Art by Medium: Graphite

Signed by artist "M. O'KEEFE 2013" at lower right. Media is graphite on clay-coated panel. Overall dimensions including the frame are 18 x 15 inches.

Paco Rabanne ( 1934 -2023 ) Grand couturier et parfumeur franco - espagnol . Il a marqué l'univers de la mode dans les années 60. En 1963 , Lauréat de la Biennale de Paris avec une s...

Over a hundred years ago, my grandfather registered as a homesteader with the Department of the Interior Land Office in Buffalo, Wyoming. Building a cabin on a remote 640 acre plat,...

Naturalistic portrait of a french woman with a styled hair cut. The work is signed and dated by the artist. The paper is not framed. Many others are available. Please inquire to buy the entire collection. Artist Biography: Emile Lejeune...

Hai (Abba) (Hebrew translation: Hey Father) Signed in ink lower left by the artist’s widow “AL” (Adele Lozowick) Original label from early exhibition verso at The Art Corner Graphit...

This watercolor, gouache, graphite, and crayon drawing on paper was created by contemporary artist Jody Pinto (b. 1942). Pinto's large-scale architecture and small-scale design all h...

Mary Reilly’s laborious method of toning her paper serves as the starting point for her intricate compositions. She begins by covering the entire sheet with up to eight smooth, unmod...

Old Luxembourg. La Passerelle and The Ramparts by Leonard Machin Rowe (1880-1968) signed and inscribed front lower right corner. Inscribed, dated and s...

Tammy Liu-Haller's "Ram" is an original, handmade graphite on clayboard, gold leaf and acrylic that depicts a ram with majestic horns. About the artist: Tammy was born in 1975 in Kingston, NY. She is a realism artist, working primarily in graphite and charcoal. After spending 15 years away from the field, she began drawing again in 2011 and went full-time by 2015. She is an avid supporter of organizations that rescue, conserve, and protect domestic and wild animals, and she often donates artwork to these causes each year. Tammy has also created a small niche of golf drawings...

Between September 2018 and April 2019, I created 100 small paintings consecutively. I endeavored to make nothing else and viewed the project as an opportunity to experiment and solid...

BIJIN-GA SERIES XVIII (Nº 18) Title: Obvious Love (Arawaruru Koi) This image is part of the bijin-ga series (“Pretty women”) drawn by Mario BGil, based in the Kitigawa Utamaro woodblock print Obvious Love (Arawaruru Koi) (1793-94); 38,8 x 26,2 cm.. Art Institute Chicago, USA. A sensual woman seems to care little that her kimono is open, exposing a breast. Her hair is in disarray , the hairpin at the front about to fall and she holds one of the hairpins in her left hand. She appears to be looking down outside the frame of the picture, perhaps in mid-conversation. The term “arawaruru” refers to a love so wholehearted that it expresses itself in the lover´s face and mannerisms. In the 1780's and 90's the publisher Tsutaya Juzaburo and the designer Kitagawa Utamaro worked together on the production of many woodblock prints, most of them of the bijin-ga type. One of their most popular productions was a set of images that purported to depict psychological classifications of women - 'fickle', 'interesting', etc.. Perhaps in response to this success, they then came up with something similar - a set of prints...

Belgium. Brussels - A Market Lottery Seller by Leonard Machin Rowe (1880-1968) signed, dated and inscribed front lower left corner, inscribed and signed to the back watercolour paint...

"Field Study - Typology of Hand" is a mixed media piece by Terri Warpinski using photographs, drawings, and fragments of notebook and sketchbook paper. The artist signed the piece in the lower right and titled it lower left. 9 1/2" x 7" art 20 7/8" x 17" frame From her home base in Oregon Terri Warpinski travels the world to pursue her creative practice. She is a Professor of Art at the University of Oregon and was a Fulbright Scholar in Israel 2000-2001. Recent awards include an Individual Artist Fellowship (2014), two Career Opportunity Grants (2015, 2013) from both the Ford Family Foundation and the Oregon Art...

Artist: Shimshon Holzman (1907-1986) Title: Untitled (Cafe Interior) Year: 1962 Medium: Watercolor and graphite on wove paper Size: 27.75 x 19.75 inches ...

Gouache and graphite on handmade paper. 14 x 11 inches unframed, 18.25 x 15.25 inches framed. Artist Statement: “As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters. I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate Snow

Joseph Solman Garage in Provincetown Signed with initials lower right Graphite on paper 8 7/8 x 11 7/8 inches Joseph Solman was born in 1909 in Vitebsk, in what is now Belarus, the...

Nuanced grays intersected by bright lines and dashes result in this emotive, nearly explosive, spatial investigation. Gravity Composition 04 (2022) by Kyle Butler. Acrylic, graphite,...

This contemporary abstract acrylic painting on paper features intricate mark-making formations in black and white. D'Arcy’s train of thought is impulsive and random, the marks are in...

This contemporary abstract acrylic painting on paper features intricate mark-making formations in black and white. D'Arcy’s train of thought is impulsive and random, the marks are in...

This contemporary abstract acrylic painting on paper features intricate mark-making formations in black and white. D'Arcy’s train of thought is impulsive and random, the marks are in...

This contemporary abstract acrylic painting on paper features intricate mark-making formations in black and white. D'Arcy’s train of thought is impulsive and random, the marks are in...

This contemporary abstract acrylic painting on paper features intricate mark-making formations in black and white. D'Arcy’s train of thought is impulsive and random, the marks are in...

This contemporary abstract acrylic painting on paper features intricate mark-making formations in black and white. D'Arcy’s train of thought is impulsive and random, the marks are in...

This contemporary abstract acrylic painting on paper features intricate mark-making formations in black and white. D'Arcy’s train of thought is impulsive and random, the marks are in...

Nuanced grays intersected by bright lines and dashes result in this emotive, nearly explosive, spatial investigation. Gravity Composition 07 (2022) by Kyle Butler. Acrylic, graphite,...

Artist: Richard Stenhouse, American (1944 - ) Title: Adjustable Wrench Year: circa 1970 Medium: Graphite on Paper, signed l.r. Size: 16.5 x 17 in. (...

This contemporary abstract acrylic painting on paper features intricate mark-making formations in black and white. D'Arcy’s train of thought is impulsive and random, the marks are in...

This contemporary abstract acrylic painting on paper features intricate mark-making formations in black and white. D'Arcy’s train of thought is impulsive and random, the marks are in...

Sonia Gechtoff Flag Icon, 1963 Pastel, graphite and collage Frame included: elegantly framed in hand made wood frame with UV plexiglass Evocative mixed media mid century modern work...

A man wearing a beret forms the central focus of this abstract, angular composition, executed in pen and graphite with watercolour highlights. Inscribed with the title and artist's n...

A meticulously detailed early 19th-century portrait study depicting the refined Sarah Flower. This work was acquired as part of a pair, the accompanying piece depicts her husband Rob...

Unsigned Graphite on paper

A captivating abstract painting by contemporary American artist Kyle Butler depicting fire and plumes of smoke in the artist's signature style. The panel is covered with graphite an...

Born in Groton, Massachusetts in 1862, impressionist painter Edmund Charles Tarbell studied with George H. Bartlett at the Massachusetts Normal Art School, under Otto Grundmann at the School of the Museum of Fine Arts in Boston and in 1883, entered the Académie Julian to study under Gustave Boulanger and Jules Joseph Lefebvre. In 1884, his education included a Grand Tour to Italy and the following year to Belgium, Germany and Brittany. Tarbell returned to Boston in 1886 where he began his career as an illustrator, private art instructor and portrait painter. He was a member of the Ten American Painters and was a leading member of a group of painters which came to be known as the Boston School. In 1889 Tarbell assumed the position of his former mentor, Otto Grundmann, at the Museum School. His students included Bertha Coolidge, Margaret Fitzhugh Browne...

This work entitled “The Designers” by Chicago-based artist Patrick Fitzgerald continues his series of abstract “track paintings,” initially born as the imagined racetracks navigated ...

Artist: Guillaume Azoulay (1949) Title: Four Studies For Winners Year: 1990 Medium: Ink, Pencil & Gold Leaf Drawing on Rice Paper Size: 8.5 x 14 inches Condition: Excellent Inscripti...

Camael Oil, graphite, sand, dry pigment on paper, laid canvas 47" x 35" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of p...

Based in Cornwall, UK Brad creates expressive and abstract paintings with a graffiti influence that scale smaller mounted works to larger street art murals. Using a variety of media ...

A mixed media painting by Michael Platt from 1981. A representational image of a figure in a diverse color pallet. Platt creates artwork that centers on figurative explorations of li...

The Bull III - expressive line drawing on 140lb paper. The work is size 12x8 inches framed (black) with a styrene face on a double mat board in grey-beige or white-beige color with s...

STILL LIFE CORAL OCHRE Graphite and oil pastel on paper Size: 39 x 46.5 cm (including frame) An engaging and powerful abstract composition by British contemporary artist Lloyd Durli...

Bull III- expressive line drawing on 140lb paper. Part of the triptych. The work size is 12x8 inches framed (black) with a styrene face on a double mat board in grey-beige or white-b...

On offer is a work which was part of a book of tonalist drawings by Granville Redmond (1871-1935). This rare pencil and charcoal drawing with white gouache accents is haunting for it...

This is a page from the artist's sketchbooks. Six pencil drawings show figures that might have been in preparation for future lithographs, Certainly the woman with the umbrella could have been an early iteration for September Storm. There is also a self portrait of Nesbitt. Clearly the works are authentic if unsigned. Provenance: from the Nesbitt studio. From workers wrestling with heavy machinery to a lone horseman traveling down a rut-filled country road; from the animated crowd at a livestock auction to the dignified worshippers at a serene Sunday service; Jackson Lee Nesbitt chose to represent the essence of humanity and the nobility of ordinary folk striving to get along as best they can. He studied with Thomas Hart Benton and John Demartelly...

Small child hovers suspended above a black bird taking flight. In balanced on one side a brass hook frog, on the other side a ritual object suggesting a strategy game of duality unit...

Krieger’s recent work is a reflection of the forces of nature that connect and impact us, and shape our world. While Krieger hints at elements of landscape across her canvases—spheri...

Mary Ingebrand-Pohlad (American, b. 1953). Graphite, pastel, and paper collage painting "Nantucket Still Life with Whirligig and Hydrangea" depicting a mixed media still life colla...

A native New Yorker, Brosen has spent a lifetime wandering its streets, discovering its long history and witnessing its constant metamorphosis. The city is his muse and his primary s...

The Bull II - expressive line drawing on 140lb paper. Part of the triptych. His artistic style is rather difficult to describe, it can be named as "expressive...

It would be hard to imagine two more different cities architecturally than the formal grandeur offered by Vienna, Austria and the exuberant 20th-century sprawl of Los Angeles, home o...

Art still has a shamanic component that is often unrecognized, yet nevertheless functions through symbols. Symbols here are not a psychological interpretation, but rather work you as...

Preliminary Study for the painting Rose and Gold, 1913 Graphite on paper, 1913 Signed in pencil lower left (see photo) Titlted "Lizzy Young" in pencil upper left (see photo) Lizzy was a modle that Paxton depicts numerous times. The painting that this drawing is related to, is illustrated in Lee & Krause, William McGregor Paxton, 1869-1941, Plate 32, text on page 132. The painting was formerly in the collection of Victor Spark and the Honorable Paul Buchanan. It is currently in a Texas Collection. Provenance: Private Collection, Florida William McGregor Paxton (June 22, 1869 – 1941) was an American painter and instructor who embraced the Boston School paradigm and was a co-founder of The Guild of Boston Artists. He taught briefly while a student at Cowles Art School, where he met his wife Elizabeth Okie Paxton, and at the Museum of Fine Arts School in Boston. Paxton is known for his portraits, including those of two presidents—Grover Cleveland and Calvin Coolidge—and interior scenes with women, including his wife. His works are in many museums in the United States. Early life He was born on June 22, 1869, in Baltimore to James and Rose Doherty Paxton. William's father moved the Paxton family and established a catering business in Newton Corner, Massachusetts, in the mid-1870s. Education Paxton attended Cowles Art School on a scholarship he attained at the age of 18. He studied with Dennis Miller Bunker...

An original contemporary painting by American contemporary female artist Amanda Besl. Besl uses chemistry to create rust and copper inks. Wholesale framing is available. Througho...

With a career spanning more than three decades, Robbie Cornelissen has established himself among the leading contemporary draughtsmen in Europe. His vast and irresolute creative universe demonstrates the complexity of a world dealing with new spatial concepts. Every corner of the planet may have been explored, but digital technologies have opened up an endless universe to discover, a virtual labyrinth without an exit in which one can easily get lost. His drawings often serve vertiginous perspectives out of which emerge distressing voids that refer more to metaphorical states of mind than physical spaces. Cornelissen’s works offer an exploration of these fields and are therefore often viewed as places of anxiety. They could easily be interpreted as portraits of a technophobic mind, alarmed by the speeds and heights of our advanced neoliberal societies. But for some, the volatility of these spaces is also incredibly exciting – liberating even. Cornelissen represents a world in which things are freed from the pragmatism of their usage to exist simply for the interest of their geometry. This is particularly true of architecture, the prime subject of his artistic research. In many ways, Cornelissen’s technique is very classical. His expertise of linear perspective takes root in the heritage of Quattrocento Masters of the likes of Pietro Perugino...

Waterlilies 3 (Abstract painting) Acrylic, oil bar, oil pastel and graphite on canvas - Unframed. Artwork exclusive to IdeelArt. This artwork will be shipped rolled in a dent-resi...

Abstract, landscape, figurative: a rabbit burrow, reminiscent of Venice Carl Dimitri’s artistic style is multifaceted, blending abstract, contemporary, and expressionistic elements....

In Seeds of Change 128, Salvatore Matteo continues his exploration of balance, perception, and collective consciousness through intricately layered paper relief. Cut, curled, and sus...

Chikako Okada’s autobiographical works of art bridge traditional realism with magical realism and surrealism. The artist uniquely addresses questions of the human condition through h...

Chikako Okada’s autobiographical works of art bridge traditional realism with magical realism and surrealism. The artist uniquely addresses questions of the human condition through h...

Chikako Okada’s autobiographical works of art bridge traditional realism with magical realism and surrealism. The artist uniquely addresses questions of the human condition through her meticulously detailed, and patterned imagery. The work is mesmerizing, rich in symbolism, and reference feminine power, vulnerability, sadness, longing, and desire. Often featuring adolescent girls and boys that are mysteriously posed, the artist leaves the circumstances of her subjects to the viewer's interpretation. Chikako Okada is inspired by the paintings of European masters, Mexico's Frida Kahlo, and the American surrealists. The drawing is 23 1/4 X 18 1/4 inches. Professionally matted and framed in a museum quality rose gold wood...