Gouache Abstract Paintings

Free shipping with code ART2021SHIP through December! Paula Cahill's linear abstract compositions are often comprised of a single, luminous line that meanders, changes color, and sea...

A beautiful and soft feminine gouache painting by French artist Jean Pierre Guiot. With a soft dark color palette of dark green, yellow, red, and blue, this piece exudes an emotional...

"Map Voice #1,2" Gouache on Yupo, 35 x 23 inches each panel, 35 x 46 inches. Yupo is a thin, plastic coated sheet. Abstraction in shades of bright blue, white, green, chartreuse, ...

George Dannatt (1915-2009) Blackstone Ledge No 1 Gouache on paper Image: 9.50 x 12.0 cm Frame: 32.1 x 36.5 cm Provenance: The George and Ann Dannatt Estate, The George Dannat...

George Dannatt (1915-2009) Havannah Purple 1966 Gouache on paper Image: 17.2 x 23.5 cm Frame: 31.1 x 37.1 cm Provenance: The George and Ann Dannatt Estate, The George Dannatt Tru...

Kerry Smith Led Zeppelin - Ramble On (made-to-order) Mixed Media on Crescent board Year: 2018 (first painted) - Made-to-order painting shows the creation year Size: 12x12in Signed, d...

This original vintage 1960 abstract painting by Hilaire Hiler (1898-1966) showcases the artist's structuralist style, created in the mid-20th century while Hiler was based in New Mexico. Signed lower right, this striking piece is painted in soothing tones of pink and blue, capturing the essence of Hiler’s unique modernist approach. The framed dimensions measure 15 ½ x 18 ¾ inches, with the image size measuring 14 x 17 ½ inches. About the Artist: Hilaire Hiler was born in St. Paul, Minnesota, and raised in Providence, Rhode Island, where he began his art education at the Rhode Island School of Design. His artistic journey led him to study at several prestigious institutions, including the Pennsylvania Academy of the Fine Arts, the Pennsylvania School of Industrial Art, Wharton School of Finance and Commerce, and the University of Paris in 1919. In Paris, from 1919-1934, Hiler supported himself as a jazz musician and pianist for The Jockey Club, all while immersing himself in the European art scene. After returning to the U.S. in 1934, Hiler made San Francisco his home, where he was commissioned by the Works Progress Administration (WPA) to paint murals in the Aquatic Park...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. Fiona Debell's "Perilous Rejection" is a compelling abstract m...

This contemporary painting in ink, gouache and pencil on archival paper is composed of solid shapes surrounded by a pattern of delicate lines and dots in dark charcoal gray, olive, ...

Richard Snyder (American, born 1951) Untitled Mixed media painting including charcoal and watercolor Hand signed to lower right Dimensions: 30.0" W x 22.5" H x 0.1" D Richard Snyder is particularly known for his large-scale abstract expressionist paintings exhibiting vibrant colors, often applied in an irregular manner with large gestural brushstrokes. He also was an accomplished sculptor and was amongst the downtown New York art-furniture scene spawned in the 1980s by the Soho gallery ‘Art et Industrie’ founded by Rick Kaufmann. Downtown New York, circa 1977-1980 was a hothouse of creative impulses that flew in the face of restrictions and ran headlong toward riotous expression. Punk, hip-hop, graffiti or neo-expressionism, Kaufmann looked around for new talent that could create a new kind of art furniture. He felt the design of the day was so standardised, and he wanted to give voice to young artists and bring new ideas to market. After receiving a BFA from the School of the Museum of Fine Arts in Boston, Snyder made his career in the fields of art and design, practicing sculpture, painting, furniture design and fabrication, interior design, cabinetmaking, construction and industrial design. Along with extensive experience in a wide variety of materials and processes, Snyder also possesses a wide range of visual and experiential vocabulary acquired in his many travels through the Americas, Africa, the Middle East and Central and Southeast Asia. Snyder considers his objects to be not just about form, function, color, material and process, but rather to be fantasies with spirit, magic and story. During his seventeen years with the Art et Industrie gallery, Snyder participated in five solo shows and more than twenty group shows, which established him as a major player in the American Art Furniture movement. His pieces have appeared in numerous publications and media around the world; and they are included in numerous private collections worldwide as well as in the permanent collection of The Art Institute of Chicago. Snyder guest-lectures at the Rhode Island School of Design in Providence, the New School in New York, and SUNY Purchase. He was included in the seminal Magen H Gallery retrospective of Art et Industrie—a New York Movement. Art et Industrie was the first to exhibit Studio Alchemia, Shiro Takahama, and Ron Arad. The retrospective included artists such as Forrest Myers, Terence Main...

Stephen Harty, Untitled (Bird Abstraction), gouache, 1953. Signed and dated lower left. A fine, meticulously rendered, mid-century, modernist gouache painting, with fresh colors on 1...

Three Freedoms - Worship, Communication and Assembly, February, 1960, mixed media on paper, signed lower right, 28 x 19 3/4 inches, exhibited Portrait of Freedom, Lehigh Art Alliance...

Jack Wolfe Untitled, 1965 Acrylic and collage on board Hand signed on the front Frame included: held in original vintage frame with original gallery label Unique Provenance: Parker Street 470 Gallery, Boston, Mass (with label verso) Excellent abstract expressionist mixed media work. Measurements: Image: 17" x 24" Framed: 24" x 28" x 1" From Wiki: Jack Wolfe (14 January 1924 – 18 November 2007) was a 20th-century American painter most known for his abstract art, portraiture, and political paintings. Jack Wolfe was born in Omaha, Nebraska on January 14, 1924, to Blanche and Everett L. Wolfe. Soon after his birth, his family moved to Brockton, MA. At 18, Wolfe had an interest in commercial illustration, which he pursued at the Rhode Island School of Design (RISD). However, upon matriculating at RISD in 1942, he developed an interest in fine art and painting inspired by an exhibition of modern French art. He described this change of direction, explaining that, "One day, for the first time, I saw an exhibition of modern French art. It was like being struck by lightning." He became particularly interested in the work of a number of European modernists, including Rouault, Cézanne, Braque, Modigliani, and Picasso.[1] Following his time at RISD, he pursued a Master’s in Fine Arts degree at the Museum of Fine Arts School in Boston, MA. At the Museum School, Wolfe studied under the renowned Expressionist Karl Zerbe, a German-born artist who was the Museum School's most influential and vital teacher until 1953.[2] After graduating from the Museum School, Wolfe was represented by the Margaret Brown Gallery in Boston, which also represented many other cutting edge Moderns that defied the more conservative tastes of New England collectors at the time, including György Kepes, Congur Metcalf, and Alexander Calder.[3] Career and Museum Representation Jack Wolfe's painting "Robin's Rock" 1962, 72" x 72" Jack Wolfe's artwork received early recognition from a number of organizations and was consistently featured in influential exhibitions, including the 1955 Carnegie International at the Carnegie Institute in Pittsburgh, PA, the American Federation of Art's traveling exhibition New Talent in the USA in 1956-57, the Whitney Museum’s Young America exhibition in 1957,[4] the Boston Institute of Contemporary Art's Selection exhibition in 1957,[5] and both the Whitney Museum’s 1958 Annual exhibition and its Forty Artists Under Forty show in 1962-63.[6] In 1959, his widely acclaimed Portrait of Abraham Lincoln toured Europe in a show circulated by the Institute of Contemporary Art, Boston. In addition, his painting Crucifixion was chosen by the United States Information Agency to be exhibited across Europe, including being shown at the Salzburg Biennial in Austria in 1958.[7] Crucifixion was also exhibited at the Whitney Museum and subsequently displayed in the National Cathedral in Washington, DC, in 1958.[8] In 1966-67, his work was selected for Art for Embassies by the U.S. State Department.[9] He received the first annual Margaret Brown Memorial Award for high achievement by a New England Artist from the Institute of Contemporary Art, Boston, in 1958.[10] With his future as one of the great artists of his time laid out neatly before him, Wolfe moved to New York in the early 1950s, which was then the postwar epicenter of the art world and in the midst of experiencing the first real revolution in American Art, now known as Abstract Expressionism.[11] However, almost immediately upon his arrival, he became disenfranchised with the overtly commercial nature of the art scene there, spurning fame and security in an unwillingness to bend his creative vision to the expectations of others.[12] After four short months, he left New York, returned to Massachusetts where he bought property in Stoughton, cleared the land, and built both his home and studio with his own two hands. He would go on to live and paint there, extensively exhibiting and garnering constant critical acclaim.[13] Wolfe became one of the earliest artists championed by the deCordova Museum in Lincoln, MA and the Institute of Contemporary Art in Boston. He was awarded a traveling scholarship in 1958,[6] which allowed him to set up studio in San Miguel de Allende, Mexico and then in San Francisco, California.[14] Upon his return in 1959, the deCordova museum hosted Wolfe’s third solo exhibition, featuring work made during his time in California...

Abstracted Landscape Scene Suzanne Vattier, French 1901-1996 gouache painting on artist paper, framed size: 9 x 12 inches Suzanne Vattier (1901-1996) was a pupil of the famous paint...

'Cubist Still Life', gouache on paper, from the Italian School of artists (circa 1940s). Surely this very attractive piece was inspired by Juan Gris (1887-1927) and Georges Braque's ...

Purple Spirals is an abstract geometric gouache artwork by Californian artist Wesley Johnson, tuned into the profound layers of its vibrations. At first glance, the composition reso...

In Tamara Vermunt's paintings, black and white symbolize light and darkness, not just as color concepts but as forces that create form and movement. Using gouache and pastel on black...

This bold contemporary composition by Yvonne Lammerich is an intriguing exploration of colour and form. Origami-like folded shapes inter-connected by fine lines dance across this col...

Cosmic colors swirl together like the Northern Lights in this galactic abstract by Marianne K. Brown (American, 1928-2019). Signed "Marianne K. Brown" in the lower right corner and was acquired with a collection of Brown's work. Title "Evolution Orion Nebula...

Joyce Kozloff Tepoztlan II, 1973 Gouache and colored pencil on paper Signed, dated and titled twice: once on the back of the work (shown) and once on the original board which has bee...

"Balanced Geometry I" is an abstract painting by Spanish artist Natalia Roman. It is a beautiful combination of geometric shapes in a classy gamut of colors. The use of pastel tones on a light pink background makes it perfect for most modern and contemporary homes. Natalia Roman was born in 1984 in Girona...

Edward Avedisian Gouache Watercolor Abstract Painting on Arches paper. (notebook cover not included) Unsigned, (bears name verso in pencil.) Dimensions: 10" X 14" Late 1970s, early ...

"Relaxing at Camarillo" - Abstract Expressionism A man relines in a black hat and a green shape emulating the symbol of infinity, accented in bright canary yellow and gray, by Calif...

Falling Towards Myself is a large-scale multicolored abstract painting with dramatic shades of Kelly green, vibrant cobalt lapis blue, yellow, ochre, peach and pale mint green agains...

'Fish, Dove and Musical Instrument', gouache on paper, from the Italian School of artists (circa 1940s). Surely this very attractive piece was inspired by Georges Braque (1882-1963) ...

Eddy Lee’s figurative surrealist portrait paintings on exposed wood depict emotive sirens who evoke a sense of mystery and seductiveness. His original artworks combine geometric elements with innocent women portraits seeking to trigger emotions, rather than communicating specific explanations. He reconciles the unconscious with rational life, exploring the power of dreams, embracing automatism, and freeing his subjects from the constraints of conscious thought. This colorful, intriguing woman portrait is painted with acrylic and gouache on a hand-built cradled wood panel. This one-of-a-kind original artwork measures 24 inches high by 24 inches wide. It is signed by the artist on the front and back. It is wired and ready to hang. It does not require framing. Free local Los Angeles delivery. Affordable Continental U.S. and worldwide shipping available. A certificate of authenticity issued by the art gallery is included with this unique work. Originally from Seattle, Washington, Eddy Lee relocated to Los Angeles in late 2012 to pursue a full-time career as a fine artist. He started his career on the Venice Beach Boardwalk and quickly gained a large following across the United States with exhibitions in San Francisco, Las Vegas, and Los Angeles. The artist’s work is inspired by the works of Audrey Kawasaki...

Bold Geometric Forms gouache on artist paper, unframed painting: 23 x 16 inches Provenance: private collection, France Condition: very good condition For more any more information ...

1970s abstract expressionist gouache on paper by Belgian artist André Pierard painted in Provence in the south of France. A highly colourful and energetic abstract painting. The st...

THE LONG SUMMER captures the patterned light peering through the blinds on a late Summer's afternoon. This painting is is part of an on-going series th...

In Tamara Vermunt's paintings, black and white symbolize light and darkness, not just as color concepts but as forces that create form and movement. Using gouache and pastel on black...

Unsigned as is usual References: Located at 136, rue du Faubourg Saint-Honoré, the Lizzie Derriey Design Studio was active from 1928-1994. This creative co-operative, which emp...

Paula Cahill's linear abstract compositions are often comprised of a single, luminous line that meanders, changes color, and seamlessly connects back to itself. The work itself measu...

These series of paintings by Natalia Roman gather their inspiration from geometric, minimalist shapes and paintings from the beginning of Modernism, with a special emphasis on Art De...

Vibrant Modernist Landscape Suzanne Vattier, French 1901-1996 signed gouache painting on artist paper, framed size: 8 x 10.75 inches Suzanne Vattier (1901-1996) was a pupil of the ...

Original gouache painting on paper. Hand signed lower front by Yaacov Agam. Image size 20.25 x 18.5 inches. Sheet size 29 x 22.2 inches. Frame size approx 33 x 31 inches. Cert...

Martin Rosenthal "Stained Glass" c. 1960s Gouache on paper 16"x11.25" unframed Unsigned Martin Rosenthal 1899-1974 Artist Martin Rosenthal was born in Woburn, MA. He completed milit...

White, brown, red, and orange lines shape an abstract maze in this signed painting by Paul Showalter. October 10, 1940 - May 24, 2019 Artist, Designer, Painter, Poet, Sculptor Paul Showalter was born in Pasadena, California in 1940. Paul studied art and design at Pasadena City College, and later received a full scholarship to study at the renowned Chouinard Art Institute (now CalArts) and Otis Art Institute (now Otis-Parson) in Los Angeles, majoring in Advertising Design and Illustration. In 1966, Paul Showalter founded the Graphics and Communication Department at the new Los Angeles County Museum of Art, the first major art museum in Los Angeles, setting high standards of museum graphics throughout Southern California. At the 1970 World's Fair in Osaka, Japan, Paul was nominated for Best Animated Short Film for his film titled "The Moon Step." In 1974, Paul founded his own commercial graphic design firm, which specialized in the design of corporate identity programs, exhibition graphics, illustration, and print communications. He also designed floats for the Pasadena Tournament of Roses parade...

“Bright Blooms 4” - Oil, Acrylic, and Ink on Canvas, 36 x 48 inches “Azalea Light” radiates with a lush vibrancy, where soft magenta blooms and golden hues blend effortlessly with t...

Abstract Coastal Composition Suzanne Vattier, French 1901-1996 gouache painting on artist paper, framed size: 7 x 10.5 inches Suzanne Vattier (1901-1996) was a pupil of the famous p...

Abstract geometric painting with a cool toned palette of green, blue, and grey with accents of black and white against a sea foam green colored acrylic wash background "Blue and Grey Green Plan" made by Hudson Valley artists, Donise English, in 2022 Graphite, colored pencil, and acrylic painting on vellum 24 x 18 inches unframed, 31 x 25 x 1.5 with an 8-ply white mat, non-glare plexi, and simple black moulding Signed, verso Excellent condition and ready to hang This abstract geometric painting on vellum was made by Hudson Valley based artist, Donise English, in 2022. The composition begins with a blue green toned background of acrylic wash. A grid of box-like patterns in sky blue, green, grey, and black with white line work are stacked to create an irregular shape or an "imagined city grid", says the artist. The painting on vellum is complemented by a simple black frame with an 8-ply white mat, non-glare plexi, and wire backing. It's in excellent condition and ready to hang. About the artist: Donise English emphasizes lines, grids, and fields of subtle color to evoke imagined places and invented structures. While precise lines and straight angles are often associated with themes in architecture and urban planning designs, English conveys a geometric motif guided by intuition rather than a ruler. Variations on grids retain flaws and unmistakable traces of the artists’ hand; her style of draftsmanship shies away from intellectualism and instead makes her compositions feel very personal. A central checkerboard formation floats over a ground of pastel color or washes of grey or cream. Each design is intensely intricate, incorporating gouache, acrylic, pen, graphite, ink and colored pencil. The artist recently retired from her decades career teaching at Marist College and is now devoted full time to her art making. Artist Statement: My work is about the way visual diagrams present information that describes how something is made or the way it is. I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure. Artist CV: EDUCATION Master of Fine Arts in Painting Bard College 1986 Bachelor of Science in Art History State University College at New Paltz 1977 Additional Study: New York Studio School (Drawing Marathons) Columbia University, School of Architecture Women’s Studio Workshop TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie, NY Coordinator, Interior Design Program, Florence, Italy campus 1992-present AWARDS NYFA Fellowship in Painting 2018 Invitational Award for Outstanding Contemporary Talent, University of Bridgeport, CT 2000 Purchase Prize, “11th National Juried Exhibition” College of Notre Dame of Maryland, Baltimore 1999 First Prize, “Women in the Visual Arts ‘95” Erector Square Gallery, New Haven, CT 1995 Joseph A. Cain Memorial Purchase Award for Sculpture Del Mar College, Corpus Christi, TX 1994 Honorable Mention, “National Juried Exhibition” University of Bridgeport, CT 1993 Individual Artists Fellowship in Sculpture Dutchess Arts Fund 1992/93 Tallix, Morris, Singer Internship in Sculpture Tallix Foundry, Beacon, NY 1990/91 MEMBERSHIP Royal British Society of Sculptors SELECTED JURIED/INVITATIONAL EXHIBITIONS 2020 “edu: Art Faculty of the Hudson Valley”, Hudson Valley MOCA, Peekskill, NY 2019 “Contemporary Abstraction”, Carrie Haddad Gallery, Hudson, NY “Mixed Media”, SITE Gallery, Brooklyn, NY 2018 “JuxtaPositions”, The Painting Center, New York, NY “Peculiar Rarities”, Carrie Haddad Gallery, Hudson, NY 2017 “Interlock: Color and Contrast in Abstraction”, Carrie Haddad Gallery, Hudson, NY “Donise English: Encaustics”, Catskill Art Society, Livingston Manor, NY 2016 “Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD “Under, Over, After Over”, Vassar College, Poughkeepsie, NY 2015 “Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY “Gridspace”, KMOCA, Kingston, NY “Abstraction”, Carrie Haddad Gallery, Hudson, NY “Assuming Identity”, NY Institute of Technology, New York, NY 2013 “Modern Artists”, Carrie Haddad Gallery, Hudson, NY “Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY Stone Canoe/Community Folk Art Center, Syracuse, NY 2012 New York Institute of Technology, New York, NY “Contemporary Painters (Who Just Happen To Be Women)”, Carrie Haddad Gallery, Hudson, NY “Strange Glue: Collage at 100”, Cambridge School, Weston, MA “Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY “Fresher Paint”, Rockland Center for the Arts, Nyack, NY Courthouse Gallery, Lake George Arts Project, Lake George, NY 2011 “Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”,Orange County Community College, Newburgh, NY “Gender Matters/Matters of Gender”, Freedman Gallery, Albright College, Reading, PA 2010 Carrie Haddad Gallery, Hudson, NY “Encaustics: Wax and Image”, Westchester Community College, White Plains, NY “Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY “Spring Awakening”, NY Institute of Technology, New York, NY “Clay City Dreams”, NY Institute of Technology, New York, NY “Texture,Pattern, Fragment”, Krause Gallery, Moses Brown School, Providence, RI 2009 “Collage”, NY Institute of Technology, New York, NY “Working in Wax”, Bedford Gallery, Walnut Creek, CA “Encaustic 2009”, College of New Rochelle, NY “Three Artists”, Carrie Haddad Gallery, Hudson, NY “Convergence: The Human Experience”,Howard County Center for the Arts, MD 2008 “Suckers and Biters: Love, Lollipops, and Exquisite Corpse” Chashama Gallery, New York, NY Carrie Haddad Gallery, Hudson NY 2007 “Patterns and Light”, Blue Hill Gallery, Blue Hill, ME “Suckers and Biters”, AG Gallery, Brooklyn, NY 2006 “100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY “On/Of Paper”,Kirkland Art Center, Clinton, NY “The Love Show”, Manchester Community College, Manchester, CT 2005 The Soap Factory, Minneapolis, MN “Small Tales”, Valdosta State University, Georgia National Juried Exhibition,Art Institute and Gallery Salisbury, MD, Juror: Stephen Haller “Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY 2004 “Women in the Middle: Borders, Barriers, Intersections” University of Wisconsin-Milwaukee “Girl Art Now”,Hera Gallery, Wakefield, RI 3 Person Exhibition, Monterey Peninsula College, Monterey, CA “The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery Poughkeepsie, NY 2003 “Beefcake/Cheesecake”,Orange County Center for Contemporary Art, Santa Ana, CA,Juror: Jamie Wilson, Curator Halpert Bienniel, Appalachian State University, Boone, NC Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY 2002 “Cat Calls”, Red Clay Arts, Brooklyn “Hudson Valley Regional”, SUNY New Paltz Juror: Sydney Jenkins, Director, Ramapo College Art Galleries 2001 One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago One-Person Exhibition, Garrison Art Center, Garrison, NY 2000 “Vision 2000...

'Composition with Circles II', gouache on art paper, by James Pichette. A dynamic, lively abstract composition by an artist known for such stunning, viv...

"Micro Mini Token I" (2018) by Catherine Hart Acrylic and gouache on canvas; abstract miniature painting, pastels and bold saturated palette Framing available COA included

'Untitled' abstract composition, mixed media on soft board, Japanese ink, oil, pencil and gouache by Erez Yardeni (2018). Beautifully balanced, stunningly...

Blue Mother Drawing #2, by Jeanette Fintz in 2020 22 x 30 inches watercolor, gouache on Fabriano paper Signed lower right corner Framed: 32 x 39.5 inches, custom white frame, 8 ply w...

Kerry Smith Michael Jackson - Off The Wall Mixed Media on Crescent board Year: 2022 Size: 21x20in Signed, dated by hand COA provided Ref.: 924802-1645 *B...

"Micro Mini Token II" (2018) by Catherine Hart Acrylic and gouache on canvas; abstract miniature painting, pastels and bold saturated palette Framing available COA included

"Abstract Design" signed by Arlette Martin (French, b.1924) dated 76' gouache/watercolour painting on card, unframed painting: 19 x 20 inches Stunning original painting by the pop...

From the estate of Jerry Opper & Ruth Friedmann Opper Yellow Cubist FIgure c. 1940-1950's Gouache 15" x 18", silver wood frame 16"x19" Unsigned This striking gouache painting featur...

By the swedish painter Bengt Lindstrom, an abstract gouache painting on canvas from the sixties. It is signed and it is certified by the Lindstrom Committee. Framed Bengt Lindström commence sa formation artistique en fréquentant l'académie de Stockholm (1944-1945) et l'école de peinture d'Isaac Grünewald (en). Il dessine ensuite chez Aksel Jorgensen...

Still Life, ca. 1950's. Tempera on paper. Image measures 14 x 17 inches. Black paper sheet measures 18 x 24 inches. Unframed. Signed lower left. Discreet tears in upper right corn...

Jules Olitski Play of Angels, 2000 Watercolor and gouache on all-rag paper Signed and dated 2000 by the artist on the front Frame included (elegantly floated and framed in light wood...

This vibrant gouache captures the lush and serene essence of the Botanical Garden of Orleans. The artist has masterfully transcribed the natural beauty of this place, playing with sh...

Thelma Corbin Moody Blue Mountains c. 1960's Gouache on Arches Paper 19 1/4" x 24 3/4", Unframed Unsigned Lovely, mid century gouache painting, b...

Donald Stacy "Sitting in Chair" c.1950s Gouache and oil pastel on paper 24" x 18" unframed Came from artist's estate *Custom framing available for additio...

Circa 1970 – Abstract Geometric Composition with Dome-Like Silhouettes Date: Circa 1970 Medium: Gouache on cardboard Dimensions: H 64 cm x W 49 cm approx. Description: This abstract...

Juanita Guccione (1904 - 1999) Study for Ladders, 1948 Gouache on paper 17 x 13 inches Signed lower left, dated, and inscribed “Study for Oil Painting...

This contemporary painting in ink, gouache and pencil on archival paper is composed of solid shapes surrounded by a pattern of delicate lines and dots in bright blue, luminous yellow...

Signed lower left, 'Inman' for Robert Inman (American, 1927–2016) and dated, beneath the mat, 1981. Matted dimensions: 20 x 30 inches. Robert Inman first...

CRIMSON CONVERSATION Size: 51 x 64 cm (including frame) Oil and gouache on board A bold and expressive mid-century modernist figurative composition, painted in oil and gouache onto ...

A painting by Alexander Calder. "The Forest" is a Post-War abstract painting, gouache and ink on paper in bold colors of reds, blacks, yellows, and blues by artist Alexander Calder. The artwork is signed lower right, "Calder 72...

A painting by Alexander Calder. "Zigzag Sun and Crags" is a Post-War abstract painting, gouache and ink on paper in bold colors of reds, blacks, and blues by artist Alexander Calder. The artwork is signed lower right, "Calder 72...

"Abstract Design" by Arlette Martin (French, b.1924) gouache/watercolour painting on card, unframed painting: 19.5 x 12.75 inches Stunning original painting by the popular Fr...

Vibrant Abstract Landscape Suzanne Vattier, French 1901-1996 gouache painting on artist paper, framed size: 7 x 10.5 inches Suzanne Vattier (1901-1996) was a pupil of the famous pai...

SONIA DELAUNAY 1885-1979 Hradzyk, Ukraine 1885- 1979 Paris, France (Ukrainian /French) Title: Study for a Plate, 1969 Technique: Signed Gouache and Pencil Drawing on Wove Paper Pa...

"Abstract Design" signed by Arlette Martin (French, b.1924) dated 86' gouache/watercolour painting on card, unframed painting: 15.75 x 20 inches Stunning original painting by the ...

Artist/ School: Jill Jackson (British, contemporary) Title: Modern Floral Still Life Medium: gouache on artist paper, unframed Painting : 18 x 12.5 inches Provenance: all the p...

Abstract Gouache on Paper by Minnesota/Chicago artist Richard Koppe (1916-1073). Simply titled “Woman,” the work is an excellent composition by the artist created 1941. The painting ...