Gouache Abstract Paintings

'Abstract Figure' Suzanne Vattier, French 1901-1996 gouache painting on artist paper, framed size: 19.75 x 25.75 inches Fabulous 1970s abstract goauche painting. The colours used in...

Genichiro Inokuma, Japanese (1902 - 1993) - Subterranean III, Year: 1970, Medium: Graphite, gouache and collage on board, signed and dated lower le...

Time Travel Black & Gold Glyphs I by Cheryl R. Riley Metallic abstract geometric symbols Gouache and metallic ink on 140# cold press watercolor paper Feminist Art and Contemporary F...

Ellen Hackl Fagan creates works of art focused on building a visual language. Molecules of Music is a large acrylic painting based on crowd sourced input of viewers pairing sounds from the Do Re Mi musical scale to colors. 260 people submitted their opinions on color to sound matches. Language is a recurring theme in Fagan's work, ranging from interactive, ColorSoundGrammar works to painting, sculpture, lost languages...

Joachim Czichon Untitled Gestural Abstract Composition Medium: Gouache Year: 1984 Signed and dated by hand Edition: Unique Size: 16.4 × 11.5 inches C...

"Mini Token" (2018) by Catherine Hart Acrylic, gouache, and graphite on wood panel; pink and purple palette with text Framing available COA included

Throughout her career as a painter Patty Fabricant has pivoted back and forth between figurative and abstract work. Each time she makes the switch it feels abrupt, and yet increasing...

Artist: Claude Lagouche (French 1943-2020) Claude Lagouche was born January 2, 1943 in Naves, died January 16, 2020. He quickly gained recognition for his talent and his work, exh...

"Abstract Nude" by Roger Herson (French 1922-2008) signed lower right hand-side, gouache and crayon on card, unframed painting: 19.5 x 15.5 inches Superb original abstract painting...

Futurist Abstract Figure by Louis Bellon (French 1908-1998) Signed lower right gouache painting on paper, unframed measurements: 12 x 6 inches (overall sheet measures 15.5 x 11.25 inches) provenance: private collection of the artists work, Provence, France Condition report: very good, colour strong, clean throughout, minor rippling, shallow creasing around corners and edges of sheet, image clean Vibrant French futurist...

James Balla Untitled gouache painting, 1992 Mixed Media Oil on Linen Signed and dated on the front of the work; the verso of the frame bears the UFO (Albert Merola) gallery label. F...

Work on paper White wooden frame with glass pane 43 x 53 x 1,5 cm

Provence Abstract by Louis Bellon (French 1908-1998) Initialled lower right gouache painting on paper, unframed measurements: 9.5 x 14 inches (overall sheet measures 12.5 x 17.5 inc...

Kerry Smith Etta James - At Last Mixed Media on Conservation Glass Year: 2018 Size: 12x12in Signed, dated by hand COA provided Ref.: 923423 *Black frame with a mirror-gloss finish a...

Abstract drawing on paper in light sky blue, black and white with custom light wood frame 'Blue Twisting Grid' by Donise English 30 x 22 inches unframed, 37 x 29 inches custom frame ...

David Ambrose’s fascination with paper began as a child as when convalescing from major surgery on his right leg at the age of seven. Paper became the playground for his imagination ...

A fine mid century abstract expressionist painting in gouache of flowers through a paned window by Argentinian artist Leopoldo Presas (1915-2009). Presas was born in Buenos Aires, Ar...

John Selburg was born and raised in Peoria, Illinois. He holds a BFA in Drawing, Sculpture, and Graphic Design from Bradley University (2006), and an MFA from the University of Misso...

'Abstract Figure' Suzanne Vattier, French 1901-1996 signed and dated on back 1971 gouache painting on artist paper, framed size: 13 x 19.5 inches Fabulous 1970s abstract goauche pai...

'Abstract Figure' Suzanne Vattier, French 1901-1996 dated 1973 gouache painting on artist paper, framed size: 15 x 22 inches Fabulous 1970s abstract goauche painting. The colours u...

Kerry Smith Jimi Hendrix - Band Of Gypsys Mixed Media on Crescent board Year: 2022 Size: 21x20in Signed, dated by hand COA provided Ref.: 924802-1640 *Black frame with a mirror-glos...

Artist: Claude Lagouche (French 1943-2020) Claude Lagouche was born January 2, 1943 in Naves, died January 16, 2020. He quickly gained recognition...

Black & Gold Glyphs III by Cheryl R. Riley Metallic abstract geometric symbols Gouache and metallic ink on 140# cold press watercolor paper Feminist Art and Contemporary Feminist / ...

Signed and dated in graphite pencil at the bottom right , annotated in graphite pencil on the reverse side Renaud Allirand (Gouache) 2020. Blues, white and black make for a unique ...

Kerry Smith Iron & Wine - The Shepherds Dog Mixed Media on Conservation Glass Year: 2017 Size: 21x20in Signed, dated by hand COA provided Ref.: 92-1661 *Black frame with a mirror-gl...

Signed lower right, 'Jasper Jackson' (American, 20th century) and painted circa 1975. Titled, verso, 'Opus 8'. A substantial and period, American mid-century abstract showing areas ...

Signed lower right, "Gilberg" for Robert Gilberg (American, 1911-1970) and dated 1954. A substantial, mid-century gouache abstract comprising pendant geometric forms in pastel tone...

"Abstract Composition" by Arlette Martin (French, b.1924) signed lower corner gouache painting mounted on card, unframed mount: 6 x 7.5 inches painting: 2.75 x 4.5 inches Stunning ...

"Abstract Design" by Arlette Martin (French, b.1924) atelier stamped gouache/watercolour painting on card, unframed painting: 8 x 6 inches Stunning original painting by th...

Kerry Smith The Doors - L.A. Woman Mixed Media on Crescent board Year: 2021 Size: 21x20in Signed, dated by hand COA provided Ref.: 924802-1642 *Black frame with a mirror-gloss finis...

Gouache and graphite on handmade paper. 14 x 11 inches unframed, 18.25 x 15.25 inches framed. Artist Statement: “As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters. I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate Snow

"Mother & Child" by Carlos Carnero (Uruguay/ French 1922-1980) signed verso watercolour/ gouache paint on artist paper, stuck on board 25.5 x 20 inches...

Kerry Smith The Smiths - Meat Is Murder Mixed Media on Conservation Glass Year: 2017 Size: 12x12in Signed, dated by hand COA provided Ref.: 92-1651 *Black frame with a mirror-gloss ...

Kerry Smith Circle Jerks - Group Sex Mixed Media on Crescent board Year: 2021 Size: 12x12in Signed, dated by hand COA provided Ref.: 924802-1612 *Black fram...

Kerry Smith Patti Smith - Horses Mixed Media on Crescent board Year: 2022 Size: 21x20in Signed, dated by hand COA provided Ref.: 924802-1646 *Black frame with a mirror-gloss finish ...

Kerry Smith AC/DC - Hells Bells (Record Label, Ticket Stubs, Setlists, Contemporary Pop Art, Music-based, Grammy) Mixed Media on Crescent board Year: 2018 Size: 12x12in Signed, dated...

Russell Shoemaker Title: Untitled Year: 2018 Medium: Gouache on Yupo Paper Size: 12 x 9 inches Signed, dated and inscribed by the artist Russell Shoemaker received his BFA from the ...

'Abstract Figure' Suzanne Vattier, French 1901-1996 gouache painting on artist paper, framed size: 20 x 13 inches Fabulous 1970s abstract goauche painting. The colours used in this ...

'Abstract Figure' Suzanne Vattier, French 1901-1996 signed gouache painting on artist paper, framed size: 19.75 x 25.75 inches Fabulous 1970s abstract goauche painting. The colours...

Artist/ School: by Claude Lagouche (French 1943-2020), see provenance details below. Claude Lagouche was born January 2, 1943 in Naves, died January ...

Kerry Smith Ella Fitzgerald Sings Duke Ellington Mixed Media on Crescent board Year: 2022 Size: 21x20in Signed, dated by hand COA provided Ref.: 924802-1636 *Black frame with a mirr...

"Abstract Composition" by Roger Herson (French 1922-2008) signed lower right hand-side, gouache painting on thin card, unframed painting: 20 x 14 inches Superb original abstract painting by the very well listed French abstract and surrealist artist, Roger Herson (1922-2008). The painting has excellent provenance, having come from the artists estate in northern France. Roger Herson (1922-2008) was a French abstract, cubist and surrealist painter from Rouen, France. Influenced by Picasso, Braque and Léger, he infuses the canvas with a frenzied and tonic movement, a rigorous construction and a personal graphic power. Painter of woman, desire and fantasies, Herson draws his inspiration from the verve and surrealist movement inspired by Georgio de Chirico...

"Abstract Figures" by Roger Herson (French 1922-2008) signed lower left hand-side, gouache painting on card, unframed painting: 16 x 23.5 inches Superb original abstract painting by the very well listed French abstract and surrealist artist, Roger Herson (1922-2008). The painting has excellent provenance, having come from the artists estate in northern France. Roger Herson (1922-2008) was a French abstract, cubist and surrealist painter from Rouen, France. Influenced by Picasso, Braque and Léger, he infuses the canvas with a frenzied and tonic movement, a rigorous construction and a personal graphic power. Painter of woman, desire and fantasies, Herson draws his inspiration from the verve and surrealist movement inspired by Georgio de Chirico...

Robert Gamblin’s intent as an artist is to reach for transcendence through his color-centric oil paintings that capture the majesty of light as it graces the Earth. In this series, o...

Kerry Smith The Stooges - The Stooges Mixed Media on Crescent board Year: 2017 Size: 21x20in Signed, dated by hand COA provided Ref.: 92-1671 *Black frame with a mirror-gloss finish...

Claudia Busching Title: Untitled Gestural Abstraction Year: 1994 Medium: Gouache Monogrammed by hand Size: 23.8 × 19.5 inches COA provided

Kerry Smith Black Flag - Who’s Got The 10 1/2? Mixed Media on Crescent board Year: 2020 Size: 21x20in Signed, dated by hand COA provided Ref.: 924802-1638 *Black frame with a mirror...

Work on paper White wooden frame with glass pane 44,5 x 52,7 x 1,5 cm

Untitled 1957 Gouache 9.25 x 8.5 inches Framed: 17 x 16 inches

Kerry Smith Led Zeppelin - Houses Of The Holy Mixed Media on Crescent board Year: 2018 Size: 21x20in Signed, dated by hand COA provided Ref.: 924802-1632 *Black frame with a mirror-...

Zvi Mairovich (1911-1974) was one of the most important Israeli abstract painters. Born in Krosno Poland, he moved to Berlin in 1929, studying painting with Karl Hofer at the Academy...

This Modern Abstract Expressionist painting by Stanley Bate is made with gouache on paper. It features a muted palette and large, textured brush strokes. The painting itself is 13" x 22" and it measures 21.25" x 29.25" x 1" framed. It is signed by the artist in the lower right-hand corner of the painting, and is framed in a black frame with an acid-free mat. Wired and ready to hang. Stanley Bate was born on March 26, 1903 in Nashville, Tennessee. The Bates were an established Tennessee family, in fact, Henry’s brother William Bate was the governor of Tennessee from 1883-1887 and a United States Senator from 1887-1905. Stanley studied art at the Watkins Institute in Nashville. In the 1920’s Bate moved to New York City to study at the Art Students League under Frederick Bridgman. He soon landed a job with Encyclopedia Britannica, and from 1927-1929 served as art editor. From 1929 until his death in 1972, Stanley was a self-employed artist. He taught art classes at both the Art Students League and the Albany Institute of History and Art and brought in extra income by making illustrations for magazines such as “Outdoor Life” and “Popular Science”. On January 27, 1934 Stanley married Emilie Rossel. Emilie had emigrated from Switzerland to New York in 1923. She found work as a governess to Alfred Vanderbilt and later as an executive secretary for Wall Street investment brokers Kahn, Loeb and Co. Emilie met Stanley in New York in the early 1930’s when she attended one of his art exhibitions with a friend. The couple, who had no children, lived on 34th Street in Manhattan. During this period, Bate was producing and exhibiting his art and joined several artists groups. Stanley and Emilie became part of the New York art scene, dining weekly at the Society of Illustrators Clubhouse. Stanley Bate’s time in New York was pivotal in the formation of his painting style. He lived in New York during the inception of one of the most important Modern Art movements, one that helped New York replace Paris as the center of avant-garde art. This movement, which was called the New York School of artists, was later known as Abstract Expressionism. It was comprised of a loosely associated group of vanguard artists working in New York City during the 1940s and 1950s. The New York School was not defined by a specific style, but instead reflected a fusion of European Modernism and American social relevancy that was depicted in many individual styles. Influences of Surrealism, Cubism, and Modernism can be found in their work, along with an interest in experimenting with non-traditional materials and methods. American art was in the forefront of international avant-garde for the first time. Stanley Bate was undoubtedly exposed to the varied styles and techniques that were emerging during the formative years of the New York School. Mark Rothko and Robert Motherwell were formulating their versions of color field paintings. Joseph Cornell was experimenting with assemblages, collage and the use of different types of textured paints. Jackson Pollock was adhering objects such as buttons and coins into his early works, while Louise Nevelson was using found objects. Helen Frankenthaler added sand to her early paintings. The New York School artists were undermining traditional fine art by using mixed media and non-traditional methods. Stanley Bate absorbed these varied influences and soon his early realistic landscapes and still-lifes were replaced with something entirely new. The influence of Cubism, notably the flat shallow space of the picture plane, is obvious in many of Bate’s paintings. Surrealism is evident in Bate’s use of subjects from myth, primitive art and antiquity, along with the Automatism-like line work in his more linear images. The unfettered experimentation of the New York School is everywhere in Stanley Bate’s work. We see nods to color field, collage, the mixing of textures into paint, mixed media, the inclusion of found objects and thick, luscious impasto. Bate was prolific and experimented in various media including oil, watercolor, lithography, silk screen, wood cut, drawing, collage, ceramics and sculpture. Bate is considered a true Modernist. His work is largely abstract, but sometimes figures and buildings are discernable. He frequently mixed paint, sand and glue together to achieve a textured surface, and then scraped and scratched through this layer to expose some of the underpainting below. His sculpture, which is often whimsical, also reflects the non-traditional methods of the New York School. Bate pioneered the use of enamel and copper in his work. The sculptures are not carved or modeled as was done in the past, but instead are built using mixed media and new materials. In addition to the New York School influence, many of Bate’s works exhibit a strong connection to the Spanish school, especially the work of Antonio Tapies and Modesto Cuixart. These artists were both part of an avant-garde group known as Art Informel, the Spanish equivalent of Abstract Expressionism. These artists likewise worked in mixed media and introduced objects and texture into their work. Many of Bate’s subjects and titles relate to Spanish locations and words. It is likely that Stanley spent time in Spain and found inspiration there. By the early 1940s, Stanley and Emilie had started spending weekends in a barn they purchased in Craryville, New York, a few hours north of Manhattan. The barn had no electricity or plumbing, but when the Bates eventually decided to leave New York and live full time in Craryville, they remodeled the barn, putting a gallery downstairs and a studio and living quarters upstairs. Although the Bates moved out of New York City, Stanley remained part of the New York art scene, exhibiting in New York and elsewhere throughout the 50s and 60s. During his lifetime he was represented by the New York galleries Knoedler and Company, Kennedy Galleries, Rose Fried Gallery and Key Gallery, along with Tyringham Gallery located in Tyringham, Massachusetts. Craryville was Stanley’s home until his death on August 21, 1972. Emilie died 1984...

Kerry Smith The Dead Boys - Young, Loud And Snotty Mixed Media on Crescent board Year: 2021 Size: 12x12in Signed, dated by hand COA provided Ref.: 924802-1627 *Black frame with a mi...

David Ambrose’s fascination with paper began as a child as when convalescing from major surgery on his right leg at the age of seven. Paper became the playground for his imagination ...

Suprematist composition. 1919, paper/gouache 21,5 x 28,5 cm Gustav Klucis (1895-1938) Latvian painter, sculptor, graphic artist, designer and teacher, ...

These new small-scale paintings were created using gouache on handmade paper. Alexandra Rutsch Brock then “drew” with a sewing machine using various colored threads. Using the thread as a painted line, playing with the marks and motifs the machine allows that creates contrast in both surface and color. They are sewn directly with no preliminary sketches, just instinctive gesture, sometimes in a similar color to enhance a texture, other times contrasting as a new element. The entangled threads that dangle down emphasize the materiality. Working so closely to the surface, she is aware of the senses of seeing, breathing, touching and feeling……………escaping into these new surfaces. Alexandra Rutsch Brock has exhibited in solo and group shows most recently at The Keck School at USC, CA, The Painting Center, NY, Village West Gallery, NJ and Misericordia University, PA. Her work has been featured in Studio Visit Magazine SV Vol44. Her recent co-curations include “HyperAccumulators” with Elizabeth Saperstein at Pelham Art Center, NY and “Among Friends” project with artists Patricia Fabricant and Beth Dary...

Kerry Smith Bing Crosby - White Christmas Mixed Media on Crescent board Year: 2018 Size: 12x12in Signed, dated by hand COA provided Ref.: 924802-1616 ...

Early work was impressionistic and hard abstract. Carola later developed a more mature way of working in a colourful exploration of the subject. Colour was her main interest and she...

Tertiaries Colour Exercise Gouache 20 x 25 cm Provenance: The family of A. E. Halliwell This vibrant abstract composition explores the harmony of tertiary colours through interwov...

Kerry Smith Ray Charles in Person Mixed Media on Crescent board Year: 2016 Size: 21x20in Signed, dated by hand COA provided Ref.: 91-0191 *Black frame with a mirror-gloss finish ava...