Art by Medium: Gouache

Shizico spent three days painting this plein air in her sunlit garden. She applied 550 Ture Gold paint and Van Gogh Yellow creating a stunning backdrop which served as the canvas for...

This vibrant artwork is a masterful still life depicting a lush bouquet housed in a dark, elegant vase. Bold, vivid flowers such as peonies and tulips bloom with striking presence, t...

Original oil pastel and gouache figure drawing by celebrated, twentieth-century California landscape painter, Ronald Shap. Sketch of a nude male torso with washes of light aqua/sage green and accents of neon pink oil pastel. This is a part of Shap's '80s Interiors...

Original oil pastel and gouache figure drawing by celebrated, twentieth-century California landscape painter, Ronald Shap. Sketch of a nude man. 18x24 inch...

Judd Mercer's (US based) "053 - Plein Air-Aurora, CO" is a gouache painting depicting a few trees on a hill. Artist bio/statement Judd Mercer is a contemporary landscape painter an...

A day at the beach, French watercolour on paper of a beach scene with sailing boats by Madelaine Geoffroy. The painting is signed and dedicated bottom right and presented in a fine p...

Rest at the caravanserail is an original old masters artwork realized by Paul Pascal in 1885. Mixed colored gouache on paper. Included an elegant frame. Hand signed by the artist ...

Botanical watercolour and gouache on paper circa 1920 by French fauvist painter Raoul Dufy. The work depicts flowers in red and butterflies in blues, yellows, black and white. This work was executed by Dufy as a fabric design. Dimensions: Framed: 17"x27" Unframed: 10"x20" Provenance: Private collection of works by Raoul Dufy for Bianchini Ferier Bianchini Ferrier Collection - Christie's London - July 2001 SF Fall Show Raoul Dufy was one of a family of nine children, including five sisters and a younger brother, Jean Dufy, also destined to become a painter. Their father was an accountant in the employ of a major company in Le Havre. The Dufy family was musically gifted: his father was an organist, as was his brother Léon, and his youngest brother Gaston was an accomplished flautist who later worked as a music critic in Paris. Raoul Dufy's studies were interrupted at the age of 14, when he had to contribute to the family income. He took a job with an importer of Brazilian coffee, but still found time from 1892 to attend evening courses in drawing and composition at the local college of fine arts under Charles Marie Lhullier, former teacher of Othon Friesz and Georges Braque. He spent his free time in museums, admiring the paintings of Eugène Boudin in Le Havre and The Justice of Trajan in Rouen. A municipal scholarship enabled him to leave for Paris in 1900, where he lodged initially with Othon Friesz. He was accepted by the École des Beaux-Arts, where he studied under Léon Bonnat, whose innate conservatism prompted Dufy to remark later that it was 'good to be at the Beaux-Arts providing one knew one could leave'. And leave he did, four years later, embarking with friends and fellow students on the rounds of the major Paris galleries - Ambroise Vollard, Durand-Ruel, Eugène Blot and Berheim-Jeune. For Dufy and his contemporaries, Impressionism represented a rejection of sterile academism in favour of the open-air canvases of Manet, the light and bright colours of the Impressionists, and, beyond them, the daringly innovative work of Gauguin and Van Gogh, Seurat, Cézanne, Toulouse-Lautrec and others. Dufy was an out-and-out individualist, however, and was not tempted to imitate any of these artists. He produced, between 1935 and 1937, Fée Electricité (Spirit of Electricity), the emblem for the French utilities company Electricité de France (EDF). Dufy visited the USA for the first time in 1937, as a member of the Carnegie Prize jury. In 1940, the outbreak of war (and his increasingly rheumatic condition) persuaded him to settle in Nice. When he eventually returned to Paris 10 years later, his rheumatism had become so debilitating that he immediately left for Boston to follow a course of pioneering anti-cortisone treatment. He continued working, however, spending time first in Harvard and then in New York City before moving to the drier climate of Tucson, Arizona. The cortisone treatment was by and large unsuccessful, although he did recover the use of his fingers. He returned to Paris in 1951 and decided to settle in Forcalquier, where the climate was more clement. Within a short time, however, he was wheelchair-bound. He died in Forcalquier in March 1953 and was buried in Cimiez. Between 1895 and 1898, Raoul Dufy painted watercolours of landscapes near his native Le Havre and around Honfleur and Falaise. By the turn of the century, however, he was already painting certain subjects that were to become hallmarks of his work - flag-decked Parisian cityscapes, Normandy beaches teeming with visitors, regattas and the like, including one of his better-known early works, Landing Stage at Ste-Adresse. By 1905-1906 Friesz, Braque, Matisse, Derain, Vlaminck, Van Dongen and Rouault were described collectively as Fauves (the wild beasts). What they had in common was a desire to innovate, but they felt constrained nonetheless to meet formally to set out the guiding principles of what promised to be a new 'movement'. Dufy quickly established that those principles were acceptable; moreover, he was most impressed by one particular painting by Henri Matisse ( Luxury, Calm and Voluptuousness) which, to Dufy, embodied both novelty and a sense of artistic freedom. Dufy promptly aligned himself with the Fauves. Together with Albert Marquet in particular, he spent his time travelling the Normandy coast and painting views similar...

A fine mid Century scene in gouache with graphic charcoal line work. The scene shows a sunny continental harbour scene in a pretty pastel palette. The artist has signed illegibly (po...

Max Manning is a Houston-based painter whose practice he describes as “algorithmic abstraction”, studio-built systems that he deliberately disrupts to create compositions where loose...

A finely tuned oval drawing by the Finnish artist Ester Helenius depicting a young woman in profile seated on a chair. The room is suggested only by a diffuse background. Signed and ...

Pointillist Reclining Male Nude by Louis Bellon (French 1908-1998) initialled lower right gouache painting on paper, unframed measurements: 5.5 x 10 inches (overall the sheet measures 8.25 x 11.9 inches) provenance: private collection of the artists work, Provence, France Condition report: very good, colour strong, thin paper, margins of sheet show light marks but image is clean Beautiful Neo-Impressionist 1940's French pointillist...

Title: Parisian City Square At Night With Column and Figures French Watercolor Artist: Pierre Neveu (French b.1929) Medium: Watercolour and Gouache on card, unframed Size (H x W): 7....

Salvador Dalí 1904-1989 Spanish Four of Swords Signed “Dalí” (lower center) Gouache on photographic background Representing a unique blend of spiritualism and Surrealism, this go...

Salvador Dalí 1904-1989 Spanish Two of Swords Signed “Dalí” (upper right) Gouache on photographic background Representing a unique blend of spiritualism and Surrealism, this goua...

In this expressive gouache study, Carl Oscar Borg captures the dramatic sweep of the Arizona highlands, where storm clouds gather over layered mesas and valleys bathed in shifting li...

Erté (Romain de Tirtoff) 1892-1990 Russian-French Les sisters Signed “Erté” (lower right) Gouache on paper Designed for a performance of Moi, J’aime le Music-Hall, Erté’s Les sis...

Title: Dynamic Geometric Abstract Ink Drawing by Serge Guerin French b1916 by Serge Guerin (b. 1916), French Black ink on paper, unframed Size: 25.5 (height) x 19.75 (width) inches P...

Judd Mercer's (US based) "061 - Plein Air-Morrison, CO" is a gouache painting depicting a landscape. Artist bio/statement Judd Mercer is a contemporary landscape painter and Colora...

Very stylish, unique and original 1940's fashion design by French illustrator Geneviève Thomas. The painting, executed in gouache and pencil. The sketch is original, vintage and me...

Title: Cubist Gouache French Village Landscape With Trees Houses And Church Tower Guy Nicod (French 1923 - 2021) Gouache on artist paper, unframed Size: 19.5 x 25.5 inches (height x...

"Mother & Child" by Carlos Carnero (Uruguay/ French 1922-1980) signed verso watercolour/ gouache paint on artist paper, stuck on board 25.5 x 20 inches...

Salvador Dalí 1904-1989 Spanish Nine of Swords Signed “Dalí” (lower center) Gouache on photographic background Representing a unique blend of spiritualism and Surrealism, this go...

Early naturalistic wildlife rendering by the English artist Peter Paillou. The work features a delicately rendered depiction of a possible capuchin monke...

Rolph Scarlett Untitled Abstract Expressionist Painting, ca. 1960 Gouache, Ink, Watercolor on Paper . Hand signed, with original Jonas Aarons Gallery label 23 × 18 3/4 inches Signed ...

Alexander Warshawsky was born in Cleveland, Ohio on March 29, 1887. He studied painting at the Cleveland School of Art and the National Academy of Design in New York City. Warshawsky...

Barbara Shermund (1899-1978). Society Satirical Cartoon, ca. 1940s. Gouache on heavy illustration paper, image measures 17 x 14 inches; 23 x 20 inches in matting. Signed lower left. Very good condition but matting panel should be replaced. Unframed. Provenance: Ethel Maud Mott Herman, artist (1883-1984), West Orange NJ. For two decades, she drew almost 600 cartoons for The New Yorker with female characters that commented on life with wit, intelligence and irony. In the mid-1920s, Harold Ross, the founder of a new magazine called The New Yorker, was looking for cartoonists who could create sardonic, highbrow illustrations accompanied by witty captions that would function as social critiques. He found that talent in Barbara Shermund. For about two decades, until the 1940s, Shermund helped Ross and his first art editor, Rea Irvin, realize their vision by contributing almost 600 cartoons and sassy captions with a fresh, feminist voice. Her cartoons commented on life with wit, intelligence and irony, using female characters who critiqued the patriarchy and celebrated speakeasies, cafes, spunky women and leisure. They spoke directly to flapper women of the era who defied convention with a new sense of political, social and economic independence. “Shermund’s women spoke their minds about sex, marriage and society; smoked cigarettes and drank; and poked fun at everything in an era when it was not common to see young women doing so,” Caitlin A. McGurk wrote in 2020 for the Art Students League. In one Shermund cartoon, published in The New Yorker in 1928, two forlorn women sit and chat on couches. “Yeah,” one says, “I guess the best thing to do is to just get married and forget about love.” “While for many, the idea of a New Yorker cartoon conjures a highbrow, dry non sequitur — often more alienating than familiar — Shermund’s cartoons are the antithesis,” wrote McGurk, who is an associate curator and assistant professor at Ohio State University’s Billy Ireland Cartoon Library & Museum. “They are about human nature, relationships, youth and age.” (McGurk is writing a book about Shermund. And yet by the 1940s and ’50s, as America’s postwar focus shifted to domestic life, Shermund’s feminist voice and cool critique of society fell out of vogue. Her last cartoon appeared in The New Yorker in 1944, and much of her life and career after that remains unclear. No major newspaper wrote about her death in 1978 — The New York Times was on strike then, along with The Daily News and The New York Post — and her ashes sat in a New Jersey funeral...

Title: Mid Century French Geometric Abstract in Blue and Black Ink on Paper by Serge Guerin (b. 1916), French Ink and gouache on paper, unframed Size: 28.5 (height) x 19.75 (width) i...

David Brayne's lyrical, dreamy and sensitive paintings have long been known to collectors. His paintings include landscapes, interiors, figures, and still-lifes. His rich, imaginary ...

Title: Cubist Gouache French Village Landscape With Deer Church Trees And Hills Guy Nicod (French 1923 - 2021) Gouache on artist paper, unframed Size: 19.75 x 25.25 inches (height x...

by Paul-Louis Bolot (French 1918-2003) signed original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ edge tear...

To see our other Architectural Drawings, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. Edmund J Thring (1906 - 1985) Design for St Nicholas House, High Street, Bristol Gouache 46 x 54 cm Signed lower left and inscribed 'Alec F French & Partners, Architects, Bristol' (home to the Commercial Union Group and remodelled in 1959 by Alec French and partners). An architectural drawing of St Nicholas House, a 1930s Art Deco building on the corner of St Nicholas Street and High Street in the heart of Bristol. It was originally built as a banking headquarters, and is recognisable for its curved facade. Today St Nicholas House is a co-working space owned by The Office Group; the interiors have been remodelled in an Art Deco-inspired style, in honour of the building's architectural origins. Edmund J Thring was an architectural perspectivist who produced over 2,500 perspectives in his lifetime. He spent much of the Second WorId War in the Photographic Reconnaissance Interpretation Unit at RAF Nuneham Park, interpreting aerial photographs and making models. In 'A History of Architectural Model Making in Britain', David Lund...

In this painting, I infused the vitality of nature and domestic tranquility through bold strokes and vibrant gouache colors. The rooster stands proudly, symbolizing wakefulness and t...

Title: Interlocking Gouache Forms on Ochre Paper by Serge Guerin French b1916 by Serge Guerin (b. 1916), French inscribed verso: indistinct handwritten note including “69” (likely th...

Rooftop view of the upper West Side Manhattan as it looked in the 1930s. There is a rough indication of a billboard and a glimpse of the Hudson River. The cluster of buildings depic...

Max Manning is a Houston-based painter whose practice he describes as “algorithmic abstraction”, studio-built systems that he deliberately disrupts to create compositions where loose...

Title: Cubist French Abstract Composition With Geometric Shapes And Blue Sphere Guy Nicod (French 1923 - 2021) Gouache on artist paper, unframed Size: 18.75 x 26.25 inches (height x...

The Villa Oasis is the property in Marrakech that was owned by the late couturier Yves Saint Laurent and his partner Pierre Bergé. It is attached to the Jardin Majorelle (developed...

Signed lower right, 'Storer' for Inez May Storer (American, born 1933) and dated 1978. Inez Storer first studied at the San Francisco College for Women, the San Francisco Art Instit...

A Striking, Colorful 1942 Modern Surrealist Abstraction by Notable New York Avant Garde Artist, Hannah Harari (Am. 1912-2000). Titled "The Baroque Portal", the artwork is mixed medi...

Vintage American modernist coastal seascape painting. Mixed media on board. Framed. Measuring: 17 by 20 inches overall. Excellent condition, ready to hang and enjoy.

Title: Abstract Female Portrait Study Expressionist Watercolour Gouache Figure Painting Artist: Pierre Neveu (French b.1929) Medium: Watercolour on artist paper, unframed Size (H x W...

1970s fauvist watercolour of a forest glade by Belgian artist André Pierard. Not signed but acquired from his estate along with others of his works. A be...

Max Manning is a Houston-based painter whose practice he describes as “algorithmic abstraction”, studio-built systems that he deliberately disrupts to create compositions where loose...

Auguste Mayer (1803-1890 A seascape with a boat signed with the initials on the lower left Pencil and heightenings of white gouache on paper 17.5 x 26 cm...

David Ambrose’s fascination with paper began as a child as when convalescing from major surgery on his right leg at the age of seven. Paper became the playground for his imagination ...

Turtle, ca. 1975-80. Gouache on Arches rag paper, Sheet measures 23 x 30 inches. Image measures 22 x 29 inches. Signed lower left. Excellent condition. Unframed.

Hugo Scheiber (1873-1950) was a Hungarian painter of Jewish origins. He started as a self-taught artist. He was initially inspired by Impressionism before evolving towards Expression...

Title: Cubist French Surreal Abstract Composition With Eyes Figures And Geometric Forms Guy Nicod (French 1923 - 2021) Gouache on artist paper, unframed Size: 19.25 x 22.75 inches (...

Signed by Artist Lower Left The present work was published on the cover of the September 4th, 1948 edition of The Saturday Evening Post. An accompanying “Keeping Posted” article about Norman Rockwell’s process behind the painting was printed on page 10 inside the issue. (Image above) The Post described, “Boston baseball fans saw a strange spectacle at Braves’ Field early this summer. As the stands filled, two respectable-looking men stood on the field staring at the spectators. Every now and then they would point to someone, run up into the stands and invite the man or woman to sit in a box above the dugout. Then the thinner of the two would contort his face into an expression of wild delight or disgust and invite the spectator to do the same, while a photographer made pictures. The explanation is on our cover. The two suspicious characters were Kenneth Stuart, the Post’s art editor and the artist, Normal Rockwell. For a detailed description of how Boston...

Title: Abstract Geometric Interior French Modernist Watercolour Gouache Guy Nicod (French 1923 - 2021) Gouache on artist paper, unframed Size: 11...

Italian Modern Abstract Work on Paper Color Field Non-Objective European Mid-Century - "Gonage" Dorazio completed "Gonage" in 1949 when just after the artist had been awarded a stipend by the French government and admission to the Academy Beaux Arts. There he met George Braque who became great friends but also an influence on Dorazio, of which "Gonage" is a living testament. "Gonage" actual size of the drawing measures 12 x 9 1/2 inches. It is signed on the lower right. The work is affixed to a 19 x 15 inch board which includes the artist's signature and date. There is a torn table on the lower left entitling the piece "Gonage". Provenance follows this piece as a gift in 1950 to the artist-colleague Luigi Lucioni, who then gifted it in 1955 to his friend, the uncle of the current owner who has owned the work since 1988. Bio Born in Italy, Piero Dorazio studied architecture in Rome. At the same time his first abstract works were executed. In 1947 he received a scholarship from the Ecole Nationale Supérieure des Beaux Arts in Paris, where he contacted Modern artists, who lived in Paris. He founded the galleries "Age d'Or" in Florence and Rome to represent avant-garde arts in Italy. During a one year stay in the USA he got acquainted with leading artists of Abstract Expressionism such as Marc Rothko...

Kaleidoscope (Abstract painting) Mixed media - acrylic gouache on cotton canvas - Unframed. Daniela Marin stands as a pioneering figure in the realm of South American abstract art, m...

Signed lower right, 'Gallo Giovanni' for Giovanni Gallo (Italian, 20th century) and dated 1954. Titled lower left, 'Eseguito a Pompei, 'Trionfo di Bacco'' (Done in Pompeii, 'Triumph...

This artwork vividly captures the essence of a serene autumn landscape, characterized by a rich tapestry of colors. The painting showcases a forested area where trees, adorned with f...

Title: Mountain Landscape with Cypress French Modernist Gouache by Guy Nicod Guy Nicod (French 1923 - 2021) Gouache on artist paper, unframed Size: 15.75 x 18.75 inches (height x wi...

Born in the hillside town of Muro Lucano, southeast of Naples, Italy, Joseph Stella immigrated to the United States in 1896. Having demonstrated remarkable talent as a young boy, he ...

Late 19th Century Gouache Maine Coast Seascape by Julian Walbridge Rix This seascape is of the Maine Coast by tonalist painter Julian Walbridge Rix (American, 1850–1903) depicting a...

Gouache on paper by Neapolitan School, mid-19th century. Not signed, very good condition. Includes a coeval wooden frame cm. 35x30.

A French Cubist gouache on paper landscape by G Ricard. The painting is marked with the atelier stamp of Georges Ricard Cordingley. There is another painting of an autumn landscape t...