Art by Medium: Graphite

Jerry Berneche (1932 - 2016) was a painter and draftsman of representational scenes and portraits featuring extraordinary color work and extremely detailed mark-making. Locally he is...

ABOUT THE ARTIST Adam Mysock was born in Cincinnati, Ohio in 1983 - the son of an elementary school English teacher and a lab technician who specializes in the manufacturing of pigm...

Monica Zeringue received her MFA from the University of New Orleans in 2006, and her BA in 1993. In 1999 she was awarded the Prix de l'Acadamie de Paris, Societe Internationale des B...

Monica Zeringue received her MFA from the University of New Orleans in 2006, and her BA in 1993. In 1999 she was awarded the Prix de l'Acadamie de Paris, Societe Internationale des B...

Sentinel at the Border Graphite and monoprints on canvas. Vast frontiers require a watchful eye, whether in the terrain of the physical world or the world of ideas. This image calls ...

Nauset by Joseph Conrad-Ferm, 2021 Acrylic paint, spray paint, marker, oil pastels, color pencil, and graphite on canvas. W 48" x H 60" x D 1.5" "Nauset beach is one of the most m...

Hal Frater, American (1909 - 2008) - Portrait of Bearded Man, Medium: Graphite on Paper, signed lower right, Size: 11 x 8.5 in. (27.94 x 21.59 cm)

At The Door of Love. Mexico. A la Puerta del Amor. Technique: graphite pencil and gouache on paper. With Certificate of Authenticity.

This original graphite drawing by Alan Bray captures a meticulously stacked woodshed in a tranquil forest setting. With fine detail and precision, Bray’s work evokes the quiet beauty...

Last Night Ink, graphite, and oil pastel on paper

Feels Like Ink, graphite and oil pastel on paper

Sloan, John, 1871-1951 The New Hat, c. 1912 graphite on paper 12 X 10 inches signed l.l. “John Sloan (per HFS)” inscribed by Helen Farr Sloan. Sloan-1 Provenance: The artist, Priva...

Cry Me a River (a fleuve) 2017 cca. Acrylic, graphite, pen, gesso and gel medium on paper 22 x 30 inches

JERRY BERNECHE Untitled (Cats & Dogs No. 11), 1965 Charcoal on paper 28.5 x 22.5 inches

This graphite drawing by Mary Reilly captures the delicate beauty of blossoms she encountered on a walk in Vermont. Reilly, known for her mastery of graphite pencil, transforms ordin...

An early example from pioneering Female Cartoonist/ Illustrator Edwina Dumm, who draws a comic strip from her long-running cartoon series Tippie which lasted for almost five decades. Signed and dated Edwina, 9-25, matted but unframed. Frances Edwina Dumm (1893 – April 28, 1990) was a writer-artist who drew the comic strip Cap Stubbs and Tippie for nearly five decades; she is also notable as America's first full-time female editorial cartoonist. She used her middle name for the signature on her comic strip, signed simply Edwina. Biography One of the earliest female syndicated cartoonists, Dumm was born in Upper Sandusky, Ohio, and lived in Marion and Washington Courthouse, Ohio throughout her youth before the family settled down in Columbus.[1] Her mother was Anna Gilmore Dennis, and her father, Frank Edwin Dumm, was an actor-playwright turned newspaperman. Dumm's paternal grandfather, Robert D. Dumm, owned a newspaper in Upper Sandusky which Frank Dumm later inherited. Her brother, Robert Dennis Dumm, was a reporter for the Columbus Dispatch, and art editor for Cole Publishing Company's Farm & Fireside magazine. In 1911, she graduated from Central High School in Columbus, Ohio, and then took the Cleveland-based Landon School of Illustration and Cartooning correspondence course. Her name was later featured in Landon's advertisements. While enrolled in the correspondence course, she also took a business course and worked as a stenographer at the Columbus Board of Education. In 1915, Dumm was hired by the short-lived Republican newspaper, the Columbus Monitor, to be a full-time cartoonist.[2] Her first cartoon was published on August 7, 1915, in the debut issue of the paper. During her years at the Monitor she provided a variety of features including a comic strip called The Meanderings of Minnie about a young tomboy girl and her dog, Lillie Jane, and a full-page editorial cartoon feature, Spot-Light Sketches[3]. She drew editorial cartoons for the Monitor from its first edition (August 7, 1915) until the paper folded (July 1917). In the Monitor, her Spot-Light Sketches was a full-page feature of editorial cartoons, and some of these promoted women's issues. Elisabeth Israels Perry, in the introduction to Alice Sheppard's Cartooning for Suffrage (1994), wrote that artists such as Blanche Ames Ames, Lou Rogers and Edwina Dumm produced: ...a visual rhetoric that helped create a climate more favorable to change in America's gender relations... By the close of the suffrage campaign, women's art reflected the new values of feminism, broadened its targets, and attempted to restate the significance of the movement.[4] After the Monitor folded, Dumm moved to New York City, where she continued her art studies at the Art Students League. She was hired by the George Matthew Adams Service[5] to create Cap Stubbs and Tippie, a family strip following the lives of a boy Cap, his dog Tippie, their family, and neighbors. Cap's grandmother, Sara Bailey, is prominently featured, and may have been based on Dumm's own grandmother, Sarah Jane Henderson, who lived with their family. The strip was strongly influenced by Mark Twain’s Adventures of Huckleberry Finn, as well as Dumm’s favorite comic, Buster Brown by Richard F. Outcault. Dumm worked very fast; according to comics historian Martin Sheridan, she could pencil a daily strip in an hour.[6] Her love of dogs is evident in her strips as well as her illustrations for books and magazines, such as Sinbad, her weekly dog page which ran in both Life and the London Tatler. She illustrated Alexander Woollcott's Two Gentlemen and a Lady. For Sonnets from the Pekinese and Other Doggerel (Macmillan, 1936) by Burges Johnson (1877–1963), she illustrated "Losted" and other poems. From the 1931 through the 1960s, she drew another dog for the newspaper feature Alec the Great, in which she illustrated verses written by her brother, Robert Dennis Dumm. Their collaboration was published as a book in 1946. In the late 1940s, she drew the covers for sheet music by her friend and neighbor, Helen Thomas, who did both music and lyrics. During the 1940s, she also contributed Tippie features to various comic books including All-American Comics and Dell Comics. In 1950, Dumm, Hilda Terry, and Barbara Shermund...

James Stroudley 1906 -1985 Portrait of a Lady Graphite on paper Image size: 24 x 15 inches James Stroudley was born in London on 17 June 1906, the son of James Stroudley, showcard and ticket writer. He studied at Clapham School of Art (1923-27) and then at the Royal College of Art (1927-30), where his teachers included Alan Gwynne-Jones and William Rothenstein. As a recipient of the first Abbey Scholarship he was able to spend three years in Italy from 1930, where he absorbed the influences of Giotto and Piero della Francesca, and produced one of the last wholly satisfying decorative cycles by a Rome Scholar of the period. From 1934, he exhibited at the Royal Society of British Artists, and was elected to its membership in the following year. From the Second World War – in which he worked with the Camouflage Unit – Stroudley taught at St Martin’s School of Art and was a visiting lecturer at the Royal Academy Schools. Though he continued to live in London, his later work, exhibited at the Royal Academy from 1955, indicated regular painting trips to Kent and Sussex coasts. However, much of his later work was abstract. In 1971, his former student, Peter Coker...

Wallace Putnam, American (1899 - 1989) - Sunny Landscape, Year: circa 1960, Medium: Graphite and Crayon, signed in pencil, Size: 11.25 x 8.5 in. (28.5...

Wallace Putnam, American (1899 - 1989) - Golden Hour, Year: circa 1960, Medium: Crayon and Graphite on Paper, signed in pencil, Size: 17.25 x 11.25 in...

A native New Yorker, Brosen has spent a lifetime wandering its streets, discovering its long history and witnessing its constant metamorphosis. The city is his muse and his primary s...

Raphael Soyer, Russian/American (1899 - 1987) - Lounging Figure. Medium: Graphite and Pastel on Paper, signed in pencil, Size: 16.5 x 22 in. (41.91 x 55.88 cm)

Graphite on paper, signed bottom left Image size: 7 1/2 x 9 3/4 inches (19 x 25cm) Contemporary frame A characterful portrait of a woman in profile. The artist has captured much of ...

Joyce Wieland (1931-1998) was one of the most accomplished and versatile Canadian artists of the 20th century. Emerging on the Toronto art scene at the beginning of the 1960s, over t...

I want the viewer to have a sense of wonder and awe when looking at my work. We have all at one point or another picked up a stick from the ground—touched the wood, peeled the bark ...

I want the viewer to have a sense of wonder and awe when looking at my work. We have all at one point or another picked up a stick from the ground—touched the wood, peeled the bark ...

“I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.” ― Albert Einstein. Always working with graphite and charcoal, Robbie Cornelissen’s limited palette emphasises the stark sombre nature of his metaphysical drawings, The Undertow is his sixth solo exhibition at Art Mûr. At the centre of the exhibition hovers Terra Nova, a dark and desolate world parallel to our own. Robbie Cornelissen’s drawings, such as The Space of Absence and Thriller, seem to pull from the stop motion’s frames. Other images, made especially for The Undertow isolate key fragments; the cloud, mounds and timeless dwellings, Cornelissen’s signature technical interest. In addition to his methodical approach, Cornelissen uses the written word, scrawling and erasing terms repeatedly, in English, French, and German, these fastidious markings and exact translations leave a trace and a glitch on paper and screen. Much of his existing work includes words and phrases like “tribunal,” “myself when I am real” and “the need to disappear.” Do they identify what forms, systems and sentiments that are, or could be present? Or do they warn of what is to come? Suspended in the atmosphere of a planetary body, Cornelissen’s clouds extend down to the surface, looming over Earth and Terra Nova. But are they harmless clouds, or associated with nuclear explosions? And is that the ash, dust, pollution and detritus of these invented places, the remnants of an unsustainable society, a dream factory? Or the promise of life anew? In weather forecasting, or aeromancy, the presence of clouds can promise darkness and gloom, but they can also bring cleansing. The ominous aura of the grid, an applied system and structure used by many, including draughtsmen, architects, urban planners, designers and artists to organise and sometimes classify information, is a recurring element in his work. The grid can be observed from a distant bird’s eye view, or close up, allowing Cornelissen’s large format drawings...

This striking 20th century graphite on paper presents a compelling portrait of a Western cowboy rendered with remarkable detail and sensitivity. Though the artist remains unknown, th...

Giorgia Oldano is a young Italian artist specialized in wildlife. She masters drawing and monotype. In order to construct her paintings, the artist travels a lot around Italy and the...

oil stick and graphite on 140# Fabriana Artistico paper signed by artist

Artist Statement: "There is a particular aspect of drawing that I find especially gratifying -- it's the capacity to produce an image that seems to be spontaneously executed . Whil...

Untitled (Sketch for Meditacion on a Water Sign, picture on a book cover), 1995 Graphite on paper 12 x 9 in Certificate of Authenticity by Tomas Sanchez included Signed on the lowe...

“I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.” ― Albert Einstein. Always working with graphite and charcoal, Ro...

"Unapologetically Me" depicts a portrait of a young person holding who is looking straight at the viewer. Their eyes have a serene expression. The subject has dreaded hair, a colorfu...

Based in the New Haven, CT area, Barbara Marks creates sumptuous, multicolored paintings. Her canvases are small in scale, compared to the mid-century abstractionist traditions they ...

Based in the New Haven, CT area, Barbara Marks creates sumptuous, multicolored paintings. Her canvases are small in scale, compared to the mid-century abstractionist traditions they ...

Artist: Ian Hornak (1944-2002) Title: Renaissance Male and Female Nude Study Year: circa 1963 Medium: Original drawing on vélin Strathmore paper Size: 18 x 23 inches Condition: Good ...

Artist: Ian Hornak (1944-2002) Title: Renaissance Male Nude Figure Study Year: circa 1963 Medium: Original drawing on vélin Strathmore paper Size: 23 x 18 inches Condition: Good Prov...

Artist: Ian Hornak (1944-2002) Title: Renaissance Male Nude Figure Study Year: circa 1963 Medium: Original drawing on vélin Strathmore paper Size: 23 x 18 inches Condition: Good Prov...

Artist: Ian Hornak (1944-2002) Title: Apple Study Year: 1985 Medium: Graphite on vélin paper Size: 12 x 10 inches Condition: Good Provenance: Estate of Ian Hornak, East Hampton, NY ...

Robbie Cornelissen is one of the leading contemporary draughtsmen in the Netherlands. Cornelissen has established a reputation for the monumental, architectural drawings that he has ...

I want the viewer to have a sense of wonder and awe when looking at my work. We have all at one point or another picked up a stick from the ground—touched the wood, peeled the bark ...

Jacques Villon, born Gaston Émile Duchamp on July 31, 1875, in Damville, France, was a pivotal figure in the development of modern art. As the elder brother of Marcel Duchamp, Raymond Duchamp-Villon, and Suzanne Duchamp-Crotti, Villon was part of a family that profoundly influenced 20th-century art. He adopted the pseudonym Jacques Villon to distinguish himself from his siblings, and began his career as a cartoonist and illustrator. Villon's contributions to modern art were acknowledged internationally, with exhibitions at prestigious venues such as the Salon d'Automne, the Salon des Indépendants, and the Armory Show in New York in 1913. His work influenced the trajectory of abstract art, and his legacy is celebrated in numerous museums and collections worldwide. While this drawing isnt common of his bolder cubist style, it shows his skill in sketching and shapes which add a dimension to the abstract nature of this automobile drawing...

This exquisite graphite drawing by Mary Reilly captures the delicate beauty of cherry blossoms with striking realism and atmospheric depth. Known for her masterful pencil work, Reill...

Work is framed. Signed on the right bottom corner of the drawing. Amilcar's drawings from the series of "Utopia by Tolina" inspired by the imagination of the artist’s five-year-old...

Working with a palette of graphite and gold leaf, Alessandra Maria masterfully weaves together elements of the earthly and ethereal. She is part sorceress, part alchemist, summoning ...

Heather Lancaster is a native of Atlanta, Georgia and hails from a family of artists. In fact, her mother is a painter, so she grew up immersed in the visual arts. Conversation at ho...

Adrian Barquero Vanished, 2024 graphite on paper 30h x 23w in 76.20h x 58.42w cm Framed dimensions: 34h x 26.50w x 1.50d in 86.36h x 67.31w x 3.81d cm ABQ012 The artwork depicts a r...

Planes of the Head study by Lu Haskew Pencil 10x8" image size 14x12" framed as pictured, behind glass Graphite drawing. Shipping price includes the custom packing necessary for safe...

Amulet, metal object with rust paint mixed media on wood panel, 2020. Amulet, on a wood panel, applied rust and acrylic paint and mixed media, suggests how an object is precious as i...

100 sheets of A-4 sized paper. “I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.” ― Albert Einstein. Always workin...

Liz Barber pursued painting while obtaining her degree from the Massachusetts College of Art and Moore College of Art. She currently resides in Marietta, Georgia. Barber’s paintings ...

"Notes from the Night Garden" is part of the ongoing series Garden Narratives. Dexheimer, while consistent in her focus on shape, color, texture and form works simultaneously on seve...

Frank Mujica was born on December the 20th, 1985 in Pinar del Rio, Cuba. He studied at the San Alejandro Academy of fine Arts from 2000 to 2004 and at the Superior Institute of Art I...

“I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.” ― Albert Einstein. Always working with graphite and charcoal, Robbie Cornelissen’s limited palette emphasises the stark sombre nature of his metaphysical drawings, The Undertow is his sixth solo exhibition at Art Mûr. At the centre of the exhibition hovers Terra Nova...

Double-sided work in good condition, dispersal of the Knaublich succession, Loiseau-Shmitz, 23/03/2002. Stamp "Atelier Derain" at bottom right. Exhibitions: Talismans VI, galerie Her...

Sutra, a Sanskrit word meaning “thread”, is a word or small group of words that summarize an entire complex web of ideas, truths, wisdoms, or teachings all woven together into a sing...

Awards 2013 Loring W. Coleman Award for Watercolor/ Allied Artists of America, 100th Annual Exhibition at the National Arts Club 2011 Mary Bryan Memorial Medal / Allied Artis...

Acrylic, oil, graphite, transfer on linen

Acrylic, graphite, transfer, spray paint on linen

Acrylic, graphite, transfer on linen