Art by Medium: Linocut

Femme Couchée et Homme à la Guitare is a beautiful contemporary artwork realized after Pablo Picasso (1881-1973). Color linocut realized in smaller size after a linocut by Pablo Pic...

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limite...

Deux Femmes près de la fenetre is a linocut print realized in smaller size after a linocut by Pablo Picasso of 1959 . Very good conditi...

Our very important pollinators bees and butterflies are the stars of this print. The bees are buzzing around the vibrant blue ceanothus shrub and a Red Admiral, Camberwell Beauty and...

This exquisite linocut by Ossip Zadkine (1890–1967), titled Les trois graces (The Three Graces), from the album XXe siecle, Chroniques du jour, 13 rue Valette (5e), Directeur G. di S...

This exquisite linocut by Giorgio de Chirico (1888–1978), titled Cabina Misteriosa (Mysterious Cabin), from the album XXe siecle, Chroniques du jour, 13 rue Valette (5e), Directeur G...

Linocut, signed by the author, from the series " Where we are Heading?"

Image dimensions: 16 x 12 cm. L'Arbre du Plaisir is a black and white linocut on ivory-colored paper, realized in 1945 by the Italian satiric master Mino Maccari (1898-1989). Hand-...

In Alba Gems IV, Ann Aspinwall continues her exploration of light, movement, and material nuance through a refined abstract language. The work balances spontaneity and control, with ...

Yule Limited Edition Linocut Edition of 10 Image Size: H 32cm x W 42cm Signed Sold Mounted but Unframed 'Yule' represents both the end and the beginning of the turning of the wheel. the Tawny owl sits in the beech tree watching...

Colour linocut, limited edition (2/12), titled, signed and dated in pencil. 1999. Aileen Brown is a Melbournian printmaker. Since 1983 she has worked ex...

Colour linocut, limited edition, Artists Proof, titled, signed and dated in pencil. 2019. Aileen Brown is a Melbournian printmaker. Since 1983 she has w...

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...

The Dreaming Cowboy is an Original Linocut Print realized by Mino Maccari in 1951. Not signed, very good condition. Mino Maccari (1898-1989) was an Italian writer, painter, engrave...

Paper Size: 24 x 19.25 inches ( 60.96 x 48.895 cm ) Image Size: 24 x 19.25 inches ( 60.96 x 48.895 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling??Additional ...

CHASING THE SEAGULLS Lino print Sheet 56 x 90 cm Outside frame 65 x 99 cm Edition of 150 plus 15 artist's proofs Colin Moore artist has many landscape and seascape lino cut prints a...

Femme au Collier is a linocut reproduction realized in smaller size after a linocut by Pablo Picasso of 1959. Good conditions, except for very minor foxing on edges. Not signed. A ...

Martel Wiegand Untitled (Abstract, Modern, Beige, Brown, Linocut) Linoleum Cut on light paper with centerfold 1996 19.48 x 25.78 inches (49.5 x 65.5 cm) Edition: Unique Signed and da...

Biagio Civale, Italian/American (1936 - ) - Lampadario, Medium: Linocut, Signed, numbered, and titled in pencil, Edition: A/P, Image Size: 12.5 x 10 inches, Size: 23 x 18 in. (58...

Biagio Civale, Italian/American (1936 - ) - The Bridge, Medium: Linocut, Signed, numbered, and titled in pencil, Edition: 21/33, Image Size: 12 x 16 inches, Size: 16 x 21 in. (40...

Martel Wiegand Untitled Linoleum Cut on light Paper 1996 19.68 x 27.55 inches (50 x 70 cm) Edition: Unique Signed and dated by hand COA provided Martel Wiegand (born August 4, 1922,...

Spiral (automatic thoughts) 2025 Linocut and gyotaku prints, indigo dye, paper rice bags, vintage washi from Kashiki Seishi, Konnyaku 88 1/2 x 75 in.

Signed and titled in pencil, from the edition of 21. A young native girl with facial tattoos, member of the Ohlone, which comprises all indigenous people tracing their heritage to ...

Contemporary op art abstract linocut and woodcut print by Polish artist Ryszard Gieryszewski. Print is mostly black&white with addition of blue and red. Title of this artwork is 'Asy...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Celebration B, Lino-cut on Drawing paper Edition: 3 of 5, 2005 Image size: 47 x 39 cm / Sheet size: 79 x 55 cm Unframed Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

Biagio Civale, Italian/American (1936 - ) - Leghorn Canal, Medium: Linocut, Signed in pen and numbered in pencil, Edition: AP, Image Size: 13 x 9.5 inches, Size: 26 x 18 in. (66....

Love Apple (Brown background). 1967. Linoleum cut printed in black, red, orange, brown and tan. 16 1/2 x 12 1/2 (sheet 21 3/4 x 15). Edition 18. A vivid impression printed on wove pa...

Richard Mock, American (1944 - 2006) - Refugee, Year: 1994, Medium: Linocut on BFK Rives, signed, titled, numbered and dated in pencil, Edition: 80, Image Size: 21 x 17.5 inches,...

Black and white contemporary figurative linocut by Polish artist Luiza Kasprzyk. Artwork comes from limited edition of 50. Print depicts bodies permeating each other. LUIZA KASPRZY...

Biagio Civale, Italian/American (1936 - ) - The Dancer, Medium: Linocut, signed and numbered in pencil, Edition: 6/33, Image Size: 14.5 x 9.5 inches, Size: 20 x 14 in. (50.8 x 35...

Biagio Civale, Italian/American (1936 - ) - Venetian, Year: 1978, Medium: Linocut, Signed, numbered, and dated in pencil, Edition: 5/33, Image Size: 7.5 x 7.5 inches, Size: 20 x...

Biagio Civale, Italian/American (1936 - ) - Fishermen Along the River, Medium: Linocut, Signed, numbered, and titled in pencil, Edition: 18/33, Image Size: 10 x 12.5 inches, Size:...

Erotic print is a beautiful black and white linocut on paper, realized in 1945 by the Italian artist, Mino Maccari. Hand-signed with the pseudonym "Jean Barbe" and numbered in penci...

Bondage is a beautiful black and white linocut on paper, realized in 1945 by the Italian artist, Mino Maccari. Hand-signed as "Jean Barbe" and numbered in pencil on lower margin. Ed...

Les Banderilles is an color linocut reproduction realized after Pablo Picasso (1881-1973). Linocut reproduction realized in smaller size after a linoleum by Pablo Picasso of 1959. ...

Joan MIRO Boy with Red Sun Original linocut Printed signature in the plate Published in 1938 by San Lazzaro for XXe Siecle On wove paper 32 x 25 cm (c. 13 x 10 in) References : Dut...

Marta Bozyk (1973). A graduate of the Graphic Department of the Academy of Fine Arts in Krakow. She received a diploma with the Medal of the Rector of the Academy of Fine Arts in 1998. Winner of the Scholarship of the Creative City of Krakow (2000) and the city of Mino in Japan (2001). She is also a winner of the Technical Award at the International Print Exhibition in Taichung, Taiwan (2008) and the Equal Prize International Triennial of Art Bitola in Macedonia. He belongs to the artistic female group...

MARTA GARBACZEWSKA (born 1987) - Graduate of the Academy of Fine Arts in Gdańsk. Diploma in 2012 in the studio of prof. Maria Targońska, annex by prof. Czesław Tumielewicz. PROVENAN...

limited_edition linocut Edition number 1-10 Image size: H:20cm cm x W:20cm cm Complete Size of Unframed Work: H:30cm cm x W:30cm cm x D:3mmcm Sold Unframed Please note that ins...

Bridges. From the series “My Riga”. 1967. Paper, linocut, 69x103 cm.

Antonio Diaz Cortes (Mexico, 1935) 'Encuentro' (meeting), 2006 woodcut on paper Velin Arches 300 g. 27.6 x 19.7 in. (70 x 50 cm.) P/A (Artist Proof), unique piece Unframed ID: DIA-10...

Freeman, Mark (American, born Austria, 1908-2003). SPOTLIGHT ON MANHATTAN. Linocut, 1930. Signed and titled in pencil, and inscribed "Ed 40." 10 x 8 1/8inches (image), margins. Frame...

Contemporary op art abstract linocut and woodcut print by Polish artist Ryszard Gieryszewski. Print is mostly black and white. Title of this artwork is 'Lines and a green triangle'. ...

Contemporary op art abstract linocut and woodcut print by Polish artist Ryszard Gieryszewski. Print is mostly black and white with red. Title of this artwork is 'Equivalent shapes'. ...

Torii Sea View and Sensoji Trees diptych Overall size cm : H74 x W94 Alexandra Buckle Sensoji Trees Limited Edition Linocut on Paper Edition of 10 Sold Unframed Image size: H 30cm x...

*** PLEASE NOTE the painting is not framed, photos with frame are only a visualisation The Gallery of Katarzyna Napiorkowska is one of the first commercial art galleries in Poland. ...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Celebration “O”, Lino-cut chin-coll’e on German Ivory paper Edition: 3 of 5, 2005 Image size: 50 x 33 cm / Sheet size: 79 x 55 cm Unframed "In this piece I use multiple layering of image, repetition of shape, layered shapes to inform my life celebration and my investigation into Indian culture" Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

The Hen is an original Linocut Print realized by Mino Maccari in 1951. Very Good condition. No Signature. Mino Maccari (1898-1989) was an Italian writer, painter, engraver and jou...

Artist: Henri Matisse Title: Plate 17: J'irai à ce que j'ai voulu, sans fierté comme sans remords (I go to what I wanted, as much without pride as without remorse) Portfolio: Pasipha...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Twin Showcase, Lino-cut on German Ivory paper Edition: AP, 2005 Image size: 47 x 39 cm / Sheet size: 79 x 55 cm Unframed 'We belong where love finds us' Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

Jolynn Reigeluth Regrets Acrylic, India Ink, linocut and cut paper on wood panel Year: 2022 Size: 24x18x2.5 in Framed Size: 24x18x2.5 in Ready to hang Signed COA provided Ref.: 92480...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Frenzy M3, Lino-cut chin-coll’e on German Ivory paper Edition: 3 of 5, 2005 Image size: 50 x 33 cm / Sheet size: 79 x 55 cm Unframed 'In this work in particular I feel that a true work of art is the creation of an experience from the interaction between the human self and the outside world' Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

Jolynn Reigeluth The Whole Truth Acrylic, India Ink, linocut and cut paper on wood panel Year: 2022 Size: 24x36x2.5 in Framed Size: 24x36x2.5 in Ready to hang Signed COA provided Ref...

Jolynn Reigeluth Dandy Discomfiture Acrylic and Ink on on wood panel Year: 2022 Size: 36x48x2.5 in Framed Size: 36x48x2.5 in Ready to hang Signed COA provided Ref.: 924802-994 Joly...

Jolynn Reigeluth State of the Union 2020 Acrylic, India Ink, linocut and cut paper on wood panel Year: 2022 Size: 30x20x2.5 in Framed Size: 30x20x2.5 in Ready to hang Signed COA prov...

At certain times of the year hares are running wild in the field opposite my house. A summer crop will be harvested and the hares will return to the field. They move quickly and are ...

LUIZA KASPRZYK Studied at the Faculty of Graphics and Painting at the Academy of Fine Arts in Łódź, in atelier of Lithographic Techniques of professor W. Warzywoda.

Medium: linocut Year: 2025 Image Size: 17 x 16 inches Edition of 20, marked as variation IX Young native girl against a dark blue blue background and sky design.. As a cultural act...

This is an extraordinary collection of Linoleum Cuts by master printmaker Tom Huck. The Suite of 13 linocuts is encased in a homemade glory hole cover and also include a protective centerfold cover. This artwork could be framed to hang in a grouping. Contact gallery for details. Tom Huck, also spelled Hück, (born 1971), is an American printmaker best known for his large-scale satirical woodcuts. He lives and works in St. Louis, Missouri, where he runs his own press, Evil Prints. He is a regular contributor to BLAB! of Fantagraphics Books. His work is influenced by Albrecht Dürer, José Guadalupe Posada, R. Crumb, and Honoré Daumier. Huck’s illustrations have appeared in publications such as The Village Voice, The Riverfront Times, and the Minneapolis City Pages. Huck's woodcut prints are included in numerous public and private collections, including the Whitney Museum of American Art, Library of Congress, Spencer Museum of Art, Nelson Atkins Museum of Art, Saint Louis Art Museum, Milwaukee Art Museum, Minneapolis Institute of Art, Art Institute of Chicago, Fogg Art Museum, Michael C. Carlos Museum, and New York Public Library. Huck has been represented by David Krut Art Projects in New York, Sherry Leedy Contemporary Art in Kansas City, Missouri, Duane Reed Gallery in St. Louis, Missouri, Gallery Victor Armendariz, Chicago and Eli Ridgway Gallery in San Francisco. Beginning in October 2017 Huck’s gallery representation is C. G. Boerner in New York. In September 2011 Huck was awarded a Pollock-Krasner Foundation grant. Huck is best known for creating large-scale woodcuts acting as both satirical narratives and social criticism.[1] He says in his artist statement: "My work deals with personal observations about the experiences of living in a small town in southeast Missouri. The often Strange and Humorous occurrences, places, and people in these towns offer a never-ending source of inspiration for my prints. I call this work 'rural satire'".[2] From 1995 to 2005, Huck created two woodcut folios: 2 Weeks in August: 14 Rural Absurdities and The Bloody Bucket. 2 Weeks in August: 14 Rural Absurdities, a thematically unified suite of 14 large woodcut prints, depicted 14 bizarre folk tales that allegedly occurred in Huck's hometown of Potosi, Missouri. The suite was produced in three years from 1995 to 1998. His second body of work, The Bloody Bucket, was based on violent legends surrounding a bar of that name in or around his hometown of Potosi. It comprises 10 large-scale woodcuts, executed between 1999 and 2005. In December 1999, Huck's work represented the United States in an exhibition entitled From Kandinsky To Corneille: Linoleum in the Art of the 20th Century held at the Cobra Museum in Amstelveen, Holland. Featured in the exhibition was a large scale linoleum cut by Huck entitled "Attack of the 50ft. Yard Ornament". The piece was commissioned specifically for the exhibition by the linoleum company Forbo-Krommenie in Amsterdam. The Whitney Museum of American Art in September 2003 featured two works by Huck in an exhibition entitled To Be Human. Both the works featured were woodcuts from the series 2 Weeks in August. Huck is currently working on a 14-triptych cycle of woodcut prints entitled Booger Stew. The first installment of the series, a triptych entitled "The Transformation of Brandy Baghead Pts. 1, 2, & 3", was completed in March 2009. An exhibition entitled Tom Huck and the Rebellious Tradition of Printmaking opened on August 28, 2009 at the Saint Louis Art Museum. Prints by Albrecht Dürer, William Hogarth, Jose Guadalupe Posada, and Max Beckmann were featured alongside Huck's "The Transformation of Brandy Baghead Pts. 1, 2, & 3". Electric Baloneyland On December 19, 2011, Huck announced the April 1, 2012, release of The Hillbilly Kama Sutra. This new suite of 15 linoleum cut prints is Huck's first portfolio of prints since 1998's 2 Weeks in August: 14 Rural Absurdities. On April 12, 2012, a selection of prints from the new series were released in the St. Louis weekly publication The Riverfront Times. On May 4, 2012, Sherry Leedy Contemporary Art in Kansas City, Missouri, hosted the debut exhibition of The Hillbilly Kama Sutra. In February 2013, Huck illustrated a cover story entitled "The 10 Weirdest Members of Congress" written by Caleb Hannan. The feature article appeared in The Riverfront Times and four other Voice Media Group publications: the Houston Press, Dallas Observer, Broward-Palm Beach New Times, and Minneapolis City Pages. All five had a cover caricature of Michele Bachmann's head on a snake, referencing the "Don't Tread On Me" motif. The story featured 9 politicians in caricature. In early spring of 2014 Huck completed work on his second major woodcut triptych from "Booger Stew" entitled "The Tommy Peeperz". "The Tommy Peeperz" debuted in a show of The Outlaw Printmakers entitled "The Dirty Dozen...