Art by Medium: Gouache

Very stylish, unique and original 1940's fashion design by French illustrator Geneviève Thomas. The painting, executed in gouache and pencil. The sketch is original, vintage and me...

This artwork vividly captures two swimmers emerging from the sea, encapsulating the essence of a serene seaside moment. The painting's use of color is striking, with the bright blue ...

This striking 1949 gouache and wax painting by Howard Schleeter is a powerful example of mid-century American modernism rooted in the visual language of the Southwest. Titled Fetishe...

Framed dimensions: 11 H x 12.5 W x 1.25 D inches An elegant, 19th-century Chinese School, gouache scroll painting fragment showing a pair of a richly-pl...

The artist: Henri Aime Duhem (1860-1941) French *see notes below, signed Title: The Canal Medium: gouache on paper, loosely laid over card, unframed ...

Title: Modern Cafe Scene With Figures Wine Bottles and White Hat French Watercolor Artist: Pierre Neveu (French b.1929) Medium: Watercolour and Gouache on card, unframed Size (H x W)...

Title: Architectural Rhythm French Modernist Gouache by Guy Nicod Guy Nicod (French 1923 - 2021) Signed, lower right Gouache on artist paper, unframed Size: 15.75 x 19.5 inches (hei...

Very well executed original gouache on archival paper by the Italian artist, Maria Ada Gianni. Signed lower left. Condition is excellent. Circa 192...

Signed lower center, 'by Buk' for Eduard Buk Ulreich (American, 1889-1966), dedicated lower center, 'for Ruth' and painted circa 1945. Additionally signed and titled verso 'Navajo Fa...

Rest at the caravanserail is an original old masters artwork realized by Paul Pascal in 1885. Mixed colored gouache on paper. Included an elegant frame. Hand signed by the artist ...

August Frederick Biehle (1885-1979) Farm Landscape, Zoar, c. 1923 Gouache, litho crayon and graphite on paper Signed lower right 14 x 19 inches 17 x 23 inches, framed A versatile pa...

Richard Anuszkiewicz Near and Far Acuity, 1957 Gouache and watercolor painting on board Hand signed and dated 1957 by Richard Anuszkiewicz on the right front Frame included Anuszkie...

Heads Up, Edmund Dulac depicts a strong and confident woman in art in the 1930s. The work shows Queen Thomysis witnessing a beheading. This complex figurative work was an original de...

Ink and gouache with yellow heightening on fibrous, brown laid paper with a Jaipur Court Fee tax stamp in blue ink, 13 1/2 x 8 3/4 inches (343 x 222 mm). Toning, handling creases and...

Born in the hillside town of Muro Lucano, southeast of Naples, Italy, Joseph Stella immigrated to the United States in 1896. Having demonstrated remarkable talent as a young boy, he ...

Village Life by Fanch Lel (French b. 1930) size: 9 x 10.75 inches gouache painting on board, unframed condition: the painting is in very good condition. It has previously been stored...

Jean-Gabriel Domergue (1889–1962) was a renowned French painter and engraver, celebrated especially for his portraits of elegant women or, more precisely, a feminine figure in a styl...

QUEEN MARY, LONG BEACH, CA - ORIGINAL ARTIST DESIGN FOR THE PLACEMENT OF THE SHIP Watercolor and gouache on board, 20 x 36 inches. Signed and dated by the artist - Segroves, 1969. The original artist concept for the placement in Long Beach Harbor in 1969. Subsequently revised several times. The Queen after extensive renovation has just reopened to the public on December 14, 2022 Much larger than the Titanic, At 1,019 feet long and 81,000 tons (310 meters and 73,500 metric tons), the Queen Mary was one of the largest and most elegant ships of the early 20th century. From Wikipedia: The RMS Queen Mary is a retired British ocean liner that sailed primarily on the North Atlantic Ocean from 1936 to 1967 for the Cunard-White Star Line and built by John...

This beautiful diptych captures the vibrant intricacy of coral reef ecosystems through layered textures and flowing organic forms. Bold strokes of pink, violet, ochre, and coral oran...

Gobardhan Ash - Untitled Gouache on Paper 13 x 8 inches ( Framed & Delivered ) In this tender composition, Gobardhan Ash captures an intimate moment of familial connection through s...

Title: Bullfighting Scene Artist: Roberto Domingo Technique: Gouache on paper Dimensions: 7 x 10 in (14 x 17.3 in with frame) Period: 1930s Style: Spanish Impressionism with Post-Impressionist influence Condition: Framed in a classic wooden frame Theme: Bullfighting scene Description of the Artwork "Bullfighting Scene" by Roberto Domingo is a vibrant and dynamic depiction of a typical moment in a bullring. The composition captures the drama and intensity of the moment, with a mounted picador on a striking white horse as the centerpiece, flanked by a matador and assistants preparing for the spectacle. The artwork radiates energy through swift and loose brushstrokes, imbuing the scene with movement and vitality. Domingo’s style emphasizes visual synthesis, focusing on color and form rather than meticulous detail to convey the atmosphere of the bullfighting arena. Warm tones dominate, with vibrant yellows and reds contrasting against the grays and whites of the horse and costumes, creating a captivating chromatic interplay. The classic frame adds sobriety and balance to the piece, further highlighting the expressive power of the gouache. Biography of the Artist Roberto Domingo Fallola (1883-1956), born in Paris, was a renowned painter and illustrator of Spanish descent. The son of the celebrated bullfighting painter Vicente Domingo, he inherited a passion for bullfights and became one of the leading exponents of bullfighting art...

August Frederick Biehle (1885-1979) Stone Quarry, Berlin Heights, 1920 Gouache and graphite on paper laid on cardboard Signed and dated lower left 24 x 18 inches 27.5 x 21.5 inches, ...

Daisies In Vase signed by Y. Blanchon, French 1950's Impressionist oil on canvas, framed framed: 15 x 23 inches canvas: 13.5 x 22 inches provenance: from a large private collection ...

Venard had a successful career during his lifetime, punctuated by one-man shows in Paris, London, New York, Philadelphia, Chicago, Dusseldorf, Munich, Buenos Aires, Tokyo, Canada, Be...

Title: Cubist French Abstract Composition With Geometric Shapes Circles And Colour Guy Nicod (French 1923 - 2021) Gouache on artist paper, unframed Size: 26.25 x 19.25 inches (heigh...

Gouache on paper fabric design circa 1920 by French fauvist painter Raoul Dufy executed in dark blues and a deep red. Dimensions: Framed: 16"x12.5" Unframed: 11"x7.5" Provenance: P...

Title: Abstract Figurative Scene With Figures in Hats French Modern Watercolor Gouache Artist: Pierre Neveu (French b.1929) Medium: Watercolour and Gouache on card, unframed Size (H ...

In this poignant and rare original gouache and aquarelle, renowned French artist Paul Colin turns his talent toward a deeply human and somber subject: war mutilation and its aftermat...

Church with Two Palm Trees - Brazilian Scene Original Gouache Painting Beautiful gouache landscape painting by Reynaldo Manzke (Brazilian b. 1906 d. 1980.) Two palm trees lean towards each other in the center of the composition, their fronds overlapping at the top. In between the is a large wooden cross...

This piece titled "Orvieto, Dusk" is an original artwork by Dina Brodsky, as part of her acclaimed two-person exhibition "Little Italy", an exhibition celebrating travel in contempor...

Title: Mid Century French Geometric Abstract in Multicolour Gouache on Paper by Serge Guerin (b. 1916), French Signed with initials bottom right and name stamped verso Gouache and in...

Signed "Schiele Egon 08" This work was reviewed by will be Jane Kallir, Kallir Research Institute, New York on August 19, 2021 and has confirmed its authorship. The work will be inc...

Signed lower right 'E. M. Heath' for Edda Maxwell Heath (American, 1874-1972) and painted circa 1930. A lyrical and romantic view of this early California mission and picturesque la...

August Biehle (American, 1885-1979) Farm Scene with Hollyhocks, 1920 Gouache on paper Signed lower left, dated lower right 15 x 19 inches 19.5 x 24 inches, framed A versatile painte...

Georges BARBIER Art Nouveau : Nude with Crystal Ball Original India Ink, Watercolor and Gouache painting Signed in the bottom middle On paper 32 x 50 cm (c. 13 x 20 in) Presented i...

Barbara Shermund (1899-1978). Society Satirical Cartoon, ca. 1940s. Gouache on heavy illustration paper, image measures 17 x 14 inches; 23 x 20 inches in matting. Signed lower left. Very good condition but matting panel should be replaced. Unframed. Provenance: Ethel Maud Mott Herman, artist (1883-1984), West Orange NJ. For two decades, she drew almost 600 cartoons for The New Yorker with female characters that commented on life with wit, intelligence and irony. In the mid-1920s, Harold Ross, the founder of a new magazine called The New Yorker, was looking for cartoonists who could create sardonic, highbrow illustrations accompanied by witty captions that would function as social critiques. He found that talent in Barbara Shermund. For about two decades, until the 1940s, Shermund helped Ross and his first art editor, Rea Irvin, realize their vision by contributing almost 600 cartoons and sassy captions with a fresh, feminist voice. Her cartoons commented on life with wit, intelligence and irony, using female characters who critiqued the patriarchy and celebrated speakeasies, cafes, spunky women and leisure. They spoke directly to flapper women of the era who defied convention with a new sense of political, social and economic independence. “Shermund’s women spoke their minds about sex, marriage and society; smoked cigarettes and drank; and poked fun at everything in an era when it was not common to see young women doing so,” Caitlin A. McGurk wrote in 2020 for the Art Students League. In one Shermund cartoon, published in The New Yorker in 1928, two forlorn women sit and chat on couches. “Yeah,” one says, “I guess the best thing to do is to just get married and forget about love.” “While for many, the idea of a New Yorker cartoon conjures a highbrow, dry non sequitur — often more alienating than familiar — Shermund’s cartoons are the antithesis,” wrote McGurk, who is an associate curator and assistant professor at Ohio State University’s Billy Ireland Cartoon Library & Museum. “They are about human nature, relationships, youth and age.” (McGurk is writing a book about Shermund. And yet by the 1940s and ’50s, as America’s postwar focus shifted to domestic life, Shermund’s feminist voice and cool critique of society fell out of vogue. Her last cartoon appeared in The New Yorker in 1944, and much of her life and career after that remains unclear. No major newspaper wrote about her death in 1978 — The New York Times was on strike then, along with The Daily News and The New York Post — and her ashes sat in a New Jersey funeral...

Title:French Cubist Modernist Still Life Kettle Bottle Sieve Gouache Acrylic Medium: Gouache and acrylic on artist paper, unframed Size: 27.5 x 20 inches (height x width) Signed low...

From the estate of Jerry Opper & Ruth Friedmann Opper Yellow Cubist FIgure c. 1940-1950's Gouache 15" x 18", silver wood frame 16"x19" Unsigned This striking gouache painting featur...

by Paul-Louis Bolot (French 1918-2003) signed verso original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ edg...

This delightfully vivid 19th century portrait depicts Sophie Caroline Franquet. Unsigned. Original label verso. Beautifully presented behind glass in a decorative gilt frame. On pape...

Original gouache and watercolor on brown archival paper of a standing crow in profile. Signed and dated lower right. Condition is good to very good. Colors of the bird are strong a...

This delightfully vivid 19th century portrait depicts Joseph Franquet. Unsigned. Original label verso. Beautifully presented behind glass in a decorative gilt frame. On paper. Image ...

This delightfully vivid 19th century portrait depicts a member of the Franquet family. Unsigned. Original label verso. Beautifully presented behind glass in a decorative gilt frame. ...

Title: Cucuron Provence Village Rooftops Watercolor Gouache Pierre Neveu Artist: Pierre Neveu (French b.1929) Medium: Watercolour on thick paper, unframed Size (H x W): 21.75 x 29.25...

Title: Mid Century French Geometric Abstract in Black White and Navy Signed SG by Serge Guerin (b. 1916), French signed lower right “SG”, name stamped verso Acrylic and gouache on ar...

Zvi Mairovich (1911-1974) was one of the most important Israeli abstract painters. Born in Krosno Poland, he moved to Berlin in 1929, studying painting with Karl Hofer at the Academy...

Title: Interlocking Gouache Forms on Ochre Paper by Serge Guerin French b1916 by Serge Guerin (b. 1916), French inscribed verso: indistinct handwritten note including “69” (likely th...

Blue Marine Flora is a dynamic, nature-inspired painting that evokes the lush complexity of coral ecosystems. With bold strokes in vivid blue, red and charcoal, the composition mimic...

Max Manning is a Houston-based painter whose practice he describes as “algorithmic abstraction”, studio-built systems that he deliberately disrupts to create compositions where loosely figurative fragments, patterns, and color fields collide. Working in series, Manning sets up rule-driven visual frameworks such as grids, repeated motifs, cut-outs, and layered shapes, and then interrupts them through shifts in palette, gesture, and scale. The result is a retro-contemporary language: paintings that acknowledge a world shaped by data and screens while insisting on the tactility, stillness, and breath of paint. • One-of-a-kind abstract artwork on paper measuring 20 x 16 inches • Unframed and signed by the artist on the back • Includes certificate of authenticity issued by the art gallery • Convenient local Los Angeles delivery available • Affordable Continental U.S. and international shipping available Across his practice, Manning has maintained a clear studio ethos: to “paint through the questions” of life lived alongside algorithms. Instead of reproducing digital aesthetics, he uses rule sets to destabilize them—allowing glitches, misalignments, and pauses to surface. The work’s visual “systems” act less like predictive code and more like open, humanized structures where attention can rest. This stance has resonated with curators and collectors attuned to abstraction’s current arc: grounded in art-historical form, responsive to contemporary cognition, and committed to the slow time of looking. Manning earned a BFA in Two-Dimensional Studies from Bowling Green State University (2011) and an MFA from the University of Cincinnati (2014). His work has been exhibited widely in the U.S. and abroad and gained early institutional and critical attention through selection for the 2017 Texas Biennial, curated by Leslie Moody Castro, with press coverage in Texas arts media. Artspace Warehouse has been representing and exhibiting Max Manning's original artworks since 2025. The gallery has been a 1stdibs partner since 2014 with consistently excellent reviews from clients worldwide. The gallery exhibits a large selection of affordable original artworks from established and emerging international artists with diverse backgrounds at high standards. Artspace Warehouse is known to provide accurate descriptions, images, reliable services, communication, and delivery. The gallery's commitment to customer satisfaction means that clients can invest in art with confidence, knowing they have a reputable and established art gallery backing their acquisition. Artspace Warehouse prioritizes our clients' peace of mind by ensuring a seamless and worry-free art-buying experience. REPRESENTATION Artspace Warehouse, Los Angeles, USA SOLO EXHIBITIONS 2017 Language Game, TW Fine Art, Brisbane, Queensland, Australia 2015 In Tongues, EN EM Art Space, Sacramento, California 2014 Now Made with Real Paint, No Future Projects (online) Soul-Rocket, Pipeline Artist Space, Cincinnati, Ohio 2013 Uberplasticist Exhibition #1, Pipeline Artist Space, Cincinnati, Ohio 2011 Screening Reality: Erotomania (Paintings and Drawings by Max Manning), Bowen Thompson Student Union, Bowling Green, Ohio GROUP EXHIBITIONS 2025 Space City Spotlight, Seismic Gallery, Houston, Texas 2023 No Zoning, Reeves Art and Design, Houston, Texas 2022 Crimson Tide, Soft Times Gallery, San Francisco, California The Big Show, Lawndale Art Center, Houston, Texas Small Works, Soft Times Gallery, San Francisco, California Summer Preview, Todd Weiner Gallery, Kansas City, Missouri 2022 Salina Biennial, Salina Art Center, Salina, Kansas Project for Ukraine, Far By Wide — Online Exhibition Miami University Yeck Young Painters Competition, Miami University, Oxford, Ohio 2021 Quiet Fire, curated by Jessica Cannon and Jay Gaskill, Far By Wide — Online Exhibition Not Just Another Anthropocenic Love Story, Trestle Gallery, Brooklyn, New York DAAP Made, University of Cincinnati Indian Hill Gallery, Cincinnati, Ohio Loop, Box 13 ArtSpace, Houston, Texas 2020 Concrete Pocket, Houston Community College Central Gallery, Houston, Texas Lines of Thought, CICA Museum, Gimpo, South Korea Flatfile Exhibition, Collar Works, Troy, New York Mirror Eye, curated by Youngspace and Far by Wide, Ortega y Gasset Projects, Brooklyn, NY Ortega y Gasset Flatfile Exhibition, Ortega y Gasset Projects, Brooklyn, New York 2019 The Christmas Edit, TWFINEART Group Art Show, Todd Weiner Gallery, Kansas City, MO Be. Long. I Like Your Work Juried Exhibition, curated by Erika B. Hess, David Linneweh, and Mychaelyn Michalec, Dutoit Gallery, Dayton, Ohio Of Texas, curated by Adam Farcus, Lease Agreement, Lubbock, Texas Priority Mail, Ground Floor Gallery, Brooklyn, NY Art Hustle, Reed Gallery, Cincinnati, OH Lobster Dinner, curated by Will Hutnick, Trestle Gallery, Brooklyn, New York 2018 Trade Show, My Friend PTX, Paris, Texas TWFAX2 + Matt Sheridan + W Hotel, TW Fine Art, Brisbane, Queensland, Australia Papercuts, curated by Kristian Day, Saatchi Gallery, London, England The Big Show, Lawndale Art Center, Houston, Texas Squaring the Sun, curated by Jessica Cannon, Far By Wide — Online Exhibition 2017 Paper Cuts, curated by Kristian Day and Jeanette Gunnarsson, Tripp Gallery, London, England Winter Exhibition, James May Gallery, St. Algoma, Wisconsin 2017 Texas Biennial, curated by Leslie Moody Castro, Big Medium Austin, Austin, Texas Milestones, Bowling Green State University, Bowling Green, Ohio Antipol, curated by Max Presneill and Chris Trueman, Durden and Ray, Los Angeles, California Priority Mail, Ground Floor Gallery, Brooklyn, New York Chaos, Ro2 Art, Dallas, Texas Intimates, Skylab Gallery, Columbus, Ohio ATTACH FILES, 50/50, Kansas City, Missouri Día de los Muertos, Lawndale Art Center 2016 Funkytown, Urbano, Berkeley, California The Big Show 2016, Lawndale Art Center, Houston, Texas Small Works, Trestle Gallery, Brooklyn, New York From Here, Fluorescent Gallery, Knoxville, Tennessee Construct, 337 Project Space, Grand Rapids, Michigan 2015 Be, Mist Gallery — Online Exhibition More or Less, Front/Space, Kansas City, Missouri Le Cours de Chose, Le Praticable Espace D’Exposition, Rennes, France At the Sound of The Bell: Break Away, Pear Gallery, Cincinnati, Ohio Chill, Zen, Funk and Twang, Curating Contemporary — Online Exhibition 2014 Sugar Rush, En Em Art Space, Sacramento, California New Abstraction: 3 Select, Metropolis Collective, Mechanicsburg, Pennsylvania Extraordinary Flecks and Things Butting Up, LOHIOH, Cincinnati, Ohio By The Pleasure of Doing, Espacio 20/20, San Juan, Puerto Rico Divisible: please, actually, introspective, Divisible Project Space, Dayton, Ohio Business Casual, collaborative show with Jessica Simorte, Neon Heater Gallery, Findlay, Ohio LUSH, Contemporary Arts Center, Cincinnati, Ohio Fiction, University of Dayton Galleries, Dayton, Ohio 2013 Fresh Paint Showcase, Media Wall at Commerce Square, Philadelphia, Pennsylvania Pop-Up Art, Niehoff Design Studio, Cincinnati, Ohio Members Small Works Exhibition, Roy G Biv Gallery, Columbus, Ohio Wintery Mix, Rock Paper Scissors, Cincinnati, Ohio Crosspollination, Collaborative show with Jessica Simorte, 840 Gallery, Cincinnati, Ohio Sweety Salty Sculpture Funk, Collaborative show with Jessica Simorte, Pipeline Artist Space, Cincinnati, Ohio All Fall Down, Meyers Gallery, University of Cincinnati, Cincinnati, Ohio Modern Makers & Fernside Benefit Art Auction, Niehoff Urban Studio, Cincinnati, Ohio Renewal, Drift Studios...

Title: Modernist Still Life With Bowls Bottles And Fruit French Gouache Painting Guy Nicod (French 1923 - 2021) Gouache on artist paper, unframed Size: 14 x 20.5 inches (height x wi...

Original watercolor and gouache artwork of the New York Public Library mounted to board by Charles Cobelle. Signed lower right. Condition is very good. Circa 1960. The artwork is h...

Cecil de Blaquière Howard, known as Cecil Howard (Clifton, Canada, 1888 - New York, 1956) Mistinguett and Max Dearly dancing the waltz at the Moulin Rouge Fan design Circa 1908 Gouac...

Esteban Vicente (1903-2001). Untitled, #36, 1955. Gouache on paper, image measures 8 x 11 inches, 16.5 x 19.5 inches framed. Signed, dated and numbered on verso. Excellent condition....

Sea Sponges and Algae is a luminous painting that celebrates the delicate beauty of marine life through a vibrant palette of pastels and soft organic forms. Inspired by the rhythmic ...

Gouache on paper by Neapolitan School, mid-19th century. Not signed, very good condition. Includes a coeval wooden frame cm. 35x30.

Elisabeth Condon’s Memorial Flowers series reimagines the still life as a meditation on memory, impermanence, and renewal. Using gouache and ink, she stages vibrant floral arrangemen...

This large Bemelans features a small image of Madeline in the smoke behind the chef's face. It was most likely preliminary work for an illustration with Madeline and The Chef that ap...

Beautiful mid century landscape of a historic California mission, highlighting its iconic architectural details such as a columned arches, white was...

Tonalist style, abstract figurative watercolor by Susan Hope Fogel watercolor on Arches heavy-weight paper 30 x 44 inches, diptych of two sheets measuring 30 x 22 inches each 35.5 x...

"Micro Mini Token II" (2018) by Catherine Hart Acrylic and gouache on canvas; abstract miniature painting, pastels and bold saturated palette Framing available COA included