Art by Medium: Ink

Original Graffiti Street Art on Canvas, Mixed Medium on Canvas 45W x 60H" Original Mixed Media Graffiti Street Art on Canvas Investment Opportunity - Unique - Original - Signed Thi...

Beautiful figurative floral watercolor and acrylic ink on Cansen cold press watercolor paper by Rebecca Johnson.

Original Judy Garland Get Happy Drawing. Legendary Star. Caricature. Not a Litho. Al Hirshfeld (1903-2003) Judy "All Star Variety" Garland at the Palace Ink on board, 1955 Sight: 16...

Walasse Ting 丁雄泉 Green Cat, 1984 Color etching and aquatint on copper plate, printed on Fabriano Rosaspina paper Pencil signed, numbered 178/230, dated 1984 along with artist's perso...

Highly detailed india ink abstract pointillist drawing of figures and roses with watercolor and gouache by Ben Black (American, 1922-2003), c.1990's. Signed "Ben Black" lower right. ...

Robert Strati is an American artist who creates multimedia artworks using broken plates. His recent series “Fragmented” started when he accidentally drop...

“Sirocco” by Helen Frankenthaler . Mixographia embossed engraving on handmade paper. Unique color from the regular numbered edition. 51/52. Hand signed by artist, dated 1989. Pri...

Signed, dated, and titled "MAX MARRA XXX 2002 verso. Mixed media sculpture painting including acrylic, ink, cord, and wax on shaped canvas, 20 3/4 x 24 in., unframed. Ho viaggiato ...

Full title: "Ship of Cools, or, A Jolly Load of Boatmen Flat-Out Crossing the Mainstream, Some Being Kings, and Some Being 'Vagabonds' (We Await Your Applause) (#1318)" Watercolor, acrylic, and ink on paper (Diptych) Signed in black ink, l.l. This artwork references George Caleb Bingham’s 1846 painting “The Jolly Flatboatmen...

Colorful abstract screen print of a circular composition with a seasonal theme by Deborah Rumer (American, 20th Century). Titled, numbered, signed, and dated ("The Wheel Ed140 © Debo...

A Fine, Expressive 1930s Modern Figure Study Drawing of a Seated Male Nude Model by Famed Chicago Artist, Francis Chapin (Am. 1899-1965). A wonderful, early example of Chapin's figu...

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an auth...

Green Painting Art Hand Textured Giclee on Canvas 45x45" Good Dreams State-of-the-art HAND EMBELLISHED ∽ MUSEUM QUALITY ∽ DISPLAY READY Giclee Reproduction Each limited edition G...

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an auth...

William Barnett (1918-1992). Portrait of a Man ca. 1960. Pencil and Ink on paper measuring 11 x 14 inches. Signed lower right. Small tears on sheet upper margin and right margin,...

A quintessential example of the Picturesque tradition, popular among both professional artists and "gentleman sketchers" of the Georgian and Victorian eras. c1840. Ink and wash on w...

Max Manning is a Houston-based painter whose practice he describes as “algorithmic abstraction”, studio-built systems that he deliberately disrupts to create compositions where loosely figurative fragments, patterns, and color fields collide. Working in series, Manning sets up rule-driven visual frameworks such as grids, repeated motifs, cut-outs, and layered shapes, and then interrupts them through shifts in palette, gesture, and scale. The result is a retro-contemporary language: paintings that acknowledge a world shaped by data and screens while insisting on the tactility, stillness, and breath of paint. • One-of-a-kind abstract artwork on paper measuring 20 x 16 inches • Unframed and signed by the artist on the back • Includes certificate of authenticity issued by the art gallery • Convenient local Los Angeles delivery available • Affordable Continental U.S. and international shipping available Across his practice, Manning has maintained a clear studio ethos: to “paint through the questions” of life lived alongside algorithms. Instead of reproducing digital aesthetics, he uses rule sets to destabilize them—allowing glitches, misalignments, and pauses to surface. The work’s visual “systems” act less like predictive code and more like open, humanized structures where attention can rest. This stance has resonated with curators and collectors attuned to abstraction’s current arc: grounded in art-historical form, responsive to contemporary cognition, and committed to the slow time of looking. Manning earned a BFA in Two-Dimensional Studies from Bowling Green State University (2011) and an MFA from the University of Cincinnati (2014). His work has been exhibited widely in the U.S. and abroad and gained early institutional and critical attention through selection for the 2017 Texas Biennial, curated by Leslie Moody Castro, with press coverage in Texas arts media. Artspace Warehouse has been representing and exhibiting Max Manning's original artworks since 2025. The gallery has been a 1stdibs partner since 2014 with consistently excellent reviews from clients worldwide. The gallery exhibits a large selection of affordable original artworks from established and emerging international artists with diverse backgrounds at high standards. Artspace Warehouse is known to provide accurate descriptions, images, reliable services, communication, and delivery. The gallery's commitment to customer satisfaction means that clients can invest in art with confidence, knowing they have a reputable and established art gallery backing their acquisition. Artspace Warehouse prioritizes our clients' peace of mind by ensuring a seamless and worry-free art-buying experience. REPRESENTATION Artspace Warehouse, Los Angeles, USA SOLO EXHIBITIONS 2017 Language Game, TW Fine Art, Brisbane, Queensland, Australia 2015 In Tongues, EN EM Art Space, Sacramento, California 2014 Now Made with Real Paint, No Future Projects (online) Soul-Rocket, Pipeline Artist Space, Cincinnati, Ohio 2013 Uberplasticist Exhibition #1, Pipeline Artist Space, Cincinnati, Ohio 2011 Screening Reality: Erotomania (Paintings and Drawings by Max Manning), Bowen Thompson Student Union, Bowling Green, Ohio GROUP EXHIBITIONS 2025 Space City Spotlight, Seismic Gallery, Houston, Texas 2023 No Zoning, Reeves Art and Design, Houston, Texas 2022 Crimson Tide, Soft Times Gallery, San Francisco, California The Big Show, Lawndale Art Center, Houston, Texas Small Works, Soft Times Gallery, San Francisco, California Summer Preview, Todd Weiner Gallery, Kansas City, Missouri 2022 Salina Biennial, Salina Art Center, Salina, Kansas Project for Ukraine, Far By Wide — Online Exhibition Miami University Yeck Young Painters Competition, Miami University, Oxford, Ohio 2021 Quiet Fire, curated by Jessica Cannon and Jay Gaskill, Far By Wide — Online Exhibition Not Just Another Anthropocenic Love Story, Trestle Gallery, Brooklyn, New York DAAP Made, University of Cincinnati Indian Hill Gallery, Cincinnati, Ohio Loop, Box 13 ArtSpace, Houston, Texas 2020 Concrete Pocket, Houston Community College Central Gallery, Houston, Texas Lines of Thought, CICA Museum, Gimpo, South Korea Flatfile Exhibition, Collar Works, Troy, New York Mirror Eye, curated by Youngspace and Far by Wide, Ortega y Gasset Projects, Brooklyn, NY Ortega y Gasset Flatfile Exhibition, Ortega y Gasset Projects, Brooklyn, New York 2019 The Christmas Edit, TWFINEART Group Art Show, Todd Weiner Gallery, Kansas City, MO Be. Long. I Like Your Work Juried Exhibition, curated by Erika B. Hess, David Linneweh, and Mychaelyn Michalec, Dutoit Gallery, Dayton, Ohio Of Texas, curated by Adam Farcus, Lease Agreement, Lubbock, Texas Priority Mail, Ground Floor Gallery, Brooklyn, NY Art Hustle, Reed Gallery, Cincinnati, OH Lobster Dinner, curated by Will Hutnick, Trestle Gallery, Brooklyn, New York 2018 Trade Show, My Friend PTX, Paris, Texas TWFAX2 + Matt Sheridan + W Hotel, TW Fine Art, Brisbane, Queensland, Australia Papercuts, curated by Kristian Day, Saatchi Gallery, London, England The Big Show, Lawndale Art Center, Houston, Texas Squaring the Sun, curated by Jessica Cannon, Far By Wide — Online Exhibition 2017 Paper Cuts, curated by Kristian Day and Jeanette Gunnarsson, Tripp Gallery, London, England Winter Exhibition, James May Gallery, St. Algoma, Wisconsin 2017 Texas Biennial, curated by Leslie Moody Castro, Big Medium Austin, Austin, Texas Milestones, Bowling Green State University, Bowling Green, Ohio Antipol, curated by Max Presneill and Chris Trueman, Durden and Ray, Los Angeles, California Priority Mail, Ground Floor Gallery, Brooklyn, New York Chaos, Ro2 Art, Dallas, Texas Intimates, Skylab Gallery, Columbus, Ohio ATTACH FILES, 50/50, Kansas City, Missouri Día de los Muertos, Lawndale Art Center 2016 Funkytown, Urbano, Berkeley, California The Big Show 2016, Lawndale Art Center, Houston, Texas Small Works, Trestle Gallery, Brooklyn, New York From Here, Fluorescent Gallery, Knoxville, Tennessee Construct, 337 Project Space, Grand Rapids, Michigan 2015 Be, Mist Gallery — Online Exhibition More or Less, Front/Space, Kansas City, Missouri Le Cours de Chose, Le Praticable Espace D’Exposition, Rennes, France At the Sound of The Bell: Break Away, Pear Gallery, Cincinnati, Ohio Chill, Zen, Funk and Twang, Curating Contemporary — Online Exhibition 2014 Sugar Rush, En Em Art Space, Sacramento, California New Abstraction: 3 Select, Metropolis Collective, Mechanicsburg, Pennsylvania Extraordinary Flecks and Things Butting Up, LOHIOH, Cincinnati, Ohio By The Pleasure of Doing, Espacio 20/20, San Juan, Puerto Rico Divisible: please, actually, introspective, Divisible Project Space, Dayton, Ohio Business Casual, collaborative show with Jessica Simorte, Neon Heater Gallery, Findlay, Ohio LUSH, Contemporary Arts Center, Cincinnati, Ohio Fiction, University of Dayton Galleries, Dayton, Ohio 2013 Fresh Paint Showcase, Media Wall at Commerce Square, Philadelphia, Pennsylvania Pop-Up Art, Niehoff Design Studio, Cincinnati, Ohio Members Small Works Exhibition, Roy G Biv Gallery, Columbus, Ohio Wintery Mix, Rock Paper Scissors, Cincinnati, Ohio Crosspollination, Collaborative show with Jessica Simorte, 840 Gallery, Cincinnati, Ohio Sweety Salty Sculpture Funk, Collaborative show with Jessica Simorte, Pipeline Artist Space, Cincinnati, Ohio All Fall Down, Meyers Gallery, University of Cincinnati, Cincinnati, Ohio Modern Makers & Fernside Benefit Art Auction, Niehoff Urban Studio, Cincinnati, Ohio Renewal, Drift...

Art Sz: 8 5/8"H x 11"W Frame Sz: 15 1/2"H x 17 1/2"W Provenance: From The Collection of Nicholas Colquhoun-Denvers, former chairman of The HPA (Hurlingham Polo Association) Nicho...

This sculpture from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism. The series references popular and religious icons suc...

Abstract ink drawing by Spanish artist Jorge Miton, 2005. Signed lower right. Original artwork on paper displayed on a white mat with a gold border. Archival plastic sleeve and Ce...

large scale photograph of sunny cactus landscape, from a series of highly detailed large format nature observations, an homage to the photo realistic ...

This 19x14 mixed media abstract draws you into the depths, with fluid tones and layered textures that create a sense of movement and mystery. The intricate details capture the essenc...

Gail Norfleet earned her BFA at The University of Texas at Austin, and her MFA at Southern Methodist University. She has had solo exhibitions at The McKinney Avenue Contemporary and ...

The dawn chorus is the outbreak of birdsong at the start of a new day. This series pays homage to the mundane moments in nature that we often take for granted. Dawn Chorus No.15 is ...

America Martin "What a Good Swim" Pastel & Ink on Paper 37.75 x 25.25 in Framed 44 x 32 in America Martin is an internationally represented Colombian-American fine artist based ...

A striking Art Deco watercolor created after an original design by René Vincent (1879-1936), this lively golfing scene beautifully captures the wit, movement, and graphic sophisticat...

Louis Icart (French, 1888-1950) Coursing II, 1929 Etching with handcoloring on paper Image: 15 x 24-7/8 inches (38.1 x 63.2 cm) (image) Ed. V/160 Framed Dimensions 27 X 39.5 Inches ...

Roland Ayers (1932-2017). Untitled, 1983. Ink on paper, measures 17 x 23 inches. Unframed and unmounted. Signed and dated lower left. Ayers holds the distinction of having participated in the first important survey of African-Americans, Contemporary Black Artists in America, a 1971 show at The Whitney. Biography: Artist and art educator, Roland Ayers was born on July 2, 1932, the only child of Alice and Lorenzo Ayers, and grew up in the Germantown district of Philadelphia. Ayers served in the US Army (stationed in Germany) before studying at the Philadelphia College of Art (currently University of the Arts). He graduated with a BFA in Art Education, 1954. He traveled Europe 1966-67, spending time in Amsterdam and Greece in particular. During this period, he drifted away from painting to focus on linear figurative drawings of a surreal nature. His return home inaugurated the artist’s most prolific and inspired period (1968-1975). Shorty before his second major trip abroad in 1971-72 to West Africa, Ayers began to focus on African themes, and African American figures populated his work almost exclusively. In spite of Ayers’ travel and exploration of the world, he gravitated back to his beloved Germantown, a place he endowed with mythological qualities in his work and literature. His auto-biographical writing focuses on the importance of place during his childhood. Ayers’ journals meticulously document the ethnic and cultural make-up of Germantown, and tell a compelling story of class marginalization that brought together poor families despite racial differences. The distinctive look and design of Germantown inform Ayers’ visual vocabulary. It is a setting with distinctive Gothic Revival architecture and haunting natural beauty. These characteristics are translated and recur in the artist’s imagery. During his childhood, one of the only books in the Ayers household was an illustrated Bible. The images within had a profound effect on the themes and subjects that would appear in his adult work. Figures in an Ayers’ drawing often seem trapped in a narrative of loss and redemption. Powerful women loom large in the drawings: they suggest the female role models his journals record in early life. The drawings can sometimes convey a strong sense of conflict, and at other times, harmony. Nature and architecture seem to have an antagonistic relationship that is, ironically, symbiotic. A critical turning point in the artist’s career came in 1971 when he was included in the extremely controversial Whitney Museum show, Contemporary Black Artists in America. The exhibition gave Ayers an international audience and served as a calling card for introductions he would soon make in Europe. Ayers is a particularly compelling figure in a period when black artists struggled with the idea of authenticity. A questioned often asked was “Is your work too black, or not black enough?” Abstractionists were considered by some peers to be sell-outs, frauds or worse. Figurative* work was accused of being either sentimental or politically radical depending on the critical source. Ayers made the choice early on to be a figurative artist, but considered his work devoid of political content. Organizations such as Chicago’ s Afri-Cobra in the late 1960‘s asserted that the only true black art of any relevance must depict the black man and woman...

from a series of large scale photographs capturing a mesmerizing color palette of classic blue ocean SEASCAPE XVII by Frank Schott 60 x 48 inches / 152cm x 122cm signed edition of...

Cancer, 2018, collage, print, figurative, gold, tarot, horoscope, metallic gold edge, on glossy heavy card stock with pink design on reverse.

Belgian artist Greet Helsen masterfully layers acrylic paint with the effervescent transparency of watercolors in her large mixed-media abstract paintings. Reminiscent of abstract ex...

Joseph Kardonne (1911-1985). Night Club New York, ca. 1960s. . Watercolor on paper, sheet measures 8.5 x 12 inches; 11 x 17 in matting. Excellent condition. Born in Newark, New Jer...

Ceiling of the Paris Opera House This is a print made by Center Art Galleries-Hawaii, Inc. You can google their name to get a sense of the litigation surrounding this manufacturer,...

Lone Boat At Dusk - Serigraph Print Original serigraph depicting a landscape scene with contrasts of black, blue and green. Hues of blue make up the ...

5176 Vintage French Modernist Witch painting Signed and framed

From a series of whimsical conceptual motivational messages on classic Americana billboard signs in iconic landscapes of the American West BACK IN 10 by Frank Schott 58 x 77.33 inc...

Signer upper right, 'Craemer' for Kurt Craemer (German, 1912-1961) and dated 1954. Born in Saarbrucken, Craemer first attended the Academy of Cologne where he worked under Friedrich...

The figurative surrealistic paintings of Carlos Gamez de Francisco are heavily influenced by his Cuban upbringing in a Russian-governed academic setting. This presence exposed Franci...

Jan-Frederic Frey Death Paradise (Street Art, Satire, Pop Surrealism, Skeleton, Palm Angels) Giclée / Iris Print on Hahnemuehle Velvet 2020 Size: 23.25 x 23.25 inches (59 cm x 59 cm)...

Jeff Koons, American (1954 - ) - Flowers, Year: 2017, Medium: Ink Drawing in Catalog, signed and dated, Size: 10.5 x 13 in. (26.67 x 33.02 cm)

Abstracted landscape by an unknown artist (20th Century). The landscape is made up of patches of color, reminiscent of viewing agricultural land f...

Beautiful WPA era NYC subway scene by American artist, Albert Sway (b.1913). ca. 1935. Lithograph on paper, image measures 9.75 x 7.75 inches. Full sheet measuring 12.5 x 9.5 inche...

Patty deGrandpre’s “Landlocked (Welcome to Utah)” is an 14 x 11 inch unique abstract mixed media print represented on Awagami Bamboo Japanese paper utilizing both printmaking and cre...

Damien Hirst is a British contemporary master artist and entrepreneur recognized for his iconic artworks that have defined the contemporary art world for over a decade. He is one of ...

A Fine, Stylish 1930s Modern Figure Study Drawing of a Standing Male Nude Model by Famed Chicago Artist Francis Chapin (Am. 1899-1965). A wonderful, early example of Chapin's figura...

This is a hand painted oil and mixed media artwork on canvas by internet sensation mad charcoal He is represented by Krause Gallery NYC Ships rolled in ...

Original Graffiti Street Art on Canvas, Mixed Medium on Canvas 45W x 60H" Original Mixed Media Graffiti Street Art on Canvas Investment Opportunity - Unique - Original - Signed Thi...

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...

Lynn Sanders is an artist excited by beauty: architecture, foliage, landscapes, seascapes, interiors. She finds palettes and shapes in her environment and propels them into her work,...

"By the Canal" Limited Edition Lithograph on Archival Paper Vibrant lithograph of a red-headed woman near a canal by Michael Leu (Taiwanese, b. 1950). The woman is holding a bouquet of tulips. Nearby, a bicycle is parked alongside the canal. There is a bridge over the canal, connecting to a small town in the distance. This piece is whimsical, bold, and expressive. Numbered "31/198" in the lower left corner. Signed and dated "Michal Leu 95" in the lower right corner. Presented in a black aluminum frame with a white mat. Frame size: 32.75"H x 27.25"W Image size: 24"H x 19"W Born in Taipei, Taiwan, Michael Leu (b. 1950) studied fine art and design in his home town in the late 1960s and learned printmaking techniques at Otis Parsons...

Framed dimensions: 17.88 x 14.88 in Signed on the verso in blue pen "Kara Ziebelman" Kara Ziebelman’s work is rooted in dreams, the human condition, and a deep reverence for both th...

Jesse Soifer (1932-2013). Untitled #142 ca. 1990. Ink and paper collage, sheet measures 14 x 15 inches. Unsigned. Estate stamp on verso sheet with assignation number. Early Life...

Description Raymond Pettibon (1957) Untitled (The sense must...), 1990 Ink on paper Signed/dated by artist on verso Image: 11.5 x 9.5 in; Framed: 19 x 17.5 in

Japanese Artisans - Japanese Woodblock Print J Japanese woodblock depicting six women, all wearing vibrant kimonos, working on crafts by Tosa Mitsuoki (Japanese, 1617-1691). Japanese,c. 1600. Handcraft depiction (dye works).Section from a painted screen with presentations of handcraft.Kita-in, Saitama. Stamped lower left. Presented in a white mat and giltwood frame. Frame: 19"H x 14"W Mat: 18.25"H x 13.25"W Image: 14.5"H x 9.5"W Tosa Mitsuoki was a Japanese painter, reinvigorating the Yamato style of classical Japanese painting. Yamato-e originated from interest in reproducing early Tang dynasty paintings, and was later reinvented and further refined to fit Japanese cultural perceptions in the late Heian period. Yamato, sometimes referred to as wa or kazu had become synonymous with the Tosa-ha by the Muromachi period as a way for Japanese artist to distinguish their works from those of mainland Chinese paintings, kara-e. Yamato-e incorporated various visual and literary techniques for establishing narrative. Works were not always accompanied with text and may rely on heavily on period specific visual motifs, icons, and symbols to relay a story or theme. Tosa style by the time of Mitsuoki focused heavily on depicting themes of plants and nature, famous places, meisho, the four seasons, shik, bird-and-flower, kacho. Many of these popular symbols and icons from mimicking Chinese practices, treating the original Chinese masterwork as a sort of prototype to improve upon. Popular formats for Mitsuoki's pictures were wall scrolls kakemono, or handscrolls that would be read from right to left with the accompanied story, sliding doors fusuma and folding screen panels byobu that featured up to six panels. Mitsuoki's style incorporated the depth and calligraphy techniques of ink wash brushwork similar to Song dynasty and Yuan dynasty Chinese court paintings...

Drawing on paper is his basic work tool, some are sketches of his surviving works, and others are sketches of moments he documents. Throughout his artistic career, Castro has exalted the figure and genitality of the Latin American man, putting into tension the limits imposed by the sex/gender system that are part of an unquestionable patriarchal and phallocentric order. The majority of those portrayed are inhabitants of the Colombian coast, also constructing alternative ways of conceiving Latin American identity. By breaking taboos about corporality and male sexuality, his work has been censored on numerous occasions due to public accusations of immorality and pornography. Celso Castro’s work is a bare-bulb erotic photo...

Star Wars (C-3PO) by Tom Schierlitz still life photograph of the original iconic golden Star Wars humanoid robot 40 x 32 inches (102 x 81cm) edition of 25 signed 60 x 48 inches (152 x 122cm) edition of 7 signed archival fine art pigment print signed + numbered by artist on separate label Photographer Tom Schierlitz has a discerning eye for details, managing to find striking visuals in the most ordinary objects, creating captivating images of cult accessories and other objects of desire. Tom grew up in Germany and lives and works in New York City. _________________________ Edition EKTAlux offers an evolving curated selection of collectable large-scale photography in strictly limited editions, while working closely with each artist to guarantee state-of-the-art museum level print and framing quality. Custom / larger print sizes available on request Images can be printed with white border [ 2 inch L prints / 4 inch XL prints ]

Night Life at the Moulin Rouge Pen and ink drawing, c. 1890 Signed lower left (see photo) A scene of the night life near the Moulin Rouge, Paris. The Moulin Rouge is the famous caba...

Marc Chagall 1887-1985 Russian Peintre à la veste rouge et le nu vert (Painter with the Red Jacket and the Green Nude) Stamped with signature "Chagall" (lower left) Pastel, India ...

large scale photograph capturing the color palette of nature's blue hour with soothing tones of ocean and cloudscape at dusk Seascape I by Frank Schott 48 x 64 inches / 122cm x 162...

Room with a View Male nude, made with ultramarine blue tempera, inspired by Matisse. 70x50cm / 27.5x19.5in Shipped rolled in a tube directly from Florida. This particular piece is i...