Art by Medium: Masonite

Acrylic paint on masonite.

Mixed Media on Masonite

Acrylic paint on masonite.

Acrylic paint on masonite.

Acrylic on canvas paper, mounted on masonite with black enamel painted frame. Philomena Marano has spent decades “penetrat[ing] the soul of Coney Isla...

Acrylic paint on masonite.

Translated title: "Now I see you". Acrylic on masonite.

Translated title: "Skull". Acrylic on masonite. It features a wooden frame, which is painted and decorated with gold leaves.

Acrylic paint on masonite.

Acrylic paint on masonite.

American plein air impressionist Peter Mayer was born 1887-1993. Exhibited painting of Broadway and West 72nd street in New York, Verdi Square. T...

Acrylic paint on masonite. The frame was painted by the artist.

Acrylic paint on masonite. The frame was painted by the artist.

Acrylic paint on masonite. The frame was painted by the artist.

Acrylic paint on masonite. The frame was painted by the artist.

Acrylic paint on masonite.

Translated title: "Now I see you" Acrylic on masonite.

Corcos paints what appears to be the northern part Central Park from an elevated view looking northwest. The artist used a restricted palette of warm browns and grays with heavy outl...

Mixed Media on Masonite

Mid century gardener's still life of watering can and terracotta pot by San Francisco, California artist Eleanor Perry (American, 20th Century...

My dream is an original contemporary artwork realized in the 2000s by Valerio Romagnoli. Mixed colored oil painting and tempera on masonite. Wooden base.

Oil on masonite encaustic painting by the well known Russian/American artist, Nahum Tschacbasov. Signed and dated top right, 1952. In good to very good condition. Provenance: Est...

Portrait of the artist's daughter Sasha at 8 years old by the Russian/American artist, Nahum Tschacbasov. Oil on masonite on a wooden stretcher backing. Signed lower right and dated 1938. Sasha later was to become the second wife of the the writer, Saul Bellow. Condition is good with some wear to top left of painting. In original, unrestored condition. Unframed. Nahum Tschacbasov lived in New York City for most of his adult life, arriving in the United States as a young boy in 1907. His numerous one man shows included ACA gallery, Perls Gallery and John Heller...

Italian painting from the mid-20th century. Work oil on masonite depicting still life Sweet fruits of good pictorial quality. Nice sized and pleasantly furnished framework signed low...

David was inspired by the Anasazi petroglyphs with these shapes of the figures in this painting. It is an oil painting on Masonite. The frame is black wood- a shadow box concept. The...

Italian painting from the second half of the 20th century. Artwork oil on masonite depicting a view with a small house of good pictorial quality. Painting adorned with an octagonal w...

People celebrating the 4th of July with red, white, and blue balloons.

Mixed Media on Masonite

Art Sz: 14"H x 18"W Oil on masonite board Provenance: The Estate of Paul Desmond Brown Paul Desmond Brown (American, 1893-1958) was an artist, illustrator, and chronicler of sport...

Frame: 24 1/2 x 37 in. Realist painter John Falato is known for the stunning detail of his vividly-rendered landscape paintings depicting such timeless subjects as country farms, r...

Date: Undated Medium: Oil on Masonite Signature: Signed Lower Left An undated story illustration depicting the 1889 bare-knuckle heavyweight title fight in Richburg, Mississippi, wh...

Green Haze is an acrylic on masonite painting, 10 x 14 inches, signed 'RICKER' lower right corner. Framed in a contemporary dark brown/black frame.

Italian painting from the second half of the 20th century. Artwork oil on masonite depicting a view with small houses in the green of good pictorial quality. Painting adorned with an...

Signed lower left "Canete" for Robert Canete (American, born 1948), and painted circa 1990. This Carmel artist first studied with Vincent Rascon in the 1960s and, later, with Dwight ...

"Gothic Window" is an original acrylic painting on masonite board by David Barnett. The artist signed the piece on the back. This painting depicts a geometric and abstracted renderin...

Artist Commentary: This is my depiction of Genesis, separating heaven from earth. Keywords: blues, heaven, celestial, abstract, spiritual, heaven, waves, sky Artist Biography: Cre...

Jim’s of Lambertville is proud to offer this artwork. Signed lower right Evelyn Faherty (1919-2015) Evelyn Faherty was born in the early 20th century and made her home in Yardley...

Genesis - Light from Dark, Original Abstract Resin Painting, 2018 Artist Commentary: My depiction of the verse in Genesis where light and dark wer...

Genesis - he Rested, Original Abstract Resin Painting, 2018 Artist Commentary: My Genesis collection ends with Genesis 2 when God rested. This is my depiction. Keywords: celestial,...

Medium: Oil on Masonite Signature: Signed Lower Right, with Title and Registration Marks in Chalk "Tom pleaded, 'Does one misstep have to ruin our marriage?'" Cover illustration for...

Original frame which measures 43" x 22" x 1.5" Signed lower right "B. W. Smith" Signed, titled and listing original price verso in pencil on label 'Beatrice Wose Smith/"Reflections ...

In this delicate dress painting on masonite, the combination of paint, pencil and mixed media build up a textured, figurative composition. A blend of detail and loose brush work comm...

42" x 25" Stretched Unique MonoPrint with Hand Embellishment Hand Signed by Bernie Taupin

Medium: Oil on Masonite Signature: Signed 'Hughes-' Lower Left This work was published as the cover of the June 17, 1950 edition of The Saturday Evening Post. Literature: J. Cohn, ...

Charles Ford's work is in the permanent collection of the Museum of the City of New York. This painting depicts S&S nail salon in New York City. From the g...

Date: 1931- Medium: Oil on Masonite Signature: Signed Lower Right Dimensions: 29.70" x 40.00" First Tannery in America. 1973 Ad for American Cynanimid. Featured on pg. 29

Jonah Kinigstein is an artist living in Brooklyn. He works in the scorched earth tradition of such 18th- and 19th-century cartoonists as James Gillray, George Cruikshank, and Joseph Keppler, and embraces their somewhat rococo pen and ink technique as well as their penchant to exaggerate the grotesque. In the 1990s, he used to paste...

Jim’s of Lambertville is proud to offer this artwork. Signed lower right Evelyn Faherty (1919-2015) Evelyn Faherty was born in the early 20th century and made her home in Yardley...

Complete title: "L'energia trasforma le cose. Omaggio a Ravi Shankar" Translated title: "Energy transforms things. Tribute to Ravi Shankar" Acrylic paint on masonite. Width: 30 c...

Artist: Donald Roy Purdy, American (1924 - ) Title: Rabbi with Torah Year: circa 1970 Medium: Oil on Masonite, signed l.r. Size: 36 x 24 in. (91.44 x 60.96 cm) Frame Size: 45 x 31 in...

A nice impressionist oil on masonite city scene with a young crowd in Rome, Italy, probably the Fontana del Prigione, illegibly signed lower right, title inscribed on verso “Trastev...

Signed Lower Right

signed lower right American, 1925-2017 Born in New Bedford, Massachusetts, Kenneth Davies became a noted still-life painter and long-time art teacher, living in Madison, Connecticu...

Signed lower right

A colorful modernist oil painting of a woman bathing poolside by American artist Adria Arch (20th/21st c). Arch is a Boston based artist known for her large-scale, sculptural install...

Medium: Oil on Masonite Signature: Signed Lower Left This piece was published as an illustration in True Magazine titled "Blondin Crossing Niagara" in 1953. Born Jean-François Grave...

The Mid-Century mindset As expected, 65 years ago.. people looked at art/painting a little differently. Back then, many artists were concerned with depicting simple and beautiful t...

Heidi Barrett grew up in the Napa Valley with an artist mother -(Diane Peterson)- and a scientific winemaker father -(Dr. Richard Peterson). While she has worked as a professional wi...

This painting is a perfect example of lyrical abstraction and a choice painting out of the best period of Vlerick's career. Ineffable, 1962 Oil on Masonite board 91,5 x 61,5 cm (without frame) 93 x 63 cm (framed) Signed and dated Top Right ‘P. Vlerick 1962’ with title, signature place and date at the back: Ineffable P. Vlerick Afsnee 1962 Pierre Vlerick’s work shows some resemblance to Willem de Kooning’s. While the Dutch American was famed for the wild manner in which he treated his canvas, Pierre Vlerick showed some more restraint, but making a painting was in any case a slow process of stopping and starting and revising. His exploration is meant to result in a correct proportion of colour fields and streaks, often applied layer upon layer. All his colors have a luminous intensity. It was mainly Bonnard’s colorful work that inspired Vlerick to compose his own singular range of colors of slightly tingling yellows, greens, oranges and bits of blue here and there. Abstraction is emphasized by his use of color. Colors not associated with objects from daily life often dominate the composition: purple, for instance. This is the basis for his continuing abstraction, ending up as color fields combined with organic elements depicted with the vaguest of contours. Though both artists create a very metropolitan, say even worldly art, their work evokes nature. De Kooning has been called a master of ‘abstract landscape’. The structure of Vlerick’s works, too, is very vegetable and organic. No wonder he referred to his paintings as his ‘gardens’. Neither artist allowed his garden to remain empty: de Kooning created a female figure looking like a cross between a floozy and the mother goddess. Vlerick imagined a woman who is enjoying her body. Vlerick’s approach to abstract art is the same as de Kooning’s; they refuse to paint in a figurative manner, yet at the same time do not wish to renounce referring to reality. De Kooning once put it very accurately during an interview when he conceded that painting the human figure any longer was absurd(in the post-war period), but also stated that it would be even more absurd not to do it. The only way out of this ambiguous dilemma is the deconstruction of the human figure. Not in order to reject it, but to show it in all its fragility. Pierre Vlerick’s exceptional artistic talents were already recognized while he was studying at the Ghent Academy (1940-1944) whereupon graduating he received a gold medal. In 1947-1948 Vlerick enrolls at the “la Grande Chaumière Academy”, a Parisian private academy which attracts lots of foreign artists thanks to the reputation of its most important teachers such as Maurice Denis (1870-1943). Denis was one of the founding fathers of “the Nabis” and is also considered to be the godfather of abstract art by many artists and art critics. Maurice Denis is famous for his quote: "Remember that a painting, before it is any kind of representation, is essentially a flat surface covered with colors in a certain collected order." At La Grande Chaumière, Vlerick is challenged to develop a pictorial language of his own. Vlerick develops a way to translate the observed reality into visions of color and form, which can be situated somewhere on the axis between the figurative and the abstract. Reality is decomposed and reconstructed into a complete new representation. After a trip to Spain in 1955 the painter evolves towards the use of brighter colors. At the Brussels World Exhibition of 1958 (Expo 58) Vlerick is for the first time confronted with real works of 17 American artists (William Baziotes, James Brooks, Sam Francis, Arshile Gorky, Adolph Gottlieb, Philip Guston, Grace Hartigan, Franz Kline, Willem de Kooning, Robert Motherwell, Barnett Newman, Jackson Pollock, Mark Rothko, Theodoros Stamos, Clyfford Still, Bradley Walker...

This painting is a perfect example of lyrical abstraction and a choice painting out of the best period of Vlerick's career. Geen nachtschade (No Nightshade), 1962 Oil on Masonite board 121 x 61 cm (without frame) 136 x 75 cm (framed) Signed and dated bottom left ‘P. Vlerick 1962’& with title, signature place and date at the back Pierre Vlerick...