Art by Medium: Masonite

Katherine S. Kirkman (American, XX-XXI), "Urban Renewal", Oil on Masonite, signed lower right, titled and signed to verso, wood frame. Image: 23.5" H x 19.5" W; frame: 26" H x 24" W....

Original frame which measures 43" x 22" x 1.5" Signed lower right "B. W. Smith" Signed, titled and listing original price verso in pencil on label 'Beatrice Wose Smith/"Reflections ...

This painting is a perfect example of lyrical abstraction and a choice painting out of the best period of Vlerick's career. Pierre Vlerick’s work shows...

oil on masonite panel

Artist Commentary: This is my depiction of Genesis, separating heaven from earth. Keywords: blues, heaven, celestial, abstract, spiritual, heaven, waves, sky Artist Biography: Cre...

Date: Undated Medium: Oil on Masonite Signature: Signed Lower Left An undated story illustration depicting the 1889 bare-knuckle heavyweight title fight in Richburg, Mississippi, wh...

Charles Ford's work is in the permanent collection of the Museum of the City of New York. Another outstanding painting by Charles Ford that focuses on the High Line in New York City ...

39" x 26" Unframed Limited Edition Archival Pigment Print on Masonite of 25 Hand Signed by Bruce Pittman

“Untitled” 1970 Abstract Surrealist Composition Encaustic & oil paint on Masonite 60 x 48 inches Not framed Born in 1934, the work of Suzanne Bloomfield represents the life force wh...

Russian School, Abstract Composition, Oil on Masonite, 1988, illegibly signed in Russian and dated lower right, inscribed in pencil to verso, painted frame. Overall: 11.25" H x 15.5"...

signed lower right American, 1925-2017 Born in New Bedford, Massachusetts, Kenneth Davies became a noted still-life painter and long-time art teacher, living in Madison, Connecticu...

The Mid-Century mindset As expected, 65 years ago.. people looked at art/painting a little differently. Back then, many artists were concerned with depicting simple and beautiful t...

This painting on Masonite measures 17.5 x 25.5 and was painted in 2011. Mr Ford was so impressed by The High Line in New York City that in 2011 he created a series of realistic pai...

Medium: Oil on Masonite Signature: Signed 'John Falter' Lower Right Sight Size 7.00" x 9.375;" Framed 9.75" x 12.75" This piece was probably created as a preparatory work for a John...

Charles Blum (New York, 1925-1998), "Drum and Flute Player", Oil on Masonite, 1957-63, poem to right side, depicting red, white, and blue building facade with cross above window, sig...

Italian painting from the second half of the 20th century. Artwork oil on masonite depicting a view with small houses in the green of good pictorial quality. Painting adorned with an...

Jonah Kinigstein is an artist living in Brooklyn. He works in the scorched earth tradition of such 18th- and 19th-century cartoonists as James Gillray, George Cruikshank, and Joseph Keppler, and embraces their somewhat rococo pen and ink technique as well as their penchant to exaggerate the grotesque. In the 1990s, he used to paste...

Artist: Warren Wolf, American (1924 - 2003) Title: Zebuwl 2 Year: 1990 Medium: Oil and Marble Dust on Shaped Masonite, signed, titled and dated verso Size: 34 in. x 31 in. (86.36 cm...

The present work was illustrated on the cover of the March 8, 1952 edition of the Saturday Evening Post. The Post writes, "When Stevan Dohanos was a little boy he was sometimes gran...

Figuration and abstraction meet in this energized quick portrait of an athletic boy with headband and resting on a bench, Most likely done for a magazine like Sports Illustrated - Si...

A soulful young man is captured in a deep, contemplative state, detached from current external concerns, as he gazes beyond the picture plane. He is realistically rendered, but the s...

Signature: Signed Lower Left, "Hughes" Medium: Oil on Masonite Framed 24.50" x 26.50" Original cover illustration for The Saturday Evening Post, June 8, 1957. The Post described, “...

Excellent Mid-century nude by famous illustrator/ artist Walter Charles Klett. The work is masterfully painted with a sound understanding of the basic academic principles guiding t...

Alfonso T. Toran is a Florida artist from the late 19th early 20th century. His works display bold animal portraits, mostly in birds and fish. Later on in his painting career, he mov...

This beautiful work by the great American Illustrator Bob Peak has a sister work in the collection of the Lucas Museum of Narrative Art in Los Angles. We feel that our work has a little more detail, complexity and dimension to it as the beautiful female figure seems to be floating in an endless sky of dreamy colors. Portrait of beautiful woman, Large powerfully sensual deco-esque work by America's Master of the Movie Poster. Bob Peak. Bob Peak, in my opinion, was the Norman Rockwell of post-war American Illustration, this is one of the works that paved the way for a new way of seeing. It's more fine art than commercial art. For Apocalypse Now, in 1979, Francis Ford Coppola could have hired any artist in the world to create the movie poster and image for his film. He hired Bob Peak. Some of the movie posters Peak has worked on. West Side Story, Rollerball, Star Trek, Superman, Excalibur, Apocalypse Now, The Spy Who Loved Me. My Fair Lady, Camelot and Enter the Dragon. Additionally, Peak illustrated 45 covers of Time Magazine and many covers for Sports Illustrated, TV Guide. Signed lower center Private Collection Georges Delerue...

Original trompe l'oeil signed Aaron Bohrod (LL) entitled Walnut Shells Provenance: The Milch Galleries #21 East 67th Street (label affixed to verso) in acrylic on masonite board Im...

Signature: Signed Lower Left ‘Stevan Dohanos’ Medium: Mixed Media on Paperboard Laid Down on Masonite The present work was published as the cover illustration of the June 26th, 1954...

Robertino Fatica was born in 1948 in Cleveland, Ohio. In 1970 he completed a three-year program at the Cooper School of Art in Cleveland. Following that, Fatica served in the U.S. Ar...

An image of a horned devil with pointy claws and bat-like wings emerges from a Voodoo drum. He has with arms stretched out like a Christ figure. The drum grows out of a yellow plant-...

This sculptural piece by Kenzie Wells depicts a surrealist, abstracted landscape of a house. Arches or cloudy blue skies intertwine with dark, geometric shapes. Flashes of steel and aluminum are interwoven by green garden hoses...

Acrylic paint on masonite.

Acrylic Paint on Masonite.

Acrylic on masonite.

Translated title: "Pink tree". Oil paint on masonite.

A Fiery Hell is depicted as a volcano that spews flames and lava dust into the air. According to the Peter and Harrison Ellenshaw Family Archive, this work was shown to Stanly Kubrick for a Paradise Lost, movie concept. Peter had created matte paintings for Kubrick's Spartacus in 1960 and they continued their professional friendship for years to come. Peter did some collaboration with TRON in 1982. Unfortunately, the movie concept for John Miltons, Paradise Lost, was not brought into production. An erupting volcano is also an powerful metaphor for many human conditions. Ellenshaw (1913–2007) was a highly regarded matte painter and special-effects creator whose filmography includes Old Yeller (1957), Swiss Family Robinson...

Acrylic paint on masonite. The frame was painted by the artist.

Acrylic paint on masonite. The frame was painted by the artist.

Acrylic paint on masonite. The frame was painted by the artist.

Acrylic paint on masonite. The frame was painted by the artist.

Acrylic paint on masonite.

Acrylic paint on masonite. The frame was painted by the artist.

Acrylic paint on masonite.

Acrylic paint on masonite. The frame was painted by the artist.

Acrylic paint on masonite.

Acrylic paint on masonite.

Acrylic on masonite.

Translated title: "Now I see you". Acrylic on masonite.

Translated title: "Now I see you" Acrylic on masonite.

Translated title: "Tropical flight" Acrylic on masonite.

Coquillage et réveil en rouge by Henri Hayden (1883-1970) Oil on paper laid down on isorel 33.5 x 46 cm (13 ¹/₄ x 18 ¹/₈ inches) Signed and dated lower le...

Suzanne Bloomfield’s 1969 painting, After the Storm, is a striking blend of oil and encaustic that immerses viewers in a world of renewal and transformation. Deep reds, earthy brown...

Signature: Signed & Dated Lower Right lllustration depicting a genre fashion scene of a woman at her toilette, having her hair pomaded.

Work is marked on reverse "Rhythm" and "The Whip." on verso - We are not sure the exact meaning of this work. Gropper was a social realist and a radical of his time and a commenta...

Medium: Gouache and Tempera on Masonite Sight Size 14.50" x 11.25", Framed 20.50" x 17.25" Signature: Signed Lower Right Cover of The Saturday Evening Post, June 16, 1945

Klett was an in-demand illustrator in the post-war period of the late 1940's and 1950's. and . His work appeared in many of the newsstand magazines at the time. This work is a pers...

A colorful modernist oil painting of a woman bathing poolside by American artist Adria Arch (20th/21st c). Arch is a Boston based artist known for her large-scale, sculptural install...

Art Sz: 14"H x 18"W On masonite board Provenance: The Estate of Paul Desmond Brown Paul Desmond Brown (American, 1893-1958) was an artist, illustrator, and chronicler of sporting ...

This painting is a perfect example of lyrical abstraction and a choice painting out of the best period of Vlerick's career. Ineffable, 1962 Oil on Masonite board 91,5 x 61,5 cm (without frame) 93 x 63 cm (framed) Signed and dated Top Right ‘P. Vlerick 1962’ with title, signature place and date at the back: Ineffable P. Vlerick Afsnee 1962 Pierre Vlerick’s work shows some resemblance to Willem de Kooning’s. While the Dutch American was famed for the wild manner in which he treated his canvas, Pierre Vlerick showed some more restraint, but making a painting was in any case a slow process of stopping and starting and revising. His exploration is meant to result in a correct proportion of colour fields and streaks, often applied layer upon layer. All his colors have a luminous intensity. It was mainly Bonnard’s colorful work that inspired Vlerick to compose his own singular range of colors of slightly tingling yellows, greens, oranges and bits of blue here and there. Abstraction is emphasized by his use of color. Colors not associated with objects from daily life often dominate the composition: purple, for instance. This is the basis for his continuing abstraction, ending up as color fields combined with organic elements depicted with the vaguest of contours. Though both artists create a very metropolitan, say even worldly art, their work evokes nature. De Kooning has been called a master of ‘abstract landscape’. The structure of Vlerick’s works, too, is very vegetable and organic. No wonder he referred to his paintings as his ‘gardens’. Neither artist allowed his garden to remain empty: de Kooning created a female figure looking like a cross between a floozy and the mother goddess. Vlerick imagined a woman who is enjoying her body. Vlerick’s approach to abstract art is the same as de Kooning’s; they refuse to paint in a figurative manner, yet at the same time do not wish to renounce referring to reality. De Kooning once put it very accurately during an interview when he conceded that painting the human figure any longer was absurd(in the post-war period), but also stated that it would be even more absurd not to do it. The only way out of this ambiguous dilemma is the deconstruction of the human figure. Not in order to reject it, but to show it in all its fragility. Pierre Vlerick’s exceptional artistic talents were already recognized while he was studying at the Ghent Academy (1940-1944) whereupon graduating he received a gold medal. In 1947-1948 Vlerick enrolls at the “la Grande Chaumière Academy”, a Parisian private academy which attracts lots of foreign artists thanks to the reputation of its most important teachers such as Maurice Denis (1870-1943). Denis was one of the founding fathers of “the Nabis” and is also considered to be the godfather of abstract art by many artists and art critics. Maurice Denis is famous for his quote: "Remember that a painting, before it is any kind of representation, is essentially a flat surface covered with colors in a certain collected order." At La Grande Chaumière, Vlerick is challenged to develop a pictorial language of his own. Vlerick develops a way to translate the observed reality into visions of color and form, which can be situated somewhere on the axis between the figurative and the abstract. Reality is decomposed and reconstructed into a complete new representation. After a trip to Spain in 1955 the painter evolves towards the use of brighter colors. At the Brussels World Exhibition of 1958 (Expo 58) Vlerick is for the first time confronted with real works of 17 American artists (William Baziotes, James Brooks, Sam Francis, Arshile Gorky, Adolph Gottlieb, Philip Guston, Grace Hartigan, Franz Kline, Willem de Kooning, Robert Motherwell, Barnett Newman, Jackson Pollock, Mark Rothko, Theodoros Stamos, Clyfford Still, Bradley Walker...

Klett was an in-demand illustrator in the post-war period of the late 1940's and 1950's. and . His work appeared in many of the newsstand magazines at the time. This work is a pers...

Hand signed on front by the artist. Original oil on masonite painting. Framed. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers will ...