Art by Medium: Linen

Marla Korr attended Brooklyn College, earning both a B.A. and a M.F.A. There she studied with Philip Pearlstein, Lennart Anderson and Jimmy Ernst. She has also studied at Stevenson...

Oil painting of a Maui Landscape. Painted en plein air at a graveyard, Bretzke titles this work humorously, "Dying to Stay in Maui". Two figures stand in a graveyard, on a Hawaiian ...

The original Soviet poster titled "Beaucoup pensent, mais ne savent pas ce que notre charbon fournit !" ("Many think, but do not know what our coal provides!") was created in 1972 as...

Katrina Revenaugh Bunny Luv Acrylic Paint and Spray Paint on stretched Raw Belgian Linen. Back side of linen is primed. Year: 2020 Size: 61.25×49in Signed: On Verso COA provided Ref...

Elliot Gordon (American) , "The Blue Urn", Contemporary Acrylic on Linen, 36 x 24 Canvas, Early 21st Century, 2009 Colors: Red, Yellow, Orange, White, Blue, ...

The original poster for “Vanilinový Cukr KVĚTA” is a delightful example of early 20th-century advertising art, combining aesthetic appeal with effective promotion of a household prod...

The 1939 original propaganda poster by Zelenskii, titled "Salut au combattants courageux et sans peur - Garde frontières, sentinelles du pays du socialisme!" is a compelling artifact...

The 1938 poster "Le Rail à Votre Service", created by Marcelle Hirtz and Paul Martial for the Société Nationale des Chemins de Fer Français (SNCF), stands as a significant piece of r...

Artist: Piotr Krosny – Polish (1959- ) Title: Untitled Year: circa 1999 Medium: Oil on Linen Size: 43.5 x 36.5 inches (111 x 93 cm) Framed size: 44.5 x 37.5 inches (113 x 95 cm) Sign...

In the realm of vintage poster art, Adolphe Willette's 1893 masterpiece for the Exposition Internationale des Produits du Commerce et de l'Industrie offers a captivating window into ...

Provenance Acquired by the gallery directly from the artist UNFRAMED: 12" x 16" FRAMED: 19.5" x 23.5" x 2.5"

Elegant abstract oil painting in warm yellow and gold with metallic pigments including gold and metal leaf on Belgian linen. The large scale vibrant painting shimmers and changes wit...

"Estremoz Castle, Spring" bright landscape in Portugal, painted en plein air. One of four paintings Dalessio did of the castle in four seasons. Framed Dimensions: 17 x 20 inches M...

Exhibited in "Benji Stiles: A Human Day" at Reeves Art + Design. In “A Human Day,” a solo show dedicated to the work of contemporary multidisciplinary artist Benji Stiles, we explor...

Pierrot the Musician Singing Little Girl Clown Paris Pretty street musician "Pierrot by French artist Santini Poncini (unknown) (French/Italian, B-20th...

Since 2008, Tina Bluefield has been drawn to the world of large-scale abstraction, exploring the relationship between color, form, and the natural landscapes that inspire her. She g...

Unorthodox; yet effective, Suki treats us to a series of works that tantalizes the imagination with bold strokes of dark and light, hinting at shapes both human and ethereal and pull...

The circa 1930 original poster by Endler Weipert, titled "Kalla Sardines aux herbes", is a beautifully crafted advertisement for the Kalla brand of canned sardines. This vintage post...

Denied Warhol portrait of German Artist Joseph Beuys Silkscreen Painting on canvas by Charles Lutz Silkscreen and acrylic on canvas with artist's Denied stamp of the Andy Warhol Art...

A wild orchid flower’s delicate form is highlighted by the sun. Vivid pinks stand out before a deep forest green background. Oil on a one quarter inch linen panel. Signed by the artist. Includes a simple wood plein air frame...

The 1926 original film poster for "The Mill on the Edge" (Мельница на опушке) is an evocative piece of early Soviet cinema promotion. This poster was designed to capture the dramatic...

The 1902 original poster titled "La Marine Japonaise" (The Japanese Navy) is a striking visual representation of Japan's naval strength and prowess during the early 20th century, a p...

Direct observation excites me. It allows for close, quiet, and constant discovery. The subtle shifts that occur in natural changing light create living color harmonies and moments of...

Elliot Gordon (American) , "The Pyramids", Contemporary Acrylic on Linen, 36 x 24 Canvas, Early 21st Century, 2015 Colors: Red, Yellow, Orange, White, Blue, Black, Pink, Purple, Gre...

This is typical of Chris Liberti's wonderful, entrancing, quiet paintings. Chris Liberti is a favorite with collectors here and abroad. Gesture, color, a...

Unorthodox; yet effective, Suki treats us to a series of works that tantalizes the imagination with bold strokes of dark and light, hinting at shapes both human and ethereal and pull...

Unorthodox; yet effective, Suki treats us to a series of works that tantalizes the imagination with bold strokes of dark and light, hinting at shapes both human and ethereal and pull...

Acrylic on linen b. 1986 Yantai, Shandong, China In the Diamond Sūtra, existence and emptiness are fundamental Buddhist notions. Buddha states that, “All conditioned phenomena are ...

David Collins' 2016 move from the bustle of New York City to Long Island influenced a change in his palette that reflects the peaceful, natural atmosphere of his new surroundings. Hi...

This is typical of Chris Liberti's wonderful, entrancing, quiet paintings. Chris Liberti is a favorite with collectors here and abroad. Gesture, color, a...

Relationships III is part of a series of three sculptures inspired by my personal experiences. When my two sons were growing up I told them the most difficult thing in life are you...

The 1972 travel poster designed by French artist Despierre for the SNCF (French National Railway Company) promoting tourism to the Loire Valley captures an important era in French travel culture. During the 1970s, there was a renewed focus on showcasing the natural beauty and cultural heritage of regions like the Loire Valley, which is renowned for its stunning landscapes, historic châteaux, and vineyards. At the time, SNCF was deeply invested in promoting rail travel as an accessible and comfortable way to explore France's picturesque regions, encouraging both domestic and international tourists to discover the country’s rich history. The Loire Valley, often referred to as the "Garden of France," was a prime destination, offering visitors a blend of historical landmarks such as Château de Chambord, Château de Chenonceau, and cultural experiences that included local wines and cuisine. Despierre’s collaboration with SNCF reflects the French tradition of integrating fine art into commercial advertising, blending both functionality and aesthetics. Travel posters from this era were designed not only to inform but to inspire a sense of wanderlust, often romanticizing the experience of train travel and the destinations themselves. By highlighting a region as picturesque and historically significant as the Loire Valley, the SNCF poster campaign sought to tap into France’s rich cultural identity while also promoting tourism infrastructure. This 1972 poster...

The circa 1895 original advertising poster for Pastilles Zan encapsulates the essence of Belle Époque advertising, showcasing the elegance and charm of turn-of-the-century Parisian l...

Beautiful poster by Mikhail Fyodorovich Larionov ( 1881 - 1964 ) for a ball to benefit the mutual aid fund of the Union of Russian Artists at the Bullier Ball. Mikhail Larionov was a...

Provenance Acquired by the gallery directly from the artist FRAMED: 23.625" x 19.625" x 1.25" UNFRAMED: 20" x 16" Artist Statement “This painting really transformed as I painted. My...

An oil painting of a landscape in Florida. The House of Refuge Museum showcases historic work from entrepreneurs and inventors. Bretzke captured it on ...

Playful Garden II (Abstract painting) Mixed media - acrylic, oil pastels, gouache on raw linen This artwork will be shipped rolled in a dent-resistant tube. This method is especial...

Charming diminutive nude study of a seated figure on raw linen in pastel tones. Signed "Jan" lower right corner. Framing stamp on back from San Francisco. Presented in gilt-toned rus...

In 1939, Lucien Boucher, a renowned French artist and illustrator, created a captivating map for Air France titled "Nova et Vetera", which translates to "New and Old" in Latin. This original lithographic poster is a remarkable fusion of vintage cartographic art and modern aviation, crafted as a promotional piece for the airline. It beautifully symbolizes the connection between the historic routes of exploration and the new ones made possible by air travel. Boucher was celebrated for his unique ability to combine the romanticism of classic maps with the sleek, modern spirit of 20th-century flight. Among his series of illustrated maps for Air France, "Nova et Vetera" stands out with its nostalgic allure and references to history. The map exudes the charm of the age of exploration, echoing the style of 16th- and 17th-century cartographers. Rendered in rich, earthy tones, it depicts brown continents framed by pale blue oceans, evoking the feel of antique navigational...

Oil painting of a landscape from Stony Brook. Painted from direct observation. Framing options available. Artist Bio Marc Dalessio was born in 1972 in ...

In the late 19th century, the bustling streets of Belle Époque Paris were adorned with vibrant posters, and at the forefront of this visual revolution stood the pioneering artist Jul...

The 1974 original poster for the Prix de l'Arc de Triomphe, designed by the renowned French graphic artist Bernard Villemot, is a striking example of mid-20th-century poster art. Vil...

The circa 1950 original poster by Paul Belmondo, titled Aidez la recherche médicale française (Help French Medical Research), is a poignant and visually striking piece of mid-century...

Selena Beaudry’s work is created by marking and cutting up drawings. This has led the artist to rediscovering her visual language. Her work consists of...

Artist Statement: Painting is a meditation and a kind of alchemy in which I concentrate and transform my feelings and memories into something material that can be experienced in var...

In the realm of cartography, maps serve as both practical tools and artistic representations, encapsulating the essence of a place at a specific moment in time. The 1848 vintage map,...

Wonderful German genre painting of 17th century tavern scene in style of Franz Hals by Karl Josef Muller (German, 1864-1942) dated 1918. Signed and dated lower left corner "Karl Muller - Hamburg 1918". Condition: Good; professionally restored: Canvas restreched on new stretcher bars; five repairs made to small tears in canvas (see image); cleaned and re-varnished with UV-resistant varnish. Unframed. Image size: 39.5"H x 55"W. We have the original frame which needs some extensive repair to the gesso. Happy to include the frame with the painting as is. Karl Müller was born in Hamburg-Altstadt in 1865. His wealthy Jewish parents Abraham Müller (1832-1896), citizen of the Hanseatic city since 1869, and Henriette "Jette", b. Burchard (born 1832 Neubuckow / Mecklenburg), had a cigar factory at Spielbudenplatz 5 in St.Pauli. When Karl Müller was ten years old, next to factory and warehouse, now at Speersort 11 (Altstadt), there was also a branch in Altona-Ottensen with the address Am Felde 68. The family lived at the time at Pferdemarkt 13 (Old Town). After attending the Jewish Foundation School at the Zeughausmarkt, Karl Müller completed a three-year lithography apprenticeship. From 1886 to 1888, he studied at the Royal Saxon School of Applied Arts in Dresden with the history and decoration painter Donadini, then with Professor Hanke of the Prussian Academy of Arts in Berlin. Karl Müller's painting style was conventional-realistic and did not follow modern trends. In 1891, the oil paintings "Preparation for the Service", "In the guardroom", tattoo", "gymnastics lesson", "covert patrol” and "return from the field service exercise”, whose main motive almost always soldiers formed.In 1893, he painted the" invasion of the 76er " as a horizontal format in black and white, the painting was acquired by the Museum of Hamburg History in 1930. The disposition of Karl Müller could be classified as "kaisertreu" and "national" (Maike Bruhns) at this time - not by chance he acted with his Nicknamed "Soldatenmüller", he successfully participated in exhibitions in Berlin and Hamburg before the turn of the century. Even at this time, the frequent change of residence is striking: 1893 Papendamm 25 (Rotherbaum), 1896 Bundesstraße 9 (Rotherbaum). In 1898 he was in the Hamburg address book as a "genre and portrait painter" with the residential address 1. average 43 (Rotherbaum) out. At the age of 38, Karl married in 1903 in the Hanseatic city of the Jewish Louise Hauer (born 12.2.1872 in Hamburg), called "Lieschen". Before her marriage, she lived with her mother at Grindelberg 78. Her father, Martin Hauer (1836-1897), also born in Hamburg and was a citizen of the city since 1862, owned a factory for soap and perfume. In 1904 and 1911, the two daughters Karla and Lotte were born. 1904, the family lived at this time in the Bogenstraße 20, Karl Müller commissioned a portrait of the emigrated hamburger Henry Jones opening the same lodge in the Hartungstraße 9-11. Already at this time he might have been a member of the Hamburg Artists Association of 1832. Starting from 1908 further change of dwellings on the basis of the telephone books are comprehensible: nearly yearly the family moved and moved thereby from the Grindel quarter over Hoheluft east to Harvestehude and Winterhude. Around 1912 she moved into an apartment in Sierichstraße 156. Here, the landlord Schröder provided the artist with an area of ​​around 45 square meters as a studio on the dry floor. But the building police criticized this use and after some disputes, the painter had to move once again with family and studio. The official telephone directory recorded as an address from 1914 to 1918 Klosterallee 20 (Harvestehude). Friedrich Jansa described Karl Müller's changed motif choice in his artist's glossary in 1912: "In recent years he has been watercolouring a lot in the Hamburg area and now mainly takes his motifs from Hamburg harbor...

Michel Brosseau was born in Nantes and has lived in Bordeaux for many years. Both cities are on the Atlantic coast of France and have rich maritime histories, highlighted by prospero...

This powerful and vividly colored diptych by Malcolm Maloney Jagamarra (born 1955), a renowned Warlpiri artist, is an extraordinary example of contemporary Aboriginal art, drawing deeply from cultural knowledge, ancestral memory, and ecological stewardship. Depicting the sacred narrative of the creation of the Lander River system, the painting is both a visual masterpiece and a spiritual map, tracing a journey through geography, kinship, and Dreaming (Jukurrpa). At first glance, the canvas pulsates with energy. Vortices of concentric circles in rich ochres, reds, yellows, and blues dominate the composition, pulling the viewer into the spiraling flow of the Dreaming. These forms are not merely decorative; they carry deep cultural meaning. The blue line that winds through the center of both canvases is a stylized yet surprisingly geographical depiction of the Lander River, representing its twisting path through central Australia, from the artist’s home country of Willowra to Purtulu (Mount Theo), his mother’s land. Purtulu, meaning “backbone” in Warlpiri, forms not only a physical destination but a metaphorical axis that holds the painting together. This backbone is both personal and cosmic—representing the spine of the land, the structure of ancestral lore, and Jagamarra’s own familial inheritance. The work is grounded in the artist’s kinship obligations and responsibilities to country, with specific references to the roles of kirda (owners of the Dreaming) and kurdungulu (caretakers). In Warlpiri culture, this relational dynamic is foundational—it is the system by which land is cared for, stories are maintained, and ancestral laws are fulfilled. The Dreaming Goannas, positioned at each end of the canvases, are key ancestral figures. Their presence not only signals the sacred nature of this journey but also reflects the traditional Warlpiri iconography—note the “U” shapes, which are used to denote seated ancestors. The goanna is a totemic being, and its hunting patterns and ecological relationships are mirrored in human behavior. To maintain the health of the land and support the goanna population, it is necessary to burn the country regularly. Jagamarra references this practice with depictions of spinifex grass and hunting grounds, connecting mythological beings with tangible ecological practices, and blurring the line between story and science, belief and land management. The left canvas contains the Owl Dreaming, where an abstracted face of the owl can be discerned—haunting and watchful. The owl, a silent observer of the night, brings wisdom and a sense of foreboding. It is a powerful spirit presence in many Aboriginal traditions. Meanwhile, the right canvas turns to the Warna, or Snake Dreaming. The snake, winding and water-bound, is both creator and destroyer, and its movement echoes that of the river. The snake’s body, woven into a hypnotic spiral, is a symbolic representation of the waterways that give life and form to the central desert. This artwork is more than a painting—it is a teaching. It encodes knowledge about ecology, fire management, kinship roles, and sacred geography. It is both autobiographical and communal, a map of memory and belonging. Created within the living traditions of Warlpiri law, it speaks to the inseparable relationship between people and land in Aboriginal worldviews. Malcolm Maloney Jagamarra’s work is a powerful expression of this connection—his hand guided not only by brush but by heritage, ceremony, and Dreaming. Its journey from the Aboriginal Art Galleries of Australia in Melbourne to the Kelton Foundation in Santa Monica, and its exhibition at venues such as the Australian Consulate in Los Angeles and the Indigenous Wisdom and Healing Conference in Virginia Beach...

This original circa 1900 poster for Tat Cheong & Co. presents a stunning example of early Chinese advertising, promoting the brand's premium cigars. Set against a delicate, pastel ba...

Here is "Garden Riot", oil on linen, diptych, 36 x 88 inches. Gail Chase Bien paints thinly layered oil on linen over extended periods (from months to years) to complete a single wor...

Images may be seen better on a mobile device. FREE SHIPPING . Framed Size 15 x 15 Fuzzy is a new Manchega sheep painting by Cristian Mesa Velazquez. Fuzz...

The original poster by André Devambez, "La protection du réformé Nº2 - Aidez-nous à assister les blessés et malades de la guerre - Réformés sans pension," holds significant historica...

Jordan Wolfson's (US based) "Still Life with Flowers XVI" is an oil painting that depicts a vase of fresh flowers contrasted with a yellow background. Jordan Wolfson returned to th...

Original Painting of Neon Reflections in the New York City Rain, by Contemporary British Urban Artist, Angela Wakefield. This is a major work to continue her...

The circa 1920 original poster by Trianon Trinquier, titled Paris-Milan via Frasne-Vallorbe, promotes the Paris-Lyon-Méditerranée (PLM) railway line, highlighting it as "la plus cour...

Original ski poster was created by the artist Vecoux and published by the SNCF to promote winter sports tourism in France. It shows a locomotive ...

Dark green and blue touches create a complex interweaving, creating a feeling of calm, depth and mystery. The contrast of colors emphasizes the depth of thought, balance and harmony ...

Exquisite, modulated, and sensitive, Mathieu Weemaels' painted world centers around his home and studio, where his subjects comprise the subtle shifts of light and color reflected on...