Art by Medium: Linocut

Blas, Camilo (Peruvian, 1903-1985). JARANA CON JAZZ BAND.Linocut, 1940. Titled, signed, and dated in ink in the lower margin. 11 x 13 1/4 inches (image) plus margins, Framed to 22 3/...

Jolynn Reigeluth Self-Fulfilling Prophecy Acrylic, India Ink, linocut and cut paper on wood panel Year: 2021 Size: 36x48x2.5 in Framed Size: 36x48x2.5 in Ready to hang Signed COA pro...

Medium: linocut Year: 2022 Image Size: 18 x 12 inches Edition size: 10 Image of a young native girl working in the poppy fields. As a cultural activist/artist/printmaker, Juan Fuen...

Colour linocut, limited edition (13/16), titled, signed and dated in pencil. 2009. Aileen Brown is a Melbournian printmaker. Since 1983 she has worked e...

Juan Fuentes’ Bracero Brothers honors the labor, dignity, and hardship of Mexican and Mexican-American farmworkers. Rendered in bold linocut carving, the scene depicts a line of brac...

Signed and numbered woodcut from the edition of 20. Political and social satire is a frequent topic in Hazelwood's work. But equally, he enjoys depicting the social scene in specific...

Paper Size: 9.5 x 6.5 inches ( 24.13 x 16.51 cm ) Image Size: 9.5 x 6.5 inches ( 24.13 x 16.51 cm ) Framed: No Condition: A: Mint Additional Details: Limited edition hand-color...

Artist: Ossip Zadkine Title: Untitled Portfolio: XXe Siecle No. 4 Medium: Linocut Date: 1938 Edition: Unnumbered Frame Size: 19 3/4" x 16 3/4" Sheet Size: 12 5/8" x 9 5/8" Signature:...

Richard Mock, American (1944 - 2006) - Good Cop Bad Cop, Year: 1998, Medium: Linocut on BFK Rives, signed, titled, numbered and dated in pencil, Edition: 80, Image Size: 13.25 x ...

Michael Dal Cerro's prints could be seen as imaginary architectural proposals. He takes satisfaction in taking something that is supposed to be exact...

Signed, titled and numbered from the edition of 50. Part of a group of prints used to illustrate the book The Ballad of Huck and Miguel, which is a re-telling of the Adventures of Huck Finn...

Mimmo Paladino Atlantico Linocut, 1987, hand signed, dated and numbered 12/27 in pencil. Medium: Collagraph and linoleum cut Sheet measures 82 x 29 1/2" inches Parole Torchon pap...

Borough Market by Jennie Ing [2018] Linocut print of London's famous and and much loved Borough Market. Printed by hand with oil based inks on 100% cotton rag Fabriano Tiepolo pape...

Paper Size: 24 x 19.25 inches ( 60.96 x 48.895 cm ) Image Size: 24 x 19.25 inches ( 60.96 x 48.895 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling??Additional ...

Limited edition hand-colored Linoleum cut by George Nama from the "Catalogue of Monuments" Portfolio, printed at Monument Press on Arches Cover Stock. Only 100 portfolios were publi...

Jolynn Reigeluth The Three DISgraces Acrylic, India Ink, linocut and cut paper on wood panel Year: 2021 Size: 36x48x2.5 in Framed Size: 36x48x2.5 in Ready to hang Signed COA provided...

Jolynn Reigeluth Dandy Discomfiture Acrylic and Ink on on wood panel Year: 2022 Size: 36x48x2.5 in Framed Size: 36x48x2.5 in Ready to hang Signed COA provided Ref.: 924802-994 Joly...

Signed and titled in pencil, edition of 12. Immigrant workers in the fields during harvest. Juan R. Fuentes's print, "Bracero Brothers," reflects the Chicano Art Movement of the 1...

Biagio Civale, Italian/American (1936 - ) - The Bridge, Medium: Linocut, Signed, numbered, and titled in pencil, Edition: 21/33, Image Size: 12 x 16 inches, Size: 16 x 21 in. (40...

Signed and titled in pencil, edition of 20. Last print in the edition. Juan R. Fuentes's print, "Bracero Brothers," reflects the Chicano Art Movement of the 1970s that he helped t...

Jolynn Reigeluth Friend or Foe? Acrylic, India Ink, linocut and cut paper on wood panel Year: 2022 Size: 24x18x2.5 in Framed Size: 24x18x2.5 in Ready to hang Signed COA provided Ref....

Artist: Jean Helion Title: Untitled Portfolio: XXe Siecle No. 4 Medium: Linocut Date: 1938 Edition: Unnumbered Frame Size: 19 3/4" x 16 3/4" Sheet Size: 12 5/8" x 9 5/8" Signature: U...

A vibrant abstract piece in blue, black and white depicting Tummel Bridge. Label verso with title and artist inscribed. Presented in a black frame. On paper.

Marta Bozyk (1973). A graduate of the Graphic Department of the Academy of Fine Arts in Krakow. She received a diploma with the Medal of the Rector of the Academy of Fine Arts in 1998. Winner of the Scholarship of the Creative City of Krakow (2000) and the city of Mino in Japan (2001). She is also a winner of the Technical Award at the International Print Exhibition in Taichung, Taiwan (2008) and the Equal Prize International Triennial of Art Bitola in Macedonia. He belongs to the artistic female group...

"Frank Stella print The Butcher Came and Slew the Ox, Pl.8 from Illustrations after El Lissitzky’s Had Gadya, 1984, recalls the post-painterly abstraction known to have influenced St...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limite...

Jolynn Reigeluth Ain't She Sweet? Acrylic, India Ink and cut paper on wood panel Year: 2022 Size: 48x36x2.5 in Framed Size: 48x36x2.5 in Ready to hang Signed COA provided Ref.: 92480...

Biographical information on Maurice Robert Dey is hard to find. He was born on 1899 (or maybe 1900), in Switzerland. As an adult he lived and worked in Woodstock, the NY artists' c...

DAVIES, Peter (b.1953) ‘Sandy Harbour’ 2008 Linocut 3/8 30.0 x 30.0 cm Artists Statement Since starting to paint in 1981 my mainly plein aire landscapes have used a mechanical...

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...

Jolynn Reigeluth Bait n' Switch Acrylic, India Ink, linocut and cut paper on wood panel Year: 2022 Size: 48x36x2.5 in Framed Size: 48x36x2.5 in Ready to hang Signed COA provided Ref....

A confident and early linocut by Arthur Cyril Hilton (British, 1897–1960), In Alderley captures the artist’s emerging command of graphic structure and his sensitivity to place. Hilto...

DAVIES, Peter (b.1953) Tregenna Roofs (St. Ives) 2011 Linocut 4/6 26.0 x 34.0 cm Artists Statement Since starting to paint in 1981 my mainly plein aire landscapes have used ...

Friedrich Geiler Untitled Composition (Konkrete Kunst, Constructivsm, Geometric Abstraction) Color Linocut Year: 1979 Signed, numbered and dated by ha...

DAVIES, Peter (b.1953) ‘Solstice Sun’ 2019 Linocut on paper 15.0 x 10.0 cm (6 x 4 in.) Artists Statement Since starting to paint in 1981 my mainly plein aire landscapes have used a mechanical, rather than lyrical or painterly, approach. This probably puts my observational paint – by – numbers pictures at a creative and expressive disadvantage. But it doers prove conducive to a structural or compositional kind of drawing over which are applied layers of oil paint to deliver idiosyncratic textural and atmospheric effects. Furthermore, a Ben Nicholson – inspired dichotomy between foreground rooftops or architecture and a naturalistic marine or landscape background makes a chosen plastic and temperamental approach apt. So when in 2004 I was inspired by the much loved master relief printmaker John Liddell 1925-2005) to try my hand at linocut I found a process ideally suited to my mechanical bent it has been a love affair ever since. The workshop he founded in 1991 Poole Printmakers is a safe haven, an intimate co-operative near Poole Quay, and some of the most scenic terrain in Britain. It is also an area where my art career started in 1978 and inspired my early book Art in Poole and Dorset, published by Poole Historical Trust, 1987. Many blissful and absorbing hours over the last 13 years have yielded a large body of linocut prints in which I exercise those mechanical and reproductive qualities proper to the medium. Peter Davies...

Anozotropic highway 1980s, paper, linocut, 15.5x25 cm The artwork depicts a highway or road that takes on a surreal and abstract form. The term "anozotropic" implies a deviation fr...

Richard Bosman (b. 1944) is a painter and printmaker known for his woodcuts depicting turbulent seascapes. He studied at Bryam Shaw School of Painting and Drawing in London, The New ...

Friedrich Geiler Untitled Composition (Konkrete Kunst, Constructivsm, Geometric Abstraction) Color Linocut Year: 1974 Signed, numbered and dated by hand Edition: 100 Size: 20.3 × 20....

Harold E. Keeler worked in Hollywood as a set designer. That seems especially important here because the Water Fall looks a little as though it could be a w...

Limited edition hand-colored Linoleum cut by George Nama from the "Catalogue of Monuments" Portfolio, printed at Monument Press on Arches Cover Stock. Only 100 portfolios were publi...

Linocut, signed, reminding the depicts of the paradox of social realism showing happy people but the reality was cruel.

Memories of Tuscany by Elaine Marshall [2022] limited_edition and hand signed by artist linocut with two blocks Edition number 3/50 Image size: H:31 cm x W:17 cm Complete Size of Unframed Work: H:43 cm x W:31 cm x D:0.3cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look This is a linocut of a farmhouse in the hills near Lucca, where my family and artist friends spent happy times...

Michael Dal Cerro's prints could be seen as imaginary architectural proposals. He takes satisfaction in taking something that is supposed to be exact...

Black and white with pale orange figurative linocut print by Polish artist Franciszek Bunsch. Print comes from limited edition, it is numbered and signed by the artist. FRANCISZEK ...

Ann Aspinwall creates prints that reference a combination of historic and modern styles. Her most recent works invoke landscape, seascape and mapmaking, as well as the color block. S...

Martha Reed was the daughter of the artist Doel Reed and as an adult she joined her parents in Taos, New Mexico. There she designed clothes with a south-we...

Contemporary op art abstract linocut and woodcut print by Polish artist Ryszard Gieryszewski. Print is mostly black and white. Title of this artwork is 'Lines and a green triangle'. ...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Celebration “O”, Lino-cut chin-coll’e on German Ivory paper Edition: 3 of 5, 2005 Image size: 50 x 33 cm / Sheet size: 79 x 55 cm Unframed "In this piece I use multiple layering of image, repetition of shape, layered shapes to inform my life celebration and my investigation into Indian culture" Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

Plante aux Toritos is a linocut reproduction realized in smaller size after a linocut by Pablo Picasso of 1960. Good conditions, except for very minor foxing on edges. Not signed....

Created in 2018 by Alexandra Buckle. A large reduction linocut of a walled garden and lily pond with reflected trees. This is printed in nine layers of colour and is a small edition...

Limited edition hand-colored Linoleum cut by George Nama from the "Catalogue of Monuments" Portfolio, printed at Monument Press on Arches Cover Stock. Only 100 portfolios were publi...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Voted Dyas II, Lino-cut/ chine colle, on German Ivory paper Edition: 5 of 8, 1999 Image size: 47 x 39 cm / Sheet size: 79 x 55 cm Unframed 'We belong where love finds us' Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

Limited edition hand-colored Linoleum cut by George Nama from the "Catalogue of Monuments" Portfolio, printed at Monument Press on Arches Cover Stock. Only 100 portfolios were publi...

Andre Derain, After, French (1880 - 1954) - L'Enfant, Year: Printed circa 1968, Medium: Linocut, stamp signed, Image Size: 11 x 9 inches, Size: 19 in. x 15 in. (48.26 cm x 38.1 c...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Jetty 1, Lino-cut chin- coll’e on German Ivory paper Edition: 3 of 5, 2005 Image size: 50 x 33 cm / Sheet size: 79 x 55 cm Unframed ''What mesmerised me was the meeting of the sea and the mountain peak. Where the Jetty, a special curved wooden staircase leading to one end and the deep crystal clear sea at a distance. These scenes were amazing to me." Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

Harvest Moon Hares is a limited edition linocut print depicting a pair of Hares out on the fields under a harvest moon. Wild berries and rose hips are silhouetted in the foreground. Printed in Indigo blue Kate Heiss is available with Wychwood Art online and in our gallery. Kate Heiss is a textile designer and print-maker who has worked with a wide range of fashion brands including Fenchurch, Miss...

Fernando Castro Pacheco was a Mexican muralist, painter, and printmaker. This linocut is titled to refer to the indigenous population. It is si...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Frenzy M1, Lino-cut chin- coll’e on German Ivory paper Edition: 3 of 5, 2005 Image size: 45 x 33 cm / Sheet size: 79 x 55 cm Unframed 'In this work in particular I feel that a true work of art is the creation of an experience from the interaction between the human self and the outside world' Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...

Signed and titled in pencil. An Oregon native, Dorothy Dolph Jensen attended at Portland Art School. The Portland Art Museum has her work in its c...