Art by Medium: Gouache

Max Manning is a Houston-based painter whose practice he describes as “algorithmic abstraction”, studio-built systems that he deliberately disrupts to create compositions where loose...

Art Sz: 17 3/4"H x 25 1/4"W Frame Sz: 19"H x 26 3/4"W Gouache on masonite board Signed E. H. Dixey '44 In original frame 1944 Carll Tucker (1881–1956) was a prominent early 20t...

Joseph Kardonne (1911-1985). Beach Landscape, 1948. Gouache on paper, sheet measures 9.5 x 11.5 inches. measures 20.75 x 23.25 inches in 22K custom contemporary gilt frame. Signed and dated lower right. Born in Newark, New Jersey in 1911, Joe Kardonne...

Title: Mid Century French Geometric Abstract Ink Drawing on Paper by Serge Guerin (b. 1916), French Black ink on paper, unframed Size: 26 (height) x 19.75 (width) inches Provenance: ...

Moshe (Matusovski) Matus (Polish Israeli , 1908-1958), Depicting an orchestral concert. Hand signed lower right. Dimensions: (Frame) H 31" x W 37", (Sight) H 21" x W 28" Moshe ...

Girl with umbrella 70x50 cm

Kerry Smith Led Zeppelin - Houses Of The Holy Mixed Media on Crescent board Year: 2018 Size: 21x20in Signed, dated by hand COA provided Ref.: 924802-1632 *Black frame with a mirror-...

Abstract Composition by Sally Vaughan (contemporary) gouache painting on card stuck on green card painting: 25.5 x 20.5 inches card: 24 x 19 inches condition: very good provenance:...

Signed lower left, 'A.F. Gorguet' for Auguste François Gorguet (French, 1862-1927), titled 'Menton' and dated with roman numerals 'XI' for 1911; bearing old 'P. Navez' exhibition lab...

Internationally acclaimed artist Martina Niederhauser presents a new collection that offers fresh perspectives on women, delving into the realms of emotion, beauty, identity, and the...

Title: Architectural Rhythm French Modernist Gouache by Guy Nicod Guy Nicod (French 1923 - 2021) Signed, lower right Gouache on artist paper, unframed Size: 15.75 x 19.5 inches (hei...

'Portrait of Boy in a Chair', gouache on art paper, by Raymond Debiève (circa 1960s). Here the artist paints a young boy, very probably his son, Vincent, sitting in a chair posing fo...

“Hold Firm” is a plein air painting by Judd Mercer, created on location in Laguna Beach, California, USA. The piece captures the coastal rock formations and breaking waves along the ...

Signed and dated lower left

Abstract Composition British School, monogrammed/ dated lower corner gouache painting on paper laid over card, unframed actual painting: 22 x 15.5 inches Superb - bold - and very co...

Original watercolor and gouache on archival paper of a harbor scene with a large ship and several smaller boats by the well known American artist, Henry Martin Gasser. Signed by the ...

An illuminated page from a book likely in reference to palace life during Emperor Jahangir's reign over the Mughal Empire. c 1690. Gouache and ink with heightening in gold on light ...

by Paul-Louis Bolot (French 1918-2003) signed original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ edge tear...

From the estate of Jerry Opper & Ruth Friedmann Opper Yellow Cubist FIgure c. 1940-1950's Gouache 15" x 18", silver wood frame 16"x19" Unsigned This striking gouache painting featur...

'Café de la Place', gouache on paper, by Raymond Debiève (circa 1970s). A solitary stroller in a small French town crosses the street in front of a café al...

Title: Chateauneuf de Grasse Provence Landscape Watercolour Pierre Neveu Artist: Pierre Neveu (French b.1929) Medium: Watercolour on paper, unframed Size (H x W): 19.75 x 25.75 inche...

Original on Gouache on paper. Hand signed on front; signed, titled, dated with dedication on verso. Stamped "Composition originale". Frame size 30.5 x 26.5 inches. Artwork is in e...

"Glitch in the Machine" is an original piece by Kevin Snipes made from ink, gouache, and acrylic on paper. This piece measures 9.25”h x 6”w and is signed en verso. Kevin Snipes (he/...

Paul Jenkins American, 1923–2012 Paul Jenkins’s intuitive, chance-based painting techniques helped pioneer new approaches to Abstract Expressionism. Jenkins made his vibrant composi...

The Villa Oasis is the property in Marrakech that was owned by the late couturier Yves Saint Laurent and his partner Pierre Bergé. It is attached to the Jardin Majorelle (developed...

Original mixed media painting by Budd Hopkins executed in 1967. The artwork is composed of gouache and acrylic paint on archival paper. Signed and dated lower right, 1967. Conditi...

Title: Cyclists Racing On Velodrome Track French Modernist Watercolor Gouache Artist: Pierre Neveu (French b.1929) Medium: Watercolour and Gouache on artists paper, unframed Size (H ...

Judd Mercer's (US based) "044 - Plein Air-Englewood, CO" is a gouache painting depicting a forest. Artist bio/statement Judd Mercer is a contemporary landscape painter and Colorado...

In this expressive gouache study, Carl Oscar Borg captures the dramatic sweep of the Arizona highlands, where storm clouds gather over layered mesas and valleys bathed in shifting li...

Title: Czechoslovak Ballet Dancers French Modernist Poster Style Dance Painting Guy Nicod (French 1923 - 2021) Gouache on artist paper, unframed Size: 15.75 x 11.75 inches (height x...

Born in San Pedro, California in 1969, Francis DiFronzo has been painting and exhibiting his artwork in the United States for more than thirty years. "I discovered at a young age that art had the ability to transport me out of my world and into the lives of artists I admired. When I looked at paintings by Andrew Wyeth or Edward Hopper, I felt as though I was momentarily living in the worlds they created. I wanted to do the same thing. I wanted my work to have that power." After receiving his B.F.A in 1994 from California State University, Fullerton, DiFronzo moved to Philadelphia, PA where he continued his studies in drawing and painting at the Pennsylvania Academy of the Fine Arts. There he worked and learned under the guidance of artists Murray Dessner...

Botanical watercolour and gouache on paper circa 1920 by French fauvist painter Raoul Dufy. The work depicts flowers in red and butterflies in blues, yellows, black and white. This work was executed by Dufy as a fabric design. Dimensions: Framed: 17"x27" Unframed: 10"x20" Provenance: Private collection of works by Raoul Dufy for Bianchini Ferier Bianchini Ferrier Collection - Christie's London - July 2001 SF Fall Show Raoul Dufy was one of a family of nine children, including five sisters and a younger brother, Jean Dufy, also destined to become a painter. Their father was an accountant in the employ of a major company in Le Havre. The Dufy family was musically gifted: his father was an organist, as was his brother Léon, and his youngest brother Gaston was an accomplished flautist who later worked as a music critic in Paris. Raoul Dufy's studies were interrupted at the age of 14, when he had to contribute to the family income. He took a job with an importer of Brazilian coffee, but still found time from 1892 to attend evening courses in drawing and composition at the local college of fine arts under Charles Marie Lhullier, former teacher of Othon Friesz and Georges Braque. He spent his free time in museums, admiring the paintings of Eugène Boudin in Le Havre and The Justice of Trajan in Rouen. A municipal scholarship enabled him to leave for Paris in 1900, where he lodged initially with Othon Friesz. He was accepted by the École des Beaux-Arts, where he studied under Léon Bonnat, whose innate conservatism prompted Dufy to remark later that it was 'good to be at the Beaux-Arts providing one knew one could leave'. And leave he did, four years later, embarking with friends and fellow students on the rounds of the major Paris galleries - Ambroise Vollard, Durand-Ruel, Eugène Blot and Berheim-Jeune. For Dufy and his contemporaries, Impressionism represented a rejection of sterile academism in favour of the open-air canvases of Manet, the light and bright colours of the Impressionists, and, beyond them, the daringly innovative work of Gauguin and Van Gogh, Seurat, Cézanne, Toulouse-Lautrec and others. Dufy was an out-and-out individualist, however, and was not tempted to imitate any of these artists. He produced, between 1935 and 1937, Fée Electricité (Spirit of Electricity), the emblem for the French utilities company Electricité de France (EDF). Dufy visited the USA for the first time in 1937, as a member of the Carnegie Prize jury. In 1940, the outbreak of war (and his increasingly rheumatic condition) persuaded him to settle in Nice. When he eventually returned to Paris 10 years later, his rheumatism had become so debilitating that he immediately left for Boston to follow a course of pioneering anti-cortisone treatment. He continued working, however, spending time first in Harvard and then in New York City before moving to the drier climate of Tucson, Arizona. The cortisone treatment was by and large unsuccessful, although he did recover the use of his fingers. He returned to Paris in 1951 and decided to settle in Forcalquier, where the climate was more clement. Within a short time, however, he was wheelchair-bound. He died in Forcalquier in March 1953 and was buried in Cimiez. Between 1895 and 1898, Raoul Dufy painted watercolours of landscapes near his native Le Havre and around Honfleur and Falaise. By the turn of the century, however, he was already painting certain subjects that were to become hallmarks of his work - flag-decked Parisian cityscapes, Normandy beaches teeming with visitors, regattas and the like, including one of his better-known early works, Landing Stage at Ste-Adresse. By 1905-1906 Friesz, Braque, Matisse, Derain, Vlaminck, Van Dongen and Rouault were described collectively as Fauves (the wild beasts). What they had in common was a desire to innovate, but they felt constrained nonetheless to meet formally to set out the guiding principles of what promised to be a new 'movement'. Dufy quickly established that those principles were acceptable; moreover, he was most impressed by one particular painting by Henri Matisse ( Luxury, Calm and Voluptuousness) which, to Dufy, embodied both novelty and a sense of artistic freedom. Dufy promptly aligned himself with the Fauves. Together with Albert Marquet in particular, he spent his time travelling the Normandy coast and painting views similar...

Botanical watercolour and gouache on paper circa 1920 by French fauvist painter Raoul Dufy. The work depicts flowers in red, blue and green. This work was executed by Dufy as a fabric design. Dimensions: Framed: 19.5"x19.5" Unframed: 12"x12" Provenance: Private collection of works by Raoul Dufy for Bianchini Ferier Bianchini Ferrier Collection - Christie's London - July 2001 SF Fall Show Raoul Dufy was one of a family of nine children, including five sisters and a younger brother, Jean Dufy, also destined to become a painter. Their father was an accountant in the employ of a major company in Le Havre. The Dufy family was musically gifted: his father was an organist, as was his brother Léon, and his youngest brother Gaston was an accomplished flautist who later worked as a music critic in Paris. Raoul Dufy's studies were interrupted at the age of 14, when he had to contribute to the family income. He took a job with an importer of Brazilian coffee, but still found time from 1892 to attend evening courses in drawing and composition at the local college of fine arts under Charles Marie Lhullier, former teacher of Othon Friesz and Georges Braque. He spent his free time in museums, admiring the paintings of Eugène Boudin in Le Havre and The Justice of Trajan in Rouen. A municipal scholarship enabled him to leave for Paris in 1900, where he lodged initially with Othon Friesz. He was accepted by the École des Beaux-Arts, where he studied under Léon Bonnat, whose innate conservatism prompted Dufy to remark later that it was 'good to be at the Beaux-Arts providing one knew one could leave'. And leave he did, four years later, embarking with friends and fellow students on the rounds of the major Paris galleries - Ambroise Vollard, Durand-Ruel, Eugène Blot and Berheim-Jeune. For Dufy and his contemporaries, Impressionism represented a rejection of sterile academism in favour of the open-air canvases of Manet, the light and bright colours of the Impressionists, and, beyond them, the daringly innovative work of Gauguin and Van Gogh, Seurat, Cézanne, Toulouse-Lautrec and others. Dufy was an out-and-out individualist, however, and was not tempted to imitate any of these artists. He produced, between 1935 and 1937, Fée Electricité (Spirit of Electricity), the emblem for the French utilities company Electricité de France (EDF). Dufy visited the USA for the first time in 1937, as a member of the Carnegie Prize jury. In 1940, the outbreak of war (and his increasingly rheumatic condition) persuaded him to settle in Nice. When he eventually returned to Paris 10 years later, his rheumatism had become so debilitating that he immediately left for Boston to follow a course of pioneering anti-cortisone treatment. He continued working, however, spending time first in Harvard and then in New York City before moving to the drier climate of Tucson, Arizona. The cortisone treatment was by and large unsuccessful, although he did recover the use of his fingers. He returned to Paris in 1951 and decided to settle in Forcalquier, where the climate was more clement. Within a short time, however, he was wheelchair-bound. He died in Forcalquier in March 1953 and was buried in Cimiez. Between 1895 and 1898, Raoul Dufy painted watercolours of landscapes near his native Le Havre and around Honfleur and Falaise. By the turn of the century, however, he was already painting certain subjects that were to become hallmarks of his work - flag-decked Parisian cityscapes, Normandy beaches teeming with visitors, regattas and the like, including one of his better-known early works, Landing Stage at Ste-Adresse. By 1905-1906 Friesz, Braque, Matisse, Derain, Vlaminck, Van Dongen and Rouault were described collectively as Fauves (the wild beasts). What they had in common was a desire to innovate, but they felt constrained nonetheless to meet formally to set out the guiding principles of what promised to be a new 'movement'. Dufy quickly established that those principles were acceptable; moreover, he was most impressed by one particular painting by Henri Matisse ( Luxury, Calm and Voluptuousness) which, to Dufy, embodied both novelty and a sense of artistic freedom. Dufy promptly aligned himself with the Fauves. Together with Albert Marquet in particular, he spent his time travelling the Normandy coast and painting views similar...

Follower of Antoine Calbet. French ( b.1860 - d.1944 ). Theseus and Ariadne, Circa 1890 - 1910. Mixed Media. Watercolour, Gouache & Pastel Image size 16.5 inches x 11.2 inches ( ...

Alfred Jensen Untitled two sided painting, 1947 2-sided gouache painting on board (one portrait is vertical; the other horizontal) 29 × 23 7/20 inches Signed and dated in paint on th...

Title: Interlocking Gouache Forms on Ochre Paper by Serge Guerin French b1916 by Serge Guerin (b. 1916), French inscribed verso: indistinct handwritten note including “69” (likely th...

Original watercolor and gouache on archival paper by the American contemporary artist Jim Weidle. Signed lower right “J. Weidle”. Condition is excellent. Circa 2000. The artwork is ...

In the artist's abstract print series, Cosmos, 2023 by a.muse represents an imaginary cosmos - the universe as a place of longing, dreams, wonder, and ethereal beauty. A 13.75" x 11"...

Micro picture, gouache on paper mounted on black leather. Belonging to the serie “Microbes”. Interestingly, it is unusually mounted on a black leather surface whose shape reminds th...

A striking, 1950s Mid-Century Modern Surrealist architectural scene / set design by notable French stage, costume and fashion designer, Andre Delfau (1914-2000). Depicting the drama...

Michel Colin (b.1934). Boats in Harbor, 1969. Gouache on paper, sheet measuring 16 x 20 inches. Signed and dated lower right. Sheet is unframed. Michel Colin, born in 1934, live...

1970s abstract expressionist gouache on paper by Belgian artist André Pierard painted in Provence in the south of France. A highly colourful and energetic abstract painting. The st...

This vibrant artwork is a masterful still life depicting a lush bouquet housed in a dark, elegant vase. Bold, vivid flowers such as peonies and tulips bloom with striking presence, t...

'French Boy in Bloomers', gouache on art paper (circa 1960s-70s), by Raymond Debiève. A young boy emerges from a beach cabana wearing a bloomer bathing costume that was still in use ...

Charming and bright mid century summer bouquet by Carmel, California artist E. Ruckser (American, 20th-century). Circa 1960. Displayed with an over mat. Image, 11"H x 8"W.

Noel Daggett, American (1925 - 2005) - Good Takings, Year: 1991, Medium: Gouache on Board, signed and dated l.r., Size: 10 in. x 17 in. (25.4 cm x 43.18 cm), Frame Size: 17.5 x 2...

Signed lower right, 'Laurence Bell' (British, died 1916) and painted circa 1910. Bell studied at the Bushey School of Art in Hertfordshire in England. His preferred subject was land...

Signed lower right, 'A. Sottosanti' for Angelo Anthony Sottosanti (American, 1917-2004); additionally signed, verso, titled, 'Pedro of Tehuan Tepee, Mexico' and painted circa 1940. ...

Portrait From The Dutch School, Circa 1670, Young Lady In A Garden Before A Balustrade. Dutch school, ca. 1670. Gouache on parchment laid down on a wooden support (oak). Dimensions...

Art Sz: 9 3/4"H x 6 3/4"W

Signed lower right, 'Frank M. Hamilton' for Frank Moss Hamilton (American, 1930-1999) and painted circa 1965. Titled, verso, 'The Smugglers, Hong Kong' on artist card and inscribed, ...

Signed to the lower right-hand corner. The title and medium are inscribed on the reverse. Well-presented in a double card mount and in a wooden frame, as shown. On paper.

'Parc des Buttes-Chaumont' in Paris, gouache on art paper, by Lucien Génin (circa 1930s). A charming depiction of well turned out Parisians enjoying a day at the park. Boaters, strollers and swans all co-mingle around the peaceful lake. The reflection of the rocky bluff in the water is superbly treated by Génin. It's a cheerful and uplifting image of days-gone-by in 1930s Paris. The park takes its name from the 'bare hill' (chauve-mont) that once occupied the site. It became a place where gypsum was mined, and where the limestone was quarried to be used in buildings in Paris and the United States. Worse, though, it was a site that also became a dumping ground. Luckily, during the 19th-century renovation of Paris under Napoleon III, chauve-mont was chosen as a place for a large park, as part of the emperor's fascination with endowing Paris with green spaces. The artificial lake created at that time wraps around a hilly central island. The lake attracts waterfowl and other birds and is stocked with fish. The 19th-century planners cleaned up the site and added tons of soil to fill the pits left by a limestone mining operation. Then dynamite was used to "sculpt" the site into the craggy shapes seen today, including the 50-metre-high central hill with cliffs, an interior grotto, pinnacles, and arches. Up on top, overlooking the rest of the park - and depicted in this artwork - is a small, round belvedere, based on the Roman Temple of Vesta in Italy. From that spot you can see a lovely view of Montmartre and the white cupolas of the Sacre-Coeur. The painting is in very good condition. It has been newly framed and glazed with museum-quality glass (anti-reflective and UV protection) to preserve this significant artwork for decades to come. Dimensions with frame: H 62 cm / 24.4" W 76 cm / 29.9" Dimensions without frame: H 48.5 cm / 19.1" W 63 cm / 24.8" About the Artist: After the devastation of the First World War, Lucien Génin (1894 - 1953) left his provincial home in the autumn of 1919 to find his fortune among the lively Parisians in the heart of Montmartre. Génin befriended the painters Frank Will, Gen Paul, Émile Boyer, Marcel Leprin...

Signed lower right, "Maxon" for John Maxon (American, 20th century) and created circa 1995. Additionally titled, verso, 'White Flower'. Monotype with additional hand-painted detail. ...

Bernard Segal (1907-1986). Cubist painting, ca. 1960. Gouache and watercolor on paper, sheet measures 14 x 15.5 inches. Unsigned. Estate stamp on verso side. Excellent condition. ...

Title: Mid Century Geometric Modernist Abstract Gouache On Paper Medium: Gouache on artist paper, unframed Size: 11.75 x 16.5 inches (height x width) Signed lower right signature di...

Milton Avery Fishing By The Sea, 1944 Gouache on stout paper 55.9 x 78.8 cm 22 x 31 inches Born in Altmar, New York, in 1885, Milton Avery moved with his family to Hartford, Connect...

Beautiful mid century landscape of a historic California mission, highlighting its iconic architectural details such as a columned arches, white was...

Work on paper White wooden frame with glass pane 43 x 53 x 1,5 cm

Title: La Roche d’Olargues French Village Landscape Watercolour Artist: Pierre Neveu (French b.1929) Medium: Gouache and watercolour on paper, unframed Size (H x W): 19.75 x 25.75 in...