Art by Medium: Graphite

Ink and graphite on paper Signed, entitled and dated lower left by the artist

Electric Coffin is coded within art history and ideologies from archetypes of mysticism. We explore found truths from modernity and a personal historical perspective. A process-drive...

Echo by Rose Umerlik is an abstract painting, Oil and Graphite on wood panel, 32 x 52. This is part of a new 2022 series. According to Umerlik, " I became a mother this past year. ...

Watercolour and graphite on paper Image size: 9 1/2 x 12 inches (24 x 30.5 cm) Acid free mount This is a view just outside of the village of Warlingham, Surrey, where Scott had a house. The Artist Gordon Scott frst studied at Croydon School of Art and then was trained at the Royal College of Art between 1934-38 under Gilbert Spencer, Alan Sorrell and Charles Mahoney...

Ink and graphite on paper Signed, entitled and dated below

This is a beautiful piece by Alexis Portilla, unframed. Re-Enter 30x22 in. Ink, Acrylic, Graphite on paper Unframed Framing available The artist Alexis Portilla obtained his Masters of Fine Arts at Columbia University in 1990. His bold linear lines, use of symbols, pictographs and strong colors create atmospheric abstracts. “Using simple forms and creating swathes of rich texture, Alexis Portilla builds atmospheric abstract paintings that convey a sense of time having passed. Brushy areas of color suggest the indeterminacy of memory, while bold linear forms speak for the present.” - Meredith Mendelsohn, Art News magazine review. Influenced by the emotion of artistic expression in music, poetry and literature, the artist finds bold expression in color, lines and shapes that resemble pictographs, and texture. The artist has shown in group and solo exhibitions nationally for more than 20 years. His works have been commissioned by major corporations, universities and for private collections. Education MFA, Columbia University BFA, Pratt Institute Selected Public Collections Penn State University New York Public Library Selected Corporate Collections Harvard Club...

This drawing records the destruction that was endured by London during the Blitz. The building in the foreground is St Nicholas Cole Abbey, situated in the city of London. Whilst a church was recorded on this site from the twelfth century, this church was destroyed in the Great Fire of London so the remnants of the church that we see here is one that was built by Sir Christopher Wren...

An intense and powerful study of five undernourished and perhaps starving African children partly superimposed and partly integrated into the silhouette of the African continent...

Graphite on paper, signed and dated Image size: 18 x 12 1/2 inches (46 x 32 cm) Mounted and framed The sitter for this portrait, Alfred Hardiman, was an English sculptor. Hardiman and Lyon were friends and met when they both attended the British School at Rome in the early 1920s. Hardiman won a London County Council Scholarship to the Royal College of Art in 1912, and three years later joined the Royal Academy School. After a period as an engineer's draughtsman in the Royal Flying Corps during the First World War, Hardiman resumed his studies and in 1920 was awarded the British Prix de Rome scholarship, spending two years at the British School at Rome. There he developed his style, a blend of naturalism and classicism influenced by Roman and Etruscan art and early fifth century Greek sculpture. Hardiman's best-known (but also most controversial) work is the Earl Haig Memorial on Whitehall in London. More universally admired are the heraldic lions flanking the main entrance to the City Hall, Norwich, a work which fully epitomises his style. He was appointed consultant sculptor to the building, having worked with one of the architects, Stephen Rowland Pierce, on the Haig Memorial. Hardiman also carved three large stone figures for the outside of the council chamber, and worked with other sculptors on the project including James Woodford and Eric Aumonier. Hardiman was elected Associate of the Royal Academy in 1936 and a full Academician in 1944. He became a fellow of the Royal Society of British Sculptors in 1938 and the following year received their silver medal for his statue of Haig. In 1946 he won a gold medal for his bronze fountain figure for the New Council House, College Green, Bristol, which however was never erected. In 1918 he married Violet, daughter of Herbert Clifton White, of London, and had two daughters. He died at Stoke Poges on 17th April 1949. Robert Lyon...

The Remains, A series of 10 works An insect approaches a crumpled paper doily to eat what remains of a party. This series explores the moment when the trimmings become debris and ...

The Remains, A series of 10 works An insect approaches a crumpled paper doily to eat what remains of a party. This series explores the moment when the trimmings become debris and ...

The Remains, A series of 10 works An insect approaches a crumpled paper doily to eat what remains of a party. This series explores the moment when the trimmings become debris and presumptions of human control are upended. The text-like marks on white vertical rectangles are deliberate, but indecipherable. They appear as if a poem, written in an ancient language, that honors this eternal cycle of destruction and regeneration. Winifred McNeill...

The Remains, A series of 10 works An insect approaches a crumpled paper doily to eat what remains of a party. This series explores the moment when the trimmings become debris and ...

Pastel and graphite on paper Image size: 11 x 8 1/2 inches (28 x 21.5 cm) Mounted William Dring Dring was born with the forenames Dennis William, but was known colloquially as John. He was the brother of the artist James Dring. He married the painter Grace Elizabeth Rothwell...

The Remains, A series of 10 works An insect approaches a crumpled paper doily to eat what remains of a party. This series explores the moment when the trimmings become debris and ...

The Remains, A series of 10 works An insect approaches a crumpled paper doily to eat what remains of a party. This series explores the moment when the trimmings become debris and ...

The Remains, A series of 10 works An insect approaches a crumpled paper doily to eat what remains of a party. This series explores the moment when the trimmings become debris and ...

Graphite on paper, signed bottom right Image size: 13 x 8 3/4 inches (33 x 22.25 cm) Original frame Dora Thacher Clarke, later Dora Middleton, (1895–1989) was a British sculptor and wood carver who also wrote about, and promoted African art. Clarke was born in Harrow in Middlesex. Her father, Joseph Thacher Clarke was an American architect. Clarke won a scholarship that allowed her to attend the Slade School of Fine Art. Aged fifteen, Clarke initially studied at the Slade on a part-time basis for three days each week throughout 1910 and 1911 but during 1915 and 1916 she studied sculpture there as a full-time student. Clarke first exhibited at the Royal Academy in 1923 and continued to do so until 1959. In the early 1930s she was a regular exhibitor in group shows at the Goupil Gallery and in March 1937 had her first solo show at the French Gallery. She also exhibited at the Paris Salon and with the Royal Society of British Artists. Clarke's works included bronze castings, memorials and wood sculptures, often of African heads. For example she was commissioned to sculpt the posthumous portrait bust of Sir Walter Morley Fletcher. The most notable of her memorials is the panel and medallion tribute to Joseph Conrad at Bishopsbourne in Kent, which was unveiled in 1927. Clarke also wrote about, and promoted African art and spent a year, between 1927 and 1928 in Kenya, where she made many drawings which when she returned to London she used as the basis for wood carvings and bronzes of tribal figures. Wood carving became her technique of choice, often working with hardwoods and, on occasion, sperm whale teeth. Clarke married Admiral Gervase B Middleton in 1938 but rarely exhibited work under her married name. During World War II, Clarke was commissioned by the War Artists' Advisory Committee to produce a portrait medallion depicting a serviceman who had been awarded the George Cross. This proved to be the only portrait medallion acquired for the WAAC collection. Sculptures by Clarke are held in various museums, including the Ashmolean Museum which also holds a 1936 portrait of her by Orovida Camille Pissarro.

This is an unframed original painting on wood panel with painted edges. Artist Statement: My interest is in creating a permanent record of the impermanence of our world. In consid...

Graphite on paper Image size: 7 x 5 inches (17.75 x 12.75 cm) Mounted Jane Ross Little is known about Jane Ross apart from that she attended Heatherley's Art School. Here she met ...

TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked ...

New Nostalgias is a new work on paper by Turkish artist Yasemin Kackar Demirel. This architectural inspired artwork is watercolor, block print and grap...

“My biomorphic abstractions range from intimate to immersive in scale, referencing our interconnectedness. Building curvilinear ceramic sculpture and then drawing intertwined graph...

“My biomorphic abstractions range from intimate to immersive in scale, referencing our interconnectedness. Building curvilinear ceramic sculpture and then drawing intertwined graph...

“My biomorphic abstractions range from intimate to immersive in scale, referencing our interconnectedness. Building curvilinear ceramic sculpture and then drawing intertwined graph...

“My biomorphic abstractions range from intimate to immersive in scale, referencing our interconnectedness. Building curvilinear ceramic sculpture and then drawing intertwined graph...

Artist Statement: My interest is in creating a permanent record of the impermanence of our world. In considering the exquisiteness of a moment shared, of a new connection, a new tho...

Joyce Wieland (1931-1998) is one of the most accomplished and versatile Canadian artists. She achieved a level of commercial and critical success in her lifetime that was exceptional for a woman in her era in a male-dominated field. Wieland established new benchmarks for what was possible for a female artist to achieve. Notably, she was the first female artist to have a solo exhibition at the National Gallery (Ottawa) in 1971. Many of her innovative creations predate similar works by female artists...

Graphite on Paper Image size: 20 ¾ x 14 ¾ inches (53 x 37.5 cm) Acid free mount Carl Friedrich Heinrich Werner Carl Werner was born in Weimar in 1808, the son of a piano teacher a...

Pencil on Paper Image size: 10 x 8 ¾ inches White Gold Frame The Artist Gordon Scott was trained at the Royal College of Art (1934-38) under Gilbert Spencer, Alan Sorrell and Charl...

Medium: Watercolor and Graphite on Illustration Board Signature: Unsigned, Marked "Cosmo #51" Lower Left Contact for exact dimensions. Christies stamp verso. In silver molded frame, french-lined mat, glazed. OS: 18 1/2" x 22", SS: 11" x 15". Shinn took over from Joseph Urban as the Art Director on the William Randolph Hearst...

Graphite on paper Image size: 11 x 8 ½ inches (28 x 22 cm) White gold frame Gordon Scott Gordon Scott was trained at the Royal College of Art (1934-38) under Gilbert Spencer, Alan ...

Graphite on paper, monogrammed lower left Image size: 6 x 6 1/2 inches (15.25 x 16.5 cm) Contemporary style handmade gilt frame Henry Perronet Briggs Henry Perronet Briggs RA wa...

Pastel and graphite on paper Image size: 8 1/4 x 5 inches (21 x 12.75 cm) Contemporary style handmade frame The Artist Peter Gardner was born in London in 1921.  He studied at the ...

Graphite on buff paper 'Hales Abbey, Gloucestershire' initialled, inscribed and dated 1837 bottom left Image size: 8 x 13 1/2 inches (20 x 34.5 cm) 18th Century Hogarth frame and was...

Graphite on Paper Image size: 15 x 19 ¼ inches (38 x 49 cm) Acid free mount Carl Friedrich Heinrich Werner Carl Werner was born in Weimar in 1808, the son of a piano teacher and a...

Judi Tavill( NJ) creates biomorphic abstraction coupling sculpture with drawing that references the complicated experience of connection and entanglement. ...

Graphite on Paper Image size: 12 ½ x 16 ¼ inches (31.75 x 41 cm) Acid free mount Carl Friedrich Heinrich Werner Carl Werner was born in Weimar in 1808, the son of a piano teacher ...

Original drawing by Patricia Traub.

Date: 1990 Medium: Ink and Conte Crayon over Graphite on Board Dimensions: 10.00" x 12.50" Signature: Signed Lower Right John Elway, from the middle part of his career, when he was throwing to the Three Amigos...

Collaborate by Rose Umerlik is an abstract painting, Oil and Graphite on wood panel, 36 x 48. Rose Umerlik extracts the intangible emotional moments that live in our collective human psyche and interprets them abstractly through form, line and color so that they may also exist outside of ourselves. In recent years, Umerlik has shown in seven solo exhibitions and innumerable group shows domestically and internationally, published a book of work titled Intimacy of Forms, received notable reviews in such publications as Art New England, and been awarded the Clowes Award by the Vermont Studio Center. The most affecting experience of Umerlik’s career to date has been her two-month stay in the Takt Kunstprojektraum Artist Residency in Berlin, Germany. She was named a 2018 Vermont Artist...

Triple Shadow Bathers, by Daniel Berman - Mixed Media - 60 x 60cm - figurative painting, c. 2023 The pieces attract by the power of the pictorial gesture materialized in the lin...

James Stroudley 1906 -1985 Portrait of Julieta Graphite on paper, signed and inscribed '1931' Image size: 15 x 12 inches James Stroudley was born in London on 17 June 1906, the son of James Stroudley, showcard and ticket writer. He studied at Clapham School of Art (1923-27) and then at the Royal College of Art (1927-30), where his teachers included Alan Gwynne-Jones and William Rothenstein. As a recipient of the first Abbey Scholarship he was able to spend three years in Italy from 1930, where he absorbed the influences of Giotto and Piero della Francesca, and produced one of the last wholly satisfying decorative cycles by a Rome Scholar of the period. From 1934, he exhibited at the Royal Society of British Artists, and was elected to its membership in the following year. From the Second World War – in which he worked with the Camouflage Unit – Stroudley taught at St Martin’s School of Art and was a visiting lecturer at the Royal Academy Schools. Though he continued to live in London, his later work, exhibited at the Royal Academy from 1955, indicated regular painting trips to Kent and Sussex coasts. However, much of his later work was abstract. In 1971, his former student, Peter Coker...

Signed "F. R. Gruger" Upper Right "'I shall count to five before I fire.' said Davidson. 'One!'" Illustration for "House of Darkness" by C. E. Scoggins, published in The Saturday Ev...

Powerful pencil study of Bachoo, Countess Woronzow. Tchelitchew exaggerates the sitter's features with abnormally large eyes for dramatic effect, Bachoo (Countess Bachoobai Woronzow-...

Title Page Art. Art Seiden was a children's book illustrator in New York City. Seiden was a member of The Society of Illustrators, Signed in Title

ABOUT THE ARTIST Adam Mysock was born in Cincinnati, Ohio in 1983 - the son of an elementary school English teacher and a lab technician who specializes in the manufacturing of pigm...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by Burgoyne Diller (1906 – 1965). Born in New York City in 1906, Burgoyne Diller began drawing when he was stri...

Monica Zeringue received her MFA from the University of New Orleans in 2006, and her BA in 1993. In 1999 she was awarded the Prix de l'Acadamie de Paris, Societe Internationale des B...

medium: graphite on claybord Monica Zeringue received her MFA from the University of New Orleans in 2006, and her BA in 1993. In 1999 she was awarded the Prix de l'Acadamie de Par...

Monica Zeringue received her MFA from the University of New Orleans in 2006, and her BA in 1993. In 1999 she was awarded the Prix de l'Acadamie de Paris, Societe Internationale des B...

Monica Zeringue received her Masters of Fine Arts from the University of New Orleans in 2006, and her BA in 1993. In 1999 she was awarded the Prix de l'Acadamie de Paris, Societe Int...

Working from memory and imagination, Margherita Manzelli paints portraits of haunted and haunting female figures with wide-set translucent eyes and pale, emaciated bodies. Placed in ...

Signed "James Montgomery Flagg" Lower Left by Artist "Go back tuh yuh room an' put yuh clo'es on. Then go out an' find a minister." Illustration for the story "The Prodigal" by Por...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by Burgoyne Diller (1906 – 1965). Born in New York City in 1906, Burgoyne Diller began drawing when he was stri...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by Burgoyne Diller (1906 – 1965). Born in New York City in 1906, Burgoyne Diller began drawing when he was stri...

"Probe" is created by hand building with clay, firing the form, painting, drawing with graphite, as well as painting with graphite powder, mica powder and acrylic medium on the surfa...

"Twine" is created by hand building with clay, firing the form, painting, drawing and painting with graphite and spraying with a matte varnish. The thick and thin of lines and positi...

"Console" "Twist" is one continual form created by hand building with clay, firing the piece, drawing with graphite and spraying with a matte clear varnish. The piece is created to a...

This brilliantly rendered female portrait by a major American post-war illustrator known for his stunningly glamorous women. Notice how all the elements of the composition work tog...