Gouache Abstract Paintings

Colorful abstract expressionnist village scene in gouache and watercolor on paper by Belgian artist André Pierard. Signed bottom right and dated August 1976 bottom left. This artwo...

Abstract Town Landscape by Laure Noetzin-Azam (French 1929-2024) pupil of André LHOTE gouache painting on artist paper stuck on board, unframed board: 20 x 24.5 inches Provenance: al...

For a 24 x 18in abstract painting on paper Coral Reef, a. muse uses acrylic, oil pastel, gouache, sand, and diamond dust to render colorful biomorphic forms from the sea. Warm and co...

Meredith Walker’s "Dotted Clover" is a bold and meditative piece of contemporary folk art that highlights her ability to blend simplicity with symbolic resonance. This original acryl...

Meredith Walker's “All Living Things” is a stunning example of contemporary folk art that blends botanical motifs and symbolic imagery to evoke a sense of interconnectedness and harm...

Meredith Walker’s "Seeing Bloom" is a striking original painting that fuses abstract botanical symbolism with a rich, earthen palette, capturing the viewer's attention through its el...

Title: Impressionist Harbour Scene with Lighthouse Fishing Boats and Seagulls in Motion By Fanch Lel Signed: Yes Size: 16.25 x 12.25 inches (height x width) Gouache painting on board...

Figure with Orange and Blue - Original Signed Abstract Expressionist Work Dynamic figural abstract piece by Felix Ruvolo (American, 1912-1992). In the center of the composition is a...

Vintage American modernist painting. Gouache on board. Signed. Framed. Measuring: 20 by 15 inches overall. Handsomely framed in an antique Italian frame. Excellent condition, read...

Gail Chase Bien has created a wonderful and mysterious work that includes oil, gouache, and pastel collage on board. Professionally framed in a thin warm silver wood. The artist is ...

These series of paintings by Natalia Roman gather their inspiration from geometric, minimalist shapes and paintings from the beginning of Modernism, with a special emphasis on Art De...

Signed lower right, 'Buk' for Eduard Buk Ulreich (American, 1889-1966); additionally titled verso 'Consort' and dated 1954 with inscription, 'by the one and only buk, made for Ruth'....

Thelma Corbin Moody Blue Mountains c. 1960's Gouache on Arches Paper 19 1/4" x 24 3/4", Unframed Unsigned Lovely, mid century gouache painting, b...

Robert Kelly (American, 1956-) Abstract Mixed Media on paper Study for Alma 1983 Pencil titled Hand signed lower right Dimensions: Frame: 26 X 19 Image: 24 X 17.5 Robert Kelly (born 1956) is an American artist. He is based in New York City. Kelly was born in Santa Fe, New Mexico, and studied at Harvard University, Cambridge, Massachusetts (B.A. 1978). His paintings have been acquired by public and private collections in Europe and the United States, including The Whitney Museum of American Art, New York, NY; The Brooklyn Museum, Brooklyn, NY; The Museum of Fine Arts, Santa Fe, NM; Milwaukee Art Museum, Milwaukee, WI; Smith College Art Museum, Northampton MA; Jane Voorhees Zimmerli Art Museum, Rutger’s University, NJ; Montgomery Museum of Fine Arts, Montgomery; The Fogg Museum, Cambridge, MA; The Margulies Collection, Miami, FL; and the McNay Art Museum, San Antonio, TX. Kelly has traveled throughout the United States, Europe, North Africa, the Near East, and Nepal. His work often incorporates unusual materials from his journeys, among them vintage posters and printed antique paper, obscured and layered in saturated pigments on a canvas faintly scored with irregular grids. Kelly’s paintings have been likened to palimpsests and his method described as one of building “meticulously on inhabited ground, layering materials, documents, and signs, covering them, wiping out their beauty, nearly, but allowing something of the labor and their languages to persist.” Kelly worked as a commercial photographer for Polaroid in Cambridge, Massachusetts, and completed residencies at The MacDowell Colony and The Karolyi Foundation, Vence, France, before devoting himself entirely to painting in 1982. His work has been the subject of more than forty-five solo shows at venues in North America and Europe, including Spazio Bianco/AR Contemporary Art, Milan, Italy; Leslie Feely Fine Art, New York; and The John Berggruen Gallery, San Francisco, California. He has participated in more than one hundred group shows in the United States and abroad. including the Projects Inaugural Exhibition at Bentley Gallery Featuring works by Jim Dine, Jennifer Bartlett, Donald Sultan, Frank Stella, John Chamberlain, Julian Schnabel and, Dominique Blain. Kelly’s influences include the De Stijl movement, Malevich and Mondrian and modernists like Bauhaus, Joaquin Torres-Garcia, Philip Guston, Richard Diebenkorn, Kurt Schwitters, Blinky Palermo and Brazilian Neo-Concretists Lygia Clark and Helio Oiticica. Kelly himself cites Hans Arp, Myron Stout, Tony Smith, Brancusi, Calder, Bill Traylor, Louise Bourgeois, and Ellsworth Kelly. Primary Abstraction, Process-Oriented, Hard-Edged, New York School Artists, Line, Form, and Color, Curvilinear Forms. “Kelly compares his work method to the practice of a stonemason building a wall, setting the components in place as they rise with an astuteness and precision found in the process of composing formal puzzles. Addressing the full expanse of a canvas covered entirely with paper, he masterfully builds up his surface with the pared down tools of line, form and color. Given their remarkable elegance, sheen and tactile qualities, the paintings invite drop-dead awe.” Edward Leffingwell, Robert Kelly: Paper Trails “In these works the sophisticated play between translucency and opacity, representation and abstraction conflates past and present—be it the history of art or of a psyche.” Hilarie M. Sheets, Art in America “[His] process yields the self-sustaining and harmonious ‘rightness’ of so much of Kelly’s work, a sense that each form could never be other than it is; were it sharper, more obtuse, or thicker, each angle, curve, or horizontal band would collapse into formlessness. Kelly’s compositions are held in such perfect moments of balance...” João Ribas, Robert Kelly: Praxis and Poesis “The works are paradoxical: by disassembling and then reassembling the pieces, Kelly seems to undermine visual ‘completeness’ by a fragmented presentation. Yet it nonetheless feels as though the image is a cohesive whole.” Melissa Kuntz, Art in America “Confronted as all artists are now with the exhaustion of subjectivity, Robert Kelly insists on the capacity of painting to mediate subjective apprehension through symbolic forms and sensual experience. Nothing less.” Lyle Rexer, Robert Kelly: Painting’s Place “Robert Kelly’s art is exemplary. It reveals an intelligence that is as alert and modern as one could wish but is at the same time saturated in the knowledge of other times and places.” John Ash...

Title: Mid Century French Geometric Abstract Ink Drawing on Paper by Serge Guerin (b. 1916), French Black ink on paper, unframed Size: 26 (height) x 19.75 (width) inches Provenance: ...

Lyrical abstract expressionist gouache on paper by French artist Michel Loiseau. Signed bottom right. Michel Loiseau-Rizzo, born in 1937 is an illust...

Meredith Walker’s "Desert Sunflower" is a luminous original painting that bridges abstract symbolism and folk art tradition through radiant color and bold composition. This unique ac...

John von Wicht (German American, 1888-1970) Hand signed lower right Oil and media painting on Japan paper Dimensions: 17 X 24 inches Johannes Von Wicht was born in Holstein, Germa...

Mid-century abstract expressionist geometric gouache on paper by Russian artist Joseph Levin. Signed to the bottom right and presented in a black passepartout. This artwork is a str...

Unique historic work Hand signed and dated on the front An exceptionally early gouache from 1957, executed on the verso of a Wells Street Gallery invitation card - one of the first c...

Stunning surrealist painting by Bay Area Figurative artist, John Hultberg (1922-2005). War Night, 1956. Gouache on illustration board measures an impressive 30 x 40 inches; 34 x 44...

Mid Century Mountain Stream Modernist Landscape by Honora Berg This mid century modernist landscape painting by Honora Berg (American, 1897-1985) depicts a vibrant mountain stream, ...

Winslow Tee is an emerging artist living in the Brooklyn, NY area. This rare gouache on paper comes in a found antique frame.

Gouache & Ink abstracts from the Mid-20th Century are unique. This is by Dutch artist Andrus Theodore Vossen born in the Netherlands in 1893 and he died in 1963. It is pencil sig...

Michel Colin (b.1934). Boats in Harbor, 1969. Gouache on paper, sheet measuring 16 x 20 inches. Signed and dated lower right. Sheet is unframed. Michel Colin, born in 1934, live...

Bernard Segal (1907-1986). Cubist painting, ca. 1960. Gouache and watercolor on paper, sheet measures 14 x 15.5 inches. Unsigned. Estate stamp on verso side. Excellent condition. ...

Stephen Harty, Untitled (Bird Abstraction), gouache, 1953. Signed and dated lower left. A fine, meticulously rendered, mid-century, modernist gouache painting, with fresh colors on 1...

Alexander Calder 1898–1976 American Lucioles (Fireflies) Signed and dated “Calder 72” (lower right) Gouache and ink on paper Few artists defined the visual language of modern abs...

Late 20th century impressionist gouache landscape of "Les Baux de Provence" on paper by French artist Désiré Villain, signed bottom left and to the reverse...

Joanne Freeman Squares and Strokes (Cadmium_16), 2025 gouache on handmade paper 28 x 20 in. image: 16 x 16 in. (freem240) My paintings and drawings incorporate elements found in arc...

"Beautiful Manta" is an original piece by Kevin Snipes made from ink, gouache, pastel, and acrylic on paper. This piece measures 8.25”h x 6”w and is signed en verso. Kevin Snipes (h...

Original gouache on archival paper abstract of a spiral form by the well known artist, Theo Hios. Inscription lower left “To Bernie from Theo and Cathy”. Dated lower left “11/7/74”. Condition is excellent. The artwork is matted and in a silver leaf contemporary frame. Under glass. Overall framed measurements are 18 by 15 inches. Provenance: A Massachusetts estate. Theo Hios was born in the village of Trypi, Laconia, in 1908. During his school years, he lived in Sparta and later began his law studies in Athens. Disappointed by the prospects of the profession, he emigrated to the United States in 1929. During the years of the Great Recession, he worked in a restaurant and in his spare time, was trying to improve his English by reading philosophy books. In 1934, he began attending painting courses in departments supported by the Works Progress Administration (WPA) program and continued attending lithography, engraving and fresco painting courses until the end of the decade. Influences from expressionism, social realism and Mexican frescoes intersected in his works from that period. His themes included landscapes, portraits and urban landscapes, where the issue of labor is often evident through the depiction of workers or of their tools. As the United States entered World War II, Hios enlisted in the United States Marine Corps and attended courses in war photography. He participated in battles in the Marshall Islands, Iwo Jima and Saipan and he was awarded a war medal...

Bernard Segal (1907-1986). Cubist painting, ca. 1960. Gouache and watercolor on paper, sheet measures 9 x 12.25 inches. Unsigned. Estate stamp on verso side. Excellent condition. N...

Title: Impressionist Coastal Gouache Painting of Fishing Boats and Rowing Figure at Sea By Fanch Lel Signed: Yes Size: 9.75 x 11.75 inches (height x width) Gouache painting on cardbo...

Title: Grapes Wine Bottles Jug and Plate Golden Drapery French Modernist Still Life Guy Nicod (French 1923 - 2021) Gouache on artist paper, unframed Size: 25.75 x 19.75 inches (heig...

"Sem Titulo" gouache on paper. Illustrated in Barsotti's book page 146. The full sheet size listed in the catalogue is 21cm x 30cm. The specialty frame incorporates a mat cut up t...

Signed lower right, 'Inman' for Robert Inman (American, 1927–2016) and dated, lower right, outside of image, 1981. Retaining original, card, mat and backing boards. This abstract e...

Venard had a successful career during his lifetime, punctuated by one-man shows in Paris, London, New York, Philadelphia, Chicago, Dusseldorf, Munich, Buenos Aires, Tokyo, Canada, Be...

A rare and museum-quality 1941 original by Charles Ragland Bunnell, 'Birth of Mind' represents one of the most intellectually and emotionally charged works from the artist’s pivotal ...

Meredith Walker’s "A Single Bud" is a luminous example of modern abstract botanical painting that fuses organic minimalism with symbolic form. This unique painting invites viewers in...

Vista I (Abstract painting) Acrylic and Gouache on canvas - unframed Artwork is exclusive to IdeelArt. Daniela Marin stands as a pioneering figure in the realm of South American abs...

Watercolor on paper, sheet measures 12 x 17.5 inches. Unframed. Signed and dated lower right. Estate stamp on verso. EVE PERI (1897-1966) Born in Bangor, Maine, Eve Peri worked...

Title: Mid Century French Abstract Expressionist Calligraphic Ink Painting Medium: Black ink/ gouache painting on paper, unframed French, circa 1950's ...

In the artist's abstract print series, Cosmos, 2023 by a.muse represents an imaginary cosmos - the universe as a place of longing, dreams, wonder, and ethereal beauty. A 13.75" x 11"...

Joyce Kozloff Tepoztlan II, 1973 Gouache and colored pencil on paper Signed, dated and titled twice: once on the back of the work (shown) and once on the original board which has bee...

Emlen Pope Etting (1905-1993). Sodom & Gomorrah, ca. 1955. Gouache, watercolor and ink on paper. Sheet measures 11 x 15 inches. Framed measurement, 17 x 21 inches. Titled a...

Gouache and ink on paper; Signed "Calder 65" Calder Foundation Registration #A11309 Provenance: Galerie Maeght, Paris 1965; J.L. Hudson Co., Detroit, 1969; Private collection, IL 19...

Esteban Vicente (1903-2001). Untitled, #36, 1955. Gouache on paper, image measures 8 x 11 inches, 16.5 x 19.5 inches framed. Signed, dated and numbered on verso. Excellent condition....

Richard Anuszkiewicz Near and Far Acuity, 1957 Gouache and watercolor painting on board Hand signed and dated 1957 by Richard Anuszkiewicz on the right front Frame included Anuszkie...

Title: Mid Century French Geometric Abstract in Multicolour Gouache on Paper by Serge Guerin (b. 1916), French Signed with initials bottom right and name stamped verso Gouache and in...

"Micro Mini Token II" (2018) by Catherine Hart Acrylic and gouache on canvas; abstract miniature painting, pastels and bold saturated palette Framing available COA included

This striking 1949 gouache and wax painting by Howard Schleeter is a powerful example of mid-century American modernism rooted in the visual language of the Southwest. Titled Fetishe...

Title: Mid Century French Geometric Abstract in Black White and Navy Signed SG by Serge Guerin (b. 1916), French signed lower right “SG”, name stamped verso Acrylic and gouache on ar...

Max Manning is a Houston-based painter whose practice he describes as “algorithmic abstraction”, studio-built systems that he deliberately disrupts to create compositions where loosely figurative fragments, patterns, and color fields collide. Working in series, Manning sets up rule-driven visual frameworks such as grids, repeated motifs, cut-outs, and layered shapes, and then interrupts them through shifts in palette, gesture, and scale. The result is a retro-contemporary language: paintings that acknowledge a world shaped by data and screens while insisting on the tactility, stillness, and breath of paint. • One-of-a-kind abstract artwork on paper measuring 20 x 16 inches • Unframed and signed by the artist on the back • Includes certificate of authenticity issued by the art gallery • Convenient local Los Angeles delivery available • Affordable Continental U.S. and international shipping available Across his practice, Manning has maintained a clear studio ethos: to “paint through the questions” of life lived alongside algorithms. Instead of reproducing digital aesthetics, he uses rule sets to destabilize them—allowing glitches, misalignments, and pauses to surface. The work’s visual “systems” act less like predictive code and more like open, humanized structures where attention can rest. This stance has resonated with curators and collectors attuned to abstraction’s current arc: grounded in art-historical form, responsive to contemporary cognition, and committed to the slow time of looking. Manning earned a BFA in Two-Dimensional Studies from Bowling Green State University (2011) and an MFA from the University of Cincinnati (2014). His work has been exhibited widely in the U.S. and abroad and gained early institutional and critical attention through selection for the 2017 Texas Biennial, curated by Leslie Moody Castro, with press coverage in Texas arts media. Artspace Warehouse has been representing and exhibiting Max Manning's original artworks since 2025. The gallery has been a 1stdibs partner since 2014 with consistently excellent reviews from clients worldwide. The gallery exhibits a large selection of affordable original artworks from established and emerging international artists with diverse backgrounds at high standards. Artspace Warehouse is known to provide accurate descriptions, images, reliable services, communication, and delivery. The gallery's commitment to customer satisfaction means that clients can invest in art with confidence, knowing they have a reputable and established art gallery backing their acquisition. Artspace Warehouse prioritizes our clients' peace of mind by ensuring a seamless and worry-free art-buying experience. REPRESENTATION Artspace Warehouse, Los Angeles, USA SOLO EXHIBITIONS 2017 Language Game, TW Fine Art, Brisbane, Queensland, Australia 2015 In Tongues, EN EM Art Space, Sacramento, California 2014 Now Made with Real Paint, No Future Projects (online) Soul-Rocket, Pipeline Artist Space, Cincinnati, Ohio 2013 Uberplasticist Exhibition #1, Pipeline Artist Space, Cincinnati, Ohio 2011 Screening Reality: Erotomania (Paintings and Drawings by Max Manning), Bowen Thompson Student Union, Bowling Green, Ohio GROUP EXHIBITIONS 2025 Space City Spotlight, Seismic Gallery, Houston, Texas 2023 No Zoning, Reeves Art and Design, Houston, Texas 2022 Crimson Tide, Soft Times Gallery, San Francisco, California The Big Show, Lawndale Art Center, Houston, Texas Small Works, Soft Times Gallery, San Francisco, California Summer Preview, Todd Weiner Gallery, Kansas City, Missouri 2022 Salina Biennial, Salina Art Center, Salina, Kansas Project for Ukraine, Far By Wide — Online Exhibition Miami University Yeck Young Painters Competition, Miami University, Oxford, Ohio 2021 Quiet Fire, curated by Jessica Cannon and Jay Gaskill, Far By Wide — Online Exhibition Not Just Another Anthropocenic Love Story, Trestle Gallery, Brooklyn, New York DAAP Made, University of Cincinnati Indian Hill Gallery, Cincinnati, Ohio Loop, Box 13 ArtSpace, Houston, Texas 2020 Concrete Pocket, Houston Community College Central Gallery, Houston, Texas Lines of Thought, CICA Museum, Gimpo, South Korea Flatfile Exhibition, Collar Works, Troy, New York Mirror Eye, curated by Youngspace and Far by Wide, Ortega y Gasset Projects, Brooklyn, NY Ortega y Gasset Flatfile Exhibition, Ortega y Gasset Projects, Brooklyn, New York 2019 The Christmas Edit, TWFINEART Group Art Show, Todd Weiner Gallery, Kansas City, MO Be. Long. I Like Your Work Juried Exhibition, curated by Erika B. Hess, David Linneweh, and Mychaelyn Michalec, Dutoit Gallery, Dayton, Ohio Of Texas, curated by Adam Farcus, Lease Agreement, Lubbock, Texas Priority Mail, Ground Floor Gallery, Brooklyn, NY Art Hustle, Reed Gallery, Cincinnati, OH Lobster Dinner, curated by Will Hutnick, Trestle Gallery, Brooklyn, New York 2018 Trade Show, My Friend PTX, Paris, Texas TWFAX2 + Matt Sheridan + W Hotel, TW Fine Art, Brisbane, Queensland, Australia Papercuts, curated by Kristian Day, Saatchi Gallery, London, England The Big Show, Lawndale Art Center, Houston, Texas Squaring the Sun, curated by Jessica Cannon, Far By Wide — Online Exhibition 2017 Paper Cuts, curated by Kristian Day and Jeanette Gunnarsson, Tripp Gallery, London, England Winter Exhibition, James May Gallery, St. Algoma, Wisconsin 2017 Texas Biennial, curated by Leslie Moody Castro, Big Medium Austin, Austin, Texas Milestones, Bowling Green State University, Bowling Green, Ohio Antipol, curated by Max Presneill and Chris Trueman, Durden and Ray, Los Angeles, California Priority Mail, Ground Floor Gallery, Brooklyn, New York Chaos, Ro2 Art, Dallas, Texas Intimates, Skylab Gallery, Columbus, Ohio ATTACH FILES, 50/50, Kansas City, Missouri Día de los Muertos, Lawndale Art Center 2016 Funkytown, Urbano, Berkeley, California The Big Show 2016, Lawndale Art Center, Houston, Texas Small Works, Trestle Gallery, Brooklyn, New York From Here, Fluorescent Gallery, Knoxville, Tennessee Construct, 337 Project Space, Grand Rapids, Michigan 2015 Be, Mist Gallery — Online Exhibition More or Less, Front/Space, Kansas City, Missouri Le Cours de Chose, Le Praticable Espace D’Exposition, Rennes, France At the Sound of The Bell: Break Away, Pear Gallery, Cincinnati, Ohio Chill, Zen, Funk and Twang, Curating Contemporary — Online Exhibition 2014 Sugar Rush, En Em Art Space, Sacramento, California New Abstraction: 3 Select, Metropolis Collective, Mechanicsburg, Pennsylvania Extraordinary Flecks and Things Butting Up, LOHIOH, Cincinnati, Ohio By The Pleasure of Doing, Espacio 20/20, San Juan, Puerto Rico Divisible: please, actually, introspective, Divisible Project Space, Dayton, Ohio Business Casual, collaborative show with Jessica Simorte, Neon Heater Gallery, Findlay, Ohio LUSH, Contemporary Arts Center, Cincinnati, Ohio Fiction, University of Dayton Galleries, Dayton, Ohio 2013 Fresh Paint Showcase, Media Wall at Commerce Square, Philadelphia, Pennsylvania Pop-Up Art, Niehoff Design Studio, Cincinnati, Ohio Members Small Works Exhibition, Roy G Biv Gallery, Columbus, Ohio Wintery Mix, Rock Paper Scissors, Cincinnati, Ohio Crosspollination, Collaborative show with Jessica Simorte, 840 Gallery, Cincinnati, Ohio Sweety Salty Sculpture Funk, Collaborative show with Jessica Simorte, Pipeline Artist Space, Cincinnati, Ohio All Fall Down, Meyers Gallery, University of Cincinnati, Cincinnati, Ohio Modern Makers & Fernside Benefit Art Auction, Niehoff Urban Studio, Cincinnati, Ohio Renewal, Drift Studios...

Title: Interlocking Gouache Forms on Ochre Paper by Serge Guerin French b1916 by Serge Guerin (b. 1916), French inscribed verso: indistinct handwritten note including “69” (likely th...

Tonalist style, abstract figurative watercolor by Susan Hope Fogel watercolor on Arches heavy-weight paper 30 x 44 inches, diptych of two sheets measuring 30 x 22 inches each 35.5 x...

Birds in Flight, ca. 1975-80. Gouache on Arches rag paper, Sheet measures 23 x 30 inches. Image measures 22 x 29 inches. Signed lower left. Excellent condition. Unframed.

Charmion von Wiegand Pillar of Zen #124, 1959 Gouache on paper painting Hand signed, titled and dated on the front Unique Provenance: Andre Zarre Gallery, with label verso (Estate of renowned gallerist Andre Zarre, ne Andre Sowulewski) Measurements: Framed 26.5 inches vertical by 25.5 horizontal by 2 inches Artwork: 21 inches vertical by 22 inches horizontal Mid century modern, geometric, spiritual abstraction, mystical The Estate of the celebrated artist Charmion Von Wiegand has been represented exclusively by Michael Rosenfeld Gallery since 1998. From March 3 to August 13, 2023, Charmion Von Wiegand was the subject of an acclaimed retrospective at the Kunstmuseum Basel, and she has received major attention in the price, including a June, 2023 ArtNews feature entitled, "Who Was Charmion von Wiegand and Why Is She Important?". Her work was also featured in a solo presentation by Rosenfeld Gallery at the New York Art Show held at the Park Avenue Armory, which also received critical acclaim. Artists Biography - courtesy of Michael Rosenfeld Gallery: Known for her vibrant, geometric paintings that originate a deeply personal language of spiritual enlightenment expressed through a constructivist mode of abstraction, Charmion von Wiegand (1896–1983) was born in Chicago but spent much of her childhood traveling. The daughter of a journalist for Hearst, von Wiegand eventually settled in New York in 1915 to attend Barnard College and Columbia University, where she took classes at the School of Journalism while nurturing a growing interest in art history. In 1925, von Wiegand realized that she wanted to be an artist and set up a studio in Greenwich Village, teaching herself how to paint while pursuing a career as a journalist. In 1929, she secured a position in Moscow as a foreign correspondent for Hearst, the only woman at the desk at the time. In 1932, von Wiegand returned to New York and married Russian émigré Joseph Freeman, who co-founded and edited the leftist journal New Masses. Von Wiegand began writing art criticism for New Masses as well as for other publications, including New Theatre, ARTnews, and Arts Magazine. When the Abstract American Artists (AAA) held their inaugural exhibition, von Wiegand reviewed it. An early champion of abstract art, von Wiegand became close friends with AAA founder Carl Holty. In 1941, Holty introduced von Wiegand to Piet Mondrian, who would have a profound impact on her art. Fascinated by Mondrian’s artistic philosophy, von Wiegand played a key role in the introduction of his work to American audiences, translating many of the Dutch artist’s writings into English and assisting in the composition of his influential article “Toward the True Vision of Reality” (1941). Through her friendship with Mondrian, von Wiegand re-kindled her interest in Theosophy (a religion established in the late 19th century that combines aspects of Hinduism, Buddhism, occultism, and esotericism) and embarked on an extended study of neoplasticism. In her artwork, she incorporated Mondrian’s iconic grid but rejected the constraints of pure neoplasticism and embraced a wide range of influences including surrealism and German expressionism. In 1942, von Wiegand became a member of the AAA, exhibiting regularly with the group and eventually serving as its president from 1951 to 1953. In the late 1940s, sculptor and fellow AAA member Ibram Lassaw gave her a translation of The Secret of the Golden Flower: A Chinese Book of Life, which inspired von Wiegand to immerse herself in a study of Buddhist art. She began incorporating Buddhist motifs such as stupas and mandalas into her paintings, and her spiritual practice steadily intensified throughout the 1950s. In 1953, her husband gifted her a copy of the Taoist I Ching Book of Changes, a guide for divining meaning from randomly derived numbers arranged in a hexagram—a form the artist readily incorporated into her painting. Von Wiegand’s study of Theosophy also intensified over these years, bolstered by her increased access to the religion’s primary sources composed by the religion’s founders and their successors at the New York Theosophical Society’s library. Von Wiegand’s search for the sacred and transcendent ultimately led her to Tibetan Buddhism and, in 1967, von Wiegand met Khyongla Rato Rinpoche, a Gelugpa monk who had recently arrived in New York, who would mentor her spiritual study in the tradition of Mahayana Buddhism until her death. Her travels in the 1960s and 1970s took her to Tibet and India, where she had an audience with the Dalai Lama, who was living in exile in Dharamsala. Many works from these decades incorporate symbols and schematics drawn from Theosophical prismatic color charts, Chinese astrology and tantric yoga. In 1978, she was the subject of a PBS documentary titled The Circle of Charmion von Wiegand, which was scored by Philip Glass. In 1980, von Wiegand was elected to the American Academy of Arts and Letters and in 1982, the Bass Museum of Art in Miami Beach (FL) organized her first retrospective exhibition. She died the following year in New York, bequeathing her estate to Khyongla Rato and the Tibet Center of New York. In 1998, Michael Rosenfeld Gallery became the sole representative of her estate and has presented her work in four solo and multiple group exhibitions. Recent notable exhibitions that have included her work are The Third Mind: American Artists Contemplate Asia (Solomon R. Guggenheim Museum, New York, NY, 2009) and Constructive Spirit: Abstract Art in South and North America (Newark Museum, NJ, 2010). In March 2023, the Kunstmuseum Basel (Switzerland) opened the first comprehensive museum retrospective of von Wiegand’s work in Europe. Von Wiegand’s work is represented in numerous museum collections including the Addison Gallery of American Art, Phillips Academy (Andover, MA); Albright-Knox Art Gallery (Buffalo, NY); Arithmeum, University of Bonn (Germany); Birmingham Museum of Art (Alabama); Blanton Museum of Art, The University of Texas at Austin; Brooklyn Museum (NY); Carnegie Museum of Art (Pittsburgh, PA); The Cleveland Museum of Art (OH); Indianapolis Museum of Art (IN); Fondazione Marguerite Arp (Locarno, Switzerland); Museum of Fine Arts, Boston (Massachusetts); The Metropolitan Museum of Art (New York, NY); The Museum of Modern Art (New York, NY); Newark Museum of Art (New Jersey); Seattle Art Museum (WA); Smithsonian American Art Museum (Washington, DC); Walker Art Center (Minneapolis, MN); Weatherspoon Art Museum, The University of North Carolina at Greensboro; Wellin Museum of Art at Hamilton College (Clinton, NY); Whitney Museum of American Art (New York, NY); and Yale University Art Gallery (New Haven, CT). More about gallerist Andre Zarre A tribute in the New Criterion: Dispatch August 11, 2020 Andre Zarre, 1942–2020 by Dana Gordon On the late New York gallery pioneer. Art should never be aggressively explained; art should be felt. —Andre Zarre, 1977 Often, in the starlit New York cultural mecca, a longtime important figure fades away through the penumbra and dies without notice. Such was the fate of Andre Zarre, the contemporary art dealer, who passed away a few weeks ago. Andy, as he wanted friends to call him, opened his eponymous gallery in 1974 just off Madison Avenue on Sixty-ninth Street. He soon moved it to the omphalos of the art world in that era, 41 East Fifty-seventh Street, the Fuller Building. Over the years he moved to SoHo and then to Chelsea, as fashion and real estate prices pushed the art souk hither and thither. To understand his importance, all you need do is take a look at a list of artists who had solo shows at the Andre Zarre Gallery. This includes such names, from an early generation, as Sonia Delaunay, Nassos Daphnis, Sari Dienes, and Perle Fine. Among a subsequent generation are Pat Lipsky, Jay Milder, Thornton Willis, and Kes Zapkus.1 And this list does not include the many knowns and unknowns who were in his lively group shows. Zarre had a real “eye” and was a champion of abstract art from the moment he founded his gallery—even among the gathering storms of conceptual and political art, which he eschewed. He showed a good deal of figurative art as well. His galleries were always spacious and unpretentious, oriented simply to show the art. In the words of Dee Shapiro, who showed with the Zarre gallery many times, “He had a photographic memory and knew a lot about art and was always interested in the artist’s life.” Reliable biographical information on Zarre is scarce, but he said of his background that he was born in Poland in 1942 and that his parents were a diplomat and a socialite. He left home for the United States at the age of fifteen. During his decades as an art dealer in New York, Zarre did not appear to accumulate wealth, though he acquired a collection and lived on Park Avenue. “He was not personally aggressive in that way. People had to come to him,” Dee Shapiro said. He was honest in his financial dealings with artists, which not all art dealers are. For a long time while running the gallery he had a second job as a supervisor in an airline office and he kept little to no additional staff in the gallery. He supported a brother who remained in Poland. Among artists, Zarre was known to be quite ornery. After my show at his gallery in 1997, I refused to enter it for seventeen years. Then I ran into him in Chelsea and he offered me another show, an opportunity I gladly accepted, but he remained just as disagreeable. He showed the work of many women, probably more than any other gallery, save those devoted to showing only women. Collectors, curators, and writers found him mostly friendly. As Peter Reginato put it, Zarre was a “strange guy but I liked him. I think he was a dealer who was more interested in the art than in making money, but somehow he lasted forty-plus years.” Zarre is not known to have kept extensive or extant records of his gallery’s long history, though these may emerge in time. Scouring the Internet, one may compile a partial list of more than eighty artists who had solo shows at the Andre Zarre Gallery:Nancy Azara, Ellen Banks, Mary Barnes, Tony Bechara, Juan Bernal, Stephanie Bernheim, Randy Bloom, Elena Borstein, Michael Boyd, Fritz Bultman, Ed Buonagurio, Yoan Capote, Sonia Delaunay, Nassos Daphnis, Cathy Diamond, Sari Dienes, Joseph Dolinsky, Beata Drozd, Ronnie Elliot, William Fares, Perle Fine, Lynne Frehm, Ben Georgia, Mikel Glass, Dana Gordon, Juanita Guccione, Fred Gutzeit, Don Hazlitt, Amy Hill, Clinton Hill, Monroe Hodder, Budd Hopkins, Arlan Huang, Richard Hunt, Rhia Hurt, Buffie Johnson, Alexander Kaletski, Robert Kaupelis...

Zvi Mairovich (1911-1974) was one of the most important Israeli abstract painters. Born in Krosno Poland, he moved to Berlin in 1929, studying painting with Karl Hofer at the Academy...

Donald Stacy "Eve" c.1950s Gouache and oil pastel on paper 14x17" black wood frame 14.75"x17.75" Unsigned, Eve written in paint along right margin Came from artist's estate Donald S...