Gouache Prints and Multiples

Patty deGrandpre’s “Landlocked (Swim with the Fish)” is a 11 x 16.5 inch unique mixed media print represented on Awagami Bamboo Japanese paper utilizing both printmaking and creative...

Signed lower right, "Maxon" for John Maxon (American, 20th century) and created circa 1995. Additionally titled, verso, 'White Flower'. Monotype with additional hand-painted detail. ...

Alejandro Colunga is a renowned Mexican artist born in 1948 in Guadalajara, Jalisco. He is part of the Nueva Mexicanidad movement and is celebrated for his surrealist and fantastical...

A lively image by a female artist who was part of a vibrant generation of British printmakers who were pushing the boundaries of color and technique during the early 20th century. N...

Coleth The Lovers of Venice Carnival Original gouache and ink drawing (c. 1925) Signed bottom right On drawing paper 23 x 20 cm (c. 9 x 8 in) at view...

A lively image by a female artist who was part of a vibrant generation of British printmakers who were pushing the boundaries of color and technique during the early 20th century. N...

Important American Abstract Expressionist artwork by Robert Motherwell (1915-1991), titled "Capriccio", dated 1961. This very striking image was created by Robert Motherwell in 1961...

After Ernesto MICHAHELLES, known as Thayaht Pendant les Modeles, 1922 A hand-coloured lithograph with gouache Signed, inscribed and dated in the plate 8.1/8 x 6 in. (20.7 x 15.3 cm.)

Patty deGrandpre’s “Landlocked (Welcome to Utah)” is an 14 x 11 inch unique abstract mixed media print represented on Awagami Bamboo Japanese paper utilizing both printmaking and cre...

"Keep Shooting for America": Original Maquette by Heller (WWI-Era Patriotic Poster Study). This image is an original maquette (a preliminary painting or study) for a patriotic poste...

"Moghanzi du Sultan" translated to "The Sultan's Moghazni" is plate number 4 in Jean Besancenot's stunning portraits and depictions of the people of Mo...

Large black and marigold orange abstract interior scene of a bust in front of a window with fingerprints and painterly brushstrokes. Rich color and texture ideal for hanging in minim...

Moody, expressive large scale black and white abstract interior scene--a lithograph with grey watercolor and gouache handcoloring, depicting a bust, indian Mugal carpet, floral desig...

Zebra I (2022), work on paper, hand painted multiple, animal and foliage, neo impressionist, botanical, pastels, aqua and lime green, black and white zebra "Zebra I," (2022) by arti...

Around each corner of the print, a brilliant stripe of green outlines the image field, as if the viewer were looking through an eye, or peering through a frame. The back of a figure’...

Original 1960s fashion design from a Northern Italian fashion house. Sketched and coloured by hand with a pencil sketch of the reverse. The name and description of the outfit is type...

Original 1960s fashion design from a Northern Italian fashion house. Sketched and coloured by hand with a pencil sketch of the reverse. The name and description of the outfit is type...

"Citadine en Tenue de Ménagère" translated to "Townwoman Dressed For Housework" is plate number 9 in Jean Besancenot's stunning portraits and depictions of the people of Morocco from...

Original 1960s fashion design from a Northern Italian fashion house. Sketched and coloured by hand with a pencil sketch of the reverse. The name and description of the outfit is type...

Patty deGrandpre’s “Stacked and Arranged” is a 14 x 11 inch unique mixed media contemporary print depicting 4 iterations of the classic children’s stacking toy presented in a square ...

This radiant purple pink poster was designed by Jim Dine for a production of Gilbert and Sullivan at New York City Center in 1968. Printed via lit...

Contemporary mixed media on board painting by Polish artist Anna Mikke. Birds are next to people favourite artistic subject of Mikke. This piece is in neutral colors, the background ...

Maurice UTRILLO Montmartre : Sacre Coeur Church and Moulin de la Galette under the Snow Lithograph enhanced with gouache and watercolor pochoir Printed signature in the plate On Ar...

I Moccoletti is a pleasant etching and hand-colored gouache, finely engraved on copper and printed on laid paper. The work is unsigned, but it is part of the 20 plates engraved in 18...

Gillian Ayres Much is the Force of a Heaven Bread-Poesy, 1992 Screenprint in colours, with gouache 59 x 59.5 cm 23.3 x 23.5 inches Edition of 50 Gillian Ayres OBE (Officer of the Or...

18th-century celestial FLAMSTEED, John. Aquila Sagitta.Vulpecula & Anser Delphinus London, C. Nourse, 1753. Hand coloured star chart heightened with gold and silver, engraved by ...

"Homme des Zemmour" translated to "Man of the Zemmour" is plate number 24 in Jean Besancenot's stunning portraits and depictions of the people of Moroc...

"Notable Citadine" translated to "City Notable" is plate number 2 in Jean Besancenot's stunning portraits and depictions of the people of Morocco from ...

Artist: Jean Fautrier Title: Annabelle Nue Medium: Pochoir in Gouache Date: 1957 Edition: 1500 Sheet Size: 12 1/2" x 9 3/4 Signature: Unsigned

Half-Limousine coachwork design for an Austro-Daimler. Gouache and watercolour heightened with gum-arabic on very dark green card, annotated in pale ink with body type below, numbere...

Hand signed and numbered 69/120 on the front in ink (unique variant) Dazzling mid century modern (1952) mixed media silkscreen and gouache by Hans Hofmann - one of the most influenti...

Gouache Yvon Taillandier (1926–2007) was a French painter and lithographer known for his significant contributions to contemporary art. Born in Paris, Taillandier began his artistic...

Burr, George Elbert. OASIS OF SEVEN PALMS CALIFORNIA. Gouache on paper, not dated, but before 1921. Titled in pencil, lower left, and signed in pencil, lower right, and with the numb...

John Thompson (b.1949). Willo Weep for Me, ca. 1975. Edition #1 of 6. Screen print and hand painted elements on paper. Image measures 11 x 13 inches. Framed measurement: 18 x 1...

Handcolored by pochoir master Jean Saude and illustrated by Manuel Orazi and Leon Rudincki. Has 6 full page illustrations and 4 vignettes.

"Mariée Juive de Fès" translated to "Jewish Bride of Fez" is plate number 52 in Jean Besancenot's stunning portraits and depictions of the people of Morocco from his series "Costumes du Maroc" ("Costumes of Morocco). The woman depicted here is a young Jewish woman dressed for her wedding. She is dressed in traditional fashion for a Jewish wedding for the community in Morocco, a community with a long history in the region, especially the city of Fez, the second largest city in Morocco and known as the "Mecca of the West" for its contributions to religion and learning. For this reason and its northern proximity, Fez was a prominent destination for Jews fleeing Spain. Jewish history in Morocco is long, dating back to the 1st century, their numbers later increased by the Sephardic Jews who were expelled from Spain in 1492 by the Alhambra Decree. Jean Besancenot's sixty plate reproduced and handcolored gouache on paper study on the diversity of Morocco's cultures is a work of stunning historical importance in tracing the rich and vibrant diversity of North Africa. Besancenot spent the 1930s traveling around Morocco, undertaking an awe-inspiring study of its peoples and rendered in vivid and precise detail the way they traditionally lived and dressed. Many of those outfits and cultural expressions are gone now, with Besancenot's watercolored drawings of them some of the only ways that people can now visit the past. The original manuscript of "Costumes du Maroc" is kept in the Royal Collection in Rabat, with only 310 copies of it produced. These prints are fresh from the folio and have been newly museum framed under conservator glass; unframed the image of the print is 12.75 x 7.75 inches. The tissue guards that bear the caption of the plate have been framed in the verso with the title visible behind clear plastic. Jean Besancenot, real name Jean Girard, was a photographer, painter, designer, and ethnologist who was born in 1902 in Estrées-Saint-Denis. His work straddles the crossroads of art and ethnography as he was primarily interested in the costumes and ornaments of Morocco in the first half of the 20th century. He arrived for the first time in Morocco in 1934, a country he traveled through until 1939. There he produced a very rich ethnographic documentation on the traditional costumes and adornments of the different Moroccan ethnic groups. His work, composed of photographs, films, drawings and paintings, testifies to the aestheticism of Moroccan cultural heritage that was still marked by little Western influence. His book "Costumes du Maroc" was published in 1942 at the end of his first trip and presents 60 documented plates of Moroccan costumes...

A collabroation between Sir William Hamilton & Pietro Fabris Naples: Pietro Fabris, 1776. Engraving with hand coloring in gouache and watercolor on 18th century laid paper with an...

"Mothmask", 1989 by Roberto Gil de Montes Roberto Gil de Montes is a bicultural artist of Mexican descent who lives and works between Los Angeles and Mexico. His paintings explore id...

Bold woodblock print by Byron Randall (American, 1918-1999). Titled "Schooner + Doryman", numbered "1st ed.", and signed and dated "Byron Randall '62" along the bottom edge. Small am...

Monotype ev edition 2/7 with hand coloring. The plate (image) is 15 x 14 inches and the overall paper size is 29 1/2 x 22 inches. The artist spent 12 years creating monotype ev's, an...

After Fernand Léger: La Partie de Campagne (Excursion to the Countryside), 1943 Lithograph in colours after a gouache Dimensions (image only): 35 x 52 cm This work is a lithograph...

Edition of 100. 26 colour screenprint with hand-painted gouache embellishments on Somerset Tub Sized Satin Radiant White 410gsm. Size: 76 x 60 cm. Signed and dated by the artist lowe...

Unframed

This striking circa 1950 gouache by Dimitri Bouchène, is a powerful example of mid-century modern expressionism infused with theatrical elegance and painterly freedom. Executed with...

"Femme Des Aït MGuild" translated to "Woman of the Aït MGuild" is plate number 19 in Jean Besancenot's stunning portraits and depictions of the people ...

Beautifully executed original hand colored lithograph using gouache and watercolor. Scene in Surrey, England. Signedxwith monogram in plate lower left, Myles Birket Foster. Published by M. H. Long. Condition is very good. In original 2 inch wide birdseye maple antique frame with thick museum mat with gold innner edge. Overall 22 by 26 inches. Biography Myles Birket Foster (4 February 1825 – 27 March 1899) was a popular English illustrator, watercolour artist and engraver in the Victorian period. His name is also to be found as Myles Birkett Foster. Life and work Foster was born in North Shields, England of a primarily Quaker family, but his family moved south to London in 1830, where his father founded M. B. Foster & sons — a successful beer-bottling company. He was schooled at Hitchin, Hertfordshire and on leaving initially went into his father's business. However, noticing his talent for art, his father secured an apprenticeship with the notable wood engraver, Ebenezer Landells, where he worked on illustrations for Punch magazine and the Illustrated London News. On leaving Landells' employ, he continued to produce work for the Illustrated London News and the Illustrated London Almanack. He also found work as a book illustrator and, during the 1850s, trained himself to paint in watercolours. His illustrations of Longfellow’s Evangeline and books of poetry by other contemporaries were a great success, and he quickly became a successful artist in watercolours. Birket Foster became an Associate of the "Old" Watercolour Society (Later the Royal Watercolour Society) in 1860 and exhibited some 400 of his paintings at the Royal Academy over more than 2 decades. Birket Foster travelled widely, painting the countryside around Scotland, the Rhine Valley, the Swiss lakes and in Italy, especially Venice. In 1863 he moved to Witley, near Godalming in Surrey where he had a house ("The Hill") built. Being friendly with Edward Burne-Jones and William Morris, he had the house decorated and furnished in contemporary style, with tiles and paintings by Burne-Jones and Morris' firm, Morris and Company. The same year he published a volume of "English Landscapes," with text by Tom Taylor...

Purple and red kimono by Patricia A. Pearce (American, b. 1948). This piece is unsigned, but was acquired with a collection of Pearce's work. No frame. Image, 27.5"H x 22.5"W Patrici...

Jacquelyn Strycker One Day Tomorrow Will be Yesterday, 2024 collage of risographs and screenprints on Japanese and handmade fibers papers with sewing and acrylic gouache 57 x 76 in. ...

Patty deGrandpre’s “Landlocked (Cactus, a million needles)” is an 12.375 x 16 inch unique abstract mixed media print represented on Awagami Bamboo Japanese paper utilizing both print...

Patty deGrandpre’s “Landlocked (Palm Trees)” is an 11 x 16.5 inch unique abstract mixed media print represented on Awagami Bamboo Japanese paper utilizing both printmaking and creati...

"Femme de Tagmout Chantant L'Ahwas" translated to "Woman Of Tagmout (Singing the Ahwash)" is plate number 44 in Jean Besancenot's stunning portraits and depictions of the people of Morocco from his series "Costumes du Maroc" ("Costumes of Morocco). The woman depicted here is veiled and draped and in the midst of singing the "ahwash", a traditional song and dance from the regions of southern Morocco, such as Tagmout, and which has some roots in the pre-Islamic cultures of the Amazigh (also known as the Berbers) and is performed primarily by the Shilha, a sub-group of the Berbers. The ahwash is a community performance that incorporates song, dance, poetry, and frame drums...

Signed lower right, "Louis La Barbera" (American, 1914-2007) and tilted lower left, "Mother and Child". Louis La Barbera first studied at San Jose State University, receiving his Ma...

Girl's shoes, heels or tap shoes in bronze, black and gold, featured in this Monotype ev edition 8/8 with hand coloring. Kim Frohsin spent 12 years working o...

Abstract black and white hand painted print of interior scene with dots, lines, shadow and painted brushstroke texture. Ideal for display in minimalist, modern and contemporary space...

Archival Pigment Iris Print. Edition 5/12 with heavy hand coloring and miced media worked over the print. Kim Frohsin spent 12 years working on monotype ev's and Iris prints, and wor...

Jacquelyn Strycker Held Breath, 2026 collage of risographs on Japanese papers with sewing and acrylic gouache 33.5 x 33.5 in. (Str043)

Jacquelyn Strycker Phantom, 2025 collage of risographs on Japanese papers with sewing and acrylic gouache 45 x 34 in. (Str042)

Jacquelyn Strycker Before it Settles, 2026 collage of risographs on kita kata papers and handmade papers with sewing 34 x 23 in. (Str044)

Bold, embossed kimono by Patricia A. Pearce (American, b. 1948). Numbered, titled, and signed along bottom edge ("1/25 Kimono 6 Patricia A Pearce"). No frame. Patricia Pearce ...

This vibrant abstract orange and green print is part of a group of soft-ground etchings (Artist and Model, Artist and Model (in green and yellow), These…Plants) by Howard Hodgkin. The two versions of Artist and Model are printed from the same plates, but in different colors. In this iteration, green watercolor contrasts beautifully with marigold orange, crimson, and terra cotta red. Seen in all three prints is a bust in silhouette before a window. Artist and Model is a surprising name, as Hodgkin never painted or drew from a model. Signed by the artist with initials, dated 1980, and numbered lower center in red crayon. Soft-ground etching with hand coloring in a yellow watercolor wash and green gouache on Stoneridge mould-made etching paper. Edition 100. Howard Hodgkin was introduced to the etching technique used in Artist and Model (in green and yellow) at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s. Catalogue reference: Elizabeth Knowles...