Art by Medium: Monoprint

Joseph Grippi, American (1924 -2001) - Golden Sky, Year: 1973, Medium: Screenprint Monoprint, signed and dated in pencil, Size: 29.5 x 40 in. (74.93 x 101.6 cm)

From my ongoing series, 'Portable Landscape or Landscape for the Traveler.' Before European contact, the Lenape Manhattan's original inhabitants called the island Manahatta, which me...

Stone Lantern in Tyme II, cold wax, monoprints, oil stick on canvas, 2024. The symbols inherent in the gorintō, the stone lantern, are: the cube (Earth) representing stability, groun...

Annemarie Petri - "Interior of an Ornithologist". Surrealism, imaginary cities, fantasy, mirage, etching. Technique: Etching/monoprint, highest technical level with 8-15 plates. E...

Annemarie Petri - "Interior of a Logopedist". Surrealism, imaginary cities, fantasy, mirage, etching. Technique: Etching/monoprint, highest technical level with 8-15 plates. Editi...

Print 2/10. Signature, date and title inscribed below plate lines. On wove.

Signature, date and title inscribed below plate lines. On watermarked wove.

"Untitled" Medium Sized Abstraction on Paper in Cream, Gray, Black and Red. Monoprint, 30 x 22 Inches, Framed in White Wood. This monoprint has a very sophisticated sensibility in that it is purely abstract and consists of a suggestion of a gray grid on a cream ground with a powerful black and red free-wheeling biomorphic linear shape. The mark making was inspired by the artist's stay in Rome - where her then 10 year old son became addicted to Italian comic books -which adds another whimsical Pop dimension. Associations can also be made with Alexander Calder's paintings, sculptures and works on paper, and Asian art. Also available by the artist are canvases (72 x 60 inches, 40 x 32 inches, 14 x 11 inches) and a series of related paintings on paper measuring 30 x 22 inches. Margo Margolis lives and works in New York. She recently retired as Chairman of the Tyler School of Art's (Philadelphia) Department of Painting. Margolis’ continuing commitment to abstraction is as fresh and invigorating as it was in the early 1970s when she began exhibiting with the Brooke Alexander Gallery in New York where she had several shows. In addition her work has been exhibited throughout the country at numerous galleries and institutions including The Pennsylvania Academy of Art, The Renaissance Society, The Munson-Williams Proctor Institute and Halls Walls, among others. In reviewing the artist’s 1993 exhibition in the Beth Urdang gallery for the 'Boston Globe,' Nancy Stapen stated: “…eccentric, quasi-geometric forms and initial impression of simplicity belie this artist’s highly sophisticated grasp of paintings. These are multi- layered works concerned with the discipline’s core issues – transluscency and opacity, flatness and illusioinism, line and form, figure and ground, pattern and surface, structure and weightless pictorial space… these paintings may be analyzed up to a point. In the end, their process remains mysterious. Their appeal lies in their engagement with an inventive form language intrinsic to painting, as well as in their deft synthesis of quietude and quirkiness.” June 3, 1993 Current Chief Art Critic for the 'Boston Globe, ' Cate, McQuaid, wrote of Margolis’ 2017 exhibition in the gallery: “Her marks grab at you as insistently as a toddler demanding attention. They’re like a language made purely of punctuation, rhythmic and emphatic, let out of the duty of modifying sentences, freed at last to express itself alone.” January 6, 2017 Margo Margolis’ works are included in numerous public collections including the Philadelphia Museum of Art, the Brooklyn Museum, Chase Manhattan Bank, Amerata-Hess Corporation, General Mills, Best Products, IBM, Estee Lauder, Miami-Dade College, Chemical Bank, and Wellington Management. She is the recipient of many awards including 2 grants from The National Endowment for the Arts, a New York State Council on the Arts Grant, and Yaddo and MacDowell Residency Grants. Margolis received a BS degree from Skidmore College and an MFA from Indiana University. She lives and works in New York. Statement by Margo Margolis: "While text and image combine to tell the story, it is the drawing around the narrative, the space between text and image that I find compelling. In my work, it is the space between, on the periphery, in the margins that has become the foreground. It is the charged environment that has become the subject. Equally significant and transformative have been innovations in process that have evolved. Discrete marks are de-contextualized, reassembled and photocopied. They are further manipulated by exaggerations in scale, repetition and excessive layering. I have introduced 'printerly' processes (carbon tracking and stencils) that combine with marks that are hand-drawn, hand-painted. These are layered over and under transparent veils of paint. The incorporation of printing methods has been critical both formally and conceptually. These processes underline the fact that this is a system based on a 'ready-made' language. They create an identity distinctly different from action painting, gestural painting or any notion that the artists' stroke is assumed to reveal his/her psyche. These are distanced marks and frozen gestures. In combination with what is handmade, they reveal an alternate translation. Importantly, these processes, in allowing direct reproduction point to the semantic mutability of the language. However, most important is the process of building, excessive layering, and the continual dissolution and re-materialization of form. The paintings have a physicality and material presence that affirms the medium and is in contrast to their graphic impact." MARGO MARGOLIS EDUCATION B.S. Degree 1970, Skidmore College, Saratoga Springs, New York MFA Degree 1972, Indiana University, Bloomington, Indiana SOLO EXHIBITIONS 2019 Beth Urdang Gallery, Boston, Massachusetts 2016 Beth Urdang Gallery, Boston, Massachusetts 2007 Beth Urdang Gallery, Boston, Massachusetts 2001 Beth Urdang Gallery, Boston, Massachusetts 1997 Esso Gallery, New York, New York 1993 Beth Urdang Gallery, Boston, Mass. 1991 Beth Urdang Gallery, Chicago, IL. 1989 Beth Urdang Gallery, Boston, Mass 1987 Richard Green Gallery, New York 1980 Brooke Alexander Gallery, New York 1979 University of Southern Florida, Tampa, Florida 1979 Miami-Dade College, Miami, Florida 1978 Brooke Alexander Gallery, New York 1977 Connecticut College, New London, Ct. 1977 Brooke Alexander Gallery, New York SELECTED GROUP EXHIBITIONS 2016 Fabulous You, Tiger Stikes Asteroid, Brooklyn, New York 2011 Twin, Twin, Pierogi Gallery, Brooklyn, New York 2010 Spring Editions, Pelavin Editions, New York 2010 Group Exhibition, Beth Urdang Gallery, Wellesley, Massachusetts 2004 Analog Click-Click, Temple Gallery, Philadelphia, Pa. 2002 Snapshots, Arcadia University Gallery, Glenside, PA, Aldrich Museum of Contemporary Art, Ridgefield, CT 1999 Tenth Anniversary Exhibition, Beth Urdang Gallery, Boston, MA 1998 Accrochage in the Gallery, Esso Gallery, New York 1998 Brad Kalhammer, Nicholas Rule, Margo Margolis, Solo Voices, North Dakota Museum of Art, Grand Forks, ND 1998 Art Exchange Show, New York 1998 Works on Paper, Galeria Martano, Turin, Italy 1998 Paintings and Monoprints, Cheryl Pelavin Gallery, New York 1997 Esso Gallery in Torino, Villa Buttino, Torino, Italy 1997 Art Exchange Show, New York 1996 Objects by Some Artists and Architects, Beth Urdang Gallery, Boston, MA 1996 The Art Exchange Show, New York 1994 Abstract Painting, Carolyn Roy Gallery, New York 1995 Wayne C. Brown DePonton d”Amecourt Collection, Colby College, Waterville, ME 1994 Contemporary Prints, Quartet Gallery, New York 1992 Mentors, Vox Populi Gallery, Philadelphia, PA 1991 Presenze, Artisti Stranieri in Italia Oggi, Rocca Paolina, Perugia, Italy 1990 Contemporary Painting, Langman Gallery, Philadelphia, Pa. 1989 Very Special Arts Benefit, Christies, New York 1989 Ground Work, Valencia College, Valencia, FL 1989 Group Show, Shea Beker Gallery, New York 1989 Drawings, Lorence Monk Gallery, New York 1989 Monoprints, University of Maine, Orono M 1989 Inadmissible Evidence, SUNY Purchase, New York 1988 Group Show, Bernard Jacobsen Gallery, New York 1986 Mutual Respect, Vanguard Gallery, Philadelphia, PA 1984 Nature As Image, OIA, New York 1983 Works on Paper, Bucknell University, A 1982 Group Show, Brooke Alexander Gallery, New York 1981 Abstract Painting, Womens Caucus of the CAA, New York 1981 Ten Years Later, Skdmore College, Saratoga Springs, New York 1981 Exchanges III, Louis Abrons Center, New York 1981 Group Show, Brooke Alexander Gallery, New York 1981 Sign and Symbol, Jeffrey Fuller Gallery, Philadelphia, PA 1981 Five Abstract Painters, Brooke Alexander Gallery, New York 1981 Group Show, Marion Locks Gallery, Philadelphia, PA 1980 New York, New, Work,”Delahunty Gallery, Dallas, Texas 1979 Group Show, Brooke Alexander Gallery, New York 1978 Diamond, Margolis, and Ripps, Brooke Alexander Gallery, New York 1978 Contemporary Drawings, Pennsylvania Academy of Fine Arts, Philadelphia, PA 1978 Drawings, Pratt Graphics Center, New York 1978 Thick Paint, Curated by Carter Ratcliffe, Renaissance Society, University Of Chicago, Chicago, IL 1978 New Editions, Brooke Alexander Gallery, New York 1978 Three New York Painters,” Alice Simsar Gallery, Ann Arbor, MI 1978 Six Contemporary Painters,”curated by Marcia Tucker, Kirkland College Clinton York 1977 Works on Paper, Alice Simsar Gallery, Ann Arbor, MI 1977 Critics Choice,” Joe and Emily Lowe Gallery, Syracuse University, Syracuse, New York, Munson-Williams Proctor Institute, Utica, New York 1977 New Abstract Objects,” Halls Walls, Buffalo, New York 1977 Diamond, Jacquette, Margolis and Ripps-New Work, Brooke Alexander Gallery, New York 1977 Painting ’75,’76,’77, Sarah Lawrence College, Bronxville, New York; American Federation for the Arts, Miami, FL; Contemporary Art Center, Cincinnati, O 1977 Works on Paper, Vick, Klaus, and Rosen Gallery, Philadelphia, PA 1976 Group Exhibition, Towson State College, Towson, MD 1976 “Contemporary Approaches to Painting,” University Museum, University of California at Santa Barbara 1976 “Four Young Artists,” Bykert Gallery, New York 1976 Invitational, OK Harris Gallery, New York PUBLIC COLLECTIONS Philadelphia Museum of Art, PA Brooklyn Museum, New York IBM Corporation, New York Fidelity Investments, Boston, MA Prudential, New York Rosenthal and Rosenthal, New York Chase Manhattan Bank Collection, New York Ivan Chermayeff, New York Lehman Brothers, New York Miami-Dade College, Miami, FL Amerada-Hess Corporation, New York American Can Company, Greenwich, CT Estee Lauder Corporation, New York General Mills, Minneapolis, MN Freed, Frank, Shriver, New York Chemical Bank, New York Delahunty Gallery, Dallas, TX Best Products, Richmond, VA Skadden, Arps, New York Stephen Paine, Boston, MA Davis, Polk, Wardwell, New York Roger Sonnabend, Boston, MA Fabric Workshop and Museum, Philadelphia, PA Zimmerli Archives, Rutgers University, New Brunswick, NJ GRANTS AND AWARDS Temple University Study leave, 1980, 1987,1994, 2002 Visual Arts Fellowship, National Endowment for the Arts, 1987 Visual Arts Fellowship, National Endowment for the Arts, 1980 New York State Council for the Arts, 1977 Yaddo Residency Grant, 1976 MacDowell Residency Grant, 1976 Indiana University Fellowship, 1970 CATALOGUES Painting ’75,’76,’77 Critic’s Choice Contemporary Drawing, Philadelphia Thick Paint Margo Margolis, Miami Dade College Exchange III Nature as Image Ground Work Presenze Chemical Bank: An Art Collection in Perspective Margo Margolis, Esso Gallery BIBLIOGRAPHY Richard Lorber, Arts Magazine, September 1976 Art Week, October 23, 1976 Henry J. Seldis, Los Angles Times David Rush, "Paintings with a Sculptural Character," Art Week, October 30, 1976 Allen Ellensweig, Arts Magazine, April 1977 Richard Brugin, New York Arts Journal, September 1977 Mary Delahoyd, "Painting '75, '76, '77" (catalogue essay) 1977 Hayden Herrera, "Critics' Choice," Joe and Emily Lowe Art Gallery, Syracuse, New York and Munson-Williams-Proctor Institute, Utica, New York (catalogue essay) 1977 John Russell, New York Times, June 1978 Carter Ratcliffe, "Thick Paint" University of Chicago, IL (catalogue essay) 1978 Ann Percy, "Contemporary Drawings, Philadelphia," Pennsylvania Academy of Fine Arts (catalogue essay) 1978 Alexandra Anderson, Village Voice, March 26, 1979 Peter Frank, "In One Medium, Out the Other," Village Voice, April 9, 1979 Thomas Lawson, Art in America, October 1979 Karen Valdes, Margo Margolis, Miami-Dade Community College, (catalogue essay) 1979 Print Collector's Newsletter, Spring 1979 Lee Edwards...

"Untitled," Monoprint on Paper, 29 x 21 Inches This monoprint has a very sophisticated sensibility in that it is purely abstract yet the mark making was inspired by the artist's sta...

Color monoprint. Roberto Juarez has been an important figure in the American art scene since his first solo exhibition at Robert Miller Gallery in 1981. He was known for his painter...

Stone Lantern in Tyme I, cold wax, monoprints, oil stick on canvas, 2024. In the metaphor of lanterns of light, they open tyme/space, but they can also close it down. A flickering la...

This is one-of-a-kind, unframed colored pencil & collage on archival pigment print. See image gallery for example of framing possibilities. These pieces work particularly well as a s...

This framed work is one-of-a-kind colored pencil & collage on archival pigment print. The work itself is 20" x 16", and it is framed to 26" x 20" in a contemporary, simple white wood...

This framed work is one-of-a-kind colored pencil & collage on archival pigment print. The work itself is 20" x 16", and it is framed to 26" x 20" in a contemporary, simple white wood...

Diptych Landscape Pogonip-cold wax, monoprints, mulberry paper on canvas, 2025. There are many overlapping histories in the local terrain of Pogonip, a word borrowed from the Shoshon...

Luca Cruzat, a Chilean born artist, received her MFA from Southern Illinois University, in Carbondale, Illinois (2006). She also holds a master’s degree in foreign Language...

Luca Cruzat, a Chilean born artist, received her MFA from Southern Illinois University, in Carbondale, Illinois (2006). She also holds a master’s degree in foreign Language...

Artist: Harry Bertoia Title: Untitled 1 Year: circa 1945 Medium: Monoprint on Rice Paper Paper Size: 9 x 11 inches Frame: 14.5 x 17.5 inches

Love Tyme, Cold wax, monoprints, oil stick on canvas, 2400. We have all experienced how tyme’s absorption in love has a different quality, whether falling in, worrying over a loved o...

Hierophant with acrylic and cold wax tissue paper monoprints on canvas is the interpreter of the mysteries with the X-ray of a mouth in her hands. She transmits wisdom from a structu...

Color monoprint/collage/chine collé/digital/lithograph. Howard’s most recent project at Sharks, Assegnazioni con De Seingalt is a continuation of her nearly four decades of using co...

Sentinel at the Border Graphite and monoprints on canvas. Vast frontiers require a watchful eye, whether in the terrain of the physical world or the world of ideas. This image calls ...

Diptych Ribs of Tyme, Cold wax, monoprints, oil stick on canvas, 2024. Ribs infer a biological or even geological structure. In this study, we are taking time out of the world of co...

Gussie and Connor 12 10" x 12" (HxW) Original Signed Monoprint A combination of print and collage, this work by artist Casey Blanchard utilizes natura...

Color lithograph/tape/collage in 9 parts (5 x 5" each). Brad Brown uses unusual approaches in making his work. Over a period of several years he worked and re-worked a group of drawings...

We are please to present Ceravolo's one of a kind "Alphabet Monroe Lavender/Pink". Ceravolo has been a master of creating intriguing portraits of iconic personalities for more then 4 decades, and rose to fame when he was commissioned to create 5 large-scale portraits for the lobby of the Palladium Theatre in New York City of Linda Ronstadt, Jackson Browne, Neil Young, Frank Zappa and Hall and Oates, In addition to those portraits, his paintings are in the private collections of Sir Elton John, Rod Stewart, Hugh M. Hefner, and Prince Jefri of Brunei to name only a few. With his new Alphabet series, Ceravolo combines an image of his stylized black and white portrait painting, with letters of the alphabet and adds color to the negative space formed by the letters. As a final touch, he places color in the letters that make up the iconic subjects first or last name. This creates a contemporary, yet classic look to this unique creation. This work is titled, "Alphabet Marilyn lavender/Pink" and is printed on Rag paper size is 36x30" framed size measures 42x36". It is a one of a kind work and is signed by Ceravolo. I have included an image of Ceravolo with some of his Celebrity collectors as well as a vintage...

Manuel Rodriguez Jr., Filipino (1942 - ) - Reflection III, Medium: Monoprint and Mixed Media on BFK Rives, signed and titled in pencil, Edition: 1/...

Amy Sands Revolution LIII monoprint, serigraphy, lasercut on layered kozo framed 35 x 35 inches 2018 This item is framed in a white wood frame Amy sands' works of art embody sourced...

Diptych Moloka’i Spirit Dances, Art Graf, monoprint, tissue paper on Rives BFK, 2021. The island natives appear to be part of the earth. With a swinging gait, their body language is ...

Tyme of Revolution, cold wax, monoprints, transfer, oil stick on canvas, 2024. Within history, culture binds values and meaning to time through symbols. These images of flags and gas...

Artist Commentary: The Key West Bound Series is about the insistent nature of Key West’s ability to adapt and thrive despite the continual barrage of hurrica...

Amy Sands Revolution XXI monoprint, serigraphy, lasercut on three sheets of rice paper 15 x 15 inches, 22 1/4 x 22 1/4 inches framed in white 2017 Amy Sands' works of art embody so...

Amy Sands Revolution XX monoprint, serigraphy, lasercut on two sheets of rice paper 15 x 15 inches, 22 1/4 x 22 1/4 inches framed in white 2016 Amy Sands' works of art embody source...

Amy Sands Revolution XXII monoprint, serigraphy, lasercut on three sheets of rice paper 15 x 15, 22 1/4 x 22 1/4 framed in white wood frame 2017 Amy Sands' works of art embody sourc...

Manuel Rodriguez Jr., Filipino (1942 - ) - Passion Fruit. Medium: Monoprint and mixed media on BFK Rives, signed and numbered in pencil, Edition: 1/1, Image Size: 18.75 x 28.75 inch...

Manuel Rodriguez Jr., Filipino (1942 - ) - Musical Mountain. Year: 1998, Medium: Monoprint and mixed media on BFK Rives, signed, dated and titled in pencil, Edition: 1/1, Image Size...

Manuel Rodriguez Jr., Filipino (1942 - ) - Flight IV. Medium: Monoprint and mixed media on BFK Rives, signed, dated and titled in pencil, Edition: 1/1, Image Size: 35.25 x 24 inches...

Manuel Rodriguez Jr., Filipino (1942 - ) - Enchanted Grove II. Medium: Monoprint and mixed media on BFK Rives, signed and titled in pencil, Edition: 1/1, Image Size: 20.75 x 21.75 i...

Manuel Rodriguez Jr., Filipino (1942 - ) - Layers. Medium: Monoprint and mixed media on BFK Rives, signed and titled in pencil, Edition: 1/1, Imag...

Manuel Rodriguez Jr., Filipino (1942 - ) - Flight I. Medium: Monoprint and mixed media on BFK Rives, signed and titled in pencil, Edition: 1/1, Image Size: 35.25 x 24 inches, Size: ...

Manuel Rodriguez Jr., Filipino (1942 - ) - Flower Still Life. Medium: Monoprint and mixed media, signed and numbered in pencil, Edition: 1/1, Image Size: 28.5 x 18.75 inches, Size: ...

Monoprint, serigraphy, laser cut on two sheets of rice paper, unique 15 x 15 inches, 2016, framed 22.25 x 22.25 inches In this piece, Sands uses the motif of a sand dollar, and her ...

Golden Hour Joseph Grippi, American (1924–2001) Screenprint Monoprint, signed in pencil lower right Size: 30 x 30 in. (76.2 x 76.2 cm)

Cycle I Enrico Embroli, American (1945) Monoprint, signed, titled and numbered in pencil Size: 24 x 38 in. (60.96 x 96.52 cm)

Kenneth Noland (1924 – 2010) is renowned for his contribution to American abstraction. He is also one of the key artists of color-field painting. Unlike some of his contemporaries, N...

Wyona Diskin, American (1915 - 1991) Blue Man with Fish Monoprint, Signed on the back lower left. Unframed. Signs of color remain from printing on the white ...

Monoprint

Watercolor monoprint

24" x 45" Unframed Hand Embellished Giclee on Canvas Monoprint Hand Signed by Jim and Kathleen Keifer

33" x 25" Stretched Unique MonoPrint with Hand Embellishment Hand Signed by Bernie Taupin

33" x 25" Stretched Unique MonoPrint with Hand Embellishment Hand Signed by Bernie Taupin

Large Format Paintings in the Layers of Reality Series are composed of monoprints and various markings on tissue paper with cold wax to create transparent layers with oil paint over ...

Artist: Liu Jian, Chinese (1961 - ) Title: XXI Year: 1999 Medium: Monoprint, signed and dated in pencil Size: 25 x 19 inches [63.5 x 48.26 cm]

A variable edition of Walthamstow Wetlands. Catching those last moments of light in the winter. The sky in each has been individually painted, then printed through the silk screen to...

NV24 is an original minimalist print by Jonathan Moss. The N.V series of unique, one-off, relief prints find their origin in his videos of fl...

‘Quagga’ by Tammy Mackay is a Limited Edition photopolymer print on Somerset paper and is an edition of 40. Tammy Mackay works are available to buy with Wychwood art online and in our art gallery. Tammy Mackay's Dodo work and other works are available for sale online and in our art gallery but do call us to double check . Tammy Mackay comments "I have always had a passion for printmaking, which has always been my main form of expression. Although I have used etching...

Monoprint w/Chine Collé and Embossing On white BFK Printmaking Paper Handpulled by Artist on Etching Press Edition : Unique Plate Size: 3x3” Paper Size 8” x 10”

Blind Embossing pulled off 3D printed plate based on Artist Photograph Hand pulled by Artist on Etching Press On white BFK Rives Printmaking Paper Edition : Varied Edition (1 of 3) P...

Monoprint w/Chine Collé and Embossing On white BFK Printmaking Paper Handpulled by Artist on Etching Press Edition : Unique Plate Size: 3x3” Paper Size 8” x 10”

Oil Monotype On white BFK Rives Printmaking Paper Hand pulled by Artist on Etching Press Edition : Unique Paper Size 7”x 10” Frame Size 11” x 13”