Art by Medium: Graphite

Grover Mouton is a New Orleans based artist and architect who utilizes hand drawings to illustrate urban design proposals. Many of his drawings were initially created as part of the ...

Halo, Drawing, study for a sculpture. ARTIST'S STATEMENT Michael Davis My sculptures and installations are physically and symbolically multilayered mechanisms that react to environ...

This large scale oil painting by Mark Masyga employs a linear abstract composition. Masyga's masterful knowledge and background in color field painting shows a heightened sense and ...

Lee Wells Double Sophia, 2018 Hand embellished monoprint on canvas with projection mapped video 125 x 150 cm Contact for video link. Currently on view as part of Sentient Electroics at Wallplay Seaport Sophia’s Safehouse in an Uncanny Valley examines the recent celebrity culture of humanoid AI as a way to better understand humanity, authenticity, identity, and memory in the early 21st century. The installation, inspired in part by the dystopian literary works of George Orwell, Mary Shelley, Philip K. Dick, Isaac Asimov...

THIS WORK IS SOLD UNFRAMED Yvonne Jouant au Tennis by Paulémile Pissarro (1884 - 1972) Graphite on paper 20.2 x 27 cm (8 x 10 ⁵/₈ inches) Signed lower left, Paulémile-Pissarro- Pa...

TECHNICAL INFORMATION: Claes Oldenburg Typewriter Eraser 1970 Graphite and watercolor on paper 14 1/2 x 11 1/2 in. Pencil signed and dated Accompan...

GARDENS & GALAXIES: MAGENTA ROSE (2020) Medium: Oil stick, wax pencil, graphite, archival pigment print on 100% Hahnemuhle cotton-rag paper. PLEASE NOTE ACTUAL Paper Size: 24” h x 4...

GARDENS & GALAXIES: YELLOW ROSE (2019) Medium: Oil stick, wax pencil, graphite, archival pigment print on 100% Hahnemuhle cotton-rag paper. PLEASE NOTE ACTUAL Paper Size: 24” h x 42...

GARDENS & GALAXIES: RED GERBERA (2019) Medium: Oil stick, wax pencil, graphite, archival pigment print on 100% Hahnemuhle cotton-rag paper. PLEASE NOTE ACTUAL Paper Size: 24” h x 42...

Mixed media drawing on paper Dated and signed on the back In the plastic work of Geneviève Seillé, the word, like a sign, reigns supreme. An object o...

GARDENS & GALAXIES: HELICONIAS (2020) Medium: Oil stick, wax pencil, graphite, archival pigment print on 100% Hahnemuhle cotton-rag paper. PLEASE NOTE ACTUAL Paper Size: 24” h x 42”...

GARDENS & GALAXIES: PURPLE FLOWERS (2019) Medium: Oil stick, wax pencil, graphite, archival pigment print on 100% Hahnemuhle cotton-rag paper. Paper Size: 24” h x 42” w Image Size: ...

Medium: Oil stick, wax pencil, graphite, archival pigment print on 100% Hahnemuhle cotton-rag paper. PLEASE NOTE ACTUAL Paper Size: 24” h x 42” w Image Size: 20” x 37” includes a 2”...

SOLD UNFRAMED Yvonne Assise by Paulémile Pissarro (1884 - 1972) Graphite on paper 32 x 23.5 cm (12 ⁵/₈ x 9 ¹/₄ inches) Signed lower left, Paulémile-P...

Graphite and charcoal on paper signed by the artist. 7.38" x 8.63" 16.75" x 15.5" frame Framed to conservation standards. Float mounted on 100% cotton matboard and glazed in UF5 Plexiglass that filters 99% of UV Rays to ensure the preservation of the piece. All housed in a bold miter jointed bevel frame in distressed silver finish with reflective accents. Francesco J. Spicuzza, born in Sicily on July 23, 1883, came to America at the age of 8. He supported himself as a fruit peddler until a newspaperman gave him $4 a week to go to school. He attended classes at the Milwaukee Art Students League, where he studied under Alexander Mueller. There he learned to paint in the then-fashionable "Munich School" technique, with detailed realism in heavy browns and grayed-out hues. Spicuzza completed eight grades in four years, and then in 1911, three businessmen advanced him enough money to allow him to study in New York under artist and teacher John Carlson. It was during this time that Spicuzza changed his style of painting, developing an impressionistic use of color, form and atmospheric renditions. After a period of grinding poverty, one of Spicuzza's pictures won a major New York competition. It was the first of 60 wins, both in the U.S. and Paris. He became a fashionable painter, and many of the leading collections have his work. Spicuzza's typical works were beach scenes, still life, landscapes and portraits done in pastels, oils, ink, charcoal and watercolors. Much of his work traced the history of Milwaukee in the early 1900s. He was probably best known for his scenes of women and children splashing in the waves...

Art Sz: 13"H x 11"W Provenance: Gillian Dupont's The Old Habit Tack Shop Marshall, VA

Art Sz: 7 1/2"H x 10 1/2"W Provenance: Gillian Dupont's The Old Habit Tack Shop Marshall, VA

Art Sz: 9"H x 11"W Provenance: Gillian Dupont's The Old Habit Tack Shop Marshall, VA

Art Sz: 9"H x 10 1/2"W Provenance: Gillian Dupont's The Old Habit Tack Shop Marshall, VA

graphite and fluid acrylic on raw canvas

Lee Wells Double Sophia, 2018 Hand embellished monoprint on canvas with projection mapped video 125 x 150 cm Contact for video link. Currently on view as part of Sentient Electroics...

watercolor, charcoal, graphite, ink on paper 19"x25" available framed Known for her idiosyncratic cartographic explorations of the psyche and mental states, Smith incorporates ou...

Art Sz: 11"H x 9"W Provenance: Gillian Dupont's The Old Habit Tack Shop Marshall, VA

Art Sz: 11"H x 9"W Provenance: Gillian Dupont's The Old Habit Tack Shop Marshall, VA

Blond Sophia #1, 2018 Hand embellished monoprint on canvas 47 1/5 × 35 2/5 in 120 × 90 cm Sophia’s Safehouse in an Uncanny Valley examines the recent celebrity culture of humanoid A...

Lee Wells Double Sophia, 2018 Hand embellished monoprint on canvas with projection mapped video 125 x 150 cm Contact for video link. Sophia’s Safehouse in an Uncanny Valley examines the recent celebrity culture of humanoid AI as a way to better understand humanity, authenticity, identity, and memory in the early 21st century. The installation, inspired in part by the dystopian literary works of George Orwell, Mary Shelley, Philip K. Dick, Isaac Asimov...

Digital Graphic Artwork Framed 67.3 x 49.7 x 1 cm, acrylic frame Dani André Skogfelt is a visual self-taught Norwegian artist born in 1978 who lives and works in Oslo, Norway. He s...

Digital Graphic Artwork Framed 67.3 x 49.7 x 1 cm, acrylic frame Dani André Skogfelt is a visual self-taught Norwegian artist born in 1978 who lives and works in Oslo, Norway. He s...

Art Sz: 12"H x 9"W Provenance: Gillian Dupont's The Old Habit Tack Shop Marshall, VA

Art Sz: 7"H x 6 5/8"W Provenance: Gillian Dupont's The Old Habit Tack Shop Marshall, VA

Art Sz: 12"H x 9"W Provenance: Gillian Dupont's The Old Habit Tack Shop Marshall, VA

Art Sz: 7"H x 11"W Provenance: Gillian Dupont's The Old Habit Tack Shop Marshall, VA

Art Sz: 9"H x 9"W Provenance: Gillian Dupont's The Old Habit Tack Shop Marshall, VA

Art Sz: 11 3/4"H x 11"W Provenance: Gillian Dupont's The Old Habit Tack Shop Marshall, VA

Art Sz: 11"H x 9"W Provenance: Gillian Dupont's The Old Habit Tack Shop Marshall, VA

Art Sz: 11"H x 9"W Provenance: Gillian Dupont's The Old Habit Tack Shop Marshall, VA

Art Sz: 11" x 14" Provenance: Gillian Dupont's The Old Habit Tack Shop Marshall, VA

Graphite on Paper, unsigned Image size: 14 x 20 inches (35.5 x 51 cm) Acid free mount Carl Friedrich Heinrich Werner Carl Werner was born in Weimar in 1808, the son of a piano teac...

Jeff Goldenberg is a New York based artist and writer, whose current body of acrylic paintings depicts views of the lower Manhattan skyline from vantage points seen from his studio. ...

Elfi Schuselka (Austrian, b. 1940), Surrealist Composition, Mixed Media on Paper, stamped "Studio / Elfi Schuselka" to verso. 39.75" H x 29.75" W. Provenance: From the Collection o...

Mark Freeman (1908-2003) Mix media - graphite, crayon and color pencil on paper. This lovely Chinatown, New York image measures 10 ½ x 9 inches. Frame: 19 x 16 1/2. It is in excellen...

Architect and artist Grover Mouton brings utilizes hand drawings to illustrate urban design proposals. Acting as a catalyst to explore design concepts,...

Mixed media drawing on paper Dated and signed on the back In the plastic work of Geneviève Seillé, the word, like a sign, reigns supreme. An object o...

Black Sky (The Cave Series), 2, 2015 graphite on paper 77 x 112 cm

This is an important work that is loaded with Surrealist iconographies. The shape of her hands is echoed in the shape of her hair. Tiny man and woman figures...

Thomas Cooper Gotch RBA RI 1854 - 1931 Death the Bride Graphite on paper Image size: 44 x 34 inches Pre Raphaelite Style frame The title of the painting comes from Shakespeare. It ...

Untitled Still-life, 2014 Graphite on paper, 44 x 60 cm Nikos Kanarelis was born in Athens, Greece in 1975 where he now lives and works. Βetween 1999 and 2004 he studied at the...

Lamp, 2014 Graphite on paper 40 x 51 cm Nikos Kanarelis was born in Athens, Greece in 1975 where he now lives and works. Βetween 1999 and 2004 he studied at the painting departm...

the quest, 2014 Graphite on paper 15.75 x 20.1 inches / 40 x 51 cm (framed) Nikos Kanarelis was born in Athens, Greece in 1975 where he now lives and wo...

Artwork by New York artist Gail Postal. Graphite, and Oil Paint. Postal has had two major influences on her work – old hand tinted black and white Japanese photographs and Eastern ...

Architect and artist Grover Mouton brings utilizes hand drawings to illustrate urban design proposals. Acting as a catalyst to explore design concepts,...

SOLD UNFRAMED Bois de Boulogne by Paulémile Pissarro (1884-1972) Graphite on paper 32 x 23.5 cm (12 ⁵/₈ x 9 ¹/₄ inches) Signed lower right, Paulémile-Pissarro-, and titled lower lef...

Medium: Ink, Graphite, and Watercolor on Paper Mounted Signature: Signed Lower Right circa 1881 Exhibited: Kennedy Galleries, with their label suggesting the creation date of 1881.

Fab original fashion graphite pencil drawing by iconic designer Paco Rabanne (1934-2023) depicting two glam futuristic creations Art Sz: 9-3/4"H x 7-3/4"W Frame Sz: 16"H x 14"W *sh...

Pastel and graphite on paper Image size: 11 x 8 1/2 inches (28 x 21.5 cm) Mounted William Dring Dring was born with the forenames Dennis William, but was known colloquially as John. He was the brother of the artist James Dring. He married the painter Grace Elizabeth Rothwell...

Graphite on paper, signed lower right Image size: 9 x 12 1/2 inches (23 x 32 cm) Mounted and framed Little is known about the artist Winifred Anne Rymer apart from that her career f...

An early example from pioneering Female Cartoonist/ Illustrator Edwina Dumm, who draws a comic strip from her long-running cartoon series Tippie which lasted for almost five decades. Signed and dated Edwina, 9-25, matted but unframed. Frances Edwina Dumm (1893 – April 28, 1990) was a writer-artist who drew the comic strip Cap Stubbs and Tippie for nearly five decades; she is also notable as America's first full-time female editorial cartoonist. She used her middle name for the signature on her comic strip, signed simply Edwina. Biography One of the earliest female syndicated cartoonists, Dumm was born in Upper Sandusky, Ohio, and lived in Marion and Washington Courthouse, Ohio throughout her youth before the family settled down in Columbus.[1] Her mother was Anna Gilmore Dennis, and her father, Frank Edwin Dumm, was an actor-playwright turned newspaperman. Dumm's paternal grandfather, Robert D. Dumm, owned a newspaper in Upper Sandusky which Frank Dumm later inherited. Her brother, Robert Dennis Dumm, was a reporter for the Columbus Dispatch, and art editor for Cole Publishing Company's Farm & Fireside magazine. In 1911, she graduated from Central High School in Columbus, Ohio, and then took the Cleveland-based Landon School of Illustration and Cartooning correspondence course. Her name was later featured in Landon's advertisements. While enrolled in the correspondence course, she also took a business course and worked as a stenographer at the Columbus Board of Education. In 1915, Dumm was hired by the short-lived Republican newspaper, the Columbus Monitor, to be a full-time cartoonist.[2] Her first cartoon was published on August 7, 1915, in the debut issue of the paper. During her years at the Monitor she provided a variety of features including a comic strip called The Meanderings of Minnie about a young tomboy girl and her dog, Lillie Jane, and a full-page editorial cartoon feature, Spot-Light Sketches[3]. She drew editorial cartoons for the Monitor from its first edition (August 7, 1915) until the paper folded (July 1917). In the Monitor, her Spot-Light Sketches was a full-page feature of editorial cartoons, and some of these promoted women's issues. Elisabeth Israels Perry, in the introduction to Alice Sheppard's Cartooning for Suffrage (1994), wrote that artists such as Blanche Ames Ames, Lou Rogers and Edwina Dumm produced: ...a visual rhetoric that helped create a climate more favorable to change in America's gender relations... By the close of the suffrage campaign, women's art reflected the new values of feminism, broadened its targets, and attempted to restate the significance of the movement.[4] After the Monitor folded, Dumm moved to New York City, where she continued her art studies at the Art Students League. She was hired by the George Matthew Adams Service[5] to create Cap Stubbs and Tippie, a family strip following the lives of a boy Cap, his dog Tippie, their family, and neighbors. Cap's grandmother, Sara Bailey, is prominently featured, and may have been based on Dumm's own grandmother, Sarah Jane Henderson, who lived with their family. The strip was strongly influenced by Mark Twain’s Adventures of Huckleberry Finn, as well as Dumm’s favorite comic, Buster Brown by Richard F. Outcault. Dumm worked very fast; according to comics historian Martin Sheridan, she could pencil a daily strip in an hour.[6] Her love of dogs is evident in her strips as well as her illustrations for books and magazines, such as Sinbad, her weekly dog page which ran in both Life and the London Tatler. She illustrated Alexander Woollcott's Two Gentlemen and a Lady. For Sonnets from the Pekinese and Other Doggerel (Macmillan, 1936) by Burges Johnson (1877–1963), she illustrated "Losted" and other poems. From the 1931 through the 1960s, she drew another dog for the newspaper feature Alec the Great, in which she illustrated verses written by her brother, Robert Dennis Dumm. Their collaboration was published as a book in 1946. In the late 1940s, she drew the covers for sheet music by her friend and neighbor, Helen Thomas, who did both music and lyrics. During the 1940s, she also contributed Tippie features to various comic books including All-American Comics and Dell Comics. In 1950, Dumm, Hilda Terry, and Barbara Shermund...

This impeccably rendered mid-century double portrait of a quarreling man and woman exhibits a supreme academic training knowledge lost in almost all contemporary art. It features an ...

"Woman in Coat & fancy Hat" is a graphite drawing signed by Sylvia Spicuzza. An older woman is sketched as she stands. She is wearing a winter coat and q...

"Full Moon #26" is an original graphite drawing on paper by Bill Teeple, signed in the lower right corner of the mat. This small image of the moon over the water is surrounded by a large white mat, isolating this intimate work so that it may be viewed on its own. Art size: 1 5/8" x 2" Frame size: 14" x 11" "I am the Director of Iowa Contemporary Art (ICON) and Bill Teeple Fine Art, in Fairfield. I have been serious about making art for 50 years, with a degree in art from the University of California at Berkeley. I have taught art in Fairfield for the past 15 years." In the ’70s, Bill and his artist partner Lynn Durham were living in California. Their fantasy/fairy art...