Art by Medium: Monoprint

Artist Commentary: The Key West Bound Series is about the insistent nature of Key West’s ability to adapt and thrive despite the continual barrage of hurricanes, weather patterns, a...

Artist Commentary: The Key West Bound Series is about the insistent nature of Key West’s ability to adapt and thrive despite the continual barrage of hurricanes, weather patterns, a...

Artist Commentary: “There is something infinitely healing in the repeated refrains of nature – the assurance that dawn comes after night, and spring after winder. Those who dwell…am...

Artist Commentary: My wedding series transform bouquets, lace, and other treasures into an art piece to last forever. Words that describe this piece: sunset, pink, orange, flower, ...

Artist Commentary: The Key West Bound Series is about the insistent nature of Key West’s ability to adapt and thrive despite the continual barrage of hurricanes, weather patterns, a...

Original print from feathers and stencil on five layers of Japanese paper, limited edition. Framed size: 75 x 50 cm. About the artist: Ruth Thomas RCA is a contemporary printmaker b...

Jim’s of Lambertville is proud to offer this artwork by: Harry Bertoia (1915 – 1978) Artist, sound art sculptor, and furniture designer, Harry Bertoia, was born in Italy in 1915 before immigrating to America in 1930. In 1936, he attended the Detroit Society of Arts and Crafts before moving to study at Cranbrook Academy of Art in Bloomfield, Michigan, where he would later teach and establish a metalworking department. During this early artistic period, he experimented with jewelry forms, exploring creative concepts that would later emerge in his sculptures. In 1943, he relocated to Venice, California, along with esteemed artist-designer couple Charles and Ray Eames, to participate in war efforts until 1946. During his first year in California, he began attending a welding class at Santa Monica City College. In 1947, he moved to La Jolla to work in the publications department of Point Loma Naval Electronics Laboratory creating training manuals for equipment operators. During this time, he continued making jewelry and monoprints and began his first experiments with metal sculpture. In 1949, he moved to Barto, Pennsylvania to work alongside Hans and Florence Knoll at Knoll Associates, a design company and furniture manufacturer. From then on, he became a prolific architectural sculptor. While at Knoll Associates, he created the famous wire Bertoia Collection. Among the designs for this collection was his Diamond Chair, which quickly became an iconic and commercially successful model. His first sculpture exhibition was in 1951 at the Knoll Showroom in New York. Besides his work in jewelry making and furniture design, during the 1960s, Bertoia began to devote himself to the production of sound sculptures...

This series “Dwellings” is comprised of pieces of mixed media on wood panels. The artist uses wood panels 5 x 5 inches each as base that is painted ei...

When Many Becomes One is a series of new work exploring form and the relationship between the individual and collective. Paulo Wellman has employed vari...

When Many Becomes One is a series of new work exploring form and the relationship between the individual and collective. Paulo Wellman has employed vari...

Collagraph with Monoprint technique. Each print is one-of-a-kind. This print used the Japanese Chine-Collee technique additionally.

Collagraph with Monoprint technique. Each print is one-of-a-kind. This print also uses the Japanese technique Chine-Collee.

This original, bright yellow museum quality monoprint by renowned print maker Bill Flick features his signature skull design. Comes signed by the artist. BILL FICK is a North Caro...

"Lately, however, my work has been picking up on the smaller moments in the landscape - not the broad sweeping vistas of the Italian countryside or the New England shore...

Artist's Statement: "My paintings are an attempt to synthesize and enlighten pursuits of eastern and western art and their traditions. Using the full visual language of abstraction –...

Michael Rich’s early years were spent in the shadow of the Blue Ridge Mountains and surrounded by the waters of New England. Graduate studies and later travels to Italy heightened an awareness of the opposing elements of the Mediterranean landscape’s serenity and nature’s tenacity. In his paintings, drawings and prints Rich investigates the natural rhythms of nature’s harmony and irascibility through opacity and translucency of color. A dedicated practitioner of yoga, Rich is influenced greatly by Eastern philosophy and art in an approach to nature and landscape as a wellspring for spiritual investigation and meditation. Lately, however, my work has been picking up on the smaller moments in the landscape - not the broad sweeping vistas of the Italian countryside or the New England shore...

Michael Rich’s early years were spent in the shadow of the Blue Ridge Mountains and surrounded by the waters of New England. Graduate studies and later travels to Italy heightened an...

Artist's Statement: "My paintings are an attempt to synthesize and enlighten pursuits of eastern and western art and their traditions. Using the full visual language of abstraction –...

This series “Dwellings” is comprised of pieces of mixed media on wood panels. The artist uses wood panels 5 x 5 inches each as base that is painted ei...

This series “Dwellings” is comprised of pieces of mixed media on wood panels. The artist uses wood panels 5 x 5 inches each as base that is painted ei...

This series “Dwellings” is comprised of pieces of mixed media on wood panels. The artist uses wood panels 5 x 5 inches each as base that is painted ei...

This series “Dwellings” is comprised of pieces of mixed media on wood panels. The artist uses wood panels 5 x 5 inches each as base that is painted ei...

This series “Dwellings” is comprised of pieces of mixed media on wood panels. The artist uses wood panels 5 x 5 inches each as base that is painted ei...

Monoprint in oil paint with collage, engraving and embossment on hand-dyed handmade paper Signed and dated to lower margin

Created in 2011, this Monoprint with hand-coloring on silkscreen is hand-signed by Pat Steir (Newark, 1940 - ) in pencil in the lower right margin. This is a unique and original wor...

Just Starting Out, by Melanie Yazzie, Navajo, painting, collage, horse, green

Monoprint in colors on two sheets, 1988, signed in silver ink, from Salty Water/Fan Mail, on Arches wove paper, with the blindstamp of the publisher, Novak Graphics, Toronto.

This large monotype print effectively portrays Bert Long’s iconic style. Furnished with his notorious abstracted eye and gestural style, this work demonstrat...

This large monoprint demonstrates Bert Long’s affection for introspection. Referring to the paint as both an action and an object underscores the fluidity of...

Date: 2004 Mixografia print on handmade paper, signed and numbered in pencil Edition of 25 Size: 44 x 31 in. (111.76 x 78.74 cm) Printer: Mixografia Publisher: Mixografia

Sunset Clouds by John Hogan framed monotype Desert Sky blue, black, orange John Hogan A graduate of Northeast Louisiana State University with a bachelo...

Monoprint & hand embellishment on paper. Purple Oxytocin Bath, 2018, monoprint, fantasy, marbled rag paper, purple, blue. Custom framed, and matted. Frame size 28.5" x 20.5" x 1.2...

Akio Takamori "Secret State Goddess" Monoprint, woodcut, gold paint Year: 1989 Signed by artist & dated "7/1989" *created at the Anderson Ranch Art Center Size: 39 x 21.5" Akio Takamori (1950 – January 11, 2017) was a Japanese-American ceramic sculptor and was a faculty member at the University of Washington. Akio Takamori’s evolution as an artist began as he worked with Ferguson to break free of the constraints of industrial pottery and find new ways to express himself in clay. Since those first years at the Kansas City Art Institute his work has changed greatly, but it has always been figurative, based on the human body and expressive of human emotion and sensuality. In the 1980s, Takamori worked innovatively with the vessel form and its structure, creating flat envelope shaped pots formed from slabs. Once the ceramic piece was finished, he would paint onto the surface adding details of the figures that he was representing. These figures often explored human relationships. His work in this format lasted about ten years. In the mid-1990s a visit to the European Ceramic Work Center in The Netherlands resulted in a shift from vessels back to an early interest in sculpture and the figure. Takamori created groupings of standing figural sculptures...

Peter Voulkos Title: Untitled Print Year: 1984 Medium: Monotype Signed and Dated Size: 42″x 29″ A West Coast potter and sculptor, Peter Voulkos (1924-2002) led in the development o...

Peter Voulkos Title: Untitled Print Year: 1984 Medium: Monotype Signed and Dated Size: 28″x 22″ A West Coast potter and sculptor, Peter Voulkos (1924-2002) led in the development o...

Peter Voulkos Title: Untitled Print Year: 1984 Medium: Monotype Signed and Dated Size: 24 1/2” x 18 1/2” image 29 3/4” x 22” paper size A West Coast potter and sculptor, Peter Voul...

Peter Voulkos Title: Untitled Print Year: 1984 Medium: Monotype Signed and Dated Size: 17 1/2” x 11 x 3/4” image 29 3/4” x 22” paper size A West Coast potter and sculptor, Peter Vo...

Peter Voulkos Title: Untitled Print Year: 1984 Medium: Monotype Signed and Dated Size: 23 1/2” x 17 3/4” image 29 3/4” x 22” paper size