Art by Medium: Graphite

Katherine Bello Title: Giselle Oil, Oil stick, and graphite on canvas Year: 2021 Dimensions: 28"x22"x1.5" Signed by hand Canvas on stretcher frame - ready to hang COA provided --...

Yvon TAILLANDIER The Cry of the Catitipède Original pastel and graphite drawing Signed in pencil On paper 50 x 65 cm (c. 19.6 x 25.5 in) Very good condition, slight traces of paste...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

Artist : Kory Twaddle Title : First Floor Systems Materials : Acrylic, tempera, gouache, paintbrushes, and mixed media on drawing paper pad back with spiral Date : 2018 Dimensions ...

"Figure 3" (2022) by Matthew Alfonso Durante is an original handmade mixed media painting that depicts a nude female model in front of a greyscale landscape. This piece measures 10 x...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

"Requiem of Regret" (2024) by Brian Serway is an original handmade drawing made with water soluble graphite on board. This piece depicts a wolf standing on a rock peak looking out ov...

Title: Mythological Satyr Figure Study Nude Male Charcoal Drawing Classical Style Medium: Charcoal and graphite on artists paper, unframed (double sided) Size: 10.75 x 8.75 inches (h...

Title: Double Sided Portrait Study Girl With Pearl Earring Profile Drawing Charcoal Medium: Charcoal and graphite on artists paper, unframed (double sided) Size: 10.75 x 8.75 inches ...

Brightly colored expressionist nude figurative painting of a reclining nude female with bold yellow, blue, and magenta accents by Linda Goodman (American...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

A brooding portrait depicting a moustached man staring into the distance. Well presented in a white mount. Unsigned. On wove.

Hummingbird Augury (Circular Cobalt Blue Pastel Drawing of Golden Hummingbird and Stars on Indian Handmade Cotton Paper by Kahn & Selesnick) 11 inch diameter unframed pastel, conte c...

Xavi Carbonell (Spanish, b. 1971), Untitled (Abstract Composition), Mixed Media on Paper, 2012, signed in pencil "X. Carbonell" and dated lower left, white frame. Image: 19.25" H x ...

Joseph Piccillo No 6 (47.C), 2003 Medium: Graphite on Canvas Artwork Size: 66 x 90

English Graphite Sketch of a Male Nude, in Profile by Henry George Moon (British 1857-1905) on pale blue/grey artists paper, unframed measurements: sheet 18.5 x 12 inches provenance...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

Live Transmission Morgan O'Hara's conceptually based performative drawing researches the vital movement of living beings, the human experience of time and space. It is culturally co...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

Paul Pagk Untitled Geometric Abstraction, 1989 Gouache and watercolor on paper Signed, dated and inscribed "A Jacqueline". Frame included Excellent unique work on paper by contempora...

This graphite drawing on paper is in excellent condition and and has only been shown in a gallery setting. The size dimensions do not include the frame. Alvar pays homage to one o...

Diptych Moloka’i Shell Dreams, Art Graf, rubber printing masks, tissue paper on Rives BFK, 2021. As everything on the island is animate, these shells have their shell business with t...

"My work principally consists of deeply abstracted figure compositions--intuitive constructions that begin with random marks establishing larger masses of torsos, heads, and limbs in an undefined setting. The emphasis is almost purely on intuition. The figures are born of their surrounding environment, emerging only partially and fugitively from the layers of pigment. A narrative is evident but never overt. A crown, a shield, a boat, a wheel. Though the subject has recently coalesced around my reading of Dante and Shakespeare, the settings remain extremely vague- a beach, an interior, a woodland. The paintings are, in the end, meditations on the relationship between the protagonists in a wordless drama. In my paintings, I use a cold wax medium combined with dry pigments, oil paint, and embedded fragments of burlap. The surfaces eventually build up into a dense, rugged terrain." --Thaddeus Radell

Raymond Parker (also known as Ray Parker) 1980s Art Dealers (Hand Signed by Raymond Parker), 1980 Rare Offset Lithograph Poster. Hand Signed in Pencil by Ray Parker Hand signed by Ray Parker on the front 25 × 38 inches Unframed This is a collectible hand signed vintage offset lithograph poster on blind stamped wove paper, published on the occasion of an exhibition of works by renowned Abstract Expressionist painter Ray Parker, hand signed as well as plate signed. This traveling exhibition was hosted by multiple galleries, all listed on the poster including Betty Cuningham, Susan Caldwell, The Grippi Gallery...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1955. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art...

Signed lower left, 'Denis Paul Noyer' (French, b. 1940) and created circa 1975. An exceptionally finely-detailed, silver point and colored pencil drawing showing a view of a Parisia...

Abstract drawing on paper in light sky blue, black and white with custom light wood frame 'Blue Twisting Grid' by Donise English 30 x 22 inches unframed, 37 x 29 inches custom frame ...

Title Breton Fishing Fleet Harbour Scene Fishermen Boats Watercolour Gouache Key Details Artist: Henri Miloch (1898–1979) Medium: Watercolour with gouache and graphite on artist’s pa...

Contemporary striped painting by Ron Piller. Painting: Acrylic, Graphite, Gesso, Household, found printed paper on Wood. Multi-colored stripes, modern contemporary. hang verticall...

Comes framed and ready to hang in black floater frame. Artist’s Statement: “These paintings are technically challenging, as they combine wax (encaustic), tar, oil, acrylic, powdered...

Linda Stein, Profile Envelope 421.037, Signed Feminist LGBTQ+ Color Pencil, Acrylic Drawing Profile Envelope 421.037 is from Linda Stein's Profile Envelope series--drawings, colla...

Oil Painting / Text / Pastel Colors / Figurative Art / Outsider Art / Pop Art / Surrealism From Macauley Norman's solo exhibition, CRYPTIC CLUTTER, "Phantasm" is a figurative, pop surrealist painting made with oil, acrylic and graphite on canvas. The piece features beautifully rendered koi fish beside a rendering of the globe into a single, flat plane, beneath the impasto text reading "Phantasm" across the top of the painting. Across the bottom third of the painting's image is a green landscape with a glue sky, behind what appears to be a metal fence...

Study For Tyvek (2019) by Francesca Reyes Graphite on textured archival paper black and white drawing Architecture study, truck, house, building under construction Study / Drawing /...

Frank Nelson Wilcox (American, 1887-1964) Cows by Woodland Pond, Toledo, Ohio, c. 1920 Watercolor and graphite on board Signed lower right 22 x 30 inches 24.75 x 32.75 inches, framed Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School painters," though some sources give this appellation to Henry Keller or Frederick Gottwald. Wilcox was born on October 3, 1887 to Frank Nelson Wilcox, Sr. and Jessie Fremont Snow Wilcox at 61 Linwood Street in Cleveland, Ohio. His father, a prominent lawyer, died at home in 1904 shortly before Wilcox' 17th birthday. His brother, lawyer and publisher Owen N. Wilcox, was president of the Gates Legal Publishing Company or The Gates Press. His sister Ruth Wilcox was a respected librarian. In 1906 Wilcox enrolled from the Cleveland School of Art under the tutelage of Henry Keller, Louis Rorimer, and Frederick Gottwald. He also attended Keller's Berlin Heights summer school from 1909. After graduating in 1910, Wilcox traveled and studied in Europe, sometimes dropping by Académie Colarossi in the evening to sketch the model or the other students at their easels, where he was influenced by French impressionism. Wilcox was influenced by Keller's innovative watercolor techniques, and from 1910 to 1916 they experimented together with impressionism and post-impressionism. Wilcox soon developed his own signature style in the American Scene or Regionalist tradition of the early 20th century. He joined the Cleveland School of Art faculty in 1913. Among his students were Lawrence Edwin Blazey, Carl Gaertner, Paul Travis, and Charles E. Burchfield. Around this time Wilcox became associated with Cowan Pottery. In 1916 Wilcox married fellow artist Florence Bard, and they spent most of their honeymoon painting in Berlin Heights with Keller. They had one daughter, Mary. In 1918 he joined the Cleveland Society of Artists, a conservative counter to the Bohemian Kokoon Arts Club, and would later serve as its president. He also began teaching night school at the John Huntington Polytechnic Institute at this time, and taught briefly at Baldwin-Wallace College. Wilcox wrote and illustrated Ohio Indian Trails in 1933, which was favorably reviewed by the New York Times in 1934. This book was edited and reprinted in 1970 by William A. McGill. McGill also edited and reprinted Wilcox' Canals of the Old Northwest in 1969. Wilcox also wrote, illustrated, and published Weather Wisdom in 1949, a limited edition (50 copies) of twenty-four serigraphs (silk screen prints) accompanied by commentary "based upon familiar weather observations commonly made by people living in the country." Wilcox displayed over 250 works at Cleveland's annual May Show. He received numerous awards, including the Penton Medal for as The Omnibus, Paris (1920), Fish Tug on Lake Erie (1921), Blacksmith Shop (1922), and The Gravel Pit (1922). Other paintings include The Trailing Fog (1929), Under the Big Top (1930), and Ohio Landscape...

David A. Dreyer was born in Dallas in 1958, and earned his BFA and MFA at Southern Methodist University. He was a recipient of the Moss/Chumley Award from the Meadows Museum and has ...

Abstract geometric painting with a cool toned palette of green, blue, and grey with accents of black and white against a sea foam green colored acrylic wash background "Blue and Grey Green Plan" made by Hudson Valley artists, Donise English, in 2022 Graphite, colored pencil, and acrylic painting on vellum 24 x 18 inches unframed, 31 x 25 x 1.5 with an 8-ply white mat, non-glare plexi, and simple black moulding Signed, verso Excellent condition and ready to hang This abstract geometric painting on vellum was made by Hudson Valley based artist, Donise English, in 2022. The composition begins with a blue green toned background of acrylic wash. A grid of box-like patterns in sky blue, green, grey, and black with white line work are stacked to create an irregular shape or an "imagined city grid", says the artist. The painting on vellum is complemented by a simple black frame with an 8-ply white mat, non-glare plexi, and wire backing. It's in excellent condition and ready to hang. About the artist: Donise English emphasizes lines, grids, and fields of subtle color to evoke imagined places and invented structures. While precise lines and straight angles are often associated with themes in architecture and urban planning designs, English conveys a geometric motif guided by intuition rather than a ruler. Variations on grids retain flaws and unmistakable traces of the artists’ hand; her style of draftsmanship shies away from intellectualism and instead makes her compositions feel very personal. A central checkerboard formation floats over a ground of pastel color or washes of grey or cream. Each design is intensely intricate, incorporating gouache, acrylic, pen, graphite, ink and colored pencil. The artist recently retired from her decades career teaching at Marist College and is now devoted full time to her art making. Artist Statement: My work is about the way visual diagrams present information that describes how something is made or the way it is. I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure. Artist CV: EDUCATION Master of Fine Arts in Painting Bard College 1986 Bachelor of Science in Art History State University College at New Paltz 1977 Additional Study: New York Studio School (Drawing Marathons) Columbia University, School of Architecture Women’s Studio Workshop TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie, NY Coordinator, Interior Design Program, Florence, Italy campus 1992-present AWARDS NYFA Fellowship in Painting 2018 Invitational Award for Outstanding Contemporary Talent, University of Bridgeport, CT 2000 Purchase Prize, “11th National Juried Exhibition” College of Notre Dame of Maryland, Baltimore 1999 First Prize, “Women in the Visual Arts ‘95” Erector Square Gallery, New Haven, CT 1995 Joseph A. Cain Memorial Purchase Award for Sculpture Del Mar College, Corpus Christi, TX 1994 Honorable Mention, “National Juried Exhibition” University of Bridgeport, CT 1993 Individual Artists Fellowship in Sculpture Dutchess Arts Fund 1992/93 Tallix, Morris, Singer Internship in Sculpture Tallix Foundry, Beacon, NY 1990/91 MEMBERSHIP Royal British Society of Sculptors SELECTED JURIED/INVITATIONAL EXHIBITIONS 2020 “edu: Art Faculty of the Hudson Valley”, Hudson Valley MOCA, Peekskill, NY 2019 “Contemporary Abstraction”, Carrie Haddad Gallery, Hudson, NY “Mixed Media”, SITE Gallery, Brooklyn, NY 2018 “JuxtaPositions”, The Painting Center, New York, NY “Peculiar Rarities”, Carrie Haddad Gallery, Hudson, NY 2017 “Interlock: Color and Contrast in Abstraction”, Carrie Haddad Gallery, Hudson, NY “Donise English: Encaustics”, Catskill Art Society, Livingston Manor, NY 2016 “Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD “Under, Over, After Over”, Vassar College, Poughkeepsie, NY 2015 “Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY “Gridspace”, KMOCA, Kingston, NY “Abstraction”, Carrie Haddad Gallery, Hudson, NY “Assuming Identity”, NY Institute of Technology, New York, NY 2013 “Modern Artists”, Carrie Haddad Gallery, Hudson, NY “Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY Stone Canoe/Community Folk Art Center, Syracuse, NY 2012 New York Institute of Technology, New York, NY “Contemporary Painters (Who Just Happen To Be Women)”, Carrie Haddad Gallery, Hudson, NY “Strange Glue: Collage at 100”, Cambridge School, Weston, MA “Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY “Fresher Paint”, Rockland Center for the Arts, Nyack, NY Courthouse Gallery, Lake George Arts Project, Lake George, NY 2011 “Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”,Orange County Community College, Newburgh, NY “Gender Matters/Matters of Gender”, Freedman Gallery, Albright College, Reading, PA 2010 Carrie Haddad Gallery, Hudson, NY “Encaustics: Wax and Image”, Westchester Community College, White Plains, NY “Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY “Spring Awakening”, NY Institute of Technology, New York, NY “Clay City Dreams”, NY Institute of Technology, New York, NY “Texture,Pattern, Fragment”, Krause Gallery, Moses Brown School, Providence, RI 2009 “Collage”, NY Institute of Technology, New York, NY “Working in Wax”, Bedford Gallery, Walnut Creek, CA “Encaustic 2009”, College of New Rochelle, NY “Three Artists”, Carrie Haddad Gallery, Hudson, NY “Convergence: The Human Experience”,Howard County Center for the Arts, MD 2008 “Suckers and Biters: Love, Lollipops, and Exquisite Corpse” Chashama Gallery, New York, NY Carrie Haddad Gallery, Hudson NY 2007 “Patterns and Light”, Blue Hill Gallery, Blue Hill, ME “Suckers and Biters”, AG Gallery, Brooklyn, NY 2006 “100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY “On/Of Paper”,Kirkland Art Center, Clinton, NY “The Love Show”, Manchester Community College, Manchester, CT 2005 The Soap Factory, Minneapolis, MN “Small Tales”, Valdosta State University, Georgia National Juried Exhibition,Art Institute and Gallery Salisbury, MD, Juror: Stephen Haller “Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY 2004 “Women in the Middle: Borders, Barriers, Intersections” University of Wisconsin-Milwaukee “Girl Art Now”,Hera Gallery, Wakefield, RI 3 Person Exhibition, Monterey Peninsula College, Monterey, CA “The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery Poughkeepsie, NY 2003 “Beefcake/Cheesecake”,Orange County Center for Contemporary Art, Santa Ana, CA,Juror: Jamie Wilson, Curator Halpert Bienniel, Appalachian State University, Boone, NC Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY 2002 “Cat Calls”, Red Clay Arts, Brooklyn “Hudson Valley Regional”, SUNY New Paltz Juror: Sydney Jenkins, Director, Ramapo College Art Galleries 2001 One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago One-Person Exhibition, Garrison Art Center, Garrison, NY 2000 “Vision 2000...

"Jax, the Mischievous Pumpkin Lad" (2024) by Timothy Von Rueden is an original handmade graphite drawing that depicts a monster with a pumpkin for a head and a bag of jacks.

Clarence Holbrook Carter (American, 1904-2000) Study for Worlds Beyond, 1980 Graphite, collage and white heightening on illustration board Signed and dated lower right 10.75 x 4.5 in...

Ross Bleckner (American, b. 1949) Untitled Watercolor 13 3/4 x 11 in. Signed: Ross Ross Bleckner grew up in Hewlett, Long Island, New York; drawing all the time without being aware ...

This is the only drawing Mary Reilly has ever done of Maui - a gorgeous scene with breaking, frothy water captured in graphite pencil.

"Scarecrow" is a beautiful collaboration between fantasy masters Babs Webb and Timothy Von Rueden, done with graphite on mixed media paper, and measuring at 14 x 11 in. in its frame,...

"The Famished Vampire" (2024) by Timothy Von Rueden is an original handmade graphite drawing that depicts an imprisoned vampire, who's hands are bound and has a cage on his head.

"Dusk (Sketch)" by Peter Mohrbacher is an original drawing made with graphite on paper that depicts the grim reaper holding his scythe and looking up.

"Fragrance" (2024) by Bunyod Suvonov is original handmade drawing made with charcoal and graphite on toned paper. This piece depicts a portrait of a woman with long black hair smelli...

Seated figure with loom or mechanical apparatus, graphite study with artist’s annotations (20th century) Graphite on paper, unframed. Size: 10.5 x 13.25 inches (height x width) Unsig...

Wales: Caernarfon Castle by Leonard Machin Rowe (1880-1968) signed front lower right, inscribed and signed to the back watercolour painting on artist's paper, unframed Image 9.5 ...

Mixed-Media / Pop and Contemporary Pop / Representations of Everyday Objects / Illustration / Human Figure / Interiors / Landscape / Still Life / Technology / Bright and Vivid Colors / Figurative Art / Outsider Art / Pop Art From Macauley Norman's solo exhibition, CRYPTIC CLUTTER, "Spaghetti Western...

"Leaving Orange Pt. 1" (2020) by Francesca Reyes Oil painting on wood panel, urban skyscape, sunrise or sunset Figurative Art / Representations of Architecture / Cityscapes and City Scenes / Dark Colors Small scale vertical contemporary landscape, cityscape. Moody color tones of a Philadelphia...

With a career spanning more than three decades, Robbie Cornelissen has established himself among the leading contemporary draughtsmen in Europe. His vast and irresolute creative univ...

Original oil paint, oil stick, acrylic paint, crayon, marker, graphite and spray paint on canvas. Hand signed, titled and dated on verso by Edu Carrillo. Canvas Size: 64 x 51.25 x...

Nina Tichava is a pattern-based, abstract painter primarily focused on spatial relationships that emphasize the inherent surface quality, color, and visual variations in her work. Sh...

Peter Halley Untitled Geometric Abstraction, ca. 1990 Graphite and Ink Signed in graphite pencil by Peter Halley; lower right front Frame included: floated and framed in wood frame U...

Artist : Kory Twaddle Title : Nerve Center Materials : Acrylic, gouache, postage stamps, and mixed media on paper Date : 2018 Dimensions : 24 x 36 x 0.3 inches Kory Twaddle is a Ka...

"In the world of still life and landscape, conceptual events meet one another – the structural meets the narrative, the small stands in the space of the large, and color has a chance...

Polar Bear Family [2017] Original Figurative Graphite on paper Image size: H:43.1 cm x W:30.5 cm Complete Size of Unframed Work: H:43.1 cm x W:30.5 cm x D:0.2cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Polar Bear Family was created from my original photographs taken whilst visiting a zoo. Drawn using graphic pencils to recreate the texture of the bears fur. David Truman...

Norman Akers Tears, 2018 Monotype on paper by renowned native American artist (Osage Indian) Signed and numbered 1/1 Frame included Monotype (unique) Pencil signed, numbered 1/1 and titled in graphite pencil on the front Published by Tamarind Institute, Albuquerque New Mexico with label from Chiaroscuro Contemorary Art, Santa Fe, NM Provenance Tamarind Institute Frame included Measurements: Frame: 18.5" vertical x 15.5" horizontal x .75 inches deth Artwork: 11.5" vertical x 8.5" horizontal Norman Akers (Native American, Osage), b. 1958 Biography Norman Akers was born and raised in Fairfax, Oklahoma. He is a member of the Osage Nation. He received a BFA in Painting from the Kansas City Art Institute in 1982, and a Certificate in Museum Studies from the Institute of American Indian Arts in 1983. In 1991, he received a MFA in Fine Arts from the University of Illinois, Urbana-Champaign. Akers had solo exhibitions at the Lawrence Arts Center, Lawrence, Kansas, Jan Cicero Gallery in Chicago, Illinois, and the Gardner Art Gallery, Oklahoma State University, Stillwater, Oklahoma. He has participated in numerous group exhibitions including, Unlimited Boundaries, The Dichotomy of Place in Contemporary Native American Art, Albuquerque Museum, Albuquerque, New Mexico, Who Stole the Tee Pee...

Tammy Liu-Haller's "Cougar" is an original, handmade graphite on clayboard, gold leaf and acrylic that depicts a cougar. About the artist: Tammy was born in 1975 in Kingston, NY. She is a realism artist, working primarily in graphite and charcoal. After spending 15 years away from the field, she began drawing again in 2011 and went full-time by 2015. She is an avid supporter of organizations that rescue, conserve, and protect domestic and wild animals, and she often donates artwork to these causes each year. Tammy has also created a small niche of golf drawings...

Santi Moix Seeing Don Quixote and Sancho ("the famous pair"), ca. 2008 Drypoint, etching and abrasion with hand coloring with watercolor, along with graphite annotations Hand signed ...