHEILLET (1923-2011) Composition in grey Gouache and wash on laid paper Signed "Montheillet" lower right Dimensions of the work: 24 x 32 cm Dimensions of the frame: 40 x 50...

Pierre Charbonnier (1897-1978) The Factory near the River Gouache on cardboard 25,5 x 19,6 inch Frame : 50 x 70 cm Born in 1897 in Vienne (Isère), Pierre Charbonnier was predestined...

A very magnificent work by 20th Century British artist Hans Feibusch of a boy looking out over a landscape, classically inspired with a modern flair. Escaping the grip of Nazi Germa...

Frank Duffield (British, 1908-1982) original gouache painting on artist paper, unframed size: 12 x 15 inches condition: overall very good, minor wear to the edges as is normal for an...

]Duncan McFarlane. This excellent ship portraitist began his life's work in Liverpool. It is believed that he later sailed to America and was employ...

"NY Street Signs" Mid-20th Century WPA 1938 Modernist Abstract Realism Pop Art Stuart Davis (American, 1892-1964) "Street Signs" Modernist gouache and traces of pencil on paper in t...

Erté (Romain de Tirtoff) 1892-1990 | Russian-French Boucles d'oreilles en corail (Coral Earrings) Signed “Erté” (lower right) Inscribed “n°3544 / Boucles d'oreilles en corail et tu...

Erté (Romain de Tirtoff) 1892-1990 Russian-French La valse Signed “Erté” (lower right) Inscribed "No. 4096 / La Traviata / Acte I / Scenes II et IV / La Valse / Composition origin...

Industrial Man Working Mid 20th Century American Scene Social Realism Modern WPA Jo Cain (1904 - 2003) Hammering Nails 39 x 50 ½ inches Gouache on paper c. 19...

Erté (Romain de Tirtoff) 1892-1990 Russian-French Les travestis (The Transvestites) Signed “Erté” (lower right) Inscribed "No. 18.363 / Moi, j'aime le music-hall / Les Travestis" (en verso) Gouache on paper Erté’s costume...

A painting by Alexander Calder. "Vive" is a Post-War abstract painting, gouache and ink on paper in bold colors of reds, blacks, and blues by artist Alexander Calder. The artwork is signed lower right, "Calder 72...

A large translucent vessels floats upon a lake, so transparent that the wooded shoreline can be seen through this surreal boat. The artist treats watercolor much like oil paints, with layer upon layer to achieve a depth unseen in watercolor. The smallest of detail is apparent upon close examination. The piece is matted and framed in a simple white frame measuring 17.25 x 17.75 inches. Christina Haglid The Junipers watercolor and gouache on paper 8h x 9w in 20.32h x 22.86w cm CMH052 Artist's Statement Tiny Sanctuaries There has always been an intersection between the process of writing and the act of painting in my work. It has somehow been my guide. In the last four years, during the making of this work, that connection intensified as I started writing short stories and flash fiction while taking online classes. I find the process of writing and painting so different in almost every way, but there is something freeing and generative in writing which helps my painting process. Or perhaps it's a reminder of what painting is for me - something intuitive that needs to be trusted. And what they do have in common is a desire to encapsulate and distill a single moment, a story, about the complexity of our emotions and experiences. At the heart of my work is the recurring depiction of perseverance, strength of will, and a subtle optimism. Symbolically through the objects, precarious situations depict a moment of possible difficulty, often involving the influence of nature. A paper crane left in the snow. A boat nearly filled to the brim, but not submerged and able to drain its own contents carefully. A slide alone at night...

Translucent vessels are suspended upon the surface of the water in this surreal landscape entitled "Cloud Lake". This landscape is done in exacting detail with watercolor and gouache down to the smallest water droplet. Layer upon layer of color is added to achieve this impressively detailed painting. The piece is matted and framed in a simple white frame measuring 20.25 x 16.75 inches. Christina Haglid Cloud Lake watercolor and gouache on paper 11h x 8w in 27.94h x 20.32w cm CMH053 Artist's Statement Tiny Sanctuaries There has always been an intersection between the process of writing and the act of painting in my work. It has somehow been my guide. In the last four years, during the making of this work, that connection intensified as I started writing short stories and flash fiction while taking online classes. I find the process of writing and painting so different in almost every way, but there is something freeing and generative in writing which helps my painting process. Or perhaps it's a reminder of what painting is for me - something intuitive that needs to be trusted. And what they do have in common is a desire to encapsulate and distill a single moment, a story, about the complexity of our emotions and experiences. At the heart of my work is the recurring depiction of perseverance, strength of will, and a subtle optimism. Symbolically through the objects, precarious situations depict a moment of possible difficulty, often involving the influence of nature. A paper crane left in the snow. A boat nearly filled to the brim, but not submerged and able to drain its own contents carefully. A slide alone at...

This surreal landscape comes from the inner sanctum of artist Christina Haglid. Two paper orbs combine and reveal a portal to another dimension. The artist invites the viewer to take a closer look at nature, to question what is seen and to enter into a newly created world. Meticulous in her execution, Haglid uses watercolor as one might use a colored pencil. Layer upon layer of color is added to achieve this impressively detailed painting. The piece is matted and framed in a simple white frame measuring 20.25 x 16.75. Christina Haglid Nest, 2020 watercolor and gouache on paper 11h x 8w in 27.94h x 20.32w cm CMH051 Artist's Statement Tiny Sanctuaries There has always been an intersection between the process of writing and the act of painting in my work. It has somehow been my guide. In the last four years, during the making of this work, that connection intensified as I started writing short stories and flash fiction while taking online classes. I find the process of writing and painting so different in almost every way, but there is something freeing and generative in writing which helps my painting process. Or perhaps it's a reminder of what painting is for me - something intuitive that needs to be trusted. And what they do have in common is a desire to encapsulate and distill a single moment, a story, about the complexity of our emotions and experiences. At the heart of my work is the recurring depiction of perseverance, strength of will, and a subtle optimism. Symbolically through the objects, precarious situations depict a moment of possible difficulty, often involving the influence of nature. A paper crane left in the snow. A boat nearly filled to the brim, but not submerged and able to drain its own contents carefully. A slide alone at night...

A painting by Alexander Calder. "The Oval Spiral" is a Post-War, geometric abstract painting, gouache and ink on paper in bold colors of reds and blacks by artist Alexander Calder. T...

Artist: Alfred Sale Watson (English, Late 19th Century - Early 20th Century) Title: "Bridge at Sonning on Thames" *Signed and dated by Watson lower left Year: 1905 Medium: Original Gouache/Watercolor Painting on thin Illustration Board Framing: Recently framed in a gold brush and rope-motif moulding with hand decorated archival French matting Framed size: 26" x 31.88" Matted size: 20.25" x 26.25" Image size: 15" x 21" Condition: Has been professionally stored away for decades. In excellent condition Notes: It is also titled and dated on verso, likely by a previous dealer. Sonning is a village and civil parish in Berkshire, England, on the River Thames, east of Reading. The village was described by Jerome K. Jerome in his book Three Men in a Boat...

Outsider Folk Art American Mid-Century Naive WW2 Self Taught WPA Depression Era "Victory for Now" Ralph Fasanella (1914-_1997) "Victory and After,” gouache on paper. Signed, titled...

Richard E Howard (1912 - 1996) Massachusetts. Medium: Gouache / Paper Frame Size: 19.5" x 19" Size: 13" x 13 " Condition:great, no visible damage Provenance: ...

by Paul-Louis Bolot (French 1918-2003) signed original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ edge tear...

Gouache on paper, signed (lower left) and titled (lower right), 68cm x 88cm, (88cm x 108cm framed). The work is framed behind museum quality non-reflective UV glass. A realist pain...

coloured crayon, pencil, gouache and pen and ink on tracing paper mounted onto the artist's mount The authenticity of this work has been confirmed by Pierre Brullé.

1970s expressionist still life gouache on paper by Belgian artist André Pierard painted in Provence in the south of France. Colourful representation of table laden with tableware and...

1970s abstract expressionist gouache on paper by Belgian artist André Pierard painted in Provence in the south of France. A highly colourful and energetic abstract painting. The st...

Acrylic on paper

Late 20th century surrealist gouache and watercolour on paper of The Three Graces by British artist Derek Carruthers. The painting is signed to the bottom right. An imposing and hig...

John Paddy Carstairs (1916-1970). Original work in ink and gouache. Presented in a wash-line mount and gilt frame. Signed lower right. On paper.

Gouache by Paul Edmond Marie Joseph MASCART Born in 1874 in Condé-sur-l'Escaut (Nord), died in Paris in 1985. Painter of the 19th-20th centuries. French school. SCHOOL OF ROUEN. F...

A fine genre scene by the French artist Eugene Benjamin Fichel (1826-1895). 'God's Children'. Watercolour and Gouache. Signed lower right. Well presented in a decorative gilt-effect ...

Joseph Kardonne (1911-1985). Nude Woman, 1945. Gouache on paper, sheet measures 12.5 x 16 inches. Image measures 11.5 x 15 inches. Signed, dated and titled lower left. Unframed. ...

Joseph Kardonne (1911-1985). Nude Woman, 1949. Gouache on paper, sheet measures 13.5 x 13.5 inches. Image measures 12 x 12 inches. Signed, dated and titled lower right. Unframed....

The Irish landscape artist, graphic designer and illustrator Nora McGuinness was born in County Derry, Northern Ireland. She studied drawing and fine art painting at the Metropolita...

Unsigned. Presented in a gilt frame. On paper.

Unsigned. Presented in a gilt frame with lambs tongue and beaded details. On paper.

By Swedish school painter Gunnar S. Malm. Signed to the lower right. Presented in a painted wooden frame. On paper.

John Paddy Carstairs (1916-1970). Original work in watercolour and gouache. Presented in a dark green mount and contemporary wood frame. Signed to the lower right and dated '53. On p...

This abstract geometric acrylic painting is a vibrant and playful composition that draws inspiration from vintage Italian parasols. With a focus on bold, bright colors and clean line...

"Floating Panel" - Realistic Hand Painted Lithograph Lithograph with hand-painted ribbons by Patricia Pearce (American, b. 1948). In this composition, the pane with four bars is a l...

gouache on paper

Quickens The Pace At The 25th Fence And Goes On To Win 1931 Inscribed LL: Merry Christmas and a lot of winning rides in 1932 To Roberta and "Freddie" from the Paul Browns Mixed Me...

This abstract geometric acrylic painting is a vibrant and playful composition that draws inspiration from vintage Italian parasols. With a focus on bold, bright colors and clean line...

A signed watercolor gouache painting in frame. Framed: 26.5 X 32.5 Image: 19 X 25 Moshe Gat was born in Haifa in 1935. in 1952 he began his studies at the Bezalel School, in Jeru...

Signed upper right, 'Anne Jenkins' (American, 1923-2023) and dated 1958. An elegant and psychologically penetrating study of a young boy, shown seated and holding a white cat. Born...