John Levee

Untitled -- 1961

1961

Claude Vénard was born in Paris in 1913 to an established, middle-class family from Bourgogne. Although he was a businessman, his father accepted and supported his devotion to the arts. The blossoming artist was accepted at the prestigious École des Beaux-arts but quickly rejected the formality of traditional academic art training. Instead, Vénard began attending night courses at the École de Arts Appliqués at age seventeen to supplement his independent education. After six years of dedicated study the painter was forced, due to economic difficulties, to withdraw from the school and seek employment. Vénard became a restoration specialist...

A prime example of European Lyrical Abstraction with vibrant, rich, high-keyed colors

Claude Vénard was born in Paris in 1913 to an established, middle-class family from Bourgogne. Although he was a businessman, his father accepted and supported his devotion to the arts. The blossoming artist was accepted at the prestigious École des Beaux-arts but quickly rejected the formality of traditional academic art training. Instead, Vénard began attending night courses at the École de Arts Appliqués at age seventeen to supplement his independent education. After six years of dedicated study the painter was forced, due to economic difficulties, to withdraw from the school and seek employment. Vénard became a restoration specialist at the Louvre to support himself in 1936. The artist considered his experiences conserving Old Master paintings to be invaluable to the development of his style and technique. In the same year that he started working at the Louvre, Vénard participated in a group show at Galerie Billet-Worms. Respected art critic Waldemar George hailed the exhibition as an immense success, proclaiming, “Let’s be young again! Painting is not dead. Its course has not stopped. Forces Nouvelles is born.” The Forces Nouvelles movement, which included artists like André Marchand...

Claude Vénard was born in Paris in 1913 to an established, middle-class family from Bourgogne. Although he was a businessman, his father accepted and supported his devotion to the arts. The blossoming artist was accepted at the prestigious École des Beaux-arts but quickly rejected the formality of traditional academic art training. Instead, Vénard began attending night courses at the École de Arts Appliqués at age seventeen to supplement his independent education. After six years of dedicated study the painter was forced, due to economic difficulties, to withdraw from the school and seek employment. Vénard became a restoration specialist at the Louvre to support himself in 1936. The artist considered his experiences conserving Old Master paintings to be invaluable to the development of his style and technique. In the same year that he started working at the Louvre, Vénard participated in a group show at Galerie Billet-Worms. Respected art critic Waldemar George hailed the exhibition as an immense success, proclaiming, “Let’s be young again! Painting is not dead. Its course has not stopped. Forces Nouvelles is born.” The Forces Nouvelles movement, which included artists like André Marchand...

Pastel pigment on cork

Byron Browne was an important American modernist painter. Ink, tempera, and crayon on paper Signed and dated lower right.

Gouache, graphite and ink on Rives paper. Unframed. Balancing Act 4 is part of a series of works on paper started in 2016. They are created in the evenings and aptly named after busy days of teaching and other responsibilities. The artist establishes parameters involving the use of a particular palette, certain mark-making gestures and amount of time spent on each drawing. This work incorporates graphite, ink, and gouache, and is a combination of intuition-based and planned execution. Tracey Adams is an American abstract painter and printmaker. Her artworks reflect a strong interest in musical patterns, rhythms, lyrical compositional elements and what she calls a sense of performance. She lives and works in Carmel, California. Work by Adams is part of the permanent collections of several museums, including the Bakersfield Art Museum, the Monterey Museum of Art, the Fresno Art Museum, the Tucson Art...

Balancing act 2 (Abstract Painting) Gouache, graphite and ink on Rives paper. Unframed. Balancing Act 2 is part of a series of works on paper started in 2016. They are created in the evenings and aptly named after busy days of teaching and other responsibilities. The artist establishes parameters involving the use of a particular palette, certain mark-making gestures and amount of time spent on each drawing. This work incorporates graphite, ink, and gouache, and is a combination of intuition-based and planned execution. Tracey Adams is an American abstract painter and printmaker. Her artworks reflect a strong interest in musical patterns, rhythms, lyrical compositional elements and what she calls a sense of performance. She lives and works in Carmel, California. Work by Adams is part of the permanent collections of several museums, including the Bakersfield Art Museum, the Monterey Museum of Art, the Fresno Art Museum, the Tucson Art...

Balancing act 4 (Abstract Painting) Gouache, graphite and ink on Rives paper. Unframed. Balancing Act 4 is part of a series of works on paper started in 2016. They are created in the evenings and aptly named after busy days of teaching and other responsibilities. The artist establishes parameters involving the use of a particular palette, certain mark-making gestures and amount of time spent on each drawing. This work incorporates graphite, ink, and gouache, and is a combination of intuition-based and planned execution. Tracey Adams is an American abstract painter and printmaker. Her artworks reflect a strong interest in musical patterns, rhythms, lyrical compositional elements and what she calls a sense of performance. She lives and works in Carmel, California. Work by Adams is part of the permanent collections of several museums, including the Bakersfield Art Museum, the Monterey Museum of Art, the Fresno Art Museum, the Tucson Art...

Balancing Act 3 (Abstract Painting) Gouache, graphite and ink on Rives paper. Unframed. Balancing Act 3 is part of a series of works on paper started in 2016. They are created in the evenings and aptly named after busy days of teaching and other responsibilities. The artist establishes parameters involving the use of a particular palette, certain mark-making gestures and amount of time spent on each drawing. This work incorporates graphite, ink, and gouache, and is a combination of intuition-based and planned execution. Tracey Adams is an American abstract painter and printmaker. Her artworks reflect a strong interest in musical patterns, rhythms, lyrical compositional elements and what she calls a sense of performance. She lives and works in Carmel, California. Work by Adams is part of the permanent collections of several museums, including the Bakersfield Art Museum, the Monterey Museum of Art, the Fresno Art Museum, the Tucson Art...

Painting titled "Disco Inferno" by Jeanne Cosimano. Wonderful vibrant gouache on paper and dated 2020. Frame is included. This work was recently featured in a solo show at Gallery 2112...

"A Different Beat" by Washington DC artist Jeanne Cosimano. Painting in gouache and chalk on paper and dated 2022. Artist is known for her dynamic composit...