Art by Medium: Graphite
to
245
1,476
541
469
270
503
Overall Width
to
Overall Height
to
15
170
969
2,104
9
22
25
71
46
144
89
107
99
70
11
822
630
201
117
76
66
62
45
31
25
17
17
8
3
1,746
1,115
338
1,096
838
539
490
353
228
212
186
161
111
111
97
87
79
61
55
49
46
35
32
3,259
184,761
97,458
79,676
78,359
71
44
43
42
41
915
356
2,601
492
Medium: Graphite
American Girl Painting Graphite Ink Japanese Watercolor on Paper by Brad Fisher
By Brad Fisher
Located in New York, NY
American Girl, 2018
Graphite, Ink, and Japanese watercolor on paper by artist Brad Fisher. Unframed.
12 × 9 in
Shipping is not included. See our shipping policies. Please contact ...
Category
2010s Art by Medium: Graphite
Materials
Paper, Ink, Watercolor, Graphite
Sostenido 13
Located in New York, NY
Miriam Peralta
Sostenido 13, 2015
Graphite and charcoal on paper
66.90h x 28.30w in
169.93h x 71.88w cm
Category
2010s Abstract Geometric Art by Medium: Graphite
Materials
Paper, Charcoal, Graphite
Flying Fish
Located in New York, NY
This work on paper is from 1979 when Smyth exploring themes of nature in architecture and landscape.
From the age of one, Smyth was regularly taken to museums and churches across E...
Category
1970s Contemporary Art by Medium: Graphite
Materials
Gold
$6,000 Sale Price
20% Off
The children of fire Haude Bernabé 21st Century Contemporary Figurative Drawing
Located in Paris, FR
Ink and graphite on paper
Signed, entitled and dated lower left by the artist
Category
2010s Outsider Art Art by Medium: Graphite
Materials
Paper, Ink, Graphite
Study for Last Sleep of Arthur in Avalon
Located in London, GB
Graphite on paper
Image size: 7 1/2 x 9 inches (19 x 23 cm)
Carved gilt frame
Literature
Illustrated in Malcolm Bell's 'Sir Edward Burne-Jones, A Record and Review', London, 1899, p.127.
Provenance
Major Charles Sydney Goldman 1958
By descent to his Sons
John and Margaret Monck (John Goldman Monck) 1958-1963
Commander Victor Robert Penryn Monck (Victor Robert Penryn Monk Goldman) 1958-1963
Christie's London (Christie, Manson and Woods) 1963, John Monck and Cmdr Penryn Monck sale 26 April 1963 part lot 71
Sir John Richardson, 2019
Burne-Jones decided that the folds in the drapery in this study were too complex for the final painting and fairly soon after he simplified the draperies.
The work is a drapery study for the seated figures at the centre of Sir Edward Coley Burne-Jones monumental The Sleep of Arthur in Avalon (Museo de Arte de Ponce, Puerto Rico). The artist spent seventeen years working on the complex narrative, even moving his studio to a larger space to accommodate the canvas. Born as a commission from his patron George Howard, 9th Earl of Carlisle, to decorate a wall in his library at Naworth Castle, The Sleep of Arthur in Avalon was left unfinished in Burne-Jones’ studio upon his death. The work was bequeathed to a studio neighbour whose descendants sold it at auction in 1963, where it was purchased by Luis A. Ferré, politician and founder of the Museo de Arte de Ponce.
To his friends and family, Burne-Jones was known for his 'unpainted masterpieces'. Indeed, from his youth he made swift sketches, such as this study, that appeared effortless in contrast to his carefully crafted paintings and allowed him to work out ideas and refine details. He also drew outside of the studio, and his contemporaries remarked at his uncanny ability to do so while fully engaged in other activities. The painter W. Graham...
Category
19th Century Victorian Art by Medium: Graphite
Materials
Graphite
The Gaze, Signed Graphite 20th Century Portrait
Located in London, GB
Graphite on paper, signed bottom right
Image size: 13 x 8 3/4 inches (33 x 22.25 cm)
Original frame
Dora Thacher Clarke, later Dora Middleton, (1895–1989) was a British sculptor and wood carver who also wrote about, and promoted African art.
Clarke was born in Harrow in Middlesex. Her father, Joseph Thacher Clarke was an American architect. Clarke won a scholarship that allowed her to attend the Slade School of Fine Art. Aged fifteen, Clarke initially studied at the Slade on a part-time basis for three days each week throughout 1910 and 1911 but during 1915 and 1916 she studied sculpture there as a full-time student. Clarke first exhibited at the Royal Academy in 1923 and continued to do so until 1959. In the early 1930s she was a regular exhibitor in group shows at the Goupil Gallery and in March 1937 had her first solo show at the French Gallery. She also exhibited at the Paris Salon and with the Royal Society of British Artists.
Clarke's works included bronze castings, memorials and wood sculptures, often of African heads. For example she was commissioned to sculpt the posthumous portrait bust of Sir Walter Morley Fletcher. The most notable of her memorials is the panel and medallion tribute to Joseph Conrad at Bishopsbourne in Kent, which was unveiled in 1927. Clarke also wrote about, and promoted African art and spent a year, between 1927 and 1928 in Kenya, where she made many drawings which when she returned to London she used as the basis for wood carvings and bronzes of tribal figures. Wood carving became her technique of choice, often working with hardwoods and, on occasion, sperm whale teeth.
Clarke married Admiral Gervase B Middleton in 1938 but rarely exhibited work under her married name. During World War II, Clarke was commissioned by the War Artists' Advisory Committee to produce a portrait medallion depicting a serviceman who had been awarded the George Cross. This proved to be the only portrait medallion acquired for the WAAC collection.
Sculptures by Clarke are held in various museums, including the Ashmolean Museum which also holds a 1936 portrait of her by Orovida Camille Pissarro.
Category
Mid-20th Century English School Art by Medium: Graphite
Materials
Graphite
Europa and the Bull, 20th Century British Graphite Drawing, Signed
Located in London, GB
Graphite on paper, signed with stamp
Image size: 9 x 6 ¾ inches
Acid free mount
Born in London, Moody studied at Battersea Polytechnic and at Royal College of Art under William Roth...
Category
20th Century English School Art by Medium: Graphite
Materials
Graphite
Goblin Market Endpaper Design
Located in Fort Washington, PA
Lower margin contains inked directive initialed by Rackham and numerous pencil indications as well as a rough thumbnail sketch of the end papers.
A fascinating look into Rackham's creative process for his book designs. His attention to detail included the placement of the repeating silhouette pattern of the creatures and tree to appear the front and rear endpapers of the 1933 edition of Christina Rossetti's story "Goblin Market...
Category
1930s Art by Medium: Graphite
Materials
Ink, Graphite
Minimal, black and white, graphite drawing: 'PERMEATE'
By Judi Tavill
Located in New York, NY
“My biomorphic abstractions range from intimate to immersive in scale, referencing our interconnectedness.
Building curvilinear ceramic sculpture and then drawing intertwined graph...
Category
2010s Contemporary Art by Medium: Graphite
Materials
Paper, Graphite
Minimal, black and white, graphite drawing: 'Torque'
By Judi Tavill
Located in New York, NY
“My biomorphic abstractions range from intimate to immersive in scale, referencing our interconnectedness.
Building curvilinear ceramic sculpture and then drawing intertwined graph...
Category
2010s Contemporary Art by Medium: Graphite
Materials
Paper, Graphite
words fail (i) : contemporary collage
Located in New York, NY
Collage by Torea Frey created using found papers from vintage dictionaries and thesauruses, graphite powder, and matte medium.
Torea is a writer,...
Category
2010s Conceptual Art by Medium: Graphite
Materials
Paper, Mixed Media, Graphite
Minimal, black and white, graphite drawing: 'PICK'
By Judi Tavill
Located in New York, NY
“My biomorphic abstractions range from intimate to immersive in scale, referencing our interconnectedness.
Building curvilinear ceramic sculpture and then drawing intertwined graph...
Category
2010s Contemporary Art by Medium: Graphite
Materials
Paper, Graphite
Minimal, black and white, graphite drawing: 'Expanse'
By Judi Tavill
Located in New York, NY
“My biomorphic abstractions range from intimate to immersive in scale, referencing our interconnectedness.
Building curvilinear ceramic sculpture and then drawing intertwined graph...
Category
2010s Contemporary Art by Medium: Graphite
Materials
Paper, Graphite
Minimal, black and white, graphite drawing: 'FIND'
By Judi Tavill
Located in New York, NY
“My biomorphic abstractions range from intimate to immersive in scale, referencing our interconnectedness.
Building curvilinear ceramic sculpture and then drawing intertwined graph...
Category
2010s Contemporary Art by Medium: Graphite
Materials
Paper, Graphite
Minimal abstract, black and white sculpture: 'TWINE'
By Judi Tavill
Located in New York, NY
“My biomorphic abstractions range from intimate to immersive in scale, referencing our interconnectedness.
Building curvilinear ceramic sculpture and then drawing intertwined graph...
Category
2010s Contemporary Art by Medium: Graphite
Materials
Clay, Paint, Varnish, Graphite
Monument V.E. Contemporary Graphite Drawing on Archival Paper, 2010+
Located in Montreal, Quebec
Robbie Cornelissen is one of the leading contemporary draughtsmen in the Netherlands. Cornelissen has established a reputation for the monumental, architectural drawings that he has ...
Category
2010s Contemporary Art by Medium: Graphite
Materials
Graphite, Archival Paper
The Dance (1) Graphite Drawing on Archival Paper, Contemporary, 2010+
Located in Montreal, Quebec
Robbie Cornelissen is one of the leading contemporary draughtsmen in the Netherlands. Cornelissen has established a reputation for the monumental, architectural drawings that he has ...
Category
2010s Contemporary Art by Medium: Graphite
Materials
Graphite, Archival Paper
Arena Graphite Drawing on Archival Paper, Unframed, Contemporary
Located in Montreal, Quebec
With a career spanning more than three decades, Robbie Cornelissen has established himself among the leading contemporary draughtsmen in Europe. His vast and irresolute creative univ...
Category
2010s Contemporary Art by Medium: Graphite
Materials
Graphite, Archival Paper
Innercircle Graphite Drawing on Archival Paper, Contemporary Art
Located in Montreal, Quebec
With a career spanning more than three decades, Robbie Cornelissen has established himself among the leading contemporary draughtsmen in Europe. His vast and irresolute creative universe demonstrates the complexity of a world dealing with new spatial concepts. Every corner of the planet may have been explored, but digital technologies have opened up an endless universe to discover, a virtual labyrinth without an exit in which one can easily get lost. His drawings often serve vertiginous perspectives out of which emerge distressing voids that refer more to metaphorical states of mind than physical spaces. Cornelissen’s works offer an exploration of these fields and are therefore often viewed as places of anxiety. They could easily be interpreted as portraits of a technophobic mind, alarmed by the speeds and heights of our advanced neoliberal societies. But for some, the volatility of these spaces is also incredibly exciting – liberating even. Cornelissen represents a world in which things are freed from the pragmatism of their usage to exist simply for the interest of their geometry. This is particularly true of architecture, the prime subject of his artistic research.
In many ways, Cornelissen’s technique is very classical. His expertise of linear perspective takes root in the heritage of Quattrocento Masters of the likes of Pietro Perugino...
Category
2010s Contemporary Art by Medium: Graphite
Materials
Graphite, Archival Paper
The White Nucleus Drawing, Graphite on Paper, Contemporary Art
Located in Montreal, Quebec
With a career spanning more than three decades, Robbie Cornelissen has established himself among the leading contemporary draughtsmen in Europe. His vast and irresolute creative universe demonstrates the complexity of a world dealing with new spatial concepts. Every corner of the planet may have been explored, but digital technologies have opened up an endless universe to discover, a virtual labyrinth without an exit in which one can easily get lost. His drawings often serve vertiginous perspectives out of which emerge distressing voids that refer more to metaphorical states of mind than physical spaces. Cornelissen’s works offer an exploration of these fields and are therefore often viewed as places of anxiety. They could easily be interpreted as portraits of a technophobic mind, alarmed by the speeds and heights of our advanced neoliberal societies. But for some, the volatility of these spaces is also incredibly exciting – liberating even. Cornelissen represents a world in which things are freed from the pragmatism of their usage to exist simply for the interest of their geometry. This is particularly true of architecture, the prime subject of his artistic research.
In many ways, Cornelissen’s technique is very classical. His expertise of linear perspective takes root in the heritage of Quattrocento Masters of the likes of Pietro Perugino...
Category
2010s Contemporary Art by Medium: Graphite
Materials
Graphite, Archival Paper
Cloud (3) Contemporary Graphite Drawing on Archival Paper, 2010-
Located in Montreal, Quebec
With a career spanning more than three decades, Robbie Cornelissen has established himself among the leading contemporary draughtsmen in Europe. His vast and irresolute creative univ...
Category
2010s Contemporary Art by Medium: Graphite
Materials
Graphite, Archival Paper
Inlands Drawing, Contemporary Graphite on Archival Paper, 2010-
Located in Montreal, Quebec
With a career spanning more than three decades, Robbie Cornelissen has established himself among the leading contemporary draughtsmen in Europe. His vast and irresolute creative universe demonstrates the complexity of a world dealing with new spatial concepts. Every corner of the planet may have been explored, but digital technologies have opened up an endless universe to discover, a virtual labyrinth without an exit in which one can easily get lost. His drawings often serve vertiginous perspectives out of which emerge distressing voids that refer more to metaphorical states of mind than physical spaces. Cornelissen’s works offer an exploration of these fields and are therefore often viewed as places of anxiety. They could easily be interpreted as portraits of a technophobic mind, alarmed by the speeds and heights of our advanced neoliberal societies. But for some, the volatility of these spaces is also incredibly exciting – liberating even. Cornelissen represents a world in which things are freed from the pragmatism of their usage to exist simply for the interest of their geometry. This is particularly true of architecture, the prime subject of his artistic research.
In many ways, Cornelissen’s technique is very classical. His expertise of linear perspective takes root in the heritage of Quattrocento Masters of the likes of Pietro Perugino...
Category
2010s Contemporary Art by Medium: Graphite
Materials
Graphite, Archival Paper
Metamorphosis I - Haude Bernabé, 21st Century, Contemporary Figurative Drawing
Located in Paris, FR
Ink and graphite on paper
Signed, entitled and dated below
Category
2010s Outsider Art Art by Medium: Graphite
Materials
Paper, Ink, Graphite
Metamorphosis III - Haude Bernabé, 21st Century, Contemporary Figurative Drawing
Located in Paris, FR
Ink and graphite on paper
Signed, entitled and dated below
Category
2010s Outsider Art Art by Medium: Graphite
Materials
Paper, Ink, Graphite
The Jewellers, 19th Century Orientalist Graphite Sketch
Located in London, GB
Graphite on Paper
Image size: 21 x 13 3/4 inches (53.25 x 35 cm)
Carved gilt frame
Carl Friedrich Heinrich Werner
Carl Werner was born in Weimar in 1808, the son of a piano teacher...
Category
Mid-19th Century Art by Medium: Graphite
Materials
Paper, Graphite
Vaulted Interior, 19th Century Orientalist Sketch, Graphite on Paper
Located in London, GB
Graphite on Paper
Image size: 19 x 14 inches (48.25 x 35.5 cm)
Acid free mount
Carl Friedrich Heinrich Werner
Carl Werner was born in Weimar in 1808, the son of a piano teacher and...
Category
Mid-19th Century Art by Medium: Graphite
Materials
Paper, Graphite
"Untitled" mixed media work by artist Jim Stella on gallery-wrapped canvas
Located in Boca Raton, FL
"Untitled" mixed media artwork, including graphite, oil stick, acrylic paint, oil paint and oil pastels, on gallery-wrapped canvas by artist Jim Stella. Signed Jim Stella and dated 2...
Category
2010s Contemporary Art by Medium: Graphite
Materials
Oil Pastel, Mixed Media, Oil, Acrylic, Graphite
The Cyclist, 20th Century English Graphite Sketch
By Gordon Scott
Located in London, GB
Pencil on Paper
Image size: 18 1/2 x 14 inches (45.75 x 35.5 cm)
White gold frame
Gordon Scott
Scott was trained at the Royal College of Art (1934-38) under Gilbert Spencer, Alan So...
Category
20th Century Art by Medium: Graphite
Materials
Paper, Graphite
Abstract Minimal Clay Sculpture: 'Twist'
By Judi Tavill
Located in New York, NY
Judi Tavill( NJ) creates biomorphic abstraction coupling sculpture with drawing that references the complicated experience of connection and entanglement.
...
Category
2010s Contemporary Art by Medium: Graphite
Materials
Clay, Paint, Varnish, Graphite
Polymorphisms II - Haude Bernabé, 21st Century, Contemporary Figurative Drawing
Located in Paris, FR
Ink and graphite on paper
Signed, entitled and dated below
Category
2010s Outsider Art Art by Medium: Graphite
Materials
Paper, Ink, Graphite
Capacious Memory XVII: Abstract Drawing in Graphite on Archival Paper
Located in Montreal, Quebec
Robbie Cornelissen is one of the leading contemporary draughtsmen in the Netherlands. Cornelissen has established a reputation for the monumental, architectural drawings that he has ...
Category
2010s Abstract Art by Medium: Graphite
Materials
Archival Paper, Graphite
"Drawing for Allegheny + Ludlum Helmet & Jacket, " Graphite on Paper, 2020
Located in Chicago, IL
Entitled "Drawing for Allegheny + Ludlum Helmet & Jacket," this work by Chicago-based artist Patrick Fitzgerald is a companion piece to his sculpture "A+L Helmet & Jacket." Worn by the imagined driver of one of his miniature soap box derby cars, each helmet & jacket is branded with an industrial sponsor, in this case the Allegheny Ludlum Corporation, a steel manufacturer from the early 20th century. Mounted on subtle collage materials and paper fragments...
Category
21st Century and Contemporary Outsider Art Art by Medium: Graphite
Materials
Graphite, Paper, Board
Mirror Room (2) Contemporary Graphite Drawing, Unframed, 2010-
Located in Montreal, Quebec
Robbie Cornelissen is one of the leading contemporary draughtsmen in the Netherlands. Cornelissen has established a reputation for the monumental, architectural drawings that he has ...
Category
2010s Contemporary Art by Medium: Graphite
Materials
Graphite
Underworld (Red) Abstract Drawing, Graphite on Archival Paper, 2010+
Located in Montreal, Quebec
Robbie Cornelissen is one of the leading contemporary draughtsmen in the Netherlands. Cornelissen has established a reputation for the monumental, architectural drawings that he has ...
Category
2010s Abstract Art by Medium: Graphite
Materials
Archival Paper, Graphite
Entrance Abstract Drawing in Graphite on Archival Paper, 2010+
Located in Montreal, Quebec
Robbie Cornelissen is one of the leading contemporary draughtsmen in the Netherlands. Cornelissen has established a reputation for the monumental, architectural drawings that he has ...
Category
2010s Abstract Art by Medium: Graphite
Materials
Archival Paper, Graphite
AHPX-3765
Located in Napa, CA
Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotations and geographical memories: that summer you spent ...
Category
2010s Contemporary Art by Medium: Graphite
Materials
Charcoal, Wax, Oil, Graphite
Mending, Graphite Portrait, 20th Century Modern British, Signed Artwork
Located in London, GB
Graphite on paper, signed lower right
Image size: 17 x 21 inches (43.25 x 53.25 cm)
Contemporary frame
James Stroudley
Stroudley was born in London on 17 June 1906, the son of James Stroudley, showcard and ticket writer. He studied at Clapham School of Art (1923-27) and then at the Royal College of Art (1927-30), where his teachers included Alan Gwynne-Jones and William Rothenstein. As a recipient of the first Abbey Scholarship he was able to spend three years in Italy from 1930, where he absorbed the influences of Giotto and Piero della Francesca, and produced one of the last wholly satisfying decorative cycles by a Rome Scholar of the period. From 1934, he exhibited at the Royal Society of British Artists, and was elected to its membership in the following year.
From the Second World War – in which he worked with the Camouflage Unit – Stroudley taught at St Martin’s School of Art and was a visiting lecturer at the Royal Academy Schools. Though he continued to live in London, his later work, exhibited at the Royal Academy from 1955, indicated regular painting trips to Kent and Sussex coasts. However, much of his later work was abstract. In 1971, his former student, Peter Coker, paid homage to Stroudley by including his work in the exhibition ‘Pupil & Masters’, held at Westgate House, Long Melford, Suffolk.
Stroudley married three times, and his wives included the fashion artist to the Sun newspaper...
Category
20th Century English School Art by Medium: Graphite
Materials
Paper, Graphite
"Contemplation"
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork by:
Gershon Benjamin (1899-1985)
An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon Benj...
Category
1920s Modern Art by Medium: Graphite
Materials
Graphite
Night Life 2
Located in Palm Desert, CA
A drawing by Irving Norman. "Night Life 2" is a social surrealist drawing, graphite on paper in black and white by Post-War artist Irving Norman. The...
Category
Mid-20th Century Post-War Art by Medium: Graphite
Materials
Graphite
Abstract Minimal Clay Sculpture: 'Tangle Trio'
By Judi Tavill
Located in New York, NY
Judi Tavill( NJ) creates biomorphic abstraction coupling sculpture with drawing that references the complicated experience of connection and entanglement.
...
Category
2010s Contemporary Art by Medium: Graphite
Materials
Clay, Paint, Varnish, Graphite
Detail
Located in Fairfield, CT
Graphite on paper.
Framing included (26.25" x 21.75" framed).
Category
2010s Contemporary Art by Medium: Graphite
Materials
Paper, Graphite
18th Century Monument, Pencil and Wash Artwork, German School
Located in London, GB
Pencil and wash
Image size: 10 1/2 x 15 3/4 inches (27 x 40 cm)
Mounted
Category
18th Century Art by Medium: Graphite
Materials
Watercolor, Graphite
Portrait of Alfred Hardiman, Graphite Sketch, Signed and Dated 1925
Located in London, GB
Graphite on paper, signed and dated
Image size: 18 x 12 1/2 inches (46 x 32 cm)
Mounted and framed
The sitter for this portrait, Alfred Hardiman, was an English sculptor. Hardiman and Lyon were friends and met when they both attended the British School at Rome in the early 1920s.
Hardiman won a London County Council Scholarship to the Royal College of Art in 1912, and three years later joined the Royal Academy School. After a period as an engineer's draughtsman in the Royal Flying Corps during the First World War, Hardiman resumed his studies and in 1920 was awarded the British Prix de Rome scholarship, spending two years at the British School at Rome. There he developed his style, a blend of naturalism and classicism influenced by Roman and Etruscan art and early fifth century Greek sculpture.
Hardiman's best-known (but also most controversial) work is the Earl Haig Memorial on Whitehall in London. More universally admired are the heraldic lions flanking the main entrance to the City Hall, Norwich, a work which fully epitomises his style. He was appointed consultant sculptor to the building, having worked with one of the architects, Stephen Rowland Pierce, on the Haig Memorial. Hardiman also carved three large stone figures for the outside of the council chamber, and worked with other sculptors on the project including James Woodford and Eric Aumonier.
Hardiman was elected Associate of the Royal Academy in 1936 and a full Academician in 1944. He became a fellow of the Royal Society of British Sculptors in 1938 and the following year received their silver medal for his statue of Haig. In 1946 he won a gold medal for his bronze fountain figure for the New Council House, College Green, Bristol, which however was never erected.
In 1918 he married Violet, daughter of Herbert Clifton White, of London, and had two daughters. He died at Stoke Poges on 17th April 1949.
Robert Lyon...
Category
1920s Modern Art by Medium: Graphite
Materials
Paper, Graphite
Cincinnati Bengals
By Jack Davis
Located in Fort Washington, PA
Date: 1990
Medium: Ink and Conte Crayon over Graphite
Dimensions: 12" x 16"
Signature: Signed
Jack Davis Cincinnati Bengals Football Illustrat...
Category
1990s Art by Medium: Graphite
Materials
Ink, Graphite
The Gathering, Train Station Pastel, British Mid 20th Century
Located in London, GB
Pastel and graphite on paper
Image size: 8 1/4 x 5 inches (21 x 12.75 cm)
Contemporary style handmade frame
The Artist
Peter Gardner was born in London in 1921. He studied at the ...
Category
Mid-20th Century Modern Art by Medium: Graphite
Materials
Paper, Pastel, Graphite
Bañistas triple sombra (Triple Shadow Bathers)
Located in Ciudad de México, MX
The pieces attract by the power of the pictorial gesture materialized in the line, the shape, and the color. For Daniel, each painting contains and transmits the energy that was embo...
Category
21st Century and Contemporary Art by Medium: Graphite
Materials
Pastel, Acrylic, Graphite
Bañistas triple sombra (Triple Shadow Bathers)
Located in Ciudad de México, MX
The pieces attract by the power of the pictorial gesture materialized in the line, the shape, and the color. For Daniel, each painting contains and transmits the energy that was embo...
Category
21st Century and Contemporary Art by Medium: Graphite
Materials
Pastel, Acrylic, Graphite
Miss Twisty: Back to the City - Mid-Century Female Illustrator
Located in Miami, FL
Miss Twisty is a story of a young girl who leaves the big city to spend time in the country. The book is filled with insight and humor. This work is a deftly rendered black-and-wh...
Category
1940s Academic Art by Medium: Graphite
Materials
Paper, Graphite
Self Portrait, 20th Century English Artist, Graphite Drawing
By Frank Jameson
Located in London, GB
Frank Jameson
1899 - 1968
Self Portrait
Graphite on paper, signed lower right
Image size: 15 x 9 inches
Contemporary frame
Frank Jameson was born in London and later moved to Birmingham where he attended evening classes in drawing and painting at Birmingham Art School. By day he worked as an insurance salesman. During the First World War he became an officer in the Worcester Regiment and was in charge of building bridges and block houses. He returned to the Midlands but then travelled widely by rail, eventually discovering St Ives where he was inspired by the stunning scenery. He stayed and rented the Loft Studio. He also became a member of the St Ives Society of Artists and exhibited frequently with his fellow artists, especially John Park...
Category
20th Century Art by Medium: Graphite
Materials
Graphite
The Writer's Retreat, 20th Century British School Pen and Ink
Located in London, GB
British School
1940's
The Writer's Retreat
Pen & ink
Image size: 10 1/2 x 9 inches
Hand made frame and mount
Category
20th Century Art by Medium: Graphite
Materials
Paper, Graphite
Surreal Collage: 'Irvington Park'
Located in New York, NY
Barnett, a surrealist artist incorporates discarded mechanical objects and gadgets into his artwork. His work is characterized by its unique and eclectic mix of materials, which rang...
Category
2010s Surrealist Art by Medium: Graphite
Materials
Pastel, Watercolor, Graphite
The New Haircut, 20th Century portrait of a Young Girl, drawing
Located in London, GB
Graphite on paper
Image size: 11 ¾ x 8 ½ inches (30 x 21.5 cm)
Original frame
This superbly-drawn portrait highlights the artist’s undeniable skill as a portrait artist, particularl...
Category
20th Century Modern Art by Medium: Graphite
Materials
Paper, Graphite
Burning Stone
Located in Ciudad de México, MX
Daniel Berman's production is not only torrential and overflowing but also mutating as if it were a chameleon, it changes to support and scale to explore the possibilities of each te...
Category
20th Century Contemporary Art by Medium: Graphite
Materials
Cotton, Paper, Ink, Acrylic, Graphite
Dystopian Dreams
Located in BARCELONA, ES
The expressive power of intuition, movement and the use of gestures play a mayor role in Krisztina Horvath’s creative process. She draws her inspiration often from nature and from Ea...
Category
2010s Abstract Art by Medium: Graphite
Materials
Canvas, Acrylic, Graphite
Japanese Art Ukiyo-e Figurative Painting, The courtese Hinakoto, Edo period
Located in Segovia, ES
Bijin-ga series XXI (Nº 21)
Title: The courtese Hinakoto of the Hyôgorô House of Edo
The courtesan Hinakoto is depicted by smoking tobacco. She takes the pipe delicately in her left hand and, in her right hand, she seems to be holding a “uchiwa” (rigid hand fan) that comes out from the bottom of the drawing, decorated with written calligraphy. Some strands of hair that fall on her temple and her scant clothing show that the painter has surprised her in a relaxed moment in which she does not lose her elegance and slenderness.
This image is part of the bijin-ga series (“Pretty women”) drawn by Mario BGil, based in the Kitigawa Utamaro woodblock print...
Category
2010s Edo Art by Medium: Graphite
Materials
Paper, Crayon, Oil Crayon, Graphite
Surprised Woman with Cactus 1920s Female Illustrator
By Susan Flint
Located in Miami, FL
The postman's delivery of a limp cactus creates a big emotional response the female recipient. Most likely an interior illustration for a newsstand magazine. Signed lower right Sus...
Category
1930s American Modern Art by Medium: Graphite
Materials
Paper, Graphite
"Central Park"
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork.
Signed. Complemented by a hand carved and gilt frame.
William L. Lathrop (1859-1938)
Deemed “Father of the New Hope Art Colony”, William Langson Lathrop was born in Warren, Illinois. He was largely self-taught, having only studied briefly with William Merritt Chase in 1887, at the Art Students League. Lathrop first moved east in the early 1880s, and took a job at the Photoengraving Company in New York City. While there, he befriended a fellow employee, Henry B. Snell. The two men became lifelong friends and ultimately, both would be considered central figures among the New Hope Art Colony.
Lathrop's early years as an artist were ones of continuing struggle. His efforts to break through in the New York art scene seemed futile, so he scraped enough money together to travel to Europe with Henry Snell in1888. There he met and married an English girl, Annie Burt. Upon returning to New York, he tried his hand at etching, making tools from old saw blades. Even though his prints were extremely beautiful, he still was impoverished. Lathrop would return to his family in Ohio, before once again attempting the New York art scene. In 1899, with great trepidation, he submitted five small watercolors to an exhibit at the New York Watercolor Club. He won the Evans Prize, the only award given, and four of the five paintings were sold the opening night. At age forty Lathrop’s career would finally take off and he became an “overnight success
Lathrop came to Phillips Mill for the first time in1898, to visit his boyhood friend, Dr. George Marshall. Shortly after, he and his family purchased the old miller’s house from Dr. Marshall. The Lathrop’s home became a social and artistic center for the growing New Hope colony. Tea and fascinating conversation was the “order of the day” every Sunday. This was a scene fondly recalled by many younger art students that Lathrop taught privately at Phillips Mill. It was common to see groups of his students painting and sketching along the banks of the canal or aboard his canal boat. He had previously taught in the Poconos and at the Lyme, Connecticut Summer School in1907, but Phillips Mill always remained Lathrop’s permanent address.
In 1928, a committee headed by Lathrop was formed to purchase the old Phillips Mill building as a place to hold community gatherings and art exhibitions. The committee had success and in 1929 the Phillips Mill Community Association was formed. This became the center of the New Hope Art Colony holding annual exhibitions and still operating today.
In 1930, Lathrop had built a sailboat he named the “Widge”. For eight consecutive seasons he sailed it along the coast of Long Island...
Category
Early 20th Century American Impressionist Art by Medium: Graphite
Materials
Paper, Graphite
Laundry Day. Child hanging cloths in Breeze. Cover. The Household Guest
Located in Miami, FL
The Artist captures a "caught moment" of cloths blowing in the wind. It's being witnessed by an inquisitive bird, while be ducklings and a cute kitty cat accompany her.
Signed lower...
Category
1930s American Modern Art by Medium: Graphite
Materials
Pastel, Archival Ink, Gouache, Graphite, Paper
Cecil B. DeMille
Located in Fort Washington, PA
Signed Lower Right by Artist
GRAPHITE SKETCHES - Caricature by George Wachsteter (1911-2004) of legendary autocratic motion picture director, Cecil B. DeMille, 8" x 11". 'Fields in ...
Category
21st Century and Contemporary Art by Medium: Graphite
Materials
Graphite
Viva Hate Back Tat Coverup
Located in West Hollywood, CA
A close friend commissioned Sheppard to cover up an old tattoo in the middle of his back that read “VIVA HATE.” Seeking inspiration, he turned to The Book of Hours once again. In the...
Category
2010s Art by Medium: Graphite
Materials
Oil, Permanent Marker, Graphite
Graphite art for sale on 1stDibs.
Find a wide variety of authentic Graphite art available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add art created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, pink and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Victor Di Gesu, Howard Tangye, Kory Twaddle, and Robbie Cornelissen. Frequently made by artists working in the Contemporary, Post-Impressionist, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Graphite art, so small editions measuring 6 inches across are also available Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $315 and tops out at $21,250, while the average work can sell for $9,950.