Jack Davis Art

A lively, well executed sketch painted by a 19th century follower of Francesco Guardi Follower of Francesco Guardi, 19th Century Figures by a Roman Arch Watercolour with ink and sc...

William Crouch (active 1817-1850) A view of a country estate in the mountains Watercolour 3 x 4½ 8¼ x 9¼ inches with frame William Crouch was a prolif...

This appears to be dated 1927. It came in with a piece dated 1929. A very early, rare work. Framed 22.5 x 18. Image 14.5 x 9 A great New York city street scene with an El train (elevated subway line) and architectural renderings of buildings. This is a wonderful piece by one of America's most treasured artists, Chaim Gross. Throughout his lifetime Gross has gone through tragedy and a real test of faith however, he has the unique ability to focus and direct his expression to the most joyful and beautiful works of art, such as the present lot. For more than sixty years Chaim Gross's art has expressed optimistic, affirming themes. His acrobats, cyclists, and mothers and children convey joyfulness, exuberance, love, and intimacy. This aspect of his work remained consistent with his Hasidic heritage, which teaches that "only in his childlike happiness is man nearest to God." He often used his creative abilities to explore and experiment with media. In his artwork he retains an optimistic philosophy, even when facing somber issues such as war, depression, and the Holocaust. Chaim Gross (March 17, 1904 – May 5, 1991) was an American sculptor and educator. Gross was born to a Jewish family in Austrian Galicia, in the village of Wolowa (now known as Mezhgorye, Ukraine), in the Carpathian Mountains. In 1911, his family moved to Kolomyia (which was annexed into the Ukrainian USSR in 1939 and became part of newly independent Ukraine in 1991). When World War I ended, Gross and brother Avrom-Leib went to Budapest to join their older siblings Sarah and Pinkas. Gross applied to and was accepted by the art academy in Budapest and studied under the painter Béla Uitz, though within a year a new regime under Miklos Horthy took over and attempted to expel all Jews and foreigners from the country. After being deported from Hungary, Gross began art studies at the Kunstgewerbeschule in Vienna, Austria shortly before immigrating to the United States in 1921. Gross's studies continued in the United States at the Beaux-Arts Institute of Design, where he studied with Elie Nadelman and others, and at the Art Students League of New York, with Robert Laurent. He also attended the Educational Alliance Art School, studying under Abbo Ostrowsky, at the same time as Moses Soyer and Peter Blume. In 1926 Gross began teaching at The Educational Alliance, and continued teaching there for the next 50 years. Louise Nevelson was among his students at the Alliance (in 1934), during the time she was transitioning from painting to sculpture. In the late 1920s and early 1930s he exhibited at the Salons of America exhibitions at the Anderson Galleries and, beginning in 1928, at the Whitney Studio Club. In 1929, Gross experimented with printmaking, and created an important group of 15 linocuts and lithographs of landscapes, New York City streets and parks, women in interiors, the circus, and vaudeville. The entire suite is now in the collection of the Philadelphia Museum of Art. Gross returned to the medium of printmaking in the 1960s, and produced approximately 200 works in the medium over the next two decades. In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. For a short time they represented Gross, as well as his friends Milton Avery, Moses Soyer, Ahron Ben-Shmuel and others. Gross was primarily a practitioner of the direct carving method, with the majority of his work being carved from wood. Other direct carvers in early 20th-century American art include William Zorach, Jose de Creeft, and Robert Laurent. Works by Chaim Gross can be found in major museums and private collections throughout the United States, with substantial holdings (27 sculptures) at the Hirshhorn Museum and Sculpture Garden. A key work from this era, now at the Smithsonian American Art Museum, is the 1932 birds-eye maple Acrobatic Performers, which is also only one and one quarter inch thick. In 1933 Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration), which Gross worked for later in the 1930s. Under these programs Gross taught and demonstrated art, made sculptures that were placed in schools and public colleges, made work for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the Exposition universelle de 1937 in Paris, and in 1942, with a purchase prize at the Metropolitan Museum of Art's "Artists for Victory" exhibition for his wood sculpture of famed circus performer Lillian Leitzel. In 1949 Gross sketched Chaim Weizmann, President of Israel, at several functions in New York City where Weizmann was speaking, Gross completed the bust in bronze later that year. Gross returned to Israel for three months in 1951 (the second of many trips there in the postwar years) to paint a series of 40 watercolors of life in various cities. This series was exhibited at the Jewish Museum (Manhattan) in 1953. In the 1950s Gross began to make more bronze sculptures alongside his wood and stone pieces, and in 1957 and 1959 he traveled to Rome to work with famed bronze foundries including the Nicci foundry. At the end of the decade Gross was working primarily in bronze which allowed him to create open forms, large-scale works and of course, multiple casts. Gross's large-scale bronze The Family, donated to New York City in 1991 in honor of Mayor Ed Koch, and installed at the Bleecker Street Park at 11th street, is now a fixture of Greenwich Village. In 1959, a survey of Gross's sculpture in wood, stone, and bronze was featured in the exhibit Four American Expressionists curated by Lloyd Goodrich at the Whitney Museum of American Art, with work by Abraham Rattner, Doris Caesar, and Karl Knaths. In 1976, a selection from Gross's important collection of historic African sculpture, formed since the late 1930s, was exhibited at the Worcester Art Museum in the show The Sculptor's Eye: The African Art Collection of Mr. and Mrs. Chaim Gross. Gross was elected into the National Academy of Design as an Associate member, and became a full Academician in 1981. In 1984, he was inducted into the American Academy of Arts and Letters, with Jacob Lawrence and Lukas Foss. In the fall of 1991, Allen Ginsberg gave an important tribute to Gross at the American Academy of Arts and Letters, which is published in their Proceedings. In 1994, Forum Gallery, which now represents the Chaim Gross estate, held a memorial exhibition featuring a sixty-year survey of Gross's work. Gross was a professor of printmaking and sculpture at both the Educational Alliance and the New School for Social Research in New York City, as well as at the Brooklyn Museum Art School, the MoMA art school, the Art Student's League and the New Art School (which Gross ran briefly with Alexander Dobkin...

"Liber Mystia XLIII" is an original artwork by Henry Hablak made of gouache, ink, and colored pencil on paper measuring 16.25"h x 12.25"w framed and 14"h x 11"w unframed. Henry Habl...

A very attractive rural scene of a fisherman and his dog on a riverbank, in very good colour and an appealing composition. Claude Hayes (1852-1922) A fisherman and his dog by a riverbank Signed Watercolour with touches of pencil 6½ x 10 inches, image only 13 x 16 inches with the frame Claude Hayes was a Dublin born painter who to avoid his father's wish to make a businessman of him ran away to sea and served on the Golden Fleece, one of the transports used in the Abyssinian expedition of 1867-68, and also spent a year in the United States. Returning to London, he studied art at Heatherley's and the Royal Academy Schools, and then in Antwerp, under Charles Verlat. He worked in Hampshire with James Aumonier and also in Surrey with William Charles Estall, whose sister he married. Hayes exhibited widely in London and provincial centres, and was elected a member of the Royal Institute of Painters in Water Colours in 1886, the Royal Institute of Oil Painters in 1883, and the Royal Scottish Society of Painters in Watercolour, 1902. He also showed at the RA, RBSA, Brook Street Art Gallery, Dudley Gallery, FAS, GI, Grosvenor Gallery, Walker Art Gallery, Liverpool, MAFA, RBA, RHA, Ridley Art Club, RSW and Walker's Gallery, London. In 1912, Claude Hayes represented England at the Venice Biennale. His work is in various public collections in England and Ireland including the Ulster Museum, Museums Sheffield, Torre Abbey Museum and the Leeds City Art Gallery. His father was the artist Edwin Hayes.

Original drawing by Lauren Rinaldi float mounted in the pictured simple white frame measuring 17in x 14in. Lauren Rinaldi works using unbiased portraits of women’s bodies as a veh...

Signed lower center, 'by Buk' for Eduard Buk Ulreich (American, 1889-1966), dedicated lower center, 'for Ruth' and painted circa 1945. Additionally signed and titled verso 'Navajo Fa...

WPA Post Office Mural Study Native American Scene Regionalism Social Realism Louise Emerson Ronnebeck (1901 - 1980) Proposal Sketch for Worland Wyoming Post Office WPA Mural Project Image: 7 x 15 inches Board 14 x 22 inches Watercolor on paper, attached to black/gray cardboard/thick paper c. 1937 Signed lower right Written in Louise's hand on mounting paper in white chalk/pencil: "Sketch for Mural...

Genre: German Expressionist Subject: Figures Medium: etching, watercolor paint Surface: Paper This is hand signed lower right.. there does not seem to be an edition size although there is a handwritten number lower left sheet measures 12.5 x 19.88. plate size about 9 x 13.5 Julius Mordecai Pincas (March 31, 1885 – June 5, 1930), known as Pascin Jules...

Frame measures 13.5 X 11.5 Paper measures 6.5 X 4 inches Hand signed lower right Watercolor painting of prophet or Rabbi, Judaica artwork Born in 1897, Ben-Zion Weinman celebrated h...

This enchanting watercolor, measuring a mere 4.5 x 8 cm, offers a glimpse into the beauty of a serene autumn landscape overlooking Lake Möckeln, nestled between the municipalities of Degerfors and Karlskoga in the province of Värmland, Sweden. In this picturesque scene, the horizon reveals the serene outline of the distant shoreline, adorned with several small islands. The tranquil waters mirror the reflection of the trees on the land, creating a harmonious and captivating play of colors. In the foreground, a solitary birch tree stands tall, adding depth and perspective to this miniature watercolor. The level of precision achieved within this tiny format is truly remarkable, showcasing Fanny Hjelm...

MALCAH ZELDIS Reclining Woman Wine and Cigarettes gouache on paper Hand signed and dated bottom right. titled in pencil on paper verso. Matted to 13 X 1...