Art by Medium: Graphite

John Selburg was born and raised in Peoria, Illinois. He holds a BFA in Drawing, Sculpture, and Graphic Design from Bradley University (2006), and an MFA from the University of Misso...

JENNIFER VIVIANO Seamed 2018 Chalk pastel and graphite on paper 8 x 22 inches

JENNIFER VIVIANO Cracked 2018 Chalk pastel and graphite on paper 8 x 22 inches

Sean Lyman is a Professor of Painting and Drawing at Missouri State University, with an extensive list of international exhibitions and work in public permanent collections including...

Sean Lyman is a Professor of Painting and Drawing at Missouri State University, with an extensive list of international exhibitions and work in public permanent collections including...

Sean Lyman is a Professor of Painting and Drawing at Missouri State University, with an extensive list of international exhibitions and work in public permanent collections including...

“I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.” ― Albert Einstein. Always working with graphite and charcoal, Robbie Cornelissen’s limited palette emphasises the stark sombre nature of his metaphysical drawings, The Undertow is his sixth solo exhibition at Art Mûr. At the centre of the exhibition hovers Terra Nova, a dark and desolate world parallel to our own. Robbie Cornelissen’s drawings, such as The Space of Absence and Thriller, seem to pull from the stop motion’s frames. Other images, made especially for The Undertow isolate key fragments; the cloud, mounds and timeless dwellings, Cornelissen’s signature technical interest. In addition to his methodical approach, Cornelissen uses the written word, scrawling and erasing terms repeatedly, in English, French, and German, these fastidious markings and exact translations leave a trace and a glitch on paper and screen. Much of his existing work includes words and phrases like “tribunal,” “myself when I am real” and “the need to disappear.” Do they identify what forms, systems and sentiments that are, or could be present? Or do they warn of what is to come? Suspended in the atmosphere of a planetary body, Cornelissen’s clouds extend down to the surface, looming over Earth and Terra Nova. But are they harmless clouds, or associated with nuclear explosions? And is that the ash, dust, pollution and detritus of these invented places, the remnants of an unsustainable society, a dream factory? Or the promise of life anew? In weather forecasting, or aeromancy, the presence of clouds can promise darkness and gloom, but they can also bring cleansing. The ominous aura of the grid, an applied system and structure used by many, including draughtsmen, architects, urban planners, designers and artists to organise and sometimes classify information, is a recurring element in his work. The grid can be observed from a distant bird’s eye view, or close up, allowing Cornelissen’s large format drawings...

A fine study of a young girl completed carefully in graphite. The artwork is well presented in a molded black frame with glazing and a double card mount. On wove.

A meticulously detailed 19th Century copy of Raphael's 'Portrait of Leo X', depicting a seated Pope Leo X with two cardinals either side of him. These additio...

A delicate and delightful graphite study of a young child, by a follower of Stephen Poyntz Denning (1795-1864). This study came from an album that was assembled in the 1940's by a c...

A pair of well rendered studies from Michelangelo's Sistine Chapel. The drawings show the Biblical figures of Zacherias and Ezechiel, seated in an ornate pendentive, surrounded by ch...

Ink, graphite, and oil paint on double-sided frosted Mylar film mounted to board Signed and dated on label, verso This artwork is offered by ClampArt, located in New York City. Cub...

SOLD UNFRAMED Village au bord d l'Eau by Paulémile Pissarro (1884-1972) Graphite on paper 32 x 23.5 cm (12 ⁵/₈ x 9 ¹/₄ inches) Signed lower right, Paulémile-Pissarro- Executed circ...

Judi Tavill( NJ) creates biomorphic abstraction coupling sculpture with drawing that references the complicated experience of connection and entanglement. ...

Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotations and geographical memories: that summer you spent...

ABOUT THE ARTIST Adam Mysock was born in Cincinnati, Ohio in 1983 - the son of an elementary school English teacher and a lab technician who specializes in the manufacturing of pigm...

Nauset by Joseph Conrad-Ferm, 2021 Acrylic paint, spray paint, marker, oil pastels, color pencil, and graphite on canvas. W 48" x H 60" x D 1.5" "Nauset beach is one of the most m...

Rooted in observation and fueled by a curiosity about the behavior of objects and handicraft processes, Carly Glovinski makes paintings, sculpture and works on paper that often teeter between representation and abstraction. Letting craft techniques like weaving inform her mark making, her work mimics everyday objects and highlights geometric pattern and structure found in textiles, while exploring the resourceful attitudes associated with domestic craft and rural communities that prioritize placemaking in concert with nature. She received her BFA from Boston University in 2003 and is represented by Morgan Lehman Gallery...

Barnett, a surrealist artist incorporates discarded mechanical objects and gadgets into his artwork. His work is characterized by its unique and eclectic mix of materials, which rang...

Jerry Berneche (1932 - 2016) was a painter and draftsman of representational scenes and portraits featuring extraordinary color work and extremely detailed mark-making. Locally he is...

Jerry Berneche (1932 - 2016) was a painter and draftsman of representational scenes and portraits featuring extraordinary color work and extremely detailed mark-making. Locally he is...

Jerry Berneche (1932 - 2016) was a painter and draftsman of representational scenes and portraits featuring extraordinary color work and extremely detailed mark-making. Locally he is...

Jerry Berneche (1932 - 2016) was a painter and draftsman of representational scenes and portraits featuring extraordinary color work and extremely detailed mark-making. Locally he is...

Graphite on paper Signed, verso This drawing is offered by ClampArt, located in New York City. Price includes framing. About the artist: Chris Ironside is a Toronto-based artist wor...

Graphite on paper Signed, verso This drawing is offered by ClampArt, located in New York City. Price includes framing. About the artist: Chris Ironside is a Toronto-based artist wor...

Graphite on paper Signed, verso This drawing is offered by ClampArt, located in New York City. Price includes framing. About the artist: Chris Ironside is a Toronto-based artist wor...

Materials: Graphite and hand-sewn beads on primed linen MONICA ZERINGUE received her Masters of Fine Arts from the University of New Orleans in 2006, and her BA in 1993. In 1999 she...

Collaborate by Rose Umerlik is an abstract painting, Oil and Graphite on wood panel, 36 x 48. Rose Umerlik extracts the intangible emotional moments that live in our collective human psyche and interprets them abstractly through form, line and color so that they may also exist outside of ourselves. In recent years, Umerlik has shown in seven solo exhibitions and innumerable group shows domestically and internationally, published a book of work titled Intimacy of Forms, received notable reviews in such publications as Art New England, and been awarded the Clowes Award by the Vermont Studio Center. The most affecting experience of Umerlik’s career to date has been her two-month stay in the Takt Kunstprojektraum Artist Residency in Berlin, Germany. She was named a 2018 Vermont Artist...

Seated Man David Schwab, American (1921–2002) Date: 1978 Watercolor and Graphite on Paper, signed and dated in pencil Image Size: 17.5 x 12 inches Size: 20 x 14.75 in. (50.8 x 37.47 cm)

In Memory of Bobby Sands Tighe O’Donoghue, American (1942–2023) Date: 1981 Graphite and Mixed Media on Paper, signed in pencil lower right, titled and dated on verso Size: 31 x 22 in...

Jerry Berneche (1932 - 2016) was a painter and draftsman of representational scenes and portraits featuring extraordinary color work and extremely detailed mark-making. Locally he is...

Jerry Berneche (1932 - 2016) was a painter and draftsman of representational scenes and portraits featuring extraordinary color work and extremely detailed mark-making. Locally he is...

Liz Barber pursued painting while obtaining her degree from the Massachusetts College of Art and Moore College of Art. She currently resides in Marietta, Georgia. Barber’s paintings ...

Luke Jackson "Tradescantia Zebrina I" 2023 51” x 51” (framed) Graphite, Water, Eraser, on Paper About the Artist: Luke Jackson is a visual artist who has been based in Brooklyn, ...

Bijin-ga series XXV (Nº 25) Title: SOMENOSUKE OF THE MATSUBAYA Somenosuke of house Matsubaya, known as a youthful courtesan who quickly rose through the ranks of popularity is shown producing a concealed letter, glancing about to confirm she is indeed alone. The highlights of the drawing are the fine carving of the courtesan´s hair-line and the fine dress; an elegant kimono with vivid colors and intricate dessing. This image is part of the bijin-ga series (“Pretty women”) drawn by Mario BGil, based in the Kitigawa Utamaro woodblock print...

BIJIN-GA SERIES XVIII (Nº 18) Title: Obvious Love (Arawaruru Koi) This image is part of the bijin-ga series (“Pretty women”) drawn by Mario BGil, based in the Kitigawa Utamaro woodblock print Obvious Love (Arawaruru Koi) (1793-94); 38,8 x 26,2 cm.. Art Institute Chicago, USA. A sensual woman seems to care little that her kimono is open, exposing a breast. Her hair is in disarray , the hairpin at the front about to fall and she holds one of the hairpins in her left hand. She appears to be looking down outside the frame of the picture, perhaps in mid-conversation. The term “arawaruru” refers to a love so wholehearted that it expresses itself in the lover´s face and mannerisms. In the 1780's and 90's the publisher Tsutaya Juzaburo and the designer Kitagawa Utamaro worked together on the production of many woodblock prints, most of them of the bijin-ga type. One of their most popular productions was a set of images that purported to depict psychological classifications of women - 'fickle', 'interesting', etc.. Perhaps in response to this success, they then came up with something similar - a set of prints...

Bijing-Ga series XXVII (Nº 27) Title: Tomomoto Toyohina Tomimoto Toyohina was a much sought-after geisha (entertainer) who performed narrative ballads accompanied by the shamisen. She was one of several non-prostitute beauties, including teahouse waitresses, whom Utamaro depicted repeatedly in the early to mid 1790s. She appears here with a brush in hand, dressed and combed with simple elegance. This composition is from a six-print series comprising half-length portraits of famous beauties (Famous beauties of Edo). Utamaro elevated Tomimoto Toyohina to the status of one of the three most renowned beauties of her age (together with Okita and Ohisa). She was from a prominent family of musicians that provided entertainment in the Yoshiwara. Toyohina’s appeal undoubtedly was as much due to her appearance as to her skills in singing, and Utamaro’s celebration of her would have further elevated the status of an already well-known lineage. This image is part of the bijin-ga series (“Pretty women”) drawn by Mario BGil, based in the Kitigawa Utamaro woodblock print...

V6, Variations on a Body Series, by Daniel Berman - Oil Pastel - 89 x 58 cm - Figurative Abstraction, c.2024 The work features green abstracted bodies entwined with vivid accents o...

Watercolor, ink, and graphite on canvas 10 x 13 in. (framed) Framed in a wood frame

Feels Like Ink, graphite and oil pastel on paper

Last Night Ink, graphite, and oil pastel on paper

Acrylic and graphite on cradled wood panel

This original graphite drawing by Alan Bray captures a meticulously stacked woodshed in a tranquil forest setting. With fine detail and precision, Bray’s work evokes the quiet beauty...

Barnstable by Joseph Conrad-Ferm, 2022 Acrylic paint, spray paint, marker, oil pastels, color pencil, and graphite on canvas W 58" x H 68.25" x D 1.5" "Barnstable county is a mass...

Work is framed. Signed on the right bottom corner of the drawing. Amilcar's drawings from the series of "Utopia by Tolina" inspired by the imagination of the artist’s five-year-old...

Seated Woman, Left Hand to Chin Graphite on laid paper, 1984 Signed and dated in pencil (see photo) Provenance: Donald Morris Gallery, Inc. Birmingham, MI Chern...

Graphite, Watercolor, and Dry Pigment on Canvas.

Cry Me a River (a fleuve) 2017 cca. Acrylic, graphite, pen, gesso and gel medium on paper 22 x 30 inches

JERRY BERNECHE Untitled (Cats & Dogs No. 11), 1965 Charcoal on paper 28.5 x 22.5 inches

This graphite drawing by Mary Reilly captures the delicate beauty of blossoms she encountered on a walk in Vermont. Reilly, known for her mastery of graphite pencil, transforms ordin...

San Miguel de Allende has a colorful cross-section of life: a contemporary international art community, structures of colonialization, and traces of the pre-Aztec civilization. Indig...

This is a pair of artworks sold together. Paper Gargoyle: 12" x 12.5", cut paper silhouette with ink, 2020 Whatever Direction You Go: 9.5" x 6.5", ...

Modern Head #5, from Modern Head Series (C. 95). Hand signed, numbered and dated by the artist. Embossed graphite with die-cut paper overlay. Image size 20 x 11.5 inches. Sheet size ...

DAVID BRODY Untitled (F221, G3), 2000 16.8 x 21.75 inches; framed in off white wood frame 20.1 x 25.1 inches graphite and colored pencil on isometric graph paper pencil signed and da...

Diptych Lost and Found, graphite, cold wax, tissue, and mulberry paper on Arches, Losing things and finding things is a ritual repeated throughout our days. Sometimes inconsequently...

Heather Lancaster is a native of Atlanta, Georgia and hails from a family of artists. In fact, her mother is a painter, so she grew up immersed in the visual arts. Conversation at ho...

STILL LIFE ANTIQUE WHITE Graphite and oil pastel on paper Size: 39 x 46.5 cm (including frame) An engaging and powerful abstract composition by British contemporary artist Lloyd Dur...

Wallace Putnam, American (1899 - 1989) - Sunny Landscape, Year: circa 1960, Medium: Graphite and Crayon, signed in pencil, Size: 11.25 x 8.5 in. (28.5...

Wallace Putnam, American (1899 - 1989) - Golden Hour, Year: circa 1960, Medium: Crayon and Graphite on Paper, signed in pencil, Size: 17.25 x 11.25 in...

“It is terrifying to paint. When you start out, you are faced with this great unknown. And you think, am I ever going to paint again? Yet, as you work, it starts to formulate itself...