Art by Medium: Masonite

Acrylic on canvas paper, mounted on masonite with black enamel painted frame. Philomena Marano has spent decades “penetrat[ing] the soul of Coney Isla...

Acrylic paint on masonite. The frame was painted by the artist.

Translated title: "Now I see you" Acrylic on masonite.

Green Haze is an acrylic on masonite painting, 10 x 14 inches, signed 'RICKER' lower right corner. Framed in a contemporary dark brown/black frame.

American plein air impressionist Peter Mayer was born 1887-1993. Exhibited painting of Broadway and West 72nd street in New York, Verdi Square. T...

Two rectangles with one in black layered on the other one in red on masonite. A triangle is cut from the corner of the red rectangle and being placed on top of the red rectangle. Acrylic on masonite Lucio Pozzi (b. 1935) was born in Milan and moved to the United States in 1962 as a guest of the Harvard International Summer Seminar. His first of many exhibitions at Hal Bromm Gallery was in 1976. Though foremost a painter, Pozzi considers writing, drawing, and sculpture to be valuable tools to his art. He has an extensive teaching career as well, having lectured at Cooper Union, Yale Graduate Sculpture...

Acrylic paint on masonite.

Acrylic paint on masonite. The frame was painted by the artist.

Acrylic paint on masonite. The frame was painted by the artist.

Acrylic paint on masonite. The frame was painted by the artist.

Acrylic paint on masonite.

Acrylic paint on masonite.

Acrylic paint on masonite. The frame was painted by the artist.

Acrylic paint on masonite. The frame was painted by the artist.

Acrylic on masonite.

Mixed Media on Masonite

Mixed Media on Masonite

Acrylic on Masonite

Acrylic on Masonite

Procession with elephant, expressionist style oil painting, signed and dated. George Russin was born in New York 1910-2010. He attended the High School of Music and Art to pursue bot...

Italian painting from the second half of the 20th century. Artwork oil on masonite depicting a view with a small house of good pictorial quality. Painting adorned with an octagonal w...

This painting is a perfect example of lyrical abstraction and a choice painting out of the best period of Vlerick's career. Ineffable, 1962 Oil on Masonite board 91,5 x 61,5 cm (without frame) 93 x 63 cm (framed) Signed and dated Top Right ‘P. Vlerick 1962’ with title, signature place and date at the back: Ineffable P. Vlerick Afsnee 1962 Pierre Vlerick’s work shows some resemblance to Willem de Kooning’s. While the Dutch American was famed for the wild manner in which he treated his canvas, Pierre Vlerick showed some more restraint, but making a painting was in any case a slow process of stopping and starting and revising. His exploration is meant to result in a correct proportion of colour fields and streaks, often applied layer upon layer. All his colors have a luminous intensity. It was mainly Bonnard’s colorful work that inspired Vlerick to compose his own singular range of colors of slightly tingling yellows, greens, oranges and bits of blue here and there. Abstraction is emphasized by his use of color. Colors not associated with objects from daily life often dominate the composition: purple, for instance. This is the basis for his continuing abstraction, ending up as color fields combined with organic elements depicted with the vaguest of contours. Though both artists create a very metropolitan, say even worldly art, their work evokes nature. De Kooning has been called a master of ‘abstract landscape’. The structure of Vlerick’s works, too, is very vegetable and organic. No wonder he referred to his paintings as his ‘gardens’. Neither artist allowed his garden to remain empty: de Kooning created a female figure looking like a cross between a floozy and the mother goddess. Vlerick imagined a woman who is enjoying her body. Vlerick’s approach to abstract art is the same as de Kooning’s; they refuse to paint in a figurative manner, yet at the same time do not wish to renounce referring to reality. De Kooning once put it very accurately during an interview when he conceded that painting the human figure any longer was absurd(in the post-war period), but also stated that it would be even more absurd not to do it. The only way out of this ambiguous dilemma is the deconstruction of the human figure. Not in order to reject it, but to show it in all its fragility. Pierre Vlerick’s exceptional artistic talents were already recognized while he was studying at the Ghent Academy (1940-1944) whereupon graduating he received a gold medal. In 1947-1948 Vlerick enrolls at the “la Grande Chaumière Academy”, a Parisian private academy which attracts lots of foreign artists thanks to the reputation of its most important teachers such as Maurice Denis (1870-1943). Denis was one of the founding fathers of “the Nabis” and is also considered to be the godfather of abstract art by many artists and art critics. Maurice Denis is famous for his quote: "Remember that a painting, before it is any kind of representation, is essentially a flat surface covered with colors in a certain collected order." At La Grande Chaumière, Vlerick is challenged to develop a pictorial language of his own. Vlerick develops a way to translate the observed reality into visions of color and form, which can be situated somewhere on the axis between the figurative and the abstract. Reality is decomposed and reconstructed into a complete new representation. After a trip to Spain in 1955 the painter evolves towards the use of brighter colors. At the Brussels World Exhibition of 1958 (Expo 58) Vlerick is for the first time confronted with real works of 17 American artists (William Baziotes, James Brooks, Sam Francis, Arshile Gorky, Adolph Gottlieb, Philip Guston, Grace Hartigan, Franz Kline, Willem de Kooning, Robert Motherwell, Barnett Newman, Jackson Pollock, Mark Rothko, Theodoros Stamos, Clyfford Still, Bradley Walker...

I see each painting as a portal in life, a gateway to new experiences and perspectives, triggered by simple conversations or significant milestones. It fascinates me how viewers conn...

Work is marked on reverse "Rhythm" and "The Whip." on verso - We are not sure the exact meaning of this work. Gropper was a social realist and a radical of his time and a commenta...

"Self Portrait" is an original acrylic painting on masonite board by David Barnett. The artist signed the piece. This painting features a portrait of the artist, David Barnett, in gr...

42" x 25" Stretched Unique MonoPrint with Hand Embellishment Hand Signed by Bernie Taupin

Jim’s of Lambertville is proud to offer this artwork. Signed lower right Evelyn Faherty (1919-2015) Evelyn Faherty was born in the early 20th century and made her home in Yardley...

Signed (lower right): Robert Vickrey

"Gothic Window" is an original acrylic painting on masonite board by David Barnett. The artist signed the piece on the back. This painting depicts a geometric and abstracted renderin...

Luis Filcer depicts the friendship between Van Gogh and Gauguin, this is part of the Homage to Van Gogh series. Important to add he did this series when he...

"Taking a break" belongs to the series Waiting for God. A unique interpretation of Filcer's series of different religious leaders looking for and waitin...

Suzanne Bloomfield’s 1969 painting, After the Storm, is a striking blend of oil and encaustic that immerses viewers in a world of renewal and transformation. Deep reds, earthy brown...

Genesis - he Rested, Original Abstract Resin Painting, 2018 Artist Commentary: My Genesis collection ends with Genesis 2 when God rested. This is my depiction. Keywords: celestial,...

Frame: 24 1/2 x 37 in. Realist painter John Falato is known for the stunning detail of his vividly-rendered landscape paintings depicting such timeless subjects as country farms, r...

This painting is a perfect example of lyrical abstraction and a choice painting out of the best period of Vlerick's career. Geen nachtschade (No Nightshade), 1962 Oil on Masonite board 121 x 61 cm (without frame) 136 x 75 cm (framed) Signed and dated bottom left ‘P. Vlerick 1962’& with title, signature place and date at the back Pierre Vlerick...

Genesis - Light from Dark, Original Abstract Resin Painting, 2018 Artist Commentary: My depiction of the verse in Genesis where light and dark wer...

Genesis - Lights in the Sky, Original Resin Painting, 2018 Artist Commentary: My depiction on Genesis 1:14 - adding stars and planets. Keywords: multicolored, stars, abstract Artis...

Figuration and abstraction meet in this energized quick portrait of an athletic boy with headband and resting on a bench, Most likely done for a magazine like Sports Illustrated - Si...

Artist Commentary: This is my depiction of Genesis, separating heaven from earth. Keywords: blues, heaven, celestial, abstract, spiritual, heaven, waves, sky Artist Biography: Cre...

signed lower right American, 1925-2017 Born in New Bedford, Massachusetts, Kenneth Davies became a noted still-life painter and long-time art teacher, living in Madison, Connecticu...

Jim’s of Lambertville is proud to offer this artwork. Signed Lower Right Joseph Meierhans (1890 - 1980) Joseph Meierhans is one of the most important modernist painters associate...

oil on masonite panel

This painting is a perfect example of lyrical abstraction and a choice painting out of the best period of Vlerick's career. Pierre Vlerick’s work shows...

Medium: Oil on Masonite Signature: Signed 'John Falter' Lower Right Sight Size 7.00" x 9.375;" Framed 9.50" x 12.00" Johnson & Johnson reproduced the present work as an advertisemen...

A colorful modernist oil painting of a woman bathing poolside by American artist Adria Arch (20th/21st c). Arch is a Boston based artist known for her large-scale, sculptural install...

This modern abstract painting by Peter Keil is on a smooth masonite board with a taupe background, black abstract portrait and showered with many colors. Here you certainly see the P...

Art Sz: 14"H x 18"W On masonite board Provenance: The Estate of Paul Desmond Brown Paul Desmond Brown (American, 1893-1958) was an artist, illustrator, and chronicler of sporting ...

Complete title: "L'energia trasforma le cose. Omaggio a Ravi Shankar" Translated title: "Energy transforms things. Tribute to Ravi Shankar" Acrylic paint on masonite. Width: 30 c...

Signature: Signed Lower Left Following World War II, the United States Brewers Foundation (USBF) wanted beer to be seen in a more positive light, as an integral part of the American...

Charles Ford's work is in the permanent collection of the Museum of the City of New York. This painting depicts S&S nail salon in New York City. From the g...

Charles Ford's work is in the permanent collection of the Museum of the City of New York. Another wonderful painting by Charles Ford that shows the great lighting and shadows of New ...

The Mid-Century mindset As expected, 65 years ago.. people looked at art/painting a little differently. Back then, many artists were concerned with depicting simple and beautiful t...

Jim’s of Lambertville is proud to offer this artwork by: Josef Zenk (1904-2000) Josef Zenk was born in New York City in 1904. After graduating from high school, he studied for thre...

Artist: Donald Roy Purdy, American (1924 - ) Title: Rabbi 2 Medium: Oil on Masonite, signed l.r. Size: 36 x 24 in. (91.44 x 60.96 cm)

Artist: Robert Kuszek Title: 6000 Feet Beyond Year: 1990 Medium: Mixed Media on masonite: Oil, Acrylic and Enamel Size: 40 x 32 in. (101.6 x 81.28 cm)

Medium: Oil on Masonite Signature: Signed Lower Right

This modern abstract painting by Peter Keil is on a smooth masonite board with a painted grey background, black abstract portrait with many colors. Here you certainly see the Picasso...

ALEX KATZ (1927-Present) Oil on masonite, 1988, untitled work from the 'Twilight' series measuring 16 × 12 inches. Not signed. This original piece is in excellent condition and fram...