Art by Medium: Linen

Journey Trees IV, linens and swing threads, 7.5" x 8" x 1", 2021. This figurative woven textile piece is by UK-based textile artist, Sara Brennan (b. 196...

This oil painting on Belgian linen canvas depicts people and situations with whom the artist have had contact. Whilst the works are not strictly speaking, portraits of specific peopl...

This painting is being sold on consignment by the gallery for an estate. The artist is known for her abstract paintings. She is also an instructor in the arts. More information avai...

CHRIS GWALTNEY is a painter from Southern California. He paints in a lush style, combining areas of abstraction with loose figurative elements. He experiments with sensuous surface...

Imitjala Curley was born in 1953 in Pukatja (Ernabella) in the APY Lands of South Australia. She grew up around Ernabella Mission, which operated as a sheep station until the Presbyt...

"Flora" is one in a series of surreal paintings of the female figure featuring intricate patterning and hues of dark blue, bright yellow, lime green, pink, orange, and yellow ochre. ...

This 26" x 26" oil on linen painting was completed in 1980 by Robert Bonaparte. The canvas predominantly features a vibrant red ground, which occupies most of the composition. Three ...

During these difficult times I have been finding respite and refuge in nature, once again painting outdoors, after many years of working predominantly in the studio. It has been heal...

This large abstract oil painting is by Dutch contemporary artist and art teacher Rubins J. Spaans. A unique oil painting on the finest quality Belgium linen canvas. The painting is a...

Charlotte Gibbs’ "flag" and "star" paintings often reference the artist's interest in Pop art and sometimes incorporate 23 karat gold leaf in addition to oil paint, but not always. ...

Mia Bergeron's (US based) "Tranquility" is an oil painting that depicts a lone white bowl filled with pomegranate seeds sitting with a halved pomegranate on a white surface. Mia Be...

'Awake' 2021 by Chinese/Canadian artist Yangyang Pan. Oil on linen, 50 x 40 in. This beautiful abstract-expressionistic, landscape painting incorporates gestural brushstrokes resembl...

Sunlit Peaches and Copper is a Representational painting by Jared Brady. The artist was selected as one of the top 21 under 31 artist by Southwest Art ...

A large landscape painting featuring a boat pulled up on the shore of Dering Harbor. The sky is an intriguing shade of chartreuse that makes the orangey-...

"Yellow Teapot" is a bright impressionist still life with red tray and glass bottle. Painted from direct observation, in the painters Tuscan home. Bio...

Robin Cole's (Us based) "The Light on Jupiter" is an original, handmade oil painting that depicts a man in foliage in dappled sun. Nature and those that ...

After the rain, abstract large poppies by Mary Chaplin, artist : A summer rain falls on the poppies in the garden of contemporary artist Mary Chaplin bringing a new source of inspira...

"Docked in the Evening Light" is a realist oil on linen painting. It depicts the evening light reflecting on water that has several small boats floating. Blue boats are tied with rop...

Heidi von Faber Pancakes, Butter & Syrup Acrylic on linen 100 x 100 cm ( framed/ included in price 105 x 105 cm) (Signed on front right below, see picture H. VON FABER)) Dutch artis...

During these difficult times I have been finding respite and refuge in nature, once again painting outdoors, after many years of working predominantly in the studio. It has been heal...

Luis Salazar is an artist living in Quito, Ecuador. He is know for his Sunday exhibitions at the Main Park in Quito. He has been featured in exhibitions t...

The Champ was painted over several days in the artist studio in Florence, Italy. The painting measures 16 x 12 with a handmade frame from Italy. This is oil on a linen panel which ...

Artist: Vahe Yeremyan Title: Canyon View Medium: Oil on Linen Year: 2025 Style: Impressionism Dimensions: 30" x 44.5" x 1" inch (76 x 113 x 2cm) Presentation: Unframed, Gallery Wrapp...

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...

An innate and atypical landscape artist, Eric Pérez is an intellectual who paints. He knows and loves Mexican and world history, from which he derives his contemporary context. His p...

The two artists and industrial designers, Ampi Arozarena and Elena De La Fuente describe form and color as their core of exploration. They admire the dual identity the two elements c...

In his latest series of flower paintings, Yektai creates a popular subject he always comes back to: a black table against a bright landscape. This particul...

This painting by Linda King Ferguson is part of her equivalence series, which began as a feminist project; works that subvert the historically male gaze and a material language speaking of gendered concerns. While typically, King Ferguson paints both sides of the canvas and cuts a flap on the the frontside to reveal the color of the back of the canvas, she unexpectedly does the opposite here. The painting is hung from the "frontside" of the canvas, revealing to us the raw edges of her linen canvas, stapled to the stretchers. Two oblong shapes of pink and red dominate the center of the painting. A thin semioval cut has been made inside of both of these shapes. Her color choices first came from Helen Molesworth’s essay, Painting With Ambivalence, published in WACK! Art of the Feminist Revolution. The Essay includes a large reproduction of Mary Heilmann’s 1979 painting...

This is a 'Plein Air" landscape Painting by Jane Chapin as seen in the viewing room exhibition on Silas VON MORISSE GALLERY. “Plein-Air” is the French expression to describe the act...

Acrylic, spray paint, oil bar and oil on linen During these difficult times I have been finding respite and refuge in nature, once again painting outdoors, after many years of worki...

Maureen Baker lives in Warakurna, an Indigenous community nestled in the Rawlinson Ranges, approximately 330km west of Uluru. Maureen is a creative and...

During these difficult times I have been finding respite and refuge in nature, once again painting outdoors, after many years of working predominantly in the studio. It has been heal...

Original Oil Painting by Ioanna Stefou. Ioanna Stefou (b. 1981, Lamia, Greece) is a painter based in Athens. In 2006, she completed her degree in Architecture at the National Techn...

Oil and fabric on linen - Unframed Feinberg works with a variety of techniques and mediums, including painting, paper collage and installation. Her process results in abstract paint...

Acrylic on linen - Unframed This acrylic painting on linen is one of 8 medium-scale paintings that Cantrick produced for her 2012 series based on the prose poem "The Pebble" by Fran...

Acrylic, spray paint, oil bar and oil on linen During these difficult times I have been finding respite and refuge in nature, once again painting outdoors, after many years of worki...

Artist Bio: Carole Eisner was born and raised in New York City and received a BFA from Syracuse University. She has had eight solo shows in New York City at David Findlay Gallery, E...

Acrylic on linen - Unframed This acrylic painting on linen is one of 8 medium-scale paintings that Cantrick produced for her 2012 series based on the prose poem "The Pebble" by Fran...

Series "Minus 3.75", 90x60 cm, unprimed linen, mineral paints for oriental paint

David Hare Cronus Asleep in the Cave, 1971 Acrylic on linen 55 x 67 inches “Freedom is what we want,” David Hare boldly stated in 1965, but then he added the caveat, “and what we are most afraid of.” No one could accuse David Hare of possessing such fear. Blithely unconcerned with the critics’ judgments, Hare flitted through most of the major art developments of the mid-twentieth century in the United States. He changed mediums several times; just when his fame as a sculptor had reached its apogee about 1960, he switched over to painting. Yet he remained attached to surrealism long after it had fallen out of official favor. “I can’t change what I do in order to fit what would make me popular,” he said. “Not because of moral reasons, but just because I can’t do it; I’m not interested in it.” Hare was born in New York City in 1917; his family was both wealthy and familiar with the world of modern art. Meredith (1870-1932), his father, was a prominent corporate attorney. His mother, Elizabeth Sage Goodwin (1878-1948) was an art collector, a financial backer of the 1913 Armory Show, and a friend of artists such as Constantin Brancusi, Walt Kuhn, and Marcel Duchamp. In the 1920s, the entire family moved to Santa Fe, New Mexico and later to Colorado Springs, in the hope that the change in altitude and climate would help to heal Meredith’s tuberculosis. In Colorado Springs, Elizabeth founded the Fountain Valley School where David attended high school after his father died in 1932. In the western United States, Hare developed a fascination for kachina dolls and other aspects of Native American culture that would become a recurring source of inspiration in his career. After high school, Hare briefly attended Bard College (1936-37) in Annandale-on-Hudson. At a loss as to what to do next, he parlayed his mother’s contacts into opening a commercial photography studio and began dabbling in color photography, still a rarity at the time [Kodachrome was introduced in 1935]. At age 22, Hare had his first solo exhibition at Walker Gallery in New York City; his 30 color photographs included one of President Franklin Roosevelt. As a photographer, Hare experimented with an automatist technique called “heatage” (or “melted negatives”) in which he heated the negative in order to distort the image. Hare described them as “antagonisms of matter.” The final products were usually abstractions tending towards surrealism and similar to processes used by Man Ray, Raoul Ubac, and Wolfgang Paalen. In 1940, Hare moved to Roxbury, CT, where he fraternized with neighboring artists such as Alexander Calder and Arshile Gorky, as well as Yves Tanguy who was married to Hare’s cousin Kay Sage, and the art dealer Julian Levy. The same year, Hare received a commission from the American Museum of Natural History to document the Pueblo Indians. He traveled to Santa Fe and, for several months, he took portrait photographs of members of the Hopi, Navajo, and Zuni tribes that were published in book form in 1941. World War II turned Hare’s life upside down. He became a conduit in the exchange of artistic and intellectual ideas between U.S. artists and the surrealist émigrés fleeing Europe. In 1942, Hare befriended Andre Breton, the principal theorist of surrealism. When Breton wanted to publish a magazine to promote the movement in the United States, he could not serve as an editor because he was a foreign national. Instead, Breton selected Hare to edit the journal, entitled VVV [shorth for “Victory, Victory, Victory”], which ran for four issues (the second and third issues were printed as a single volume) from June 1942 to February 1944. Each edition of VVV focused on “poetry, plastic arts, anthropology, sociology, (and) psychology,” and was extensively illustrated by surrealist artists including Giorgio de Chirico, Roberto Matta, and Yves Tanguy; Max Ernst and Marcel Duchamp served as editorial advisors. At the suggestion of Jacqueline Lamba...

Wisteria Bouquet in the Style of William Hubacek Original California Still Life Exceptionally well painted and framed painting of a Bouquet of ...

This painting by Linda King Ferguson is part of her equivalence series, which began as a feminist project; works that subvert the historically male gaze and a material language speak...

William Blake’s oil painting asks us to perceive the powerful layers of history that shape both art and memory. In Blake’s painting is a man, but what Blake painted is an idea. Hugh Goffinet stares out from the canvas in the dress of a soldier, without being one. He is a reenactor of an African American volunteer in the Abraham Lincoln Battalion. His inspiration is the Lincolns—the battalion’s volunteers—but they are pictured only symbolically, in his dress. Their inspiration was Lincoln, who many decades earlier helped give meaning to the American Civil War, but who is invisible in the painting except by implication—the pose of Hugh Goffinet—which carefully emulates Lincoln’s pose in the celebrated presidential portrait by George Healy. Entirely hidden, at the deepest layer of history, is the true source of inspiration: the human desire for equality and freedom. To understand, honor, and preserve it requires remembrance, in this case with history animating reenactors who animate art that animates memory. Artist, William Blake channels the spirit of Winslow Homer's war imagery, bringing it into the contemporary world, asking us to reflect upon the decisions forced to be made in wartime, some of which will never leave us. As for the paintings, William uses materials and methods of the Civil War era. The linen on which he paints was in use at that time as well as the tubed oil paints. He is one of the few artists who tacks his canvas to the stretchers using similar tacks that would have been used by Winslow Homer. While he leaves the works unframed for this reason, the artwork could certainly be framed. This piece is unframed. Please contact the gallery for framing options. William Blake Salud Johnny, 2023 oil on linen 76h x 36w in 193.04h x 91.44w cm WIL049 Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war. The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War reenactments, the reanimation of the past encourages a review of history and aids in its continuous revision. For his second exhibition with Gallery Victor Armendariz, William Blake presents A Great Battlefield, a collection of new paintings depicting US Marines at the Gettysburg National Military Park. A Great Battlefield, takes its title from Lincoln’s Gettysburg Address which poetically looks to the battlefield as a site of rebirth. Following the tradition of nineteenth-century American history painting...

"First View of Switzerland" view of lush green Swiss Alps from train window. "First View of Switzerland" displays Yektai’s impressions as he was situated...

Once The Master - Mid Century Figurative Landscape "Once the Master" a portrait of a Zuni Master Potter in contrast with the emergent modernism around him. He is beneath an adobe an...

Autumn Clouds Over the Headland by Fiona Carver [2021] original Work signed by the artist Oil Paint on Linen Panel Image size: H:18 cm x W:24 cm Complete Size of Unframed Work: H:...

Framed dimensions: 74.93 x 86.75 inches A large scale oil painting of a harbor of fishing shacks, seen from above, in Nova Scotia. Tim McGuire Born in 1971, Tim McGuire grew up in...

"Under One Sky no.3" by Alyson Kinkade 44x44" oil on linen 45x45" framed, black wood floater "We're all looking at the same sun, it just has a different setting based on where we st...

This painting on cut linen canvas by Linda King Ferguson depicts a diamond shaped canvas that is color-blocked into three main sections. The topmost triangular portion of the canvas ...

"Breathe Deep II" is a contemporary realist landscape painting of California cliffs painted en plein air. Blue-green waves roll in toward the foreground filled with sand-colored roc...

Since moving to Ubud (Bali, Indonesia) in August 2018 Lydia has been investigating the psychological phenomenon known as the Spotlight Effect. The idea of constantly being watched; u...

An oil painting of bright yellow sunflowers standing tall in a slender vase, against a light blue backdrop. Framed Dimensions: 39.5 x 31.5 inches Inspired by the French Impression...

Oil on linen

Twilight- Bruges VIII [2017] original Oil on Linen Image size: H:80 cm x W:60 cm Complete Size of Unframed Work: H:80 cm x W:60 cm x D:3cm Sold Unframed Please note that insitu ...

Since moving to Ubud (Bali, Indonesia) in August 2018 Lydia has been investigating the psychological phenomenon known as the Spotlight Effect. The idea of constantly being watched; u...

Acrylic on linen canvas, 50x50x2 cm / 19,7x19,7x0,8 in. This painting features a serene composition of red and pink roses, capturing the essence of tranquility and self-contentment....

Oil Painting of a rose bush, on a bright sunny day. Crisp blues make up the sky above, the horizon meets distant land across a body of water. bright greens and yellows make up a verd...

An impressionist painting of trees silhouetted against a bright sunset. The contrast between the subtle colors in the trees and the warm glowing colors of the sky. The trees in the d...