Art by Medium: Linen

Marc Dennis is an American artist known for his hyper-realistic paintings that celebrate the subversive potential of art history, beauty and humor. In his "Desserts with Hair" seri...

This painting can be read as a strong example of Adam Holzrichter’s narrative representational practice. It begins with recognizable observation: a park, trees, scattered figures, an...

Guy Georget's 1947 original travel poster, titled "Espagne," stands as a vivid testament to the allure of Spanish landscapes, culture, and the artistic...

Paolo Garretto's original poster for Air France, entitled "La Flèche d'Orient", dating from 1936, is an art piece that illustrates the elegance and audacity of air travel at the time...

This painting is an imagined abstract landscape featuring green, blue, purple and orange. Eilis Crean is inspired by the works of Honoré-Victorin Daumier, Evie Hone, Patrick Pye, Mi...

The 1934 original exhibition poster for "Exposition Daumier," held at the Orangerie des Tuileries and the Bibliothèque Nationale, commemorates the legacy of Honoré Daumier, one of th...

The Motoculteur MABEC advertising poster, designed by Pierre Baudouin in 1950, captures the spirit of mid-20th-century agricultural innovation and modernization. This poster promotes...

Bright and charming cityscape of detailed rooftops in Lancaster, PA, including the first Reformed Church, by Bert E. Rockhoff (American, 1886-1973). Signed "B. Rockhoff" in the lower...

Selena Beaudry’s work is created by marking and cutting up drawings. This has led the artist to rediscovering her visual language. Her work consists of...

"Tea, Reading" impressionist composition of woman at the kitchen table, Tuscany. A woman sits in Fenske's kitchen, reading a book and sipping on tea. Light streams in through an open...

Plinio Colombi's 1920 original poster for the "Bernisches Kantonal Schützenfest Interlaken" is a visual masterpiece that captures the essence of camaraderie, tradition, and marksmans...

Peter Wileman’s “Taken to Another Place” is a masterful exploration of light, color, and atmosphere, embodying the artist’s signature style of bold abstraction and expressive brushwo...

Beautiful Soviet poster by Victor Koretsky (1909 - 1998) for Cuba. Among the photomontage poster artists of the 20th century, Viktor Borisovich Koretskii stands out as one of the most iconic. His prolific career in the Soviet Union began in the 1930s and ended in the 1980s, and his unique artistic style has influenced generations of graphic designers. During World War II, Koretsky designed propaganda posters for the war effort. Later, he designed the first Soviet postage stamp dedicated to World War II. In 1946 and 1949, Viktor Koretskii received the Stalin Prize for his artistic work. In 1964, he was awarded the title of Honored Artistic Worker of the Russian Soviet Federative Socialist Republic, and in the same year he received a gold medal from the Soviet Peace...

The circa 1930 original poster titled "Cocoa" is a striking piece of art that reflects the vibrant and exotic allure associated with colonial-era agricultural production. This poster...

Jo Yarrington has always been interested in chance and the found {moment, object, person}. How random experiences click in to place, form a narrative, reveal a truth. All the work ...

This 52" x 37" oil on linen painting by Robert Bonaparte from 1980 is characterized by its unique abstract aesthetic, utilizing various symbols that are distinctly Bonaparte, and pat...

Ulrich Gleiter's (EUR based) "Before Spring in Ravières" is an original, handmade oil painting on linen, depicting a serene creek in late winter, outside of Ravières. This piece meas...

This original 1945 poster, Patrie – Journal des Combattants Français, was published by the French Ministry of War as a stark reminder of the atrocities committed under the Nazi regim...

An oil painting of a cloud filled sky at sunset. The foreground is set along a sandy beach, white sand meeting dunes, tire tracks in the sand lead our eye to a pair of figures, seate...

The circa 1930 original poster by Rorebour, carries a compelling message urging viewers to join the Ligue Maritime et Coloniale Française (LMC) for a prosperous future empire. Create...

The circa 1950 original poster for Amsterdam by Koen van Os is an elegant and striking example of mid-20th century graphic design, blending modernist visual simplicity with a strong ...

Wonderful portrait of woman from San Francisco by European portrait artist Alfred Jonniaux (Belgian/American, 1882-1974), circa 1950s. Signed on verso....

"Le Grand Jeu du Pigeon Voyageur," circa 1890, is a captivating example of late 19th-century French board games, reflecting both the era's fascination with pigeons and the popularity...

Once The Master - Mid Century Figurative Landscape "Once the Master" a portrait of a Zuni Master Potter in contrast with the emergent modernism around him. He is beneath an adobe an...

This original 1958 Soviet propaganda poster by Isaak Grinstein celebrates the power of the press as a vital tool of culture and ideological influence. Featuring bold constructivist a...

Portrait of Boy and Guitar Original oil by Angeli - Italy circa 1960 Classical portrait of a young boy ad his guitar by Angeli, an unknown Italian painter (Italy, 20th Century). Roc...

The early 20th century was a period of intense ideological struggle in France, particularly between Catholics and secularists. The 1905 Law on the Separation of Church and State had ...

Contemporary Art, Abstract Painting Porcelaine and pigments on linen canvas 120x90cm One of a kind About the artist Luis Carrera-Maul is a visual artist, born in Mexico in 1972, ...

This early 20th-century propaganda poster, titled Les Sans-Patrie… Voilà l’Ennemi! (The Stateless… Here is the Enemy!), is a striking testament to the heated nationalist and anti-republican sentiments that surged in France in the years leading up to World War I. Created by E. Millo and published by Le Petit Patriote, the poster presents an impassioned defense of French patriotism while identifying internal enemies—those deemed to lack allegiance to the nation. At the time of its creation, France was deeply divided between nationalists and republicans, between those who saw France as a Catholic, traditionalist nation and those who pushed for a secular, progressive Republic. The Dreyfus Affair (1894–1906) had left the country bitterly fractured, with intense debates over loyalty, national identity, and military values. This poster embodies the sentiments of right-wing conservatives who viewed the Republic’s secularism, its tolerance of political opposition, and its social reforms as signs of national decay. The target of their ire was the so-called Sans-Patrie—those accused of betraying France by undermining its traditional values. The poster’s dramatic black-and-white illustration is designed to evoke strong patriotic emotions. At its center stands a personification of France, likely inspired by Marianne, the symbolic female figure representing the French Republic. She holds a French flag and a sword, embodying strength and resistance against the perceived enemies of the nation. Surrounding her are figures from different walks of life—workers, mothers, soldiers, and historical figures—suggesting that true French citizens stand together against those who would weaken the country. The bold headline, “Les Sans-Patrie… Voilà l’Ennemi!”, leaves no room for ambiguity. It directly accuses those who lack national loyalty as traitors, rallying "true" French citizens to defend the homeland. The text addresses “Aux Vrais Français” (To True French People), making a direct appeal to patriotic sentiment. It warns readers about anti-national forces, particularly socialists, internationalists, and secularists, who are accused of corrupting French youth, undermining the military, and weakening national unity. Among its claims, the poster states that: French schools are being used to indoctrinate children against patriotism. Military service, a key element of national strength, is under attack by those who wish to weaken France. The nation’s historical heroes and martyrs are being forgotten, replaced by values that do not serve the country’s survival. The final rallying cry at the bottom, “À bas les sans-patrie & Vive la France...

Mid Century Lake Lucerne, Switzerland Landscape Gorgeous landscape of Lake Lucerne, Switzerland by Gustave Grossenbacher (Swiss, 20th century). The viewer stands at the edge of an e...

Denise Jones Adler's work is both personal and archetypical and seeks to memorialize a moment in time, the fragile nature of life, and the emotional impact of the past on the present. Her portraits and dreamscapes pinpoint an unsettled view of the world, layered with a subtle sense of amusement and innate feminism. Adler is influenced by the Feminist Art Movement as well as Expressionism and the Dada movement. The collages of Hannah Hoch...

Young Girl with Horse Illustrations Original Oil on Linen by John Turner Impressionist painting of a young horse enthusiast by John Turner (American, 19th,20th C). Exceptional detai...

The original poster for the "III. Internationales ADAC 500KM RENNEN" in 1962 encapsulates the excitement and prestige of this iconic motorsport event. This poster serves as both a hi...

This circa 1915 French wartime propaganda poster is a striking example of World War I-era rationing efforts, emphasizing collective sacrifice and equitable distribution. Designed under the direction of the Comité de Prévoyance et d’Économies, this poster encouraged the French population to ration essential goods, particularly sugar, during the war. At the heart of the artwork is a symbolic sugar loaf, partially cut by a saber, visually reinforcing the message of dividing resources fairly. The text reads: "Avec la carte, nous en aurons peu – mais nous en aurons tous." ("With the ration card, we will have little – but we will all have some.") This message aimed to instill a sense of national solidarity and compliance with rationing policies. The lower inscription, "Casse aujourd’hui ton sucre en deux pour en avoir demain?" ("Break your sugar in half today to have some tomorrow?"), serves as a direct appeal to personal responsibility in wartime resource management. The bold yet simple color scheme (blue, red, black, and beige) gives the poster a striking visual identity, making it both an effective propaganda piece and a historically significant artifact. This rare wartime poster is a powerful reminder of civilian resilience and the role of public cooperation in wartime economies. Due to its historical importance and striking design, it remains highly collectible, particularly among WWI memorabilia...

The 1993 Hippodrome Jean Gabin poster by Jean Marais captures an intense, symbolic style that is both bold and reflective. Created for the Prix Jean Gabin event, held at the Hippodro...

This circa 1930 original travel poster, Tatry – Pologne, designed by Zwolinski, is a stunning tribute to the majestic Tatra Mountains, a beloved natural treasure of Poland. Created i...

Michel Brosseau was born in Nantes and has lived in Bordeaux for many years. Both cities are on the Atlantic coast of France and have rich maritime histories, highlighted by prospero...

50 Cent - 2025 Mixed Media on linen canvas, collage, acrylic paint, crystals. Keith Carrington’s experiences have led him to express his talents through the fluid & exacting mediums ...

This original 1943 World War II poster, designed by Sloan Roberts, was part of the U.S. government’s War Bonds campaign, encouraging American citizens to financially support the war effort. During WWII, War Bonds were a crucial means of raising funds for military operations, and posters like this played a significant role in mobilizing patriotic sentiment across the nation. Roberts’ artwork for this poster is a striking example of wartime propaganda, using bold imagery and compelling text to inspire action. The composition typically features heroic figures—soldiers, civilians, or symbolic American icons—set against a powerful backdrop, reinforcing themes of duty, sacrifice, and national unity. The typography is strong and direct, emphasizing the message: "Buy War Bonds", a rallying cry repeated across numerous government-issued posters during the war. As a wartime artist, Sloan Roberts was known for his ability to evoke emotion and urgency through dynamic compositions and dramatic lighting. His work exemplifies the graphic design style of the era, which combined realistic illustration with bold, patriotic color schemes—often featuring reds, whites, and blues to reinforce national pride. These original 1943 posters were distributed widely across public spaces, factories, schools, and military recruitment centers, serving as a visual reminder of the home front’s responsibility in the war effort. Today, Sloan Roberts’ War Bonds poster is a highly collectible piece of WWII history, valued for its artistic, historical, and patriotic significance. This poster remains an iconic representation of American resilience and unity, making it a prized addition for collectors of vintage military propaganda, WWII memorabilia...

The 1962 original travel poster by Guy Georget for Air France, promoting travel to Greece, epitomizes the allure and romance of Mediterranean destinations. With its vibrant colors an...

We are in 1944. It was not until autumn that France was liberated from its Nazi invader, thanks in particular to the American landing. In the streets, these posters were put up to w...

Lucien Boucher 🇫🇷 (1889 - 1971) is a French painter, engraver, poster artist and designer. He studied ceramics at the School of Sevres before being sent to the front in 1914. Taken...

A very nice poster of a Carlist soldier made around 1935 by Arlaiz. Carlism represents the Spanish legitimist political movement that emerged in the 1830s...

The 1964 original poster by Villemot for the Train Autos-Couchettes service by the French national railway (SNCF) is a significant piece of mid-century advertising history. With the ...

Work : Original Oil Painting. Framed in Solid wood frame. Ready to Hang. Medium : Oil painting on Linen Canvas mounted on wood panel (Board Canvas) Artist : Gabriel Riesnert Subjec...

This new narrative landscape painting allows me the vulnerability I needed to claim my art practice as my own. Public exhibition of a life aimed at self mastery provides equal measu...

MORENO PINCAS Bulgaria, b. 1936 Moreno Pincas emigrated to Israel in 1949. He studied at the Avni Art Institute in Tel Aviv from 1958 to 1960 and in 1960 obtained the First Prize of ...

Charles Henri Toussaint known as Henri Toussaint 🇫🇷 (1849-1911), is a French painter, illustrator and engraver. He is the father of the painter and illustrator Maurice Toussaint (...

This circa 1900 original theatre poster, published by David Allen & Sons, is a striking example of Edwardian-era theatrical advertising, capturing the vibrancy and excitement of the ...

Original cartographic poster made in the 1950's that shows us all the monuments and different places of historical importance in the city of Portland. Portland, also known as Portla...

Beautiful original poster, very rare, produced for the SNCF to promote the mountain sites in the 30s. It was realized by Roland Hugon. It shows a little boy, mischievous and full of...

Patterned abstract by D. Whelan (American, 20th Century). A dark background of grey-blue has been unevenly applied to the linen, creating a hazy texture. There is a dark red pattern,...

Expressive turn-of-the-century cityscape of the canals of the Hague, Netherlands by Richard Paul "Max" Fleischer (German, 1861-1930), circa 1900. Signed "Max Fleischer" in the lower ...

The circa 1960 original travel poster by Jean Colin for UAT (Union Aéromaritime de Transport), titled Toute l’Afrique, is a striking example of mid-20th-century travel advertising. C...

Standard Motor Oil advertisement showing a glass liter bottle flowing into the word "Standard". Poster designed by Johannes Safis in 1928. Text reads Standard Motor Oil Aus Der Geei...

Striped Cap is a baroque inspired female portrait by Ray Donley. It is oil on linen, 24x24. It is a timeless figurative painting. The classical ideals of the Baroque and Renais...

Beautiful poster illustrated by Henri Bouyer for the Mi-carême of Nantes in 1952. The Mi-Carême or Carnival of Nantes has very old origins. The event has known various forms: masked ...

Gorgeous heavily impasto landscape that captures the high summer charm. Unknown artist, (Edda or Edde) Partial illegible signature/inscribed lower r...

Wonderful mid 19th Century painting of a stable's interior with two horses, stable hand, two spaniels, a rooster and ducks from a follower of John Frederick Herring, Sr. (British, 17...

The 1974 original propaganda poster titled "12 Avril journée de la cosmonautique CCCP Yuri Gagarin" is a compelling artifact from the Soviet era, celebrating Cosmonautics Day and the achievements of Yuri Gagarin. This poster is a vivid example of how the Soviet Union used art and propaganda to promote its space program and the broader ideals of socialism and communism. Cosmonautics Day, celebrated on April 12, marks the anniversary of Yuri Gagarin's historic flight in 1961 when he became the first human to journey into outer space. This day holds significant importance in Russian and Soviet history, symbolizing the technological prowess and exploratory spirit of the Soviet Union during the Cold War. The poster features Yuri Gagarin, the pioneering cosmonaut whose name became synonymous with Soviet space achievements. Gagarin's smiling face and heroic pose embody the triumph of the Soviet space program and its role in the space race against the United States. His image is a powerful symbol of Soviet ingenuity, courage, and the potential of socialism to achieve great feats. The text on the poster, "Socialisme et communisme c'est le port spatiale fiable d'ou l'humanité prend d'assaut et dirigera les étendues de l'univers" ("Socialism and communism is the reliable spaceport from which humanity launches and will conquer the expanses of the universe"), reinforces the ideological message that the successes of the Soviet space program were a direct result of its socialist and communist principles. This statement reflects the deep interconnection between Soviet ideology and its scientific and technological advancements. The artistic style of the poster is typical of Soviet propaganda art...