Art by Medium: Gouache

Judd Mercer's (US based) "071 - Plein Air-Englewood, CO" is a gouache painting depicting a landscape. Artist bio/statement Judd Mercer is a contemporary landscape painter and Color...

Jean-Gabriel Domergue (1889–1962) was a renowned French painter and engraver, celebrated especially for his portraits of elegant women or, more precisely, a feminine figure in a styl...

Modernist Cityscape by Helen Greenfield (British 20th century) gouache painting on artist paper, unframed artist paper: 19.5 x 14.5 inches condition: overall very good provenance: a...

MALCAH ZELDIS Circus, Trapeze Artists, Horse rider and Acrobats gouache on paper Hand signed and dated bottom right. titled in pencil on paper verso. Framed to 15 X 16.5 sheet is 9 ...

Genre: Latin American Subject: Children Medium: Mixed Media Surface: Paper Country: Mexico Dimensions include Frame: 36X26 The sweetness that characterizes the work of Mexican pai...

Title: French Gouache Study of Hopi Kachina Mask and Taos Pueblo Textile by Emile GALLOIS (1882-1965, French) Signed: Yes Medium: Original gouache painting on thick unframed paper, ...

Title: French Modernist Still Life with African Masks and Sculptural Forms Guy Nicod (French 1923 - 2021) Gouache on artist paper, unframed Size: 19.5 x 24 inches (height x width) P...

Ink and gouache painting on paper of a 19th century Great Lakes steamship executed in precise draftsman style and signed by noted American artist Frank Crevier, framed and presented ...

A fine and delicate, watercolor landscape showing a view of the rural Philippines by this celebrated Philippine Modernist. Signed, lower right, in graphite, 'Romeo V Tabuena' for Rom...

My 80's Heart "Token 7" 2019, gouache, acrylic, graphite, panel, blue, wood, orange

Bill Crawford (1913-1982). Original illustration artwork depicting teams as they advance to the World Series. Depicted are representations of the St. Louis Cardinals and The Brooklyn...

In this painting, I infused the vitality of nature and domestic tranquility through bold strokes and vibrant gouache colors. The rooster stands proudly, symbolizing wakefulness and t...

Nana Williams’ "Porcelain Pattern Sphynx 2" is a captivating resin sculpture that merges delicate craftsmanship with intricate surface decoration. This 2024 original work is a resin cast, hand-painted with acrylic gouache, standing at 5.50 x 2 x 3.50 inches (13.97 x 5.08 x 8.89 cm). Inspired by the elegance of fine porcelain, the piece mimics the timeless beauty of blue-and-white ceramic motifs...

Gloria Dudfield Mexican Fruit Bowl 1960s Oil Pastel and Gouache on Paper 36"x32" unframed $1600 *Custom framing available for additional charge. Please...

Figurative illustration of people arriving at a church by Charles Kinghan (American, 1895-1984). The church is rendered with exquisite detail, typical ...

'Abstract Figure' Suzanne Vattier, French 1901-1996 dated 1973 gouache painting on artist paper, framed size: 20 x 25.5 inches Fabulous 1970s abstract goauche painting. The colours ...

by Paul-Louis Bolot (French 1918-2003) signed original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ edge tear...

James Spencer Russell "#3" 1958 Collage with paper, sand, and gouache Signed in pencil lower right 24x18" James Spencer Russell (1915-2000) was born in Monticello, Indiana, but spen...

Pair of early 20th Century French watercolours of a Mediterranean garden. The paintings are signed bottom right, Songa, and are presented under a hand coloured custom mount in a plain wood frame under glass. A pair of charming representations of a garden in spring and early summer. The first shows a line of majestic Cyprus trees...

Éric Bagge (1890-1978) Grey - project, circa 1928 Gouache on cardboard Signed and numbered “183” Dimensions : 29,7 x 21 cm Architect and interior designer Eric Bagge was born in the...

Rare Engraving "Cabane Des Hold, Terres Artiques, Fig CII," 1st edition "Description de l’Univers, page 281 This rare image depicts the Willem Barentsz expedition of 1597 to Novaya Zemlya, Russia. The engraving, with later hand-coloring, shows the cabin and ship of the Dutch arctic expedition of Barentsz on Novaya Zemlya (Nova Zembla), with the party being attacked (and in some cases apparently eaten) by bears and wolves. Dutch explorer, Willem Barentsz, reached the west coast of Novaya Zemlya in 1594, and in a subsequent expedition of 1596 rounded the northern point and wintered on the northeast coast. Barentsz died during the expedition, and may have been buried on the northern island. This artwork is a page from a book by 17th century cartographer and engineer, Allain Manesson Mallet (French, 1630-1706), "Description de L'Univers, contenant les differents systêmes du monde, les cartes générals et particulières de la géographie ancienne et modern." Paris: Denys Thierry, 1683. Presented in an cream colored mat. Text on verso shown in images. Mat Size: 11.5"H x 9.07"W Paper Size: 8.25"H x 5.44"W Image Size: 5.63"H x 3.75"W Alain Manesson Mallet (French, 1630-1706) was a 17th century cartographer and military engineer. He started his career as a musketeer in the army of Louis XIV, became a Sergeant-Major in the artillery and an Inspector of Fortifications. He later served under Alfonso VI, King of Portugal...

Judd Mercer's (US based) "065 - Plein Air- Lair o the Bear, CO" is a gouache painting depicting a landscape. Artist bio/statement Judd Mercer is a contemporary landscape painter an...

Signed lower right, 'Gilberg' for Robert George Gilberg (American, 1911-1970) and dated '58'. Born in Oakland, Robert George Gilberg first studied at the Oakland Art Center during t...

"Abstract Design" signed by Arlette Martin (French, b.1924) dated 86' gouache/watercolour painting on card, unframed painting: 15.75 x 20 inches Stunning original painting by the ...

Judd Mercer's (US based) "009 - Plein Air-Morrison, CO" is a gouache painting depicting a mountainous valley with melting snow. Artist bio/statement Judd Mercer is a contemporary la...

Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him. The worlds of fashion, society and pop cu...

John Richard Flanagan was born in Sydney, Australia. At the age of thirteen Flanagan left school to help support his family as an assistant to a lithographer producing advertising co...

Parisian Street Scene signed by Regine David (female French artist, 1910-2018) gouache painting on artist paper, unframed panting: 20 x 12.5 inches inscribed verso condition: This pa...

JOSEPH PENNELL (1857 - 1926) ACAPULCO 1901-08. Colored pastel and gouache drawing on blue paper. Signed and titled in pencil in his early signature. Image 10 x 14 inches to just ab...

This bold contemporary composition by Yvonne Lammerich is an intriguing exploration of colour and form. Origami-like folded shapes inter-connected by fine lines dance across this col...

Title: French Rooftop Cityscape With Chimneys Modernist Watercolor Gouache Artist: Pierre Neveu (French b.1929) Medium: Watercolour and Gouache on card, unframed Size (H x W): 4.75 x...

Early 19th Century, Portrait of a young man wearing glasses, gouache on paper 13 x 10.5 cm oval view In a vintage frame : 41.5 x 39 cm, accidents and lacks in the gilding but but...

Very stylish, unique and original 1940's fashion design by French illustrator Geneviève Thomas. The painting, executed in gouache and pencil, double sided The sketch is original, v...

Charmion von Wiegand Pillar of Zen #124, 1959 Gouache on paper painting Hand signed, titled and dated on the front Unique Provenance: Andre Zarre Gallery, with label verso (Estate of renowned gallerist Andre Zarre, ne Andre Sowulewski) Measurements: Framed 26.5 inches vertical by 25.5 horizontal by 2 inches Artwork: 21 inches vertical by 22 inches horizontal Mid century modern, geometric, spiritual abstraction, mystical The Estate of the celebrated artist Charmion Von Wiegand has been represented exclusively by Michael Rosenfeld Gallery since 1998. From March 3 to August 13, 2023, Charmion Von Wiegand was the subject of an acclaimed retrospective at the Kunstmuseum Basel, and she has received major attention in the price, including a June, 2023 ArtNews feature entitled, "Who Was Charmion von Wiegand and Why Is She Important?". Her work was also featured in a solo presentation by Rosenfeld Gallery at the New York Art Show held at the Park Avenue Armory, which also received critical acclaim. Artists Biography - courtesy of Michael Rosenfeld Gallery: Known for her vibrant, geometric paintings that originate a deeply personal language of spiritual enlightenment expressed through a constructivist mode of abstraction, Charmion von Wiegand (1896–1983) was born in Chicago but spent much of her childhood traveling. The daughter of a journalist for Hearst, von Wiegand eventually settled in New York in 1915 to attend Barnard College and Columbia University, where she took classes at the School of Journalism while nurturing a growing interest in art history. In 1925, von Wiegand realized that she wanted to be an artist and set up a studio in Greenwich Village, teaching herself how to paint while pursuing a career as a journalist. In 1929, she secured a position in Moscow as a foreign correspondent for Hearst, the only woman at the desk at the time. In 1932, von Wiegand returned to New York and married Russian émigré Joseph Freeman, who co-founded and edited the leftist journal New Masses. Von Wiegand began writing art criticism for New Masses as well as for other publications, including New Theatre, ARTnews, and Arts Magazine. When the Abstract American Artists (AAA) held their inaugural exhibition, von Wiegand reviewed it. An early champion of abstract art, von Wiegand became close friends with AAA founder Carl Holty. In 1941, Holty introduced von Wiegand to Piet Mondrian, who would have a profound impact on her art. Fascinated by Mondrian’s artistic philosophy, von Wiegand played a key role in the introduction of his work to American audiences, translating many of the Dutch artist’s writings into English and assisting in the composition of his influential article “Toward the True Vision of Reality” (1941). Through her friendship with Mondrian, von Wiegand re-kindled her interest in Theosophy (a religion established in the late 19th century that combines aspects of Hinduism, Buddhism, occultism, and esotericism) and embarked on an extended study of neoplasticism. In her artwork, she incorporated Mondrian’s iconic grid but rejected the constraints of pure neoplasticism and embraced a wide range of influences including surrealism and German expressionism. In 1942, von Wiegand became a member of the AAA, exhibiting regularly with the group and eventually serving as its president from 1951 to 1953. In the late 1940s, sculptor and fellow AAA member Ibram Lassaw gave her a translation of The Secret of the Golden Flower: A Chinese Book of Life, which inspired von Wiegand to immerse herself in a study of Buddhist art. She began incorporating Buddhist motifs such as stupas and mandalas into her paintings, and her spiritual practice steadily intensified throughout the 1950s. In 1953, her husband gifted her a copy of the Taoist I Ching Book of Changes, a guide for divining meaning from randomly derived numbers arranged in a hexagram—a form the artist readily incorporated into her painting. Von Wiegand’s study of Theosophy also intensified over these years, bolstered by her increased access to the religion’s primary sources composed by the religion’s founders and their successors at the New York Theosophical Society’s library. Von Wiegand’s search for the sacred and transcendent ultimately led her to Tibetan Buddhism and, in 1967, von Wiegand met Khyongla Rato Rinpoche, a Gelugpa monk who had recently arrived in New York, who would mentor her spiritual study in the tradition of Mahayana Buddhism until her death. Her travels in the 1960s and 1970s took her to Tibet and India, where she had an audience with the Dalai Lama, who was living in exile in Dharamsala. Many works from these decades incorporate symbols and schematics drawn from Theosophical prismatic color charts, Chinese astrology and tantric yoga. In 1978, she was the subject of a PBS documentary titled The Circle of Charmion von Wiegand, which was scored by Philip Glass. In 1980, von Wiegand was elected to the American Academy of Arts and Letters and in 1982, the Bass Museum of Art in Miami Beach (FL) organized her first retrospective exhibition. She died the following year in New York, bequeathing her estate to Khyongla Rato and the Tibet Center of New York. In 1998, Michael Rosenfeld Gallery became the sole representative of her estate and has presented her work in four solo and multiple group exhibitions. Recent notable exhibitions that have included her work are The Third Mind: American Artists Contemplate Asia (Solomon R. Guggenheim Museum, New York, NY, 2009) and Constructive Spirit: Abstract Art in South and North America (Newark Museum, NJ, 2010). In March 2023, the Kunstmuseum Basel (Switzerland) opened the first comprehensive museum retrospective of von Wiegand’s work in Europe. Von Wiegand’s work is represented in numerous museum collections including the Addison Gallery of American Art, Phillips Academy (Andover, MA); Albright-Knox Art Gallery (Buffalo, NY); Arithmeum, University of Bonn (Germany); Birmingham Museum of Art (Alabama); Blanton Museum of Art, The University of Texas at Austin; Brooklyn Museum (NY); Carnegie Museum of Art (Pittsburgh, PA); The Cleveland Museum of Art (OH); Indianapolis Museum of Art (IN); Fondazione Marguerite Arp (Locarno, Switzerland); Museum of Fine Arts, Boston (Massachusetts); The Metropolitan Museum of Art (New York, NY); The Museum of Modern Art (New York, NY); Newark Museum of Art (New Jersey); Seattle Art Museum (WA); Smithsonian American Art Museum (Washington, DC); Walker Art Center (Minneapolis, MN); Weatherspoon Art Museum, The University of North Carolina at Greensboro; Wellin Museum of Art at Hamilton College (Clinton, NY); Whitney Museum of American Art (New York, NY); and Yale University Art Gallery (New Haven, CT). More about gallerist Andre Zarre A tribute in the New Criterion: Dispatch August 11, 2020 Andre Zarre, 1942–2020 by Dana Gordon On the late New York gallery pioneer. Art should never be aggressively explained; art should be felt. —Andre Zarre, 1977 Often, in the starlit New York cultural mecca, a longtime important figure fades away through the penumbra and dies without notice. Such was the fate of Andre Zarre, the contemporary art dealer, who passed away a few weeks ago. Andy, as he wanted friends to call him, opened his eponymous gallery in 1974 just off Madison Avenue on Sixty-ninth Street. He soon moved it to the omphalos of the art world in that era, 41 East Fifty-seventh Street, the Fuller Building. Over the years he moved to SoHo and then to Chelsea, as fashion and real estate prices pushed the art souk hither and thither. To understand his importance, all you need do is take a look at a list of artists who had solo shows at the Andre Zarre Gallery. This includes such names, from an early generation, as Sonia Delaunay, Nassos Daphnis, Sari Dienes, and Perle Fine. Among a subsequent generation are Pat Lipsky, Jay Milder, Thornton Willis, and Kes Zapkus.1 And this list does not include the many knowns and unknowns who were in his lively group shows. Zarre had a real “eye” and was a champion of abstract art from the moment he founded his gallery—even among the gathering storms of conceptual and political art, which he eschewed. He showed a good deal of figurative art as well. His galleries were always spacious and unpretentious, oriented simply to show the art. In the words of Dee Shapiro, who showed with the Zarre gallery many times, “He had a photographic memory and knew a lot about art and was always interested in the artist’s life.” Reliable biographical information on Zarre is scarce, but he said of his background that he was born in Poland in 1942 and that his parents were a diplomat and a socialite. He left home for the United States at the age of fifteen. During his decades as an art dealer in New York, Zarre did not appear to accumulate wealth, though he acquired a collection and lived on Park Avenue. “He was not personally aggressive in that way. People had to come to him,” Dee Shapiro said. He was honest in his financial dealings with artists, which not all art dealers are. For a long time while running the gallery he had a second job as a supervisor in an airline office and he kept little to no additional staff in the gallery. He supported a brother who remained in Poland. Among artists, Zarre was known to be quite ornery. After my show at his gallery in 1997, I refused to enter it for seventeen years. Then I ran into him in Chelsea and he offered me another show, an opportunity I gladly accepted, but he remained just as disagreeable. He showed the work of many women, probably more than any other gallery, save those devoted to showing only women. Collectors, curators, and writers found him mostly friendly. As Peter Reginato put it, Zarre was a “strange guy but I liked him. I think he was a dealer who was more interested in the art than in making money, but somehow he lasted forty-plus years.” Zarre is not known to have kept extensive or extant records of his gallery’s long history, though these may emerge in time. Scouring the Internet, one may compile a partial list of more than eighty artists who had solo shows at the Andre Zarre Gallery:Nancy Azara, Ellen Banks, Mary Barnes, Tony Bechara, Juan Bernal, Stephanie Bernheim, Randy Bloom, Elena Borstein, Michael Boyd, Fritz Bultman, Ed Buonagurio, Yoan Capote, Sonia Delaunay, Nassos Daphnis, Cathy Diamond, Sari Dienes, Joseph Dolinsky, Beata Drozd, Ronnie Elliot, William Fares, Perle Fine, Lynne Frehm, Ben Georgia, Mikel Glass, Dana Gordon, Juanita Guccione, Fred Gutzeit, Don Hazlitt, Amy Hill, Clinton Hill, Monroe Hodder, Budd Hopkins, Arlan Huang, Richard Hunt, Rhia Hurt, Buffie Johnson, Alexander Kaletski, Robert Kaupelis...

Title: Abstract Still Life with Green Spheres Yellow Rope and Pink Cloth French Gouache Guy Nicod (French 1923 - 2021) Gouache on artist paper, unframed Size: 22.75 x 19.25 inches (...

Work on paper Gilded wood frame with glass pane 78 x 59 x 3 cm

Storm at Sea 1960s Gouache and Oil Pastel on paper 35.75"x33.25 float mount black wood frame measures 38.5"x1.5"x36" Gloria (Fischer) Dudfield July 12, 1922 – May 27, 2015 Came from...

intage Elegance Bows of Timeless Charm Jewelry Design circa mid 20th century by Paul Touzet (French b. 1917) original gouache painting, with pencil on tracing paper unframed left des...

"Fawn" is an original ink, colored pencil, and gouache on paper artwork by Henry Hablak measuring 30"h x 22"w. Henry Hablak is a tattoo artist and illustrator based out of Philadel...

This artwork vividly captures the grandeur of a rugged mountain landscape, reflected serenely in an expansive body of water. The mountains boast a rich tapestry of earthy tones, intr...

A fresh and breezy view of the much-loved Pinnacle Point in Monterey painted with the artist's characteristic freshness and vigor and dating to the 1920's. Initialed lower right, 'G....

Desmond Mclean (1929-2015). Untitled, 1959 Mixed media on paper. Sheet measuring 14.75 x 20.25 inches. Unframed. Born: Ireland Studied: Heatherly School of Art, London; Amer...

An important painting of two female nudes by the celebrated African American artist, Robert Colescott (1925-2009), titled "Conversation", 1959. A rare & ear...

Charming sailboat gouache signed 'Felix' (LR) Art Sz: 8"H x 5 1/2"W Frame Sz: 13 1/2"H x 10 3/4"W

The artist has covered New York collections for over 16 years and has interviewed, as a journalist, several fashion designers and personalities for different publications. He loves t...

This artwork masterfully captures an autumn landscape, brimming with rich, earthy tones. A symphony of russet, amber, and gold dominates the canvas, as deciduous trees stand tall und...

Title: Still Life with Lamp Cups and Flowers French Modernist Gouache Guy Nicod (French 1923 - 2021) Gouache on artist paper, unframed Size: 23.25 x 17.5 inches (height x width) Provenance: Artists estate, France Condition: good overall with light edge wear and minor handling marks to the paper edges, commensurate with age, there is a small tear to the bottom edge Description: A striking and complex modernist still life by French painter Guy Nicod, this richly layered gouache on paper reveals the artist’s fascination with light, reflection, and form. The composition centres on a tabletop arrangement of domestic objects—a green cup, amber jug, and round lampshade or glass dome—arranged against a deep, moody background of indigo, umber, and crimson. Beneath the main grouping, a smaller vignette of fruit, garlic bulbs, and a dish adds texture and warmth, grounding the composition in a sense of everyday intimacy. Nicod’s expressive brushwork and glowing colour palette are hallmarks of his post-war French modernist style. Vivid yellows, reds, and turquoise tones illuminate the darker backdrop, creating an almost theatrical play of light reminiscent of Georges Braque’s late still lifes and the decorative vitality of École de Paris painting...

Cactus Landscape, ca. 1975-80. Gouache on Arches rag paper, Sheet measures 23 x 30 inches. Image measures 22 x 29 inches. Signed lower left. Excellent condition. Unframed.

Beautifully executed black and white watercolor and gouache drawing on archival paper of the Spanish colonial town of Taxco, Mexico. Circa 1960. Condition is excellent. Signed low...

An artwork by Alexander Calder. "Cercles" is an abstract painting, gouache and ink on paper in bold colors of reds, blues, and blacks by Post-War, American artist Alexander Calder. T...

Paris, France: A City Street Scene by Henri Miloch (1898-1979) unsigned watercolour and gouache painting on artist's paper, unframed sheet 9.75 x 12.25 inches Very nicely execu...

"Under the Overpass" is a beautiful original impressionist depicting an urban scene contrasted by nature. Judd Mercer (b. 1982) creates landscape paintings that capture fleeting, ...

Donald Stacy "Abstract #4" c.1950s Ink & Gouache on paper 10.5x19.5" brown, ripple, wood frame 11.5”x1”x20.75” Signed in pencil lower right with label on reverse Came from artist's e...

Ink and gouache with gold heightening on fibrous, brown laid paper, with a Jaipur Court Fee tax stamp in black ink on the recto, as well as the Jaipur City Council blindstamp, 13 5/8...

by Paul-Louis Bolot (French 1918-2003) signed original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ edge tear...

Artist/ School: Jill Jackson (British, contemporary) Title: Abstract Expressionist Painting Medium: gouache on artist paper, unframed Painting : 12 x 16.5 inches Provenance: all...

French Landscape signed by Louise Alix, French 1950's Impressionist gouache on artist paper, unframed painting: 8 x 10.5 inches provenance: from a large private collection of this a...

* No US duty or taxes to pay on this item * A beautiful c.1950 French abstract gouache on canvas depicting a desert landscape. Excellent quality work in vibrant colours. Presented in its original painted pine frame. Artist: French School, mid 20th century...

A modern depiction of Sun Flowers by Theresa F. Bernstein. The bold colors and strong contrasts make Berstein's work so striking and captivating. The flowers are executed with bold p...

Artist/ School: Jill Jackson (British, contemporary) Title: Sunlit Garden Path Medium: gouache on artist paper, unframed Painting : 25.5 x 18 inches Provenance: all the painting...