Art by Medium: Gouache

James Spencer Russell "#3" 1958 Collage with paper, sand, and gouache Signed in pencil lower right 24x18" James Spencer Russell (1915-2000) was born in Monticello, Indiana, but spen...

by Paul-Louis Bolot (French 1918-2003) signed original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ edge tear...

Title: French Gouache Study of Hopi Kachina Mask and Taos Pueblo Textile by Emile GALLOIS (1882-1965, French) Signed: Yes Medium: Original gouache painting on thick unframed paper, ...

Nana Williams’ "Porcelain Pattern Sphynx 2" is a captivating resin sculpture that merges delicate craftsmanship with intricate surface decoration. This 2024 original work is a resin cast, hand-painted with acrylic gouache, standing at 5.50 x 2 x 3.50 inches (13.97 x 5.08 x 8.89 cm). Inspired by the elegance of fine porcelain, the piece mimics the timeless beauty of blue-and-white ceramic motifs...

Pair of early 20th Century French watercolours of a Mediterranean garden. The paintings are signed bottom right, Songa, and are presented under a hand coloured custom mount in a plain wood frame under glass. A pair of charming representations of a garden in spring and early summer. The first shows a line of majestic Cyprus trees...

In this painting, I infused the vitality of nature and domestic tranquility through bold strokes and vibrant gouache colors. The rooster stands proudly, symbolizing wakefulness and t...

Storm at Sea 1960s Gouache and Oil Pastel on paper 35.75"x33.25 float mount black wood frame measures 38.5"x1.5"x36" Gloria (Fischer) Dudfield July 12, 1922 – May 27, 2015 Came from...

Éric Bagge (1890-1978) Grey - project, circa 1928 Gouache on cardboard Signed and numbered “183” Dimensions : 29,7 x 21 cm Architect and interior designer Eric Bagge was born in the...

Judd Mercer's (US based) "009 - Plein Air-Morrison, CO" is a gouache painting depicting a mountainous valley with melting snow. Artist bio/statement Judd Mercer is a contemporary la...

Signed lower right, 'Gilberg' for Robert George Gilberg (American, 1911-1970) and dated '58'. Born in Oakland, Robert George Gilberg first studied at the Oakland Art Center during t...

Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him. The worlds of fashion, society and pop cu...

JOSEPH PENNELL (1857 - 1926) ACAPULCO 1901-08. Colored pastel and gouache drawing on blue paper. Signed and titled in pencil in his early signature. Image 10 x 14 inches to just ab...

"Abstract Design" signed by Arlette Martin (French, b.1924) dated 86' gouache/watercolour painting on card, unframed painting: 15.75 x 20 inches Stunning original painting by the ...

Judd Mercer's (US based) "065 - Plein Air- Lair o the Bear, CO" is a gouache painting depicting a landscape. Artist bio/statement Judd Mercer is a contemporary landscape painter an...

This bold contemporary composition by Yvonne Lammerich is an intriguing exploration of colour and form. Origami-like folded shapes inter-connected by fine lines dance across this col...

Charmion von Wiegand Pillar of Zen #124, 1959 Gouache on paper painting Hand signed, titled and dated on the front Unique Provenance: Andre Zarre Gallery, with label verso (Estate of renowned gallerist Andre Zarre, ne Andre Sowulewski) Measurements: Framed 26.5 inches vertical by 25.5 horizontal by 2 inches Artwork: 21 inches vertical by 22 inches horizontal Mid century modern, geometric, spiritual abstraction, mystical The Estate of the celebrated artist Charmion Von Wiegand has been represented exclusively by Michael Rosenfeld Gallery since 1998. From March 3 to August 13, 2023, Charmion Von Wiegand was the subject of an acclaimed retrospective at the Kunstmuseum Basel, and she has received major attention in the price, including a June, 2023 ArtNews feature entitled, "Who Was Charmion von Wiegand and Why Is She Important?". Her work was also featured in a solo presentation by Rosenfeld Gallery at the New York Art Show held at the Park Avenue Armory, which also received critical acclaim. Artists Biography - courtesy of Michael Rosenfeld Gallery: Known for her vibrant, geometric paintings that originate a deeply personal language of spiritual enlightenment expressed through a constructivist mode of abstraction, Charmion von Wiegand (1896–1983) was born in Chicago but spent much of her childhood traveling. The daughter of a journalist for Hearst, von Wiegand eventually settled in New York in 1915 to attend Barnard College and Columbia University, where she took classes at the School of Journalism while nurturing a growing interest in art history. In 1925, von Wiegand realized that she wanted to be an artist and set up a studio in Greenwich Village, teaching herself how to paint while pursuing a career as a journalist. In 1929, she secured a position in Moscow as a foreign correspondent for Hearst, the only woman at the desk at the time. In 1932, von Wiegand returned to New York and married Russian émigré Joseph Freeman, who co-founded and edited the leftist journal New Masses. Von Wiegand began writing art criticism for New Masses as well as for other publications, including New Theatre, ARTnews, and Arts Magazine. When the Abstract American Artists (AAA) held their inaugural exhibition, von Wiegand reviewed it. An early champion of abstract art, von Wiegand became close friends with AAA founder Carl Holty. In 1941, Holty introduced von Wiegand to Piet Mondrian, who would have a profound impact on her art. Fascinated by Mondrian’s artistic philosophy, von Wiegand played a key role in the introduction of his work to American audiences, translating many of the Dutch artist’s writings into English and assisting in the composition of his influential article “Toward the True Vision of Reality” (1941). Through her friendship with Mondrian, von Wiegand re-kindled her interest in Theosophy (a religion established in the late 19th century that combines aspects of Hinduism, Buddhism, occultism, and esotericism) and embarked on an extended study of neoplasticism. In her artwork, she incorporated Mondrian’s iconic grid but rejected the constraints of pure neoplasticism and embraced a wide range of influences including surrealism and German expressionism. In 1942, von Wiegand became a member of the AAA, exhibiting regularly with the group and eventually serving as its president from 1951 to 1953. In the late 1940s, sculptor and fellow AAA member Ibram Lassaw gave her a translation of The Secret of the Golden Flower: A Chinese Book of Life, which inspired von Wiegand to immerse herself in a study of Buddhist art. She began incorporating Buddhist motifs such as stupas and mandalas into her paintings, and her spiritual practice steadily intensified throughout the 1950s. In 1953, her husband gifted her a copy of the Taoist I Ching Book of Changes, a guide for divining meaning from randomly derived numbers arranged in a hexagram—a form the artist readily incorporated into her painting. Von Wiegand’s study of Theosophy also intensified over these years, bolstered by her increased access to the religion’s primary sources composed by the religion’s founders and their successors at the New York Theosophical Society’s library. Von Wiegand’s search for the sacred and transcendent ultimately led her to Tibetan Buddhism and, in 1967, von Wiegand met Khyongla Rato Rinpoche, a Gelugpa monk who had recently arrived in New York, who would mentor her spiritual study in the tradition of Mahayana Buddhism until her death. Her travels in the 1960s and 1970s took her to Tibet and India, where she had an audience with the Dalai Lama, who was living in exile in Dharamsala. Many works from these decades incorporate symbols and schematics drawn from Theosophical prismatic color charts, Chinese astrology and tantric yoga. In 1978, she was the subject of a PBS documentary titled The Circle of Charmion von Wiegand, which was scored by Philip Glass. In 1980, von Wiegand was elected to the American Academy of Arts and Letters and in 1982, the Bass Museum of Art in Miami Beach (FL) organized her first retrospective exhibition. She died the following year in New York, bequeathing her estate to Khyongla Rato and the Tibet Center of New York. In 1998, Michael Rosenfeld Gallery became the sole representative of her estate and has presented her work in four solo and multiple group exhibitions. Recent notable exhibitions that have included her work are The Third Mind: American Artists Contemplate Asia (Solomon R. Guggenheim Museum, New York, NY, 2009) and Constructive Spirit: Abstract Art in South and North America (Newark Museum, NJ, 2010). In March 2023, the Kunstmuseum Basel (Switzerland) opened the first comprehensive museum retrospective of von Wiegand’s work in Europe. Von Wiegand’s work is represented in numerous museum collections including the Addison Gallery of American Art, Phillips Academy (Andover, MA); Albright-Knox Art Gallery (Buffalo, NY); Arithmeum, University of Bonn (Germany); Birmingham Museum of Art (Alabama); Blanton Museum of Art, The University of Texas at Austin; Brooklyn Museum (NY); Carnegie Museum of Art (Pittsburgh, PA); The Cleveland Museum of Art (OH); Indianapolis Museum of Art (IN); Fondazione Marguerite Arp (Locarno, Switzerland); Museum of Fine Arts, Boston (Massachusetts); The Metropolitan Museum of Art (New York, NY); The Museum of Modern Art (New York, NY); Newark Museum of Art (New Jersey); Seattle Art Museum (WA); Smithsonian American Art Museum (Washington, DC); Walker Art Center (Minneapolis, MN); Weatherspoon Art Museum, The University of North Carolina at Greensboro; Wellin Museum of Art at Hamilton College (Clinton, NY); Whitney Museum of American Art (New York, NY); and Yale University Art Gallery (New Haven, CT). More about gallerist Andre Zarre A tribute in the New Criterion: Dispatch August 11, 2020 Andre Zarre, 1942–2020 by Dana Gordon On the late New York gallery pioneer. Art should never be aggressively explained; art should be felt. —Andre Zarre, 1977 Often, in the starlit New York cultural mecca, a longtime important figure fades away through the penumbra and dies without notice. Such was the fate of Andre Zarre, the contemporary art dealer, who passed away a few weeks ago. Andy, as he wanted friends to call him, opened his eponymous gallery in 1974 just off Madison Avenue on Sixty-ninth Street. He soon moved it to the omphalos of the art world in that era, 41 East Fifty-seventh Street, the Fuller Building. Over the years he moved to SoHo and then to Chelsea, as fashion and real estate prices pushed the art souk hither and thither. To understand his importance, all you need do is take a look at a list of artists who had solo shows at the Andre Zarre Gallery. This includes such names, from an early generation, as Sonia Delaunay, Nassos Daphnis, Sari Dienes, and Perle Fine. Among a subsequent generation are Pat Lipsky, Jay Milder, Thornton Willis, and Kes Zapkus.1 And this list does not include the many knowns and unknowns who were in his lively group shows. Zarre had a real “eye” and was a champion of abstract art from the moment he founded his gallery—even among the gathering storms of conceptual and political art, which he eschewed. He showed a good deal of figurative art as well. His galleries were always spacious and unpretentious, oriented simply to show the art. In the words of Dee Shapiro, who showed with the Zarre gallery many times, “He had a photographic memory and knew a lot about art and was always interested in the artist’s life.” Reliable biographical information on Zarre is scarce, but he said of his background that he was born in Poland in 1942 and that his parents were a diplomat and a socialite. He left home for the United States at the age of fifteen. During his decades as an art dealer in New York, Zarre did not appear to accumulate wealth, though he acquired a collection and lived on Park Avenue. “He was not personally aggressive in that way. People had to come to him,” Dee Shapiro said. He was honest in his financial dealings with artists, which not all art dealers are. For a long time while running the gallery he had a second job as a supervisor in an airline office and he kept little to no additional staff in the gallery. He supported a brother who remained in Poland. Among artists, Zarre was known to be quite ornery. After my show at his gallery in 1997, I refused to enter it for seventeen years. Then I ran into him in Chelsea and he offered me another show, an opportunity I gladly accepted, but he remained just as disagreeable. He showed the work of many women, probably more than any other gallery, save those devoted to showing only women. Collectors, curators, and writers found him mostly friendly. As Peter Reginato put it, Zarre was a “strange guy but I liked him. I think he was a dealer who was more interested in the art than in making money, but somehow he lasted forty-plus years.” Zarre is not known to have kept extensive or extant records of his gallery’s long history, though these may emerge in time. Scouring the Internet, one may compile a partial list of more than eighty artists who had solo shows at the Andre Zarre Gallery:Nancy Azara, Ellen Banks, Mary Barnes, Tony Bechara, Juan Bernal, Stephanie Bernheim, Randy Bloom, Elena Borstein, Michael Boyd, Fritz Bultman, Ed Buonagurio, Yoan Capote, Sonia Delaunay, Nassos Daphnis, Cathy Diamond, Sari Dienes, Joseph Dolinsky, Beata Drozd, Ronnie Elliot, William Fares, Perle Fine, Lynne Frehm, Ben Georgia, Mikel Glass, Dana Gordon, Juanita Guccione, Fred Gutzeit, Don Hazlitt, Amy Hill, Clinton Hill, Monroe Hodder, Budd Hopkins, Arlan Huang, Richard Hunt, Rhia Hurt, Buffie Johnson, Alexander Kaletski, Robert Kaupelis...

Very stylish, unique and original 1940's fashion design by French illustrator Geneviève Thomas. The painting, executed in gouache and pencil, double sided The sketch is original, v...

Work on paper Gilded wood frame with glass pane 78 x 59 x 3 cm

Parisian Street Scene signed by Regine David (female French artist, 1910-2018) gouache painting on artist paper, unframed panting: 20 x 12.5 inches inscribed verso condition: This pa...

An important painting of two female nudes by the celebrated African American artist, Robert Colescott (1925-2009), titled "Conversation", 1959. A rare & ear...

"Fawn" is an original ink, colored pencil, and gouache on paper artwork by Henry Hablak measuring 30"h x 22"w. Henry Hablak is a tattoo artist and illustrator based out of Philadel...

Title: Abstract Still Life with Green Spheres Yellow Rope and Pink Cloth French Gouache Guy Nicod (French 1923 - 2021) Gouache on artist paper, unframed Size: 22.75 x 19.25 inches (...

A fresh and breezy view of the much-loved Pinnacle Point in Monterey painted with the artist's characteristic freshness and vigor and dating to the 1920's. Initialed lower right, 'G....

intage Elegance Bows of Timeless Charm Jewelry Design circa mid 20th century by Paul Touzet (French b. 1917) original gouache painting, with pencil on tracing paper unframed left des...

Antique American impressionist ashcan school pastel painting. Pastel and gouache on paper. Signed. Framed.

One of my favorite French Fauvist painters, Henri Grenier (1882 - 1940), masterfully captures the energy of the turn-of-the-century Boulevard Saint-Germain in this exciting work on p...

Beautifully executed black and white watercolor and gouache drawing on archival paper of the Spanish colonial town of Taxco, Mexico. Circa 1960. Condition is excellent. Signed low...

FRANÇOIS MATHURIN ADALBERT, BARON DE COURCY (1805-1839) 'Le Negrito à l’ancre. Dans le port de la havanne' Indistinctly signed lower left Titled on the mount Pencil and watercolour, heightened with white, on paper, 24.8 x 34.6 cm Literature: The present watercolour will be illustrated in: - Prof. Manuel Garcia’s projected book on the disease and the slave trade provisionally titled “Fighting the Yellow Demon of Fever: The Struggle against Disease in the Illegal Slave Trade”. - Prof. Micael Zeuske’s forthcoming Global history of slave trade. Exhibited: Mexico City, 1998, Palacio Virreinal, El Barón de Courcy, illustrationes de un viaje, 1831-1833, no. 108 Note: Baron de Courcy was in the Caribbean in late 1832 and early 1833, following his tour of Mexico in 1832, on the last leg of his “Grand Voyage...

This artwork vividly captures the grandeur of a rugged mountain landscape, reflected serenely in an expansive body of water. The mountains boast a rich tapestry of earthy tones, intr...

"Times Square" Mid 20th Century 1937 Modernism Broadway Drawing NYC Cityscape Philip Goodwin (20th Century) "Times Square," 23 ½ x 17 ¼ inches. Gouache...

Donald Stacy "Abstract #4" c.1950s Ink & Gouache on paper 10.5x19.5" brown, ripple, wood frame 11.5”x1”x20.75” Signed in pencil lower right with label on reverse Came from artist's e...

Desmond Mclean (1929-2015). Untitled, 1959 Mixed media on paper. Sheet measuring 14.75 x 20.25 inches. Unframed. Born: Ireland Studied: Heatherly School of Art, London; Amer...

Artist/ School: Jill Jackson (British, contemporary) Title: Sunlit Garden Path Medium: gouache on artist paper, unframed Painting : 25.5 x 18 inches Provenance: all the painting...

An artwork by Alexander Calder. "Cercles" is an abstract painting, gouache and ink on paper in bold colors of reds, blues, and blacks by Post-War, American artist Alexander Calder. T...

The artist has covered New York collections for over 16 years and has interviewed, as a journalist, several fashion designers and personalities for different publications. He loves t...

Charming sailboat gouache signed 'Felix' (LR) Art Sz: 8"H x 5 1/2"W Frame Sz: 13 1/2"H x 10 3/4"W

Paris, France: A City Street Scene by Henri Miloch (1898-1979) unsigned watercolour and gouache painting on artist's paper, unframed sheet 9.75 x 12.25 inches Very nicely execu...

PASCAL Paul (1832-1903) Orientalist View With Characters Gouache on card signed low right and dated 1894 New golden frame Dim gouache : 42 X 58 cm Dim Frame : 61 X 78 cm PASCAL Paul...

Title: Still Life with Lamp Cups and Flowers French Modernist Gouache Guy Nicod (French 1923 - 2021) Gouache on artist paper, unframed Size: 23.25 x 17.5 inches (height x width) Provenance: Artists estate, France Condition: good overall with light edge wear and minor handling marks to the paper edges, commensurate with age, there is a small tear to the bottom edge Description: A striking and complex modernist still life by French painter Guy Nicod, this richly layered gouache on paper reveals the artist’s fascination with light, reflection, and form. The composition centres on a tabletop arrangement of domestic objects—a green cup, amber jug, and round lampshade or glass dome—arranged against a deep, moody background of indigo, umber, and crimson. Beneath the main grouping, a smaller vignette of fruit, garlic bulbs, and a dish adds texture and warmth, grounding the composition in a sense of everyday intimacy. Nicod’s expressive brushwork and glowing colour palette are hallmarks of his post-war French modernist style. Vivid yellows, reds, and turquoise tones illuminate the darker backdrop, creating an almost theatrical play of light reminiscent of Georges Braque’s late still lifes and the decorative vitality of École de Paris painting...

This artwork masterfully captures an autumn landscape, brimming with rich, earthy tones. A symphony of russet, amber, and gold dominates the canvas, as deciduous trees stand tall und...

Original artwork composed of watercolor and gouache on archival paper for use as a Christmas card. Unsigned. Circa 1965. Condition is good. Newly professionally matted. Not fram...

With stylistic confidence, French Artist Georges Lepape created three highly inventive and masterfully imaginative Art Deco figures based on Ancient Greek history. The work was for a...

A modern depiction of Sun Flowers by Theresa F. Bernstein. The bold colors and strong contrasts make Berstein's work so striking and captivating. The flowers are executed with bold p...

Cactus Landscape, ca. 1975-80. Gouache on Arches rag paper, Sheet measures 23 x 30 inches. Image measures 22 x 29 inches. Signed lower left. Excellent condition. Unframed.

by Paul-Louis Bolot (French 1918-2003) signed original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ edge tear...

* No US duty or taxes to pay on this item * A beautiful c.1950 French abstract gouache on canvas depicting a desert landscape. Excellent quality work in vibrant colours. Presented in its original painted pine frame. Artist: French School, mid 20th century...

"Under the Overpass" is a beautiful original impressionist depicting an urban scene contrasted by nature. Judd Mercer (b. 1982) creates landscape paintings that capture fleeting, ...

A rare original signed Art Deco gouache on paper by Erte (Romain de Tirtoff) . This stunning theatrical costume design is signed Erte at the lower right. The piece is 20 by 18 fram...

Very well executed original gouache on archival paper by the Italian artist, Maria Ada Gianni. Signed lower left. Condition is excellent. Circa 192...

"Micro Mini Token I" (2018) by Catherine Hart Acrylic and gouache on canvas; abstract miniature painting, pastels and bold saturated palette Framing available COA included

French Landscape signed by Louise Alix, French 1950's Impressionist gouache on artist paper, unframed painting: 8 x 10.5 inches provenance: from a large private collection of this a...

Framed size: 26.5" x 33". Signed bottom right This dynamic and vividly expressive painting by Eugène Paul, titled Harbour Life, captures the energy and atmosphere of Paris in the mid...

Hand signed Irises (purple and yellow flowers) 30 X 37 framed. 20.5 X 26.5 sheet without frame. Bernard Chaet (born 1924, Boston, MA - 2012) was an American artist; Chaet is known for his colorful, dynamic modernist paintings and masterful draftsmanship, his association with the Boston Expressionists, and his 40-year career as a Professor of Painting at Yale University. His works also include watercolors and prints. In 1994, he was named a National Academician by the National Academy of Design. Chaet was instrumental in transforming Yale’s traditional art program into one with a more modernist approach that gained national prominence. Chaet melded landscape and abstraction in a traditional established by Vincent Van Gogh, Georges Seurat, Edvard Munch, Piet Mondrian, and Ferdinand Hodler. His own tenure began in 1951 at Yale, where he worked closely with Josef Albers to revamp Yale’s art program. Between 1959 and 1962 he was the chair of what was then called the Yale Department of Art of the School of Fine Arts — prior to becoming one of the independent professional schools at Yale in 1973. Chaet taught painting and drawing and mentored generations of emerging talents. Chaet was the author of the 1970 textbook “The Art of Drawing” and “An Artist’s Notebook 1979,” both of which have since been reissued several times. In the latter book, alongside examples of work by his favorite artists, are student drawings by Yale graduates such as Robert Birmelin, Michael Mazur and Eugene Baguskas. Born in Boston, Massachusetts, in 1924, Chaet studied at the School of the Museum of Fine Arts in Boston and then earned a B.A. at Tufts University. Known for his expressionist landscapes and still lifes, Chaet’s work has continuously been shown in galleries in his native Boston, in New York City, and around the country. In 2010, a retrospective of his seascapes was featured at the Cape Ann Historical Society in Gloucester, Massachusetts, where he had a home and a summer studio in nearby Rockport. His has also exhibited at David Findlay Gallery in New York and at Swarthmore College. Many of Chaet’s students went on to notable art careers, including Janet Fish, Chuck Close, and Richard Serra. His work is represented in the collections of the Brooklyn Museum, the Art Institute of Chicago, the Metropolitan Museum of Art in New York, the DeCordova Sculpture Park and Museum in Lincoln, Massachusetts, the Hirshhorn Museum and Sculpture Garden in Washington, D.C., the Museum of Fine Arts in Boston, the Yale University Art Gallery in New Haven, CT, and the Addison Gallery of American Art in Andover, MA. Chaet is the recipient of many awards including: the National Foundation of the Arts and Humanities, Sabbatical Grant in 1967-68, the National Academy of Fine Arts, Benjamin Altman Award in Painting in 1997, and the American Academy of Arts and Letters Jimmy Ernst Prize in 2001. Chaet was born and raised in the Dorchester neighborhood of Boston, MA. He completed a dual program at the Museum of Fine Arts, Boston—studying painting with Karl Zerbe—and Tufts University, graduating with a B.S. in 1949. Chaet is known for his association as a first generation Boston Expressionist. (along with Hyman Bloom and Jack Levine) Chaet was a contributing editor to Arts Magazine. In 1960 he published the book Artists At Work, which features in depths conversations with artists Pat Adams, Anni Albers, Josef Albers, Al Blaustein, Hyman Bloom, James Brooks, Robert Engman...

Ink and gouache with gold heightening on fibrous, brown laid paper, with a Jaipur Court Fee tax stamp in black ink on the recto, as well as the Jaipur City Council blindstamp, 13 5/8...

"Fighting Males" by Jean Marc (French 1949-2019) gouache paint dated 97' painting: 16.75 x 11.5 inches provenance: private collection, South of France Superb original painting by t...

Artist/ School: Jill Jackson (British, contemporary) Title: Abstract Expressionist Painting Medium: gouache on artist paper, unframed Painting : 12 x 16.5 inches Provenance: all...

John La Farge The Sphynx is Weary, She Dreams o'er the World, 1865 Initialed and dated lower right Gouache, watercolor and black chalk on illustration board 10 1/4 x 12 3/8 inches P...

Emilio Tadini (1927-2002) Original Collage, Gouache and Watercolor painting. Dimensions: 41 X 29.5. framed. 39.75 X 28 artwork Emilio Tadini (1927 – 2002 ) was an Italian painter,...

This evocative artwork portrays a ballerina in a moment of quiet concentration, seated while adjusting her shoe. The artist masterfully uses a palette of soft pastels and earthy tone...

by Paul-Louis Bolot (French 1918-2003) signed inverso original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ e...