Gouache Abstract Paintings

A Case of the Blues - Abstract Expressionism An abstract expressionist painting in vibrant hues of blue swimming in multiple layers and colors, creating a work that is defined by d...

"Micro Mini Token II" (2018) by Catherine Hart Acrylic and gouache on canvas; abstract miniature painting, pastels and bold saturated palette Framing available COA included

Matthias Kohlmann Untitled Gestural Abstract Composition Medium: Gouache Year: 1991 Signed and dated by hand Edition: Unique Size: 13.7 × 9.9 inches COA provided Matthias Kohlmann (...

"Abstract Design" signed by Arlette Martin (French, b.1924) dated 86' gouache/watercolour painting on card, unframed painting: 15.75 x 20 inches Stunning original painting by the ...

This Modern Abstract Expressionist painting by Stanley Bate is made with gouache on paper. It features a muted palette and large, textured brush strokes. The painting itself is 13" x 22" and it measures 21.25" x 29.25" x 1" framed. It is signed by the artist in the lower right-hand corner of the painting, and is framed in a black frame with an acid-free mat. Wired and ready to hang. Stanley Bate was born on March 26, 1903 in Nashville, Tennessee. The Bates were an established Tennessee family, in fact, Henry’s brother William Bate was the governor of Tennessee from 1883-1887 and a United States Senator from 1887-1905. Stanley studied art at the Watkins Institute in Nashville. In the 1920’s Bate moved to New York City to study at the Art Students League under Frederick Bridgman. He soon landed a job with Encyclopedia Britannica, and from 1927-1929 served as art editor. From 1929 until his death in 1972, Stanley was a self-employed artist. He taught art classes at both the Art Students League and the Albany Institute of History and Art and brought in extra income by making illustrations for magazines such as “Outdoor Life” and “Popular Science”. On January 27, 1934 Stanley married Emilie Rossel. Emilie had emigrated from Switzerland to New York in 1923. She found work as a governess to Alfred Vanderbilt and later as an executive secretary for Wall Street investment brokers Kahn, Loeb and Co. Emilie met Stanley in New York in the early 1930’s when she attended one of his art exhibitions with a friend. The couple, who had no children, lived on 34th Street in Manhattan. During this period, Bate was producing and exhibiting his art and joined several artists groups. Stanley and Emilie became part of the New York art scene, dining weekly at the Society of Illustrators Clubhouse. Stanley Bate’s time in New York was pivotal in the formation of his painting style. He lived in New York during the inception of one of the most important Modern Art movements, one that helped New York replace Paris as the center of avant-garde art. This movement, which was called the New York School of artists, was later known as Abstract Expressionism. It was comprised of a loosely associated group of vanguard artists working in New York City during the 1940s and 1950s. The New York School was not defined by a specific style, but instead reflected a fusion of European Modernism and American social relevancy that was depicted in many individual styles. Influences of Surrealism, Cubism, and Modernism can be found in their work, along with an interest in experimenting with non-traditional materials and methods. American art was in the forefront of international avant-garde for the first time. Stanley Bate was undoubtedly exposed to the varied styles and techniques that were emerging during the formative years of the New York School. Mark Rothko and Robert Motherwell were formulating their versions of color field paintings. Joseph Cornell was experimenting with assemblages, collage and the use of different types of textured paints. Jackson Pollock was adhering objects such as buttons and coins into his early works, while Louise Nevelson was using found objects. Helen Frankenthaler added sand to her early paintings. The New York School artists were undermining traditional fine art by using mixed media and non-traditional methods. Stanley Bate absorbed these varied influences and soon his early realistic landscapes and still-lifes were replaced with something entirely new. The influence of Cubism, notably the flat shallow space of the picture plane, is obvious in many of Bate’s paintings. Surrealism is evident in Bate’s use of subjects from myth, primitive art and antiquity, along with the Automatism-like line work in his more linear images. The unfettered experimentation of the New York School is everywhere in Stanley Bate’s work. We see nods to color field, collage, the mixing of textures into paint, mixed media, the inclusion of found objects and thick, luscious impasto. Bate was prolific and experimented in various media including oil, watercolor, lithography, silk screen, wood cut, drawing, collage, ceramics and sculpture. Bate is considered a true Modernist. His work is largely abstract, but sometimes figures and buildings are discernable. He frequently mixed paint, sand and glue together to achieve a textured surface, and then scraped and scratched through this layer to expose some of the underpainting below. His sculpture, which is often whimsical, also reflects the non-traditional methods of the New York School. Bate pioneered the use of enamel and copper in his work. The sculptures are not carved or modeled as was done in the past, but instead are built using mixed media and new materials. In addition to the New York School influence, many of Bate’s works exhibit a strong connection to the Spanish school, especially the work of Antonio Tapies and Modesto Cuixart. These artists were both part of an avant-garde group known as Art Informel, the Spanish equivalent of Abstract Expressionism. These artists likewise worked in mixed media and introduced objects and texture into their work. Many of Bate’s subjects and titles relate to Spanish locations and words. It is likely that Stanley spent time in Spain and found inspiration there. By the early 1940s, Stanley and Emilie had started spending weekends in a barn they purchased in Craryville, New York, a few hours north of Manhattan. The barn had no electricity or plumbing, but when the Bates eventually decided to leave New York and live full time in Craryville, they remodeled the barn, putting a gallery downstairs and a studio and living quarters upstairs. Although the Bates moved out of New York City, Stanley remained part of the New York art scene, exhibiting in New York and elsewhere throughout the 50s and 60s. During his lifetime he was represented by the New York galleries Knoedler and Company, Kennedy Galleries, Rose Fried Gallery and Key Gallery, along with Tyringham Gallery located in Tyringham, Massachusetts. Craryville was Stanley’s home until his death on August 21, 1972. Emilie died 1984...

Wonderful painting by Washington DC artist Jeanne Cosimano. Painting is titled "Tuesday" and dated 2021. Artist is known for her dynamic compositions and ski...

An illustrator for Time, Life, Look, True, True West, Saturday Evening Post, Good Housekeeping, Readers Digest, and others, he also painted for adverti...

Gloria Dudfield Red Landing 1960s Oil Pastel and Gouache on Paper 26.5"x36" Good Condition - Wear consistent with age and history. Small areas of foxing. Edges have tears, paper sho...

Almo wonders about his identity, the countries he has lived in, his daily routine and how he creates himself. An outsider who has made the world his home, skin, and citizenship, and ...

Original oil paint on heavy archival paper abstract by the American artist, Martin Rosenthal. Bold, vibrant colors. Signed lower right by the artist and dated 1965. Condition is goo...

Kerry Smith Radiohead - Amnesiac Mixed Media on Crescent board Year: 2022 Size: 21x20in Signed, dated by hand COA provided Ref.: 924802-1641 *Black frame with a mirror-gloss finish ...

1.20 (Ref 09) (Abstract Expressionism painting) Gouache on paper - Unframed Jill Moser is an American abstract artist whose work explores the intersection of “painting, writing and...

Abstract Composition by Sally Vaughan (contemporary) gouache painting on card stuck on green card painting: 25.5 x 20.5 inches card: 24 x 19 inches condition: very good provenance:...

"Mother & Child" by Carlos Carnero (Uruguay/ French 1922-1980) signed verso watercolour/ gouache paint on artist paper, stuck on board 25.5 x 20 inches...

"Architectural Delusion 3" Gouache on paper Measures: 68 x 53 cm, frame included (Signed on the back). Bauhaus style and geometric abstraction style. Geometric shapes in blue, gr...

Artist/ School: by Claude Lagouche (French 1943-2020), see provenance details below. Claude Lagouche was born January 2, 1943 in Naves, died January 16, 2020. He quickly gained reco...

ETIENNE BEOTHY 1897-1961 Heves, Hungary 1897 - 1961 Paris (Hungarian/French) Title: Composition on Violet Background, 1927 Technique: Original Hand Signed and Dated Gouache Paintin...

Serene 'River Pastel ' created with pastel on gessoed watercolor paper with gouache, and framed under Museum Plexiglass in warm silver, is created by American Artist Gail Chase Bien,...

In the artist's Art on Design print series, Forget the Destination, 2023 by a.muse is a one-of-a-kind work on paper. The art is a visual poem on wanderlust, inviting viewers to embra...

Almo wonders about his identity, the countries he has lived in, his daily routine and how he creates himself. An outsider who has made the world his home, skin, and citizenship, and ...

Abstract Expressionist design. Sealed on the back with the design studio name and number . Ilegible signature We offer a small number of these original illustration designs by this ...

Abstract Expressionist design. Sealed on the back with the design studio name and number . Ilegible signature We offer a small number of these original illustration designs by this ...

Ceri Richards Lyre Bird (Design for the cover of Poetry London), 1943 Ink, gouache and pastel on paper Bears original Jonathan Clark & Co. label on the back of the frame Unique Frame...

Abstract Deconstructionist watercolor painting of a rural landscape with a cool grey blue palette and earth tones "Mindscape 10", painted by Susan Hope Fogel in 2020 22 x 30 inches ...

My 80's Heart "Token 9" 2019, gouache, acrylic, graphite, panel, blue, orange, yellow

Black and White Abstract by Helen Greenfield (British 20th century) signed initials gouache painting on thin board, unframed board: 15.5 x 32 inches condition: overall very good pr...

Paradiso I (Abstract painting) Acrylic and Gouache on canvas - unframed Artwork is exclusive to IdeelArt. Daniela Marin stands as a pioneering figure in the realm of South American...

Artist/ School: Jill Jackson (British, contemporary) Title: Vibrant Abstract Landscape with Trees Medium: gouache on artist paper, unframed Painting : 20 x 15 inches Provenance:...

Almo wonders about his identity, the countries he has lived in, his daily routine and how he creates himself. An outsider who has made the world his home, skin, and citizenship, and ...

1960s Abstract Expressionist composition in blue. The painting is signed bottom right, 'Cowans' but as yet undeciphered. Presented in a fine gilt wood frame, with a silk fabric mount...

This abstract painting by Christine Averill-Green is a beautiful combination of layers of green, blue, and purple. The long, organic stripes that make up this contemporary piece are reminiscent of vines, and the metallic paint used in the piece makes the piece reflect differently in changing light. It is wired and ready to hang. Averill-Green has been exhibiting her artwork in galleries and museums in Upstate New York for over 40 years. She received her B.A. in Art and an M.S. in Art Education. Artists such as Richard Diebenkorn, Euan Eglow, Antonio Lopez Garcia, and her teachers Catherine Kehoe...

A beautiful c.1950 French abstract gouache on canvas depicting a desert landscape. Excellent quality work in vibrant colours. Presented in its original painted pine frame. Artist: French School, mid 20th century...

Eddy Lee’s figurative surrealist portrait paintings on exposed wood depict emotive sirens who evoke a sense of mystery and seductiveness. His original artworks combine geometric elements with innocent women portraits seeking to trigger emotions, rather than communicating specific explanations. He reconciles the unconscious with rational life, exploring the power of dreams, embracing automatism, and freeing his subjects from the constraints of conscious thought. This colorful, intriguing portrait is painted with acrylic and gouache on a hand-built cradled wood panel. This one-of-a-kind original artwork is 48 inches high by 36 inches wide and is signed by the artist on the back. It is wired and ready to hang. It does not require framing. Free local Los Angeles delivery. Affordable Continental U.S. and worldwide shipping available. A certificate of authenticity issued by the art gallery is included with this unique work. Originally from Seattle, Washington, Eddy Lee relocated to Los Angeles in late 2012 to pursue a full-time career as a fine artist. He started his career on the Venice Beach Boardwalk and quickly gained a large following across the United States with exhibitions in San Francisco, Las Vegas, and Los Angeles. The artist’s work is inspired by the works of Audrey Kawasaki...

French early 21st Century Graffiti, street art, 'drip' painting on paper by Jonas “SUN7” Bournat. The work is signed and titled to the backboard. Presented in fine wood, glass and cl...

Let Go, 2023 by a.muse is a one-of-a-kind work on paper. The composition is a dance of lines and shapes and the art a visual exploration of the act of relinquishing control and embra...

Joseph Kardonne (1911-1985). Beach Landscape, 1948. Gouache on paper, sheet measures 9.5 x 11.5 inches. measures 20.75 x 23.25 inches in 22K custom contemporary gilt frame. Signed and dated lower right. Born in Newark, New Jersey in 1911, Joe Kardonne...

In the artist's Art and Design original print series, It Doesn't Have to be Perfect suggests that striving for perfection is not always the goal. Transcending the limitations of p...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. Fiona Debell's "Being Myself" is a refined abstract piece that...

Abstract Composition signed by Sally Vaughan (contemporary) gouache painting on card, unframed measurements: 9.25 x 10 inches condition: very good provenance: from a large private c...

A vibrant and fun work by the celebrated and beloved Sir Terry Frost - British artist. Framed in clean and contemporary white matting and lacquered frame this is an attention gettin...

Watercolor on paper, sheet measures 12 x 17.5 inches. Unframed. Signed and dated lower right. Estate stamp on verso. EVE PERI (1897-1966) Born in Bangor, Maine, Eve Peri worked...

'Abstract Figure' Suzanne Vattier, French 1901-1996 gouache painting on artist paper, framed size: 9.5 x 13 inches Fabulous 1970s abstract goauche painting. The colours used in this...

'Abstract Figure' Suzanne Vattier, French 1901-1996 dated 1973 gouache painting on artist paper, framed size: 20 x 25.5 inches Fabulous 1970s abstract goauche painting. The colours ...

Circa 1945 Signed lower left Sight size 12 x 10.5 in Overall size in newly matted one inch wide black frame 25.5 x 21.5 in

Balancing Act 3 (Abstract Painting) Gouache, graphite and ink on Rives paper. Unframed. Balancing Act 3 is part of a series of works on paper started in 2016. They are created in the evenings and aptly named after busy days of teaching and other responsibilities. The artist establishes parameters involving the use of a particular palette, certain mark-making gestures and amount of time spent on each drawing. This work incorporates graphite, ink, and gouache, and is a combination of intuition-based and planned execution. Tracey Adams is an American abstract painter and printmaker. Her artworks reflect a strong interest in musical patterns, rhythms, lyrical compositional elements and what she calls a sense of performance. She lives and works in Carmel, California. Work by Adams is part of the permanent collections of several museums, including the Bakersfield Art Museum, the Monterey Museum of Art, the Fresno Art Museum, the Tucson Art...

Abstract Composition British School, monogrammed/ dated lower corner gouache painting on paper laid over card, unframed actual painting: 22 x 15.5 inches Superb - bold - and very co...

"Abstract Composition" by Arlette Martin (French, b.1924) signed lower corner gouache painting mounted on card, unframed mount: 6 x 7.5 inches painting: 2.75 x 4.5 inches Stunning ...

My 80's Hart "Token 5" 2019, gouache, acrylic, graphite, panel, purple, green, blue

Bernard Segal (1907-1986). Cubist portrait, ca. 1960. Gouache and watercolor on paper, sheet measures 10 x 13.5 inches; 12.25 x 15.25 inches framed. U...

Claudia Busching Title: Untitled Gestural Abstraction Year: 1994 Medium: Gouache Monogrammed by hand Size: 23.8 × 19.5 inches COA provided

Raccoon Watching Fish, ca. 1975-80. Gouache on Arches rag paper, Sheet measures 23 x 30 inches. Image measures 22 x 29 inches. Signed lower left. Excellent condition. Unframed.

Unique gouache composition that balances somewhere between an abstract image and a seascape. Signed in lower left corner, with full annotation on verso. "...Always imaginary landsca...

Untitled Cubist Abstraction Signed and dated lower right Watercolor, charcoal and gouache on paper, 1922 Provenance: Estate of the Artist Schroeder, Romero & Sh...

"Mini Token" (2018) by Catherine Hart Acrylic, gouache, and graphite on wood panel; pink and purple palette with text Framing available COA included

Born in Ontario, Canada, Rolph Scarlett left home at age eighteen for New York City, making that city his home for long periods during his lifetime. While beginning his career as an ...

An elegant, cabinet-size, American School abstract comprising fragmented structural areas of goldenrod, coral, and ebony, superimposed on a soft field of jade and sage green. Signed...

Abstract Composition signed by Sally Vaughan (contemporary) dated 89' gouache painting on card, unframed measurements: 9.5 x 9.5 inches condition: very good provenance: from a large ...

Work on paper

French abstract gouache painting of three figures blowing glass backed by geometric shapes in light pastel hues, circa 1960. Original artwork on paper displayed on a white mat with ...

Eddy Lee’s figurative surrealist portrait paintings on exposed wood depict emotive sirens who evoke a sense of mystery and seductiveness. His original artworks combine geometric elements with innocent women portraits seeking to trigger emotions, rather than communicating specific explanations. He reconciles the unconscious with rational life, exploring the power of dreams, embracing automatism, and freeing his subjects from the constraints of conscious thought. This colorful, intriguing woman portrait is painted with acrylic and gouache on a hand-built cradled wood panel. This one-of-a-kind original artwork is 24 inches high by 48 inches wide and is signed by the artist on the back. It is wired and ready to hang. It does not require framing. Free local Los Angeles delivery. Affordable Continental U.S. and worldwide shipping available. A certificate of authenticity issued by the art gallery is included with this unique work. Originally from Seattle, Washington, Eddy Lee relocated to Los Angeles in late 2012 to pursue a full-time career as a fine artist. He started his career on the Venice Beach Boardwalk and quickly gained a large following across the United States with exhibitions in San Francisco, Las Vegas, and Los Angeles. The artist’s work is inspired by the works of Audrey Kawasaki...