Art by Medium: Metal

Louise Nevelson Bicentennial Dawn, 1976 Photolithograph, silkscreen and gold foil on white wove paper hand signed, dated and numbered 15/100 with incised signature on the front 35 × ...

Metallic Enamel and Epoxy Resin on solid maple Scott Troxel draws on the aesthetics of bygone technology and the forward-looking designs of the Atomic Age and mid-century modernism ...

The orange areas interlace with the red, conveying a sense of warmth and enthusiasm, as if the sun were in constant explosion. These tones ignite the spark of emotion in the artwork....

Barricada #4 L is a steel sculpture by contemporary artist Alejandro Vega Beuvrin, dimensions are 200 × 238 × 97 cm (78.7 × 93.7 × 38.2 in). The sculpture is signed and numbered, it ...

Barricada #17 ac M127 is a weathering steel sculpture by contemporary artist Alejandro Vega Beuvrin, dimensions are 127 × 85 × 60 cm (50 × 33.5 × 23.6 in). The sculpture is signed a...

This experimental painting entitled “Faster! Faster!” by Chicago artist Patrick Fitzgerald continues his series of abstract “track paintings,” initially born as the imagined racetrac...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Arman, French American (1928-2005) Gambit (Chess pieces) Cast Bronze Sculpture with patina Incised signature near lower edge, 48/70 with impressed "Bronze Romain & Fils" foundry ma...

Artist/Designer; Manufacturer: Richard Anuszkiewicz (American, 1930-2020) Marking(s); notes: signed, marking(s); 1989 Materials: enamel on wood construction Dimensions (H, W, D): 90"...

ARNALDO POMODORO Double Sided Gold Plated Medallion, 1985 Bronze with Gold Patina 2 7/10 × 2 7/10 × 3/10 inches Limited Edition of 500 Signed by artist with incised signature; Stampe...

"M.A.O.LA 3, Duality" Steel Sculpture 142 x 79 x 158 in Ed. 1/2 by ILLYA TIGOIS Medium: steel & acrylic varnish The "MAOLA" project is a series of works aimed at allowing the obser...

"Ecstasy"—a compelling work in oil and genuine white gold leaf—engages directly with the visceral intensity found within the mystical writings of Saint Teresa of Avila. The painting ...

-In light of new tariffs, we’ve applied a 20% discount off the market price of this piece to support our collectors in facing potential added costs. At the gallery, we work closely w...

This sculpture is made of stainless steel strips and ribbons that are suspended as part of a changing environment. The form is visible from all sides and with the help of nature: sun...

IBRAM LASSAW (Russian-American, 1913-2003), Sculptural pendant Gold plated bronze Signed verso Measurements: 2-7/8''h, 2-1/4''w. Ibram Lassaw was born in Alexandria, Egypt, of Russian Jewish émigré parents. After briefly living in Marseille, France, Naples, Italy Tunis, Malta, and Constantinople, Turkey his family settled in Brooklyn, New York, in 1921.His family settled in Brooklyn, New York. He became a US citizen in 1928. Ibram Lassaw, one of America's first abstract sculptors, was best known for his open-space welded sculptures of bronze, silver, copper and steel. Drawing from Surrealism, Constructivism, and Cubism, Lassaw pioneered an innovative welding technique that allowed him to create dynamic, intricate, and expressive works in three dimensions. As a result, he was a key force in shaping New York School sculpture.He first studied sculpture in 1926 at the Clay Club and later at the Beaux-Arts Institute of Design in New York. He made abstract paintings and drawings influenced by Kandinsky, Sophie Taeuber Arp, and other artists. He also attended the City College of New York. Lassaw’s encounter with avant-garde art in the International Exhibition of Modern Art (1926), organized by the Société Anonyme at the Brooklyn Museum, made a powerful impression on him. In the early 1930s he explored new materials and notions of open-space sculpture. The ideas of László Moholy-Nagy and Buckminster Fuller were important to him, and he knew the work of Julio González, Pablo Picasso, and the Russian Constructivists. After experimenting with plaster, rubber and wire, Lassaw began working with steel, which became a frequent medium for the artist, along with other metals. His work reflects the influence of Surrealist artists such as Alberto Giacometti and Joan Miro as well as American Modernist Alexander Calder.A pioneer of abstract sculpture in the United States, in 1936 Lassaw was a founding member of the organization American Abstract Artists. Between 1933 and 1942 he worked for various federal arts projects: the Public Works of Art Project, Civil Works Authority, and WPA, the Works Progress Administration Federal Art Project. In 1938 he produced his first welded work. He served with the U.S. Army, where he learned direct welding techniques. During the 1940s he experimented with cage constructions and with acrylic plastics, adding color to his sculptures by applying dye directly to their surfaces. In 1949 Lassaw was a founder of the Club, an informal discussion group of avant-garde artists that had developed from gatherings at his studio, on Eighth Street. During the mid-1930s, Lassaw worked briefly for the Public Works of Art Project cleaning sculptural monuments around New York City. He subsequently joined the WPA as a teacher and sculptor until he was drafted into the army in 1942. Lassaw's contribution to the advancement of sculptural abstraction went beyond mere formal innovation; his promotion of modernist styles during the 1930s did much to insure the growth of abstract art in the United States. He was one of the founding members of the American Abstract Artists group, and served as president of the American Abstract Artists organization from 1946 to 1949. In 1951, Samuel Kootz invited Lassaw to join his gallery in New York. He also had a summer gallery in Provincetown, MA. Lassaw had been summering in Provincetown since 1944, and in 1951 rented an apartment next door to the Kootz Gallery. Among the artists in the Kootz Gallery were Jean Arp, William Baziotes, Georges Braque, Jean Dubuffet, Herbert Ferber, Arshile Gorky, Adolph Gottlieb, David Hare, Hans Hofmann, Fernand Leger, Georges Mathieu, Joan Miró, Robert Motherwell, Pablo Picasso, Pierre Soulages, and Maurice de Vlaminck. Lassaw is a sculptor who was a part of the New York School of Abstract expressionism during the 1940s and 1950s. Jackson Pollock, Lee Krasner, James Brooks, Willem de Kooning, and several other artists like Lassaw spent summers on the Southern Shore of Long Island. Lassaw spent summers on Long Island from 1955 until he moved there permanently in 1963. SELECT EXHIBITIONS 1961 International Exhibition of Modern Jewelry 1890–1961, organized by the Worshipful Company of Goldsmiths in association with the Victoria and Albert Museum, London 1967 Exhibition of Jewelry by Painters and Sculptors, organized for circulation by MoMA 1973 Jewelry...

Guided by her passion for life and her spirit, French Canadian painter Zabel creates vibrant artworks filled with romance and immersive textures. With a belief that art is all about ...

German sculptor Nando Kallweit produces figurative bronze sculptures and reliefs with aquiline and a graceful modern appeal. Kallweit is inspired by seemingly disparate cultures; the strength of ancient Egyptian sculptures...

Abstract expressionist painting in the style of Gerhard Richter in a blue, teal, and green palette with accents of peach, yellow, and pink "Absorbed in Brilliance", made by Bruce Mur...

Peter D. Cole (Australian, b. 1947) Symbols of Landscape, 1987 Mixed metal, enamel and marble signed P.D. Cole and dated 21 x 6 1/2 x 6 in (53 x 16.5 x 15cm) Provenance: Macquarie Galleries, Sydney, Australia, 1987. Sculptor Peter D. Cole was born in Gawler, South Australia and trained at the South Australian School of Art between 1965 and 1968. Since the 1980’s Cole has been based in the Kyneton District of Victoria, where he has established himself as one of Australia’s senior and most renowned contemporary sculptors, drawing on the landscape as a source of inspiration and recent research trips to Japan and India have added to his rich source material. As a public artist, Cole has made a significant contribution to the urban landscape and public spaces of Australia receiving the Australian National Trust Heritage Award and the Australian Institute of Landscape Architecture Award of Merit for Foundation Park, a permanent work at The Rocks, Sydney. He is highly sought for commissions and his work is prominent in many public and corporate collections throughout Australia, including Parliament House, Canberra, the National Gallery of Australia, and Brisbane International Airport and recently Windsor Railway Station precinct. He was awarded the H.P. Gill medal for top student and the Contemporary arts Society award for drawing in 1968 and has exhibited regularly since 1969 with exhibitions in Australia and America, with notably a solo exhibition in 1995 at The Carpenter Centre, Harvard University USA. Peter D. Cole ranks as one of Australia's senior and most renowned contemporary sculptors. Graphic, minimalist and refined, his uncompromising aesthetic vision encompasses both large-scale structures, aerial works, and more intimate, witty ruminations. An accomplished water-colourist and draughtsman, Cole's vision translates easily into works on paper, valued by collectors for the insight they provide into his practice. Cole's robust materials- brass, bronze, painted steel and aluminium- vibrant colours and precise shapes articulate spatial, intellectual, and philosophical concepts. He is also interested in the notion of 'diagrammatic' landscapes, ones that express the transition between the flat plains of the Australian bush, and a more city-centric urban cacophony. Cole's work observes and recognises the boundaries of modern life without limiting its scale, or its scope. Cole is the recipient of the Australian National Trust Heritage Award (1996), the Australian Institute of Landscape Architecture Award of Merit (1995), and is highly sought for commissions. His work is prominent in many public and corporate collections throughout Australia, including Parliament House, Canberra, the National Gallery of Australia, and Brisbane International Airport. Hs work bears similarities to Peter Shire, Charlie Hewitt and Brad Howe. Cole lectured in sculpture between 1975 and 2001 and has worked continuously on his practice encompassing sculpture, painting, drawing, printmaking, design and architecture. His work is represented in many collections both private and public throughout Australia, America, Japan and Europe. SOLO EXHIBITIONS 2017 A Modern Narrative, Australian Galleries, Sydney 2016 PLACE AND SPACE, Australian Galleries, Melbourne 2013 Australian Galleries, Roylston Street, Sydney 2012 Lister Gallery, Perth 2011 New Sculptures, John Buckley Gallery, Melbourne 2006 New works, Australian Galleries Painting & Sculpture, Sydney 2004 Primary Structure, Calder Lister Gallery, Perth 1997 Steele Gallery, New York, USA 1995 Carpenter Centre for the Visual Arts, Harvard University, Massachusetts, USA 1990 William Mora Gallery, Melbourne SELECTED GROUP EXHIBITIONS 2021 This is Gippsland, with works by Sidney Nolan, John Wolseley, Anne Montgomery Trevor Vickers, Ann Greenwood, Tony Newsom, Peter Cole, Nick Mount, John Woollard, Cheryl Burgess, Kiyoshi Ino and more. 2019. Australian Galleries: The Purves Family Business. The First Four Decades, Book Launch and Group Exhibition, Australian Galleries, Melbourne 2019. papermade, Australian Galleries, Melbourne 2017. Painting, sculpture and works on paper – Group exhibition, Australian Galleries, Melbourne 2017. Sculpture: medium and small scale – Mixed Sculptors, Australian Galleries, Sydney 2016. Impressions, Australian Print Workshop, Melbourne 2014. one of each, Australian Galleries, Derby Street, Melbourne 2011. large exhibition of small works, Australian Galleries, Roylston Street, Sydney 2006. Stock Show, Australian Galleries Painting & Sculpture, Melbourne 2005. End of Year Group Exhibition, Australian Galleries Painting & Sculpture, Sydney 2003. This was the future: Australian Sculpture of the 1950s, 60s, 70s + Today, Heide Museum of Modern Art, 2002. Tokyo Designers Block Idee, Tokyo, Japan PUBLIC COMMISSIONS Arts Victoria; Shepparton lake sculpture, Shepparton VIC 19 October 2019 Bank of Melbourne; in consultation with Bates Smart McCutcheon; large freestanding sculptural screen, Melbourne Brisbane International Airport; in consultation with Bligh Voller architects and Jean Battersby Art Consultants; large suspended sculptures...

Barricada #18 aip L265 is a stainless steel sculpture by contemporary artist Alejandro Vega Beuvrin, dimensions are 266 × 459 × 233 cm (104.7 × 180.7 × 91.7 in). The sculpture is si...

-In light of new tariffs, we’ve applied a 20% discount off the market price of this piece to support our collectors in facing potential added costs. At the gallery, we work closely w...

-In light of new tariffs, we’ve applied a 20% discount off the market price of this piece to support our collectors in facing potential added costs. At the gallery, we work closely w...

Landscape Memories XII-Sunlit Series captures the summer Dahlias under the morning warm glow in her herbaceous border. This painting is Shizico’s artistic exploration with and aroun...

Very large Contemporary powder coated aluminum sculpture for inside or garden outdoor spaces. Beautiful spiral dancing and intertwining. This is a large scale outdoor or indoor scul...

The limited editions are made of Giclee printed on the best quality of aluminium and then hand painted and finishing with original paints by artist Shizico Yi. Signed and numbered, c...

This beautiful, contemporary circular sculpture made from ceramics with crystal glaze and 24k gold leaf stands on an elegant white granite base. It is a timeless piece full of detail...

Shizico's unique approach to paintings, erasing, rewriting, and destroying the landscape in the background through bold strokes of gold leaf on the top layers in this series, works o...

Artist: Kuno Vollet Title: Aspiring Path Contemporary steel sculpture for inside or garden outdoor spaces. Stunning large artwork. Possible to put on a pedestal or directly on to ...

Klaus Ihlenfeld (b.1934). Untitled, ca. 1960. Welded bronze. 8" h.; 5.5 " w; 3.25" d (base). Signed with initial under base. Provenance: Directly from estate of Harry Bertoia. The piece was a gift from Ihlenfeld and is a very early example created during Bertoia apprenticeship era. Excellent condition. Klaus Karl Otto IhlenfeldHe was born in Berlin, Germany in 1934. He studied art at the Hochschule für Bildende Künste and completed graduate work with the metal sculptor Hans Uhlmann. He visited the US in 1957 for the first time living in Durham, NC, where he befriended Dr. W. R. Valentiner, the Rembrandt authority and Director of the Museum of Art, Raleigh, NC. Through this friendship in 1960 he met and worked with the metal sculptor Harry Bertoia in Barto, PA. He joined the Staempfli Gallery in NYC and entered in many group and one-man shows. He has been an Artist-in-Residence in Ogden, Utah; Huntington Museum of Art in West Virginia, Penn State University at University Park; the Colorado State University in Denver; and Shippensburg University. He has large commissions at Kutztown University, Pottstown Hospital, and a monumental relief sculpture at the Emigrant Savings Bank in NYC. He has traveled extensively in Spain, Greece, and Mexico. He is living and working on a farm in Barto, PA welding bronze and forged iron metal sculptures and painting watercolors. Group Shows: North Carolina Museum of Art in Raleigh, NC - 1957 Solomon R. Guggenheim Museum in New York City - 1962 Staempfli Gallery in New York City - 1962, 1964 and 1965 Gallery Ludwig Lange in West Berlin, Germany - 1977 Gallery Herbert Remmert and Dr. Barth in Dusseldorf in West Germany - 1981 Jack Savitt Gallery in Macungie, PA - 1981 and 1984 Heinz Ortleb Gallery, West Berlin, Germany - 1992 Central Bucks Chamber of Commerce Show at the James A. Michener Art Museum in Doylestown, PA - 1997 Berks Art Alliance Show at the Reading Art Museum in Reading, PA - 1997 Mayfair Festival of the Arts at the Allentown Art Museum - 1998 Baum School of Art in Allentown, PA - 1997 Schwenkfelder Library and Heritage Center Art Show in Pennsburg, PA - 2001 Reading Public Museum in Reading PA, 2014 Solo Shows: Kutztown University in Kutztown, PA - 1960 and 1965 Allentown Art Museum in Allentown, PA - 1960 and 1961 Staempfli Gallery in New York City - 1962 Penn State University in University Park, PA - 1964 and 1972 Berks Art Alliance in Wyomissing, PA - 1966 Bertha Eccles Art Center in Ogden, Utah - 1967 Mansfield University in Mansfield, PA - 1967 Huntington Museum of Art in Huntington, WV - 1971 Shippensburg University in Shippensburg, PA - 1972 Albright College in Reading, PA - 1973 Ianuzzi Gallery in Scottsdale, AZ - 1974 Gallery Heimat 85 in West Berlin, Germany - 1977 Jack Savitt Gallery in Macungie, PA - 1981 College Misericordia in Dallas, PA - 1983 Schwenkfelder Library and Heritage Center in Pennsburg, PA, 2013 Periodical Reference: Kaye, Ellen "The Obsessive Collector," Philadelphia Inquirer Sunday Magazine Sptember 21, 1986 pp. 32-33. Chronology: 1-30-1934 Born in Berlin, Germany. Father, Kurt Ihlenfeld, Lutheran pastor, novelist, critic and publisher was born in 1901 in Colmar, Alsace Lorain. Mother, Annie Stuhlmann, was born in 1905 in Breslau, Lower Silesia. 1940 - 1950 Public schools in Berlin; Löwen, Lower Silesia; Coswig, Radebeul, Glaubitz, Saxony. Königin Luise-Gymnasium in Dahlem, Berlin. First artworks, drawings and paintings; few sculptures. 1950 - 1956 Studied at the Hochschule für Bildende Künste in West Berlin, Germany. Graduate work with metal sculptor Hans Uhlmann. For 2 years maintained own studio at the Academy. Friendship with writer Günter Grass, and painter F. S. Sonnenstern. Met painters: Max Pechstein, Karl Schmidt-Rottluff, Carl Hofer, Max Kaus, and sculptors: Bernhard Heiliger, Renee Sintenis, and Richard Scheibe...

Summer Bloom series began in 2022, where Shizico Yi celebrating the season by painting en plein air in her garden. In 2024, she embarks on a fresh chapter with her new rose garden. T...

As a young artist, Philippe Pallafray was inspired by sculpture masters and years later his dynamic contemporary sculptures are collected in both Canada and the United States. The Qu...

German sculptor Nando Kallweit produces figurative bronze sculptures and reliefs with aquiline and a graceful modern appeal. Kallweit is inspired by seemingly disparate cultures; the...

"Halal 1984", Gold Abstract Painting, 2025 This is a highly textured, multi-media abstract in gold. All of Addison's text in her paintings are her journal. She uses it as an artist ...

Thomas Morin (1934-2017) Untitled, 1962. Cast iron on wood base. Cast sculpture measures 24 x 7 x 5 inches and weighs 49 lbs. Overall measures 26 inches tall on wood base. Proc...

Landscape Memories-Sunlit Series captures the summer Dahlias under the morning warm glow in her herbaceous border. This painting is Shizico’s artistic exploration with and around th...

Inspired by dance and weightlessness, Granville Beals' industrial metal sculptures are primarily about relationships. Concerned with form and abstraction, he does not merely manipula...

Stunning handcrafted French brutalist metal wall art sculpture panel by Jacques Potage (1931 -). The metal panel is mounted on a wood board covered in textured pewter and features a ...

Chris Wood’s "Circle 11" is a dichroic glass light sculpture that captivates with its dynamic interplay of reflection and refraction. This contemporary geometric artwork features an intricate spiral of iridescent glass pieces, which shift in hue depending on the light and viewing angle. The piece harnesses natural and artificial light to create an evolving spectrum of colors, making it ideal for collectors of optical art, kinetic sculpture, and modern light installations. The rhythmic arrangement of elements invites viewers into a meditative experience, blending minimalism with an ethereal sense of movement. Wood uses a range of high and low-tech optical materials to harness patterns of light that suggest ephemeral glimpses of moments in the natural world. Her minimalist sculptures are simple arrangements creating kinetic patterns in response to the environments in which they are placed. The artist often uses a material called dichroic (meaning “two color”) glass, which was developed by NASA in the 1950's. Dichroic glass has a special optical coating meant to reflect certain wavelengths of light while letting others through, creating beautiful projections of light and color depending on the environment in which the artwork is placed. This 20 inch square sculptural artwork...

Reaching, ca. 1980. Cast bronze. Signed in lower region on wrist. A rare example from the artist's later period influenced by figurative abstraction with expressionist tendencies. James Edward Lewis (August 4, 1923 – August 9, 1997) was an African-American artist, art collector, professor, and curator in the city of Baltimore. He is best known for his role as the leading force for the creation of the James E. Lewis Museum of Art, an institution of the HBCU Morgan State University. His work as the chairman of the Morgan Art Department from 1950 to 1986 allowed for the museum to amass a large collection of more than 3,000 works, predominantly of African and African diasporan art.[1] In addition, he is also well known for his role as an interdisciplinary artist, primarily focused on sculpture, though also having notable examples of lithography and illustration. His artistic style throughout the years has developed from an earlier focus on African-American history and historical figures, for which he is most notable as an artist, to a more contemporary style of African-inspired abstract expressionism. Early and personal life James E. Lewis was born in rural Phenix, Virginia on August 4, 1923 to James T. Lewis and Pearline (Pearlean) Harvey.[5] Lewis' parents were both sharecroppers. Shortly after his birth, his father moved to Baltimore for increased job opportunity; James E. was subsequently raised by his mother until the family was reunited in 1925. They lived for a short time with distant relatives until moving to a four-bedroom house on 1024 North Durham Street in East Baltimore, a predominantly African-American lower-class neighborhood close to Johns Hopkins Hospital. Lewis' primary school, PS 101, was the only public school in East Baltimore that served black children. Lewis grew up in a church-going family, his parents both active members of the Faith Baptist Church, devoting the entirety of their Sundays to church activities. His parents worked a variety of different jobs throughout his youth:[6] his father working as a stevedore for a shipping company, a mechanic, a custodian, a mailroom handler,[6] and an elevator operator.] His mother worked as both a clerk at a drugstore[7] and a laundress for a private family.[4] Lewis' primary exposure to the arts came from Dr. Leon Winslow, a faculty member at PS 101 who Lewis saw as "providing encouragement and art materials to those who wanted and needed it." In fifth grade, Lewis transferred to PS 102. Here, he was able to receive specialized Art Education in Ms. William's class under the guidance of Winslow. He was considered a standout pupil at PS 102 as a result of his introduction to the connection between the arts and the other studies. His time spent in Ms. Pauline Wharton's class allowed for him to experiment with singing, to which he was considered a talented singer. His involvement in this class challenged his earlier belief that singing was not a masculine artistic pursuit. He was able to study both European classics and negro spirituals, which was one of his earliest introductions to arts specific to American black culture. Under Ms. Wharton's direction, he was also involved in many different musical performances,[6] including some works of the Works Progress Administration's Federal Theatre Project.[8] Lewis attended Paul Laurence Dunbar High School, where his love of the arts was heightened through his industrial art class with Lee Davis...

Kristina Fjellman, a Minnesota-based visual artist and performer, seamlessly blends sculpture and performance art in her captivating work. With exhib...

"Compression de canettes", is an iconic piece by César Baldaccini (1921–1998), a leading figure of the Nouveau Réalisme movement. Known simply as César, he revolutionized sculpture b...

KAWS Full Bronze Set of 12 Figures, 2022 The complete set of 12 bronze sculptures with original case Incised signature, date and number on the bottom, Signed on the certificate (eac...

This contemporary bronze sculpture inspired by music is shaped like a heart and was made by David Chamberlain. The lyrical lush lines of this heart-shaped bronze sculpture were crea...

-In light of new tariffs, we’ve applied a 20% discount off the market price of this piece to support our collectors in facing potential added costs. At the gallery, we work closely w...

"MAOLA 1" Steel Sculpture 94.5 x 47 x 47 in Edition 1/2 by ILLYA TIGOIS Medium: steel & stainless steel The "MAOLA" project is a series of works aimed at allowing the observer to i...

Very large Contemporary powder coated aluminum sculpture for inside or garden outdoor spaces. Beautiful spiral dancing and intertwining. This is a large scale outdoor or indoor scul...

Barricada #8 aic2 L is a painted stainless steel sculpture by contemporary Venezuelan artist Alejandro Vega Beuvrin. The steel sheets are 6 mm thick. Limited edition of 5 + 3 A.P.

A painting in abstract enamel is an explosion of shapes, textures, and colors that invite personal interpretation. Across the canvas, dynamic and free brushstrokes intertwine, creati...

Guided by her passion for life and her spirit, French Canadian painter Zabel creates vibrant artworks filled with romance and immersive textures. With a belief that art is all about ...

Jean Arp Château des Oiseaux Bronze Signed "Arp" Edition 5/5 Provenance: Sidney Janis Gallery, New York Conceived in 1963, cast in bronze in an edition of 5 between 1967 and 1969. J...

This abstract sculpture, which can be installed indoors or outdoors, is painted in a striking black and white. It’s hand-forged in steel by Ferhat Özgür Görel. A series of large rect...

This engaging artwork was created by the well known Italian artist Walter Valentini, in 1985. The title is "Piccole tracce" translated in Little Trace...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

This abstract floral encaustic painting by Linda Bigness features a cool green, blue, and violet palette, with large organic botanical forms as the central focus of the composition. ...

Kristina Fjellman, a Minnesota-based visual artist and performer, seamlessly blends sculpture and performance art in her captivating work. With exhib...

Kristina Fjellman, a Minnesota-based visual artist and performer, seamlessly blends sculpture and performance art in her captivating work. With exhib...

Ragisména Series AL1, 2022 by Rodrigo Zampol From Ragisména Series Polished cast aluminum Dimensions: 40 cm H x 30 cm W Weight: 7 kg Limited Edition of 7 Signed on the back The pie...

Abstract minimalist artist Jason DeMeo creates artworks that work to serve as a meditation for the viewer, drawing them toward the timeless concepts of truth, beauty, and goodness. H...