Art by Medium: Linocut

LUIZA KASPRZYK Studied at the Faculty of Graphics and Painting at the Academy of Fine Arts in Łódź, in atelier of Lithographic Techniques of professor W. Warzywoda. In 2014, her work...

Martel Wiegand Untitled Linoleum Cut on light paper with centerfold as issued 1996 19.48 x 26.96 inches (49.5 x 68.5 cm) Edition: Unique Monogrammed and dated by hand COA provided *...

Life is a never-ending stream of what you wish and work for, we wished and we’ve got you as our running stream of love, no matter what stages, it's continuous, it doesn't stop. Ship...

In Alba Gems IV, Ann Aspinwall continues her exploration of light, movement, and material nuance through a refined abstract language. The work balances spontaneity and control, with ...

*** PLEASE NOTE the painting is not framed, photos with frame are only a visualisation The Gallery of Katarzyna Napiorkowska is one of the first commercial art galleries in Poland. ...

The artwork will be sent unframed Linocut print „Between silence and silence” 2020 Linocut colorful print technique Limited edition, print unique number 3/7 Paper Canson Edition 250 ...

Colour linocut, limited edition (13/16), titled, signed and dated in pencil. 2009. Aileen Brown is a Melbournian printmaker. Since 1983 she has worked e...

Limited edition hand-colored Linoleum cut by George Nama from the "Catalogue of Monuments" Portfolio, printed at Monument Press on Arches Cover Stock. Only 100 portfolios were publi...

Ivan Gardea (Mexico, 1970) 'Soledad I', 2009 linocut on paper Guarro Biblos 250g. 28.8 x 20.9 in. (73 x 53 cm.) ID: GAD-101 Unframed

Linocut on vélin vergé ancien paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Pougny, dix linogravures originales, 1964. Published by Au Vent d'Arle...

This exquisite linocut by Giorgio de Chirico (1888–1978), titled Cabina Misteriosa (Mysterious Cabin), from the album XXe siecle, Chroniques du jour, 13 rue Valette (5e), Directeur G...

Bondage is a beautiful black and white linocut on paper, realized in 1945 by the Italian artist, Mino Maccari. Hand-signed as "Jean Barbe" and numbered in pencil on lower margin. Ed...

River Walk by Rob Barnes [2021] limited_edition Linocut Edition number 50 Image size: H:33 cm x W:44 cm Complete Size of Unframed Work: H:49 cm x W:61 cm x D:0.2cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look About half a mile from where I live is a river walk, punctuated by a windmill used...

Martel Wiegand Untitled Linoleum Cut on light paper 1996 30.51 x 26.77 inches (77.5 x 68 cm) Edition: Unique Signed and dated by hand COA provided *Condition: Storage marks, creasin...

Burkhart Beyerle Berweg Linoleum Cut on light Paper 1990s 17.32 x 24.01 inches (44 x 61 cm) Edition: 14 Signed, numbered and titled by hand COA provided Burkhart Beyerle is a German...

Cantedeskia - Linocut Black and White XXI century, Linocut, Flower, Figurative Art 5/50 Signed, numbered MARTA BOZYK (1973). A graduate of the Graphic Department of the Academy of...

This exquisite linocut by Gino Severini (1883–1966), titled Gravure futuriste (Futurist Engraving), from the album XXe siecle, Chroniques du jour, 13 rue Valette (5e), Directeur G. d...

This exquisite linocut by Jean Helion (1904–1987), titled Sans titre (Untitled), from the album XXe siecle, Chroniques du jour, 13 rue Valette (5e), Directeur G. di San Lazzaro, Somm...

Colour linocut, limited edition (2/12), titled, signed and dated in pencil. 1999. Aileen Brown is a Melbournian printmaker. Since 1983 she has worked ex...

Image dimensions: 15 x 11.5 cm. Boudoir is a black and white linocut on ivory-colored paper, realized in 1945 by the Italian satiric master Mino Maccari (1898-1989). Hand-signed wi...

Richard Mock, American (1944 - 2006) - Refugee, Year: 1994, Medium: Linocut on BFK Rives, signed, titled, numbered and dated in pencil, Edition: 80, Image Size: 21 x 17.5 inches,...

This exquisite linocut by Henri Laurens (1885–1954), titled Sirenes (Sirens), from the album XXe siecle, Chroniques du jour, 13 rue Valette (5e), Directeur G. di San Lazzaro, Sommair...

Jolynn Reigeluth The Three DISgraces Acrylic, India Ink, linocut and cut paper on wood panel Year: 2021 Size: 36x48x2.5 in Framed Size: 36x48x2.5 in Ready to hang Signed COA provided...

Joan MIRO Boy with Red Sun Original linocut Printed signature in the plate Published in 1938 by San Lazzaro for XXe Siecle On wove paper 32 x 25 cm (c. 13 x 10 in) References : Dut...

Hartenstein is an Original Linocut realized by Axel Hartenstein in the mid-20th Century. Hand-signed. Numbered. Edition 1/20.

LUIZA KASPRZYK Studies at the Faculty of Graphics and Painting at the Academy of Fine Arts in Łódź, in atelier of Lithographic Techniques of professor W. Warzywoda.

Faces is a linocut realized by Mino Maccari in the 1940s. 50 x 30 cm. Handisigned in the lower right part. Edition of 12 copies. Reference; Cat. Meloni , pag 367, n.1741. Good c...

Biagio Civale, Italian/American (1936 - ) - Leghorn Canal, Medium: Linocut, Signed in pen and numbered in pencil, Edition: AP, Image Size: 13 x 9.5 inches, Size: 26 x 18 in. (66....

Satisfaction is a beautiful black and white linocut on paper, realized in 1945 by the Italian artist, Mino Maccari. Hand-signed with the pseudonym "Jean Barbe" and numbered in penci...

This exquisite linocut and pochoir by Alberto Magnelli (1888–1971), titled Composition 66, from the album XXe Siecle, Nouvelle serie, XXIe Annee, N°13, Noel 1959, originates from the...

Martin Victor - Sands Cove, Year: 1985, Medium: Linocut on thin wove paper, signed, titled and dated in pencil, Image Size: 17 x 25.75 inches, Size: 21.75 x 29.5 in. (55.25 x 74....

Love Apple (Brown background). 1967. Linoleum cut printed in black, red, orange, brown and tan. 16 1/2 x 12 1/2 (sheet 21 3/4 x 15). Edition 18. A vivid impression printed on wove pa...

Biagio Civale, Italian/American (1936 - ) - The Bridge, Medium: Linocut, Signed, numbered, and titled in pencil, Edition: 21/33, Image Size: 12 x 16 inches, Size: 16 x 21 in. (40...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Twin Showcase, Lino-cut on German Ivory paper Edition: AP, 2005 Image size: 47 x 39 cm / Sheet size: 79 x 55 cm Unframed 'We belong where love finds us' Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

The Mexican artist Francisco Mora (1922-2002) studied in Mexico City at La Esmeraida, with Diego Rivera. He joined the Taller de Gráfica Popular, a grap...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Frenzy M3, Lino-cut chin-coll’e on German Ivory paper Edition: 3 of 5, 2005 Image size: 50 x 33 cm / Sheet size: 79 x 55 cm Unframed 'In this work in particular I feel that a true work of art is the creation of an experience from the interaction between the human self and the outside world' Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

Ann Aspinwall, Alba Gem I, Linocut This hand-pulled linocut by Ann Aspinwall features subtle, rhythmic linework that evokes the meeting of earth and sky. In Alba Gem I, horizontal ba...

Jolynn Reigeluth The Devil You Know Acrylic, India Ink, linocut and cut paper on wood panel Year: 2022 Size: 36x24x2.5 in Framed Size: 36x24x2.5 in Ready to hang Signed COA provided ...

"Accidente" - 1943 Linocut on Paper "Accidente" from the portfolio "25 Prints of Leopoldo Méndez", depicts a figure, upside down, appearing to fall downward from a ladder. Another f...

Untitled, 1983, lithograph printed in sepia ink, Hand signed and dated lower right, numbered in pencil with the artist's chop mark lower left, inscribed by artist. From a series o...

This exquisite linocut by Ossip Zadkine (1890–1967), titled Les trois graces (The Three Graces), from the album XXe siecle, Chroniques du jour, 13 rue Valette (5e), Directeur G. di S...

Portrait of Cesar Chavez with graves on vines, with inset images of men working in a field and a woman washing a floor. This print is in the collection of the Library of Congress. Si...

Biagio Civale, Italian/American (1936 - ) - Lampadario, Medium: Linocut, Signed, numbered, and titled in pencil, Edition: A/P, Image Size: 12.5 x 10 inches, Size: 23 x 18 in. (58...

Antonio Diaz Cortes (Mexico, 1935) 'Encuentro' (meeting), 2006 woodcut on paper Velin Arches 300 g. 27.6 x 19.7 in. (70 x 50 cm.) P/A (Artist Proof), unique piece Unframed ID: DIA-10...

Pleasure is a beautiful black and white linocut on ivory-colored paper, realized in 1945 by Mino Maccari. Hand-signed "Jean Barbe" and numbered in pencil on lower margin. Edition of...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Jetty 2, Lino-cut on German Ivory paper Edition: 3 of 5, 2005 Image size: 47 x 39 cm / Sheet size: 79 x 55 cm Unframed 'What mesmerised me was the meeting of the sea and the mountain peak. Where the Jetty, a special curved wooden staircase leading to one end and the deep crystal clear sea at a distance. These scenes were amazing to me.' Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

David Shrigley Learn to Draw, 2016 linocut hand-signed and numbered by the artist 39 x 29 cm Edition of 100 David Shrigley’s prints are known for their bold, deliberately naïve draw...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limite...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Untitled, Lino-cut chin- coll’e on German Ivory paper Edition: 3 of 5, 1999 Image size: 50 x 33 cm / Sheet size: 79 x 55 cm Unframed 'This work reminds me of my childhood and early youth, growing up in a village that was full of nature, surrounded by lush green. The towering Aravalli hills left a strong impression on me.' Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

ANGEL BRACHO (b. 1911 -) NO OLVIDEMOS A JULIUS Y ETHEL ROSENBERG…….1953 (P. 151) Linocut and letterpress 36 13/16 x 26 9/16” Some ...

Anna Gawlikowska is a Polish artist born in 1980. She studied printmaking, painting, and graphic design at the Academy of Fine Arts of Wroclaw in Poland in the workshops of professor...

Contemporary Mexican linocut print. El Caballito normally refers to a rocking horse or hobby horse, but this one is large enough to carry knights in armor, devils and the figure of death on his back. From the edition of 15. Daniel Gonzalez was raised in Los Angeles and received his training at the California College of Arts and Crafts. He also apprenticed with Artemio Rodriguez...

This artwork titled "Those From Away, plate II" 1989, is an original hand colored linocut with collage on Fuji Handmade paper by noted American artist Steven Sorman, b.1948. It is ha...

DAVIES, Peter (b.1953) Tregenna Roofs (St. Ives) 2011 Linocut 4/6 26.0 x 34.0 cm Artists Statement Since starting to paint in 1981 my mainly plein aire landscapes have used ...

DAVIES, Peter (b.1953) Guernsey Fort 2010 Linocut 17/30 15.0 x 10.5cm Artists Statement Since starting to paint in 1981 my mainly plein aire landscapes have used a mechanical, ra...

Hand signed and numbered edition of 25. 16 x 36" sheet size without frame. “Workshop” is an ambitious color lithograph and linocut with chine collé printed in twelve colors from nine plates and one linocut. It has been printed in an edition of 25, plus proofs, on white Rives BFK paper 16 x 36” with chine collé of various papers. (No, it’s not upside down) Born 1964 in New York where he still currently resides and works alongside his partner the ceramist Kathy Butterly. Son of the photographer Rudy Burckhardt and painter Yvonne Jacquette, Tom Burckhardt was 1986, BFA, State University of New York, Purchase, NY 1992–1993, Skowhegan School of Painting and Sculpture, ME 1996, Marie Walsh Sharpe Art Foundation Studio Grant 1997, New York Foundation for the Arts, Painting Grant 1997 Pollock-Krasner Foundation Grant 2002 George Hitchcock Award, National Academy of Arts 2003, Richard & Hinda Rosenthal Foundation Award, American Academy 2005, AICA Best Show of an Emerging or Underknown Artist 2005 Pollock-Krasner Foundation Grant 2006 Best Installation, Best of Houston, the Houston Press 2009 Guggenheim Foundation Grant 2010, New York Foundation for the Arts Drawing/Print Grant 2010 Joan Mitchell Foundation Grant Tom Burckhardt’s work is a carnival of images jumbled and jostling each other in precarious nonsensical compositions. He uses lushly colored and patterned images from all kinds of sources that bounce between abstraction and representation. Images come from tool catalogs, paper and fabric patterns, funhouse painting, architectural details, stripes, dots and squiggles. It is as if Burckhardt is a cartoonist merrily channeling Ellsworth Kelly, Paul Feeley, Robert Therrien, and Myron Stout, among others. Like Red Grooms, for whom he worked as an assistant, Burckhardt ransacks his influences yet ends up with something unmistakably his own. His work bears the influence of is a synthesis of many things: the tribal-influenced abstract painting of Steve Wheeler...

Martha Reed was the daughter of the artist Doel Reed and as an adult she joined her parents in Taos, New Mexico. There she designed clothes with a south-we...

Any work by Tobias Musicant is terrific. These New Jersey-made, mid-century near abstractions are generally scarce. The pieces I know are master works of American Modernism. Cubist c...

Rob Barnes Durdle Door Limited Edition Linocut Print Edition of 50 Image Size H 44cm x W 33cm Sheet Size H 49cm x W 61cm Sold Unframed mounted in Antique W...

Linocut on vélin vergé ancien paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Pougny, dix linogravures originales, 1964. Published by Au Vent d'Arle...