Edith W. Wood

Portrait Study, 20th Century Graphite Artwork, Female Artist

19'31'

Graphite on paper, monogrammed lower left Image size: 6 x 6 1/2 inches (15.25 x 16.5 cm) Contemporary style handmade gilt frame Henry Perronet Briggs Henry Perronet Briggs RA wa...

James Stroudley 1906 -1985 Portrait of Adriane Madami Graphite on paper, signed and inscribed '1930, Adriane Madami, Assisi' Image size: 19 x 16 inches James Stroudley was born in...

James Stroudley 1906 -1985 Portrait of Julieta Graphite on paper, signed and inscribed '1931' Image size: 15 x 12 inches James Stroudley was born in London on 17 June 1906, the son of James Stroudley, showcard and ticket writer. He studied at Clapham School of Art (1923-27) and then at the Royal College of Art (1927-30), where his teachers included Alan Gwynne-Jones and William Rothenstein. As a recipient of the first Abbey Scholarship he was able to spend three years in Italy from 1930, where he absorbed the influences of Giotto and Piero della Francesca, and produced one of the last wholly satisfying decorative cycles by a Rome Scholar of the period. From 1934, he exhibited at the Royal Society of British Artists, and was elected to its membership in the following year. From the Second World War – in which he worked with the Camouflage Unit – Stroudley taught at St Martin’s School of Art and was a visiting lecturer at the Royal Academy Schools. Though he continued to live in London, his later work, exhibited at the Royal Academy from 1955, indicated regular painting trips to Kent and Sussex coasts. However, much of his later work was abstract. In 1971, his former student, Peter Coker...

James Stroudley 1906 -1985 Florentine Lady Graphite on paper, signed and inscriber '1932 Florence' Image size: 24 x 19 inches James Stroudley was born in London on 17 June 1906, the son of James Stroudley, showcard and ticket writer. He studied at Clapham School of Art (1923-27) and then at the Royal College of Art (1927-30), where his teachers included Alan Gwynne-Jones and William Rothenstein. As a recipient of the first Abbey Scholarship he was able to spend three years in Italy from 1930, where he absorbed the influences of Giotto and Piero della Francesca, and produced one of the last wholly satisfying decorative cycles by a Rome Scholar of the period. From 1934, he exhibited at the Royal Society of British Artists, and was elected to its membership in the following year. From the Second World War – in which he worked with the Camouflage Unit – Stroudley taught at St Martin’s School of Art and was a visiting lecturer at the Royal Academy Schools. Though he continued to live in London, his later work, exhibited at the Royal Academy from 1955, indicated regular painting trips to Kent and Sussex coasts. However, much of his later work was abstract. In 1971, his former student, Peter Coker...

James Stroudley 1906 -1985 Portrait of a Boy Graphite on paper Image size: 18 x 14 inches James Stroudley was born in London on 17 June 1906, the son of James Stroudley, showcard and ticket writer. He studied at Clapham School of Art (1923-27) and then at the Royal College of Art (1927-30), where his teachers included Alan Gwynne-Jones and William Rothenstein. As a recipient of the first Abbey Scholarship he was able to spend three years in Italy from 1930, where he absorbed the influences of Giotto and Piero della Francesca, and produced one of the last wholly satisfying decorative cycles by a Rome Scholar of the period. From 1934, he exhibited at the Royal Society of British Artists, and was elected to its membership in the following year. From the Second World War – in which he worked with the Camouflage Unit – Stroudley taught at St Martin’s School of Art and was a visiting lecturer at the Royal Academy Schools. Though he continued to live in London, his later work, exhibited at the Royal Academy from 1955, indicated regular painting trips to Kent and Sussex coasts. However, much of his later work was abstract. In 1971, his former student, Peter Coker...

James Stroudley 1906 -1985 Florentine Gent Graphite on paper, signed and inscriber '1931 Florence' Image size: 24 x 18 inches Framed James Stroudley was born in London on 17 June 1906, the son of James Stroudley, showcard and ticket writer. He studied at Clapham School of Art (1923-27) and then at the Royal College of Art (1927-30), where his teachers included Alan Gwynne-Jones and William Rothenstein. As a recipient of the first Abbey Scholarship he was able to spend three years in Italy from 1930, where he absorbed the influences of Giotto and Piero della Francesca, and produced one of the last wholly satisfying decorative cycles by a Rome Scholar of the period. From 1934, he exhibited at the Royal Society of British Artists, and was elected to its membership in the following year. From the Second World War – in which he worked with the Camouflage Unit – Stroudley taught at St Martin’s School of Art and was a visiting lecturer at the Royal Academy Schools. Though he continued to live in London, his later work, exhibited at the Royal Academy from 1955, indicated regular painting trips to Kent and Sussex coasts. However, much of his later work was abstract. In 1971, his former student, Peter Coker...

Young boy at Loemboeng, 1918 Signed with initials and dated, bottom right Black chalk on paper, 25.7 x 10 cm Literature: W.O.J. Nieuwenkamp, Zwerftochten door Timor en Onderhoori...

This painting depicts a man standing confidently with a shovel. This is an American School, likely Hudson River School drawing from the 1860s or 1870s. This 19th century unsigned painting...

Entitled "Drawing for Allegheny + Ludlum Helmet & Jacket," this work by Chicago-based artist Patrick Fitzgerald is a companion piece to his sculpture "A+L Helmet & Jacket." Worn by the imagined driver of one of his miniature soap box derby cars, each helmet & jacket is branded with an industrial sponsor, in this case the Allegheny Ludlum Corporation, a steel manufacturer from the early 20th century. Mounted on subtle collage materials and paper fragments...

Mixed media drawing on paper Dated and signed on the back In the plastic work of Geneviève Seillé, the word, like a sign, reigns supreme. An object o...

Mixed media drawing on paper Dated and signed on the back In the plastic work of Geneviève Seillé, the word, like a sign, reigns supreme. An object o...

Mixed media drawing on paper Dated and signed on the back In the plastic work of Geneviève Seillé, the word, like a sign, reigns supreme. An object o...