Gouache Abstract Paintings

Abstract Nature Painting Alex K. Mason "Lush Green Spring". Acrylic, Ink on Canvas in white washed frame, 31.5"H x 25.5"W x 2.25"D, Greens, Blues, peach, orange, yellow, grey, whites...

Ink, gouache and acrylic on Fabriano paper - Unframed. Test Pattern series sets up a generic template as a poetic prompt to consider how behavioural responses to color and form stim...

Abstract Expressionist design. Sealed on the back with the design studio name and number . Ilegible signature We offer a small number of these original illustration designs by this ...

Leslie Wilkes’ pieces are an explosion of shape and color. With near perfect symmetry, these works exhibit opaque and smooth surfaces. “Wilkes’ geometric patterns are unique in that ...

Joanne Freeman Squares and Strokes (Ultra Violet_16), 2025 gouache on handmade paper 28 x 20 in. image: 16 x 16 in. (freem239) My paintings and drawings incorporate elements found i...

Title: Mid Century French Geometric Abstract in Black White and Navy Signed SG by Serge Guerin (b. 1916), French signed lower right “SG”, name stamped verso Acrylic and gouache on ar...

Title: Mid Century French Geometric Abstract Starburst in Brown Blue and White by Serge Guerin (b. 1916), French signed lower right “SG”, name stamped verso Acrylic and gouache on ar...

Title: Mid Century French Geometric Abstract in Gold Blue and Red Signed Dated 1969 by Serge Guerin (b. 1916), French Signed lower right “SG”; inscribed and dated verso “1.12.69” Acr...

Title: Mid Century French Geometric Abstract in Black White and Brown Signed SG by Serge Guerin (b. 1916), French signed lower right “SG”, name stamped verso Acrylic and gouache on b...

Title: Mid Century French Geometric Abstract Starburst in Blue Green and Purple by Serge Guerin (b. 1916), French signed lower right “SG”, name stamped verso Acrylic and gouache on b...

Title: Mid Century French Abstract Architectural Drawing in Black Ink by Serge Guerin (b. 1916), French Signed lower right “SG” Black ink on paper, unframed Size: 19.75 (height) x 25...

Title: Mid Century French Black and White Geometric Abstract Composition by Serge Guerin (b. 1916), French Acrylic and gouache on black artists paper, unframed Size: 25.75 (height) x...

Title: Mid Century French Geometric Abstract with Spires in Teal Purple and White by Serge Guerin (b. 1916), French Acrylic and gouache on artists paper, unframed Size: 25.75 (height...

Title: Interlocking Gouache Forms on Ochre Paper by Serge Guerin French b1916 by Serge Guerin (b. 1916), French inscribed verso: indistinct handwritten note including “69” (likely th...

Title: Dynamic Geometric Abstract Ink Drawing by Serge Guerin French b1916 by Serge Guerin (b. 1916), French Black ink on paper, unframed Size: 25.5 (height) x 19.75 (width) inches P...

Title: Architectural Abstract Ink Composition by Serge Guerin French b1916 by Serge Guerin (b. 1916), French signed: yes, monogram lower right Black ink on paper, unframed Size: 25.7...

Title: Mid Century French Geometric Abstract Ink Drawing on Paper by Serge Guerin (b. 1916), French Black ink on paper, unframed Size: 25.75 (height) x 19.75 (width) inches Provenanc...

Title: Mid Century French Geometric Abstract Ink Drawing on Paper by Serge Guerin (b. 1916), French Black ink on paper, unframed Size: 26 (height) x 19.75 (width) inches Provenance: ...

Title: Mid Century French Geometric Abstract in Blue Green Purple and White by Serge Guerin (b. 1916), French Signed bottom left acrylic and gouache on paper, unframed Size: 25.75 (...

Title: Mid Century French Geometric Abstract Black and Brown Ink Drawing on Paper by Serge Guerin (b. 1916), French Signed with initials bottom right Black and brown ink on paper, un...

Title: Mid Century French Geometric Abstract in Multicolour Gouache on Paper by Serge Guerin (b. 1916), French Signed with initials bottom right and name stamped verso Gouache and in...

Abstract Expressionist design. Sealed on the back with the design studio name and number . Ilegible signature We offer a small number of these original illustration designs by this ...

Title: Mid Century French Geometric Abstract in Multicolour Ink and Gouache on Paper by Serge Guerin (b. 1916), French signed with initials lower right and named stamped verso Ink an...

Title: Mid Century French Geometric Abstract in Blue and Black Ink on Paper by Serge Guerin (b. 1916), French Ink and gouache on paper, unframed Size: 28.5 (height) x 19.75 (width) i...

Title: Mid Century French Abstract Cosmic Composition White on Black Paper by Serge Guerin (b. 1916), French White ink and gouache on black paper, unframed Size: 11.25 (height) x 14....

'Composition in Orange and Red', gouache on paper, by James Pichette (circa 1970s). A dynamic, lively abstract composition by an artist known for such s...

Gordon House was born in 1932 in Pontardawe, South Wales. Early exposure to art on trips to the Glynn Vivian Art Gallery as a young boy inspired House towards creative endeavors and at the age of fourteen he was awarded a grant to enter art school which he accepted. From 1947 to 1950 he studied at Luton School of Art, Bedfordshire, and St. Albans School of Art, Hertfordshire. House's contemporaries included Richard Smith and John Plumb with whom he remained close. During the early fifties, after finishing art school, House began work as assistant to the ecclesiastical sculptor Theodore Kern. He also spent time at an advertising studio where he honed his burgeoning skills in typography and graphic design. In 1952 House was offered the position of designer for Imperial Chemical Industries Plastics Division where he stayed until 1959. This was followed by two years spent as graphic designer for the Kynoch Press in London. In 1961 House set out on his own as a self-employed designer and typographer. Initially this was supplemented by part-time teaching at art schools in and around London but by 1964 House was able to devote himself entirely to his design work which freed up valuable time to concentrate on his own artistic output in the studio. In the late fifties, informed by the new art emerging from America and that of his contemporaries in England, House began to create large-scale abstract works which he was invited to show in 1959 at Dennis Bowen's legendary New Vision Centre in Marble Arch. House was an active participant in the vibrant London art scene of the sixties, regularly attending lectures, exhibitions and discussions. In 1960 he exhibited in 'Situation' the key abstract exhibition of the decade held at the RBA Galleries. Other participating artists included Robyn Denny, Bernard and Harold Cohen, Gillian Ayres, John Hoyland, Richard Smith and William Turnbull among others. These artists, united by a common admiration for American Abstract Expressionism, were frustrated by the lack of exposure given to large-scale abstract works in commercial galleries so they organised their own exhibition. The name was derived from the participants' idea that an abstract painting that occupied the whole field of vision would involve the spectator in an 'event' or 'situation'. This exhibition was followed by 'New London Situation' in 1961 and a nationwide touring Arts Council presentation in recognition of the significance of the two earlier shows. In 1961 House began producing his first prints at the Kelpra Studio, run by Chris and Rose Prater, where he made the earliest fine art screenprint ever to be produced in Britain. Artists such as Paolozzi and Hamilton followed in his footsteps and together they started a printmaking revolution in Britain. They cemented the medium of the screenprint in the world of fine art as opposed to the commercial sphere and secured the reputation of Kelpra in the process. Later, together with Cliff White, House set up the White Ink (Ltd.) print studio in London, where he produced etchings and wood engravings on a series of magnificent antique printing presses...

Jill Moser NY 7.24, 2024 gouache on watercolor paper 22.5 x 30 in. (mose010)

Joseph Kardonne (1911-1985). Dancers, 1978. Gouache, watercolor and ink on paper, sheet measures 12 x 14.25 inches; 12 1/2 x 17 5/8 inches mounted on cardboard. Signed, dated and t...

A Case of the Blues - Abstract Expressionism An abstract expressionist painting in vibrant hues of blue swimming in multiple layers and colors, creating a work that is defined by d...

Felipe Orlando (Cuban-Mexican, 1911-2001). Coronel Retirado y su Amante Esposa, ca. 1970. Ink and gouache on paper with heavily built up layers of textured ground. Measures 13 1/4 x 18 3/8 inches. Signed lower left. Original label affixed on verso. Excellent condition. Unframed. An anthropologist as well as a painter and engraver, Orlando, whose full name was Felipe Orlando Garcia Murciano, studied at the University of Havana and at the painting workshop of Jorge Arche and Víctor Manuel. He was a founding member of the Asociación de Pintores y Escultores de Cuba (APEC) and a professor at the Universidad de las Américas and the Universidad Nacional Autónoma de México, both in Mexico City. His style is influenced by the Afro-Cuban movement and pre-columbian art...

"Spring Beauties" is an abstract landscape featuring hues of green, purple and blue. This work is framed in a simple white frame behind Museum Glass measuring 28 by 36 inches. Carlyle is inspired by the works of Claude Monet, Edouard Vuillard, Henri Matisse, Walter Inglis Anderson, Charles Burchfield, Ellsworth Kelly, Alexander Calder and Mary Delany. This piece is part of a collaborative series by Carlyle and her husband Thad Lee. This body of work was made in tandem, through painting and photography, that explores their mutual delight in the natural world and within their own marriage. Carlyle Wolfe’s paintings & works on paper are about an awareness of the natural world—becoming progressively, cyclically more present to its rhythms, gaining deeper understanding of its design, & acquiring direct experiential knowledge of its mysterious beauty. For the last 15 years, Wolfe has been making contour line drawings of plants form observation. From her drawings, she isolates silhouettes into paper stencils which she uses to create oil paintings & works on paper – or cut out of metal to make sculptures. Her work is cumulative in nature – gradually marking time & seasonal change, unity & variety, individual & collective beauty. Wolfe grew up in Canton, Mississippi, & earned a BFA in painting from the University of Mississippi & an MFA in painting & drawing from Louisiana State University. She has also studied in Cortona, Italy, & at the University of Georgia. Wolfe has exhibited work throughout the South, including Spalding...

Sol LeWitt (1928-2007) Untitled Gouache on Paper 28.5 x 37.5 cm (11 1/4 x 14 3/4 in) Executed in 1995 Signed and dated 95 lower right Provenance Marco Noire Contemporary Art Turin...

Contemporary mixed media on board painting by Polish artist Anna Mikke. Birds are next to people favourite artistic subject of Mikke. This piece is in neutral colors, the background ...

Signed lower right, 'Buk' for Eduard Buk Ulreich (American, 1889-1966), dedicated lower right, 'Made for Ruth M.' and painted circa 1945. Titled verso 'Birds in Flight', additionally...

Black And White Abstract - Oil And Gouache On Paper Black and white abstract painting by Felix Ruvolo (American, 1912-1992). Grey takes over the center of the paper with strokes of ...

Raccoon Watching Fish, ca. 1975-80. Gouache on Arches rag paper, Sheet measures 23 x 30 inches. Image measures 22 x 29 inches. Signed lower left. Excellent condition. Unframed.

Includes a Certificate of Authenticity

Pointillist Abstract Design by Louis Bellon (French 1908-1998) initialled lower right gouache painting on paper, unframed measurements: 8.75 x 6 inches (overall the sheet measures 11...

"Horseman" by Washington DC artist Jeanne Cosimano. Painting in gouache on paper and dated 2021. Artist is known for her dynamic compositions and skillful ...

My paintings and drawings incorporate elements found in architecture, design, popular culture and art history. My reductive compositions and pure color mimic the low-tech graphics ut...

Stephen Harty, Untitled (Bird Abstraction), gouache, 1953. Signed and dated lower left. A fine, meticulously rendered, mid-century, modernist gouache painting, with fresh colors on 1...

Signed center right "J. Haigh" (American, 20th century) and painted circa 1975. An elegant, cabinet-size, American School abstract comprising fragmented structural areas of goldenro...

Harbor Party by John von Wicht, German (1888–1970) Date: circa 1965 Gouache and Pastel on Japon, signed in pencil lower right Size: 15.5 x 23 in. (39.37 x 58.42 cm) Frame Size: 22 x ...

This Mid-Century Modernist Painting of Ouroboroses in Goauche on Natural Fiber Paper originates from the United States during the 20th Century. This piece features a minimal composit...

Signed lower right, 'Schoener' for Jason Schoener (American, 1919-1997) and painted circa 1970. Titled 'Choruscating Landscape' (labels, verso). Accompanied with artist card on origi...

Work on paper Silver wood frame with glass pane 72 x 93 x 2 cm

Signed lower right, 'Buk' for Eduard Buk Ulreich (American, 1889-1966); additionally titled verso 'Consort' and dated 1954 with inscription, 'by the one and only buk, made for Ruth'....

Balancing Act 1 (Abstract painting) Gouache, graphite and ink on Rives paper - Unframed This work (unframed) incorporates graphite, ink, and gouache, and is a combination of intuit...

Title: French Impressionist Village Landscape with Church and Red Roofs by Fanch Lel By Fanch Les Signed: Yes Size: 19.25 x 20.5 inches (height x width) Gouache painting on cardboard...

The second in a series of 2 paintings I did as a homage to Paul Klee, my favourite painter. The red one has sold but this one is the latest, parts of this painting were also inspired...

Kerry Smith Pearl Jam - No Code Mixed media on Crescent board Year: 2017 Size: 21x22in Framed Signed, dated by hand COA provided Ref.: 92-0470 *Black frame with a mirror-gloss finis...

"Abstract Design" signed by Arlette Martin (French, b.1924) dated 86' gouache/watercolour painting on card, unframed painting: 15.75 x 20 inches Stunning original painting by the ...

Abstract Composition by Sally Vaughan (contemporary) gouache painting on card, unframed measurements: 10.25 x 9.25 inches condition: very good provenance: from a large private collec...

Title: French Impressionist Lighthouse Harbour Scene with Boats and Red Tile Roofs By Fanch Lel Size: 19.5 x 20.75 inches (height x width) Gouache painting on cardboard, unframed Con...

Abstract geometric painting with a cool toned palette of green, blue, and grey with accents of black and white against a sea foam green colored acrylic wash background "Blue and Grey Green Plan" made by Hudson Valley artists, Donise English, in 2022 Graphite, colored pencil, and acrylic painting on vellum 24 x 18 inches unframed, 31 x 25 x 1.5 with an 8-ply white mat, non-glare plexi, and simple black moulding Signed, verso Excellent condition and ready to hang This abstract geometric painting on vellum was made by Hudson Valley based artist, Donise English, in 2022. The composition begins with a blue green toned background of acrylic wash. A grid of box-like patterns in sky blue, green, grey, and black with white line work are stacked to create an irregular shape or an "imagined city grid", says the artist. The painting on vellum is complemented by a simple black frame with an 8-ply white mat, non-glare plexi, and wire backing. It's in excellent condition and ready to hang. About the artist: Donise English emphasizes lines, grids, and fields of subtle color to evoke imagined places and invented structures. While precise lines and straight angles are often associated with themes in architecture and urban planning designs, English conveys a geometric motif guided by intuition rather than a ruler. Variations on grids retain flaws and unmistakable traces of the artists’ hand; her style of draftsmanship shies away from intellectualism and instead makes her compositions feel very personal. A central checkerboard formation floats over a ground of pastel color or washes of grey or cream. Each design is intensely intricate, incorporating gouache, acrylic, pen, graphite, ink and colored pencil. The artist recently retired from her decades career teaching at Marist College and is now devoted full time to her art making. Artist Statement: My work is about the way visual diagrams present information that describes how something is made or the way it is. I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure. Artist CV: EDUCATION Master of Fine Arts in Painting Bard College 1986 Bachelor of Science in Art History State University College at New Paltz 1977 Additional Study: New York Studio School (Drawing Marathons) Columbia University, School of Architecture Women’s Studio Workshop TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie, NY Coordinator, Interior Design Program, Florence, Italy campus 1992-present AWARDS NYFA Fellowship in Painting 2018 Invitational Award for Outstanding Contemporary Talent, University of Bridgeport, CT 2000 Purchase Prize, “11th National Juried Exhibition” College of Notre Dame of Maryland, Baltimore 1999 First Prize, “Women in the Visual Arts ‘95” Erector Square Gallery, New Haven, CT 1995 Joseph A. Cain Memorial Purchase Award for Sculpture Del Mar College, Corpus Christi, TX 1994 Honorable Mention, “National Juried Exhibition” University of Bridgeport, CT 1993 Individual Artists Fellowship in Sculpture Dutchess Arts Fund 1992/93 Tallix, Morris, Singer Internship in Sculpture Tallix Foundry, Beacon, NY 1990/91 MEMBERSHIP Royal British Society of Sculptors SELECTED JURIED/INVITATIONAL EXHIBITIONS 2020 “edu: Art Faculty of the Hudson Valley”, Hudson Valley MOCA, Peekskill, NY 2019 “Contemporary Abstraction”, Carrie Haddad Gallery, Hudson, NY “Mixed Media”, SITE Gallery, Brooklyn, NY 2018 “JuxtaPositions”, The Painting Center, New York, NY “Peculiar Rarities”, Carrie Haddad Gallery, Hudson, NY 2017 “Interlock: Color and Contrast in Abstraction”, Carrie Haddad Gallery, Hudson, NY “Donise English: Encaustics”, Catskill Art Society, Livingston Manor, NY 2016 “Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD “Under, Over, After Over”, Vassar College, Poughkeepsie, NY 2015 “Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY “Gridspace”, KMOCA, Kingston, NY “Abstraction”, Carrie Haddad Gallery, Hudson, NY “Assuming Identity”, NY Institute of Technology, New York, NY 2013 “Modern Artists”, Carrie Haddad Gallery, Hudson, NY “Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY Stone Canoe/Community Folk Art Center, Syracuse, NY 2012 New York Institute of Technology, New York, NY “Contemporary Painters (Who Just Happen To Be Women)”, Carrie Haddad Gallery, Hudson, NY “Strange Glue: Collage at 100”, Cambridge School, Weston, MA “Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY “Fresher Paint”, Rockland Center for the Arts, Nyack, NY Courthouse Gallery, Lake George Arts Project, Lake George, NY 2011 “Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”,Orange County Community College, Newburgh, NY “Gender Matters/Matters of Gender”, Freedman Gallery, Albright College, Reading, PA 2010 Carrie Haddad Gallery, Hudson, NY “Encaustics: Wax and Image”, Westchester Community College, White Plains, NY “Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY “Spring Awakening”, NY Institute of Technology, New York, NY “Clay City Dreams”, NY Institute of Technology, New York, NY “Texture,Pattern, Fragment”, Krause Gallery, Moses Brown School, Providence, RI 2009 “Collage”, NY Institute of Technology, New York, NY “Working in Wax”, Bedford Gallery, Walnut Creek, CA “Encaustic 2009”, College of New Rochelle, NY “Three Artists”, Carrie Haddad Gallery, Hudson, NY “Convergence: The Human Experience”,Howard County Center for the Arts, MD 2008 “Suckers and Biters: Love, Lollipops, and Exquisite Corpse” Chashama Gallery, New York, NY Carrie Haddad Gallery, Hudson NY 2007 “Patterns and Light”, Blue Hill Gallery, Blue Hill, ME “Suckers and Biters”, AG Gallery, Brooklyn, NY 2006 “100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY “On/Of Paper”,Kirkland Art Center, Clinton, NY “The Love Show”, Manchester Community College, Manchester, CT 2005 The Soap Factory, Minneapolis, MN “Small Tales”, Valdosta State University, Georgia National Juried Exhibition,Art Institute and Gallery Salisbury, MD, Juror: Stephen Haller “Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY 2004 “Women in the Middle: Borders, Barriers, Intersections” University of Wisconsin-Milwaukee “Girl Art Now”,Hera Gallery, Wakefield, RI 3 Person Exhibition, Monterey Peninsula College, Monterey, CA “The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery Poughkeepsie, NY 2003 “Beefcake/Cheesecake”,Orange County Center for Contemporary Art, Santa Ana, CA,Juror: Jamie Wilson, Curator Halpert Bienniel, Appalachian State University, Boone, NC Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY 2002 “Cat Calls”, Red Clay Arts, Brooklyn “Hudson Valley Regional”, SUNY New Paltz Juror: Sydney Jenkins, Director, Ramapo College Art Galleries 2001 One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago One-Person Exhibition, Garrison Art Center, Garrison, NY 2000 “Vision 2000...

Vibrant abstract gouache with purple, blues, oranges, and green colors by British artist Stephen Priestner, 2008. Displayed on a white mat with a gold border and fits a standard-size...

Title: Impressionist Coastal Farm Scene with Horse Cart Driver Cottages and Moody Sky By Fanch Lel Signed: Yes Size: 11.25 x 14.5 inches (height x width) Gouache painting on cardboar...

Man & Woman, ca. 1975-80. Gouache on Arches rag paper, Sheet measures 23 x 30 inches. Image measures 22 x 29 inches. Signed lower left. Excellent condition. Unframed.

'Large Abstract', Exhibited at Tokyo Museum Of Fine Arts, Japanese Woman Artist ----- Signed lower right, "Nagai" for Ikuko (Iku) K. Nagai (Japanese-American, born 1932) and painted...