Art by Medium: Linen

Colorful seahorse painting inspired by marine life, pop surrealism, and ocean conservation. This acrylic on linen canvas presents a vibrant interpretation of a Barbour's seahorse, tr...

Surreal toy soldier painting with jellyfish and marine imagery, combining pop surrealism, underwater fantasy and environmental symbolism. Jellychutes I is a contemporary acrylic pai...

Contemporary abstract landscape painting in oil on linen mounted on panel with carefully ordered leaf patterns and delicate rainbow lines on an atmospheric layered navy blue, teal an...

Contemporary abstract landscape painting in oil on linen mounted on panel with carefully ordered patterns, geometric shapes and delicate lines in prismatic colors against a light pin...

Original Oil Painting by Robert C. Jackson. Robert C. Jackson (b. 1964, Kinston, NC) began his career path as an electrical engineer before turning his passionate hobby into a full...

A small bird, painted in soft earth tones, perches amidst a dense web of branches and foliage, capturing a quietly intimate moment in nature. The branches intersect in an organic, al...

Contemporary painting in oil on linen mounted on panel with carefully ordered patterns, geometric shapes and delicate lines in luminous light pale peach, teal, olive green, ochre and...

Original oil painting on linen by artist Frank Ordaz. Framed.

Original oil painting by Robert C. Jackson

Yannima Tommy Watson is a Pitjantjatjara artist born around the 1930s, in the bush some 44km west of the small isolated community of Irrunytju. Not yet very well known to the French public, despite his participation in the architectural project of the Musée du Quai Branly, Tommy Watson is nevertheless often considered the greatest living Aboriginal artist. Like many aborigines of his generation, he lived a traditional, nomadic or semi-nomadic life before his contact with Western civilization; then he will occupy the only jobs that the Aborigines find: herdsmen (until Yuendumu), laborers for the construction of infrastructures in the desert. Throughout this period he became familiar with his "country", a harsh region, and deepened his knowledge, both profane and sacred, relating to Dreams and Dreamtimes, to the connections between sacred sites and the Ancestors. He will even work in Papunya, where the artistic movement started. But the Pijantjarra are intransigent with tradition…no question at this time of revealing the motives and the secret stories. The North of South Australia, the region where he is from, was touched by the pictorial movement only at the very beginning of the 2000s. In 2001, Tommy began his career as an artist in Irrunytju (Wingellina). He is a young artist… He learns by observing other painters and draws on the experiences of a long life and on the exceptional knowledge he has stored up. But quickly he will find his way, a radically new style where color plays a major role. Very quickly, the iconography now well known by the artists of Yuendumu, or the Western Desert, Balgo or Lajamanu disappeared. The symbols are no longer there. As Rover Thomas, Emily Kame or Paddy Bedford had done before him, this is a real artistic revolution. For Tommy, it is not a question of describing his Dream (Caterpillar), the routes taken by the Ancestors. He concentrates on a site, a story, sometimes very profane, the memory of a meeting, of a hunting party, tries to condense his memories, the information of which he is the depositary, to add a poetic touch to it, sometimes melancholy, and this gives a painting with a very abstract aspect. It is a painting where the emotion is very present, undoubtedly less cerebral than the art of the neighbors of the north the Pintupi, like Ronnie Tjampitjinpa, George...

Tracey Emin BBC 4 textile (HAND SIGNED and dated by Tracey Emin), 2002 Limited edition screenprint on linen (uniquely signed and dated 2017 in pencil) Pencil signed and dated 2017 on...

Oil on linen

A weeping cherry blossom is in full bloom in pink, its blossoming branches hanging gracefully over a pathway in a verdant park in this peaceful springtime landscape painting in oil o...

Bold, graphic, and richly textured, Bat Figure (2025) exemplifies Matt Barter’s distinctive approach to folk‑influenced contemporary sculpture. Hand‑carved from reclaimed wood and ac...

"White Willow Lilies", is a horizontally oriented oil painting on canvas, with a layer of resin poured and hardened, to create a translucent, reflective layer, reminiscent to the sur...

Abstract oil painting on canvas and resin. This bright piece has a lot of depth, literally! The layers of paint and resin are built upon each other, the upper layers casting shadows ...

La Piscine de mon Rêve Swimming Pool of my Dream Landscape Tempera Painting on Linen Canvas In Stock Paul Delmée (Brussels, 1944) received his education at the Academie des Beaux Art...

This intricately detailed contemporary painting in acrylic on linen imagines a future inhabited by robots, animal hybrids, tiny figures, alien flowers and flying machines. A blue hyb...

As one of the last generation to remember a childhood lived in the desert hunting and gathering with her family, Walangkura Napanangka's paintings recall the stories of country and the location of specific sites in her traditional homeland west of the salt lake of Karrkurutinjinya (Lake Macdonald). Born around 1946, at Tjitururrnga west of Kintore, in the remote and arid country between the Northern Territory and Western Australia, she lived with her father Rantji Tjapangati and mother Inyuwa Nampitjinpa and later, while still a teenager, travelled by foot with her family over the hundreds of kilometres from their remote desert home eventually joining Uta Uta Tjangala's group as they walked in to the settlements of Haasts Bluff and then Papunya. The lure of settlement life with its promise of plentiful food and water belied the harsh conversion they would make to an alien lifestyle with its many problems and unfamiliar demands. The upheaval however, was ameliorated to some degree by the proximity of her immediate family including her mother Inyuwa, adoptive father Tutuma Tjapangati, and sister Pirrmangka Napanangka (now deceased) all of whom became artists. Relocated to the community of Kintore in 1981 when the outstation movement began, Walangkura participated in the historic women's collaborative painting project (1994) that was initiated by the older women as a means of re-affirming their own spiritual and ancestral roots. It was a time of specifically female singing, ceremony and painting, away from the gaze of outsiders and men folk. The huge and colourful canvases that emerged from the women's camp were 'alive with the ritual excitement and narrative intensity of the occasion' (Johnson 2000: 197). Within a year, Papunya Tula Artists, now established at Kintore, had taken on many of these women as full-time artists, revitalising the company after the deaths of many of the original 'painting men'. While individual women forged their own stylistic trajectory, these paintings were immediately distinguishable from the men's more cerebral and symmetrical style. They radiated an exuberant and vibrant energy, the felt heart-beat of women's affinity to country and spirit. Walangkura's early works, created from 1996 onward, are characterized by masses of small markings and motifs covering large areas of canvas. Her favorite colour, a deep sandy orange predominates, accentuated against more somber blacks and reds and dusky greens or yellows. More recent works show a gestural quality though still tightly packed with an intensity of geometric line work representing sandhills. In a sense this provides a strong visual and contextual link to the men's linear style as exemplified by the works of George Tjungurrayi...

A unique, abstracted portrait oil painting on stretched Belgian linen canvas, with dark blue, beige and light pink tones. Ready to hang. Framing options available on request - send u...

Futuristic botany is the focus of this contemporary fantastical landscape by Peter Hamlin in acrylic ink on linen. Meticulously detailed flowers with yellow and orange blossoms and...

Artist Commentary: This piece is inspired by the flight of birds, and the joy in seeing the flight. Created from nine winged bamboo and fused glass sculptures. These pieces can be h...

Clyde Hopkins Wazoh De Kellog, 2003-4 Oil on linen 61 x 51 cm 24 x 20.1 inches Clyde Hopkins, born in Sussex, studied Fine Art at the University of Reading from 1965 to 1969. The ar...

Clyde Hopkins Gastropodus, c. 2011 Oil on linen 70 x 55 cm 27.6 x 21.7 inches Clyde Hopkins, born in Sussex, studied Fine Art at the University of Reading from 1965 to 1969. The art...

Katherine Bello Title: Blue Oil on linen Year: 2021 Dimensions: 16"x12"x1.5" Signed by hand Canvas on stretcher frame - ready to hang COA provided -------------------------------...

In this contemporary still life painting, a floral patterned pitcher on a wooden table holds an arrangement of brightly colored pink and red roses with long leaves in verdant shades ...

The Death of the Siamese Swan, by Gonzalo García - Oil Paint - 115 x 90 cm - Figurative Abstraction, c. 2024 My work as a figurative painter examines my experience as a gay male li...

Timothy Rees was fascinated with drawing throughout his youth and after high school pursued a degree in animation. The pull to painting portraits and figures was strong, however, le...

Kayak (Small Contemporary Painting of Woman in Blue Swimsuit emerging from the lake) 11 x 14 inches, oil on linen on wood 12.25 x 15.25 inch custom floater frame Joan Hanley works ...

Yannima Tommy Watson is a Pitjantjatjara artist born around the 1930s, in the bush some 44km west of the small isolated community of Irrunytju. Not yet very well known to the French public, despite his participation in the architectural project of the Musée du Quai Branly, Tommy Watson is nevertheless often considered the greatest living Aboriginal artist. Like many aborigines of his generation, he lived a traditional, nomadic or semi-nomadic life before his contact with Western civilization; then he will occupy the only jobs that the Aborigines find: herdsmen (until Yuendumu), laborers for the construction of infrastructures in the desert. Throughout this period he became familiar with his "country", a harsh region, and deepened his knowledge, both profane and sacred, relating to Dreams and Dreamtimes, to the connections between sacred sites and the Ancestors. He will even work in Papunya, where the artistic movement started. But the Pijantjarra are intransigent with tradition…no question at this time of revealing the motives and the secret stories. The North of South Australia, the region where he is from, was touched by the pictorial movement only at the very beginning of the 2000s. In 2001, Tommy began his career as an artist in Irrunytju (Wingellina). He is a young artist… He learns by observing other painters and draws on the experiences of a long life and on the exceptional knowledge he has stored up. But quickly he will find his way, a radically new style where color plays a major role. Very quickly, the iconography now well known by the artists of Yuendumu, or the Western Desert, Balgo or Lajamanu disappeared. The symbols are no longer there. As Rover Thomas, Emily Kame or Paddy Bedford had done before him, this is a real artistic revolution. For Tommy, it is not a question of describing his Dream (Caterpillar), the routes taken by the Ancestors. He concentrates on a site, a story, sometimes very profane, the memory of a meeting, of a hunting party, tries to condense his memories, the information of which he is the depositary, to add a poetic touch to it, sometimes melancholy, and this gives a painting with a very abstract aspect. It is a painting where the emotion is very present, undoubtedly less cerebral than the art of the neighbors of the north the Pintupi, like Ronnie Tjampitjinpa, George...

In this contemporary landscape painting in oil on linen, a peaceful outdoor scene of delicately painted red, yellow, and purple flowers in a green grassy field beautifully captures t...

Carefully ordered patterns, geometric shapes and delicate lines in light pale peach on a teal blue background with dark indigo at the bottom in this contemporary abstract painting in...

Robert C. Jackson (b. 1964, Kinston, NC) began his career path as an electrical engineer before turning his passionate hobby into a full-time profession as a contemporary still life ...

Michael Nelson Tjakamarra (also cited as: Michael Nelson Jagamarra, or Jakamara) is a Senior Warlpiri Tribesman and an Elder of the Papunya Community in central Australia. Born c. 1949 at Pikilyi, Vaughan Springs west of Yuendumu in the Northern Territory, he grew up ‘in the bush’. His father was an important tribal elder and medicine man at Yuendumu. It was therefore automatic that he would grow up with the traditional values and knowledge that now influences his paintings. Michael lived at Haasts Bluff until his parents took him to Yuendumu for European education at the mission school. He left school at thirteen, after initiation, and worked at buffalo shooting, driving trucks, droving cattle and in the army, before returning to Yuendumu and then to Papunya to settle in 1976. He worked for a time in the Government store and for the Council. Michael learned to paint at Papunya by observing the senior men such as Billy Stockman and Old Mick Tjakamarra. Although he was tutored by his uncle, Jack Tjupurrula, Michael developed his own style and began painting earnestly from 1983. Michael is known as master desert painter for his depiction of several Dreamings in one painting. For him the understanding of the Dreaming stories that go with his paintings is all important – without the stories his paintings would ‘mean nothing’ as far as he is concerned. His Dreamings include the Possum, Snake, Two Kangaroos, Rock Wallaby, Bush Banana, Honey Ant and Yam. In 1984 Michael won the National Aboriginal Art Award with his painting ‘Three Dreamings’. His reputation as a painter rose rapidly after this. He exhibited his work in the 1986 Biennale of Sydney and featured in ‘The State of the Art’, a British art documentary. In 1987 Michael had been asked to paint a major work (27’long) to decorate the foyer of Sydney’s Opera House and he chose to paint his ‘Possum Dreaming’ story. A great highlight in Michael’s career was in 1988 when he was commissioned to design a 196 sq-metre mosaic in the main forecourt of Australia’s new Parliament House in Canberra. The work was based on his ‘Kangaroo and Emu’ dreaming. Michael was presented to Her Majesty, Queen Elizabeth 11...

Vera Barnett has taken on a range of themes in her works, producing series of paintings inspired by phobias, famous artworks (as in her series "Classical Plastique,") or most recentl...

Contemporary abstract landscape painting in oil on linen mounted on panel with carefully ordered patterns, geometric rainbow shapes and delicate teal blue lines against an atmospheri...

In this contemporary abstract painting in oil on linen mounted on panel, carefully ordered patterns, delicate navy blue leaves and lines in prismatic shades are against an atmospheri...

Original Painting by Robert C. Jackson. Robert C. Jackson (b. 1964, Kinston, NC) began his career path as an electrical engineer before turning his passionate hobby into a full-tim...

" Faithful companion " is a painting by the French artist Maestro Florence Metge. Through her art, she has a very sharp and unique style of bright and colorful expression. About th...

Fashion shot of Kate Moss. Hand pulled acrylic, enamel screen print and diamond dust on linen. Will ship rolled. About the Artist: Russell Young currently lives and works in Ca...

This framed 22" x 18" oil painting on linen by Kazakhstan-raised, Oklahoma-based artist Yulia Kim depicts a woman peering down at a large, white paper crane that she holds in her han...

Timothy Rees was fascinated with drawing throughout his youth and after high school pursued a degree in animation. The pull to painting portraits and figures was strong, however, le...

In this contemporary abstract painting in oil on linen mounted on panel, carefully ordered patterns, geometric shapes and delicate lines in light green, robin's egg blue and pale pea...

In this contemporary oil painting on linen mounted on panel, carefully ordered patterns, geometric shapes and delicate lines in bright teal, light green, robin's egg blue and pale pe...

In this peaceful contemporary painting in oil on linen, the chimneys and roof of a white house visible down a winding path lined with tall green hedges. The serene sky is calm and bl...

Oil on linen canvas - Framed 64.3 x 64.3 x 3.4 cm

Oil on linen Xia Fu Ning is a Chinese artist born in 1962 who lives and works in Songzhuang, Beijing in China. He taught as Professor in the Department of Fine Arts during 1980s in ...

Oil on linen Dong Ya-Ping is a Chinese artist born in 1974 who works & lives in Beijing, China. The story of her lines goes back to 2007. The LINE is a sign of her existential trace...

Original Oil Painting by Robert C. Jackson. Robert C. Jackson (b. 1964, Kinston, NC) began his career path as an electrical engineer before turning his passionate hobby into a full...

Robert C. Jackson (b. 1964, Kinston, NC) began his career path as an electrical engineer before turning his passionate hobby into a full-time profession as a contemporary still life ...

Modern academic style figurative painting by Judith Wyer, "Afterglow," 2024 oil on linen, framed 22 x 18 inches with a slim floater frame 21 x 17 inches unframed The artist Judith W...

Timothy Rees was fascinated with drawing throughout his youth and after high school pursued a degree in animation. The pull to painting portraits and figures was strong, however, le...

This framed 22" x 18" oil painting on linen by Kazakhstan-raised, Oklahoma-based artist Yulia Kim depicts a woman peering down at a large, white paper crane that she holds in her han...

Archival Pigment Print on Linen Year: 2022 Size: 25.5 x 33.4 inches Signed and titled by hand COA provided The style reflects the need for constant self-perfection and development, ...

In this contemporary landscape painting in oil on linen a peaceful outdoor scene is set, beautifully capturing the idyllic feel of pine trees on a hillside shrouded in fog. Signed, d...

Original Oil Painting by Ioanna Stefou. Ioanna Stefou (b. 1981, Lamia, Greece) is a painter based in Athens. In 2006, she completed her degree in Architecture at the National Techn...

In this contemporary oil painting on linen, a peaceful sunset sky shines through the delicate branches of a tree. Signed, titled, and dated on verso. The p...

Contemporary abstract landscape painting in oil on linen mounted on panel with carefully ordered patterns, geometric shapes and lines in bright prismatic colors against an atmospheri...

Contemporary abstract painting in oil on linen mounted on panel with carefully ordered patterns, geometric shapes and delicate lines in blue, lime green and indigo on a luminous blue...

In this contemporary abstract painting in oil on linen mounted on panel, carefully ordered patterns, geometric shapes and lines in vibrant prismatic shades of red, yellow, bright gre...