Art by Medium: Monotype

Flowers / Bouquet / Flora 29.75 x 29.75 inches framed Artist Statement Rachel Burgess makes autobiographical works on paper of landscapes and domestic scenes. Window-like in scale...

David Humphrey Two Kitties, 2003 Monotype Hand signed and dated by the artist on the lower right front 20 × 31 1/2 inches Unframed Published by, and acquired from Tamarind Institute ...

Alan Shields TV Re-Run A, 1978 Mixed Media Monotype embossing, linocut, with watercolor and silver leaf applied decoration on TGL Handmade Paper. Mounted on Linen Board Signed by Ala...

Siergiej Timochow, a Belorussian artist, born in 1960. He studied at an art school in Minsk in 1979 before continuing to study at the Fine Arts Academy in Belarus. His acrylic and ...

A Professor of painting at Southern Methodist University in Dallas since 1984, Barnaby Fitzgerald spent his childhood in Italy before receiving a Magistero degree in printmaking at t...

Green Growth

Large scale color monotype of a Western landscape with sapphire blue sky, green trees, river, yellow and orange hills, and red clay cliffs, to enliven minimalist, modern, and contemp...

Gail Norfleet earned her BFA at The University of Texas at Austin, and her MFA at Southern Methodist University in Dallas. Among others, she has had solo exhibitions in Dallas at The...

Gail Norfleet earned her BFA at The University of Texas at Austin, and her MFA at Southern Methodist University in Dallas. Among others, she has had solo exhibitions in Dallas at The...

Landscape with Swiss cheese (or architectural frieze) in bright vibrant colors. Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. For over forty years, Baxter& has continually produced works that question the role of art as commodity and as a medium for cultural commentary. Among his many innovations, Baxter& was the first artist to adopt a corporate persona: in 1966, he formed the N.E. Thing Company. NETCO output ranged from conceptual, satirical, vacuum-formed still lives to post-modern appropriations of famous artworks. His recent work includes neon signs, ‘animal preserves’, a grocery cart of ‘GMO’s’ (genetically modified organisms) and installations using obsolete technology.) He is a painter, photographer, sculptor, mixed media artist, installationist, film & video maker, interventionist & performance artist who has been a forerunner of conceptual art in Canada. BAXTER& has been considered the Marshall McLuhan of Visual Arts in Canada. Continuous themes in his work include information technology, landscape, art as commodity, & environmental & ecological concerns. These prominent themes throughout BAXTER&‘s work are often met with wit, parody, satire & word-play. Through his art, teaching, and mentorship, BAXTER& has widely influenced Canadian art, creating new movements such as the Vancouver School of Photo-conceptualism and blurring the lines between private and public through his N.E. Thing Co. among many other impactful projects. He has also directly influenced major Canadian artists, including Stan Douglas, Ian Wallace, Jeff Wall, Roy Arden, Ken Lum and Rodney Graham. BAXTER& has exhibited throughout Canada and internationally in the United States, China, Korea, Japan, and Europe including at the Guggenheim New York, The National Gallery of Canada & the Canadian Cultural Center in Paris, France, Los Angeles Museum of Contemporary Art, Museum of Modern Art, New York & the Tate Modern, London. In 2011, BAXTER&’s work was compiled into a major retrospective IAIN BAXTER&: 1958--‐2011, organized by the Art Gallery of Ontario & The Museum of Contemporary Art Chicago. His work can be found in collections including the National Gallery of Canada, the Art Gallery of Ontario, The Museum of Modern Art, New York, The Vancouver Art Gallery, the F.R.A.C Art Museum in Bretagne, France, the Gemeentemuseum in The Hague, The Netherlands, the Los Angeles County Museum of Art, & the Tate Modern, London. He is a Member of the Royal Canadian Academy. His work was included in the seminal Made of Plastic show that included Abe Ajay...

Dallas artist Gail Norfleet is best known for her color monotypes, paintings, collages, and paintings on glass. Norfleet earned her BFA at The University of Texas, Austin, and her MFA at Southern Methodist University. Among others, she has had solo exhibitions in Dallas at The McKinney Avenue Contemporary and the former Delahunty and DW Galleries. Gail’s studio and the studios where she teaches serve as the settings for her recent body of work titled "The Studio." The studio is a rich visual environment that has inspired artists for centuries. Gail’s studio is strung with brightly colored Mexican papel picado...

This is one-of-a-kind, unframed colored pencil & collage on archival pigment print. See image gallery for example of framing possibilities. These pieces work particularly well as a s...

In this black and white monotype, Zalopany has captured a duo of tumblers atop a roof, as onlookers stare in wonder. The artist is able to cap...

Unique monotype, signed and numbered 1/1. Artist Robert Roach worked in Santa Fe, New Mexico. His one-of-a-kind, abstract monoprints are inspired by the landscape, climate and light...

Andrea Belag New Moon, 1990 Monotype on Wove Paper 42 × 30 inches Hand signed and dated on the front Published by Pelavin Editions, with blind stamp on the front Unique Unframed Love...

Contemporary figurative nude monotype print by Belarussian artist, Siergiej Timochow. Print depicts a woman playing on a double bass. The composition is monochromatic. The paper/card...

Girl's shoes, heels or tap shoes in bronze, black and gold, featured in this Monotype ev edition 8/8 with hand coloring. Kim Frohsin spent 12 years working o...

A unique monotype with charcoal, graphite and acrylic makes the textures as important as the image. Seiko Tachibana was born in Japan and completed her Masters of Art Education at K...

Monica DeSalvo’s “Space Junk” is a 22 x 30 inch surreal collage on a digital enlargement of an abstract acrylic monotype with pink, tan, orange, peach, sage, and white. Soft textures and depth are created by the uneven distribution of color and layering a day’s worth of final pulls with a Gelli plate, capturing faint impressions of items such as a feather. Collage elements include monotype fragments with botanical forms and vintage textbook...

Oil Monotype w/ Wool Fiber, Japanese Paper, Ink Transfer, Clothing Tag, Metal Leaf and Coffee Hand pulled on white BFK Rives Printmaking Paper Edition: Unique

Signed lower right, 'Douglas McClellan', dated 1988 and titled lower left, 'Cretan View'; additionally signed, titled, dated and media noted as 'monotype with collage' on verso. A ...

Contemporary figurative nude monotype print by Belarussian artist, Siergiej Timochow. Print depicts a woman laying with music notes in the background. The composition is monochromati...

This long narrow blue and white monotype was made by carefully arranging hundreds of individual flowers of fresh-cut Dutch clover growing wild. This unique print is the same size as ...

Landscape with Ranch Fence in bright vibrant colors. Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. For over forty years, Baxter& has continually produced works that question the role of art as commodity and as a medium for cultural commentary. Among his many innovations, Baxter& was the first artist to adopt a corporate persona: in 1966, he formed the N.E. Thing Company. NETCO output ranged from conceptual, satirical, vacuum-formed still lives to post-modern appropriations of famous artworks. His recent work includes neon signs, ‘animal preserves’, a grocery cart of ‘GMO’s’ (genetically modified organisms) and installations using obsolete technology.) He is a painter, photographer, sculptor, mixed media artist, installationist, film & video maker, interventionist & performance artist who has been a forerunner of conceptual art in Canada. BAXTER& has been considered the Marshall McLuhan of Visual Arts in Canada. Continuous themes in his work include information technology, landscape, art as commodity, & environmental & ecological concerns. These prominent themes throughout BAXTER&‘s work are often met with wit, parody, satire & word-play. Through his art, teaching, and mentorship, BAXTER& has widely influenced Canadian art, creating new movements such as the Vancouver School of Photo-conceptualism and blurring the lines between private and public through his N.E. Thing Co. among many other impactful projects. He has also directly influenced major Canadian artists, including Stan Douglas, Ian Wallace, Jeff Wall, Roy Arden, Ken Lum and Rodney Graham. BAXTER& has exhibited throughout Canada and internationally in the United States, China, Korea, Japan, and Europe including at the Guggenheim New York, The National Gallery of Canada & the Canadian Cultural Center in Paris, France, Los Angeles Museum of Contemporary Art, Museum of Modern Art, New York & the Tate Modern, London. In 2011, BAXTER&’s work was compiled into a major retrospective IAIN BAXTER&: 1958--‐2011, organized by the Art Gallery of Ontario & The Museum of Contemporary Art Chicago. His work can be found in collections including the National Gallery of Canada, the Art Gallery of Ontario, The Museum of Modern Art, New York, The Vancouver Art Gallery, the F.R.A.C Art Museum in Bretagne, France, the Gemeentemuseum in The Hague, The Netherlands, the Los Angeles County Museum of Art, & the Tate Modern, London. He is a Member of the Royal Canadian Academy. His work was included in the seminal Made of Plastic show that included Abe Ajay...

Both the natural world and architectural grit have a place in Lisa Breslow's work, highlighting the pull of New York City that is created by these opposing forces side-by-side. She ...

Artist: Richard Attilio Moquin (American, born 1934) Title: Untitled #3 Year: 1992 Medium: Monotype Paper: B.F.K Rives Image size: 13.75 x 9.75 inches paper size: 20.5 x...

Contemporary figurative nude monotype print by Belarussian artist, Siergiej Timochow. Print depicts a woman playing on a saxophone. The composition is in two colors: red and beige. T...

Red Grooms (American, b. 1937). Keystone Kops to the Rescue III. 2006. Triptych color monotype created by the artist with lithographic ink on plexiglass plates, and then hand-colored by the artist. Printed by master printer Bud Shark. Printed on White Rives BFK. A unique impression, signed by the artist in pencil lower right. 3 sheets. Each sheet is 30 x 44 ½ ”. Overall: 30 x 133 ½ ” This has all the wonderful components of a Red Grooms piece, Keystone Kops policemen, Circus, Cactus, Cowboys, Hollywood sign etc. Red Grooms (born Charles Rogers Grooms on June 7, 1937) is an American multimedia artist best known for his colorful pop-art constructions depicting frenetic scenes of modern urban life. Grooms was given the nickname "Red" by Dominic Falcone (of Provincetown's Sun Gallery) when he was starting out as a dishwasher at a restaurant in Provincetown and was studying with Hans Hofmann. Grooms was born in Nashville, Tennessee during the middle of the Great Depression. Red Grooms came of age in the shadow of the Abstract Expressionists. He studied at the Art Institute of Chicago, then at Nashville's Peabody College. In 1956, Grooms moved to New York City, to enroll at the New School for Social Research. A year later, Grooms attended a summer session at the Hans Hofmann School of Fine Arts in Provincetown, Massachusetts. There he met experimental animation pioneer Yvonne Andersen, with whom he collaborated on several short films. Grooms follows in the tradition of William Hogarth and Honoré Daumier, who were canny commentators on the human condition. In 1969, Peter Schjeldahl compared Grooms to Marcel Duchamp, because both embodied "a movement of one man that is open to everybody." In the spring of 1958, Grooms, Yvonne Andersen and Lester Johnson each painted twelve-foot by twelve-foot panels, which they erected with telephone poles on a parking lot adjacent an amusement park in Salisbury, MA. Inspired by artist-run spaces such as New York's Hansa Gallery and Phoenix, and Provincetown's Sun Gallery, Grooms and painter Jay Milder opened the City Gallery in Grooms' second-floor loft in the Flatiron District. When Phoenix refused to show Claes Oldenburg, Grooms and Milder dropped out of Phoenix and City Gallery presented Oldenberg's first New York exhibition, as well as that of Jim Dine. Other artists who showed at City Gallery include Stephen Durkee, Mimi Gross (daughter of Chaim Gross and Red Grooms wife), Bob Thompson, Lester Johnson, and Alex Katz. Grooms never developed the detached stance of such Pop Art practitioners as Andy Warhol, Roy Lichtenstein or James Rosenquist. Instead he painted his own life, and became, literally, an actor on the stage of life -- in this case the art-as-life "happenings" of the downtown New York scene. Inspired by George Méliès...

Artist: Kazuhide Yamazaki (Japanese-American, 1951-2023) Title: "House with Fence" *Signed and dated by Yamazaki in pencil lower right Year: 1983 Medium: Original Monotype on Arches ...

Contemporary figurative nude monotype print by Belarussian artist, Siergiej Timochow. Print depicts a woman with a tube. The composition is monochromatic in blue. The paper/cardboard...

Artist: Red Grooms (1937) Title: Albert Einstein and Marilyn Monroe Year: circa 1987 Medium: Monotype and mixed media on wove paper Size: 47.62 x 31.87 inches Condition: Excellent I...

Monotype ev edition 1/3 with hand coloring. The plate (image of ballet slippers) is 15 x 14 inches and the overall paper size is 23 1/2 x 22 inches. Kim Frohsin spent 12 years workin...

Silver and orange monotype EV —edition variée ed 3/5 with heavy hand coloring. A final work from the artist's mportant Cautionary Tales series, that was her focus throughout 2015. T...

"Tar Cart #2" by Joseph Solman (American, 1909-2008) Hand signed recto Joseph Solman (January 25, 1909 – April 16, 2008) was a Jewish American painter, a founder of The Ten, a group...

Beautiful artwork, a colored monotype, representing an abstract composition, realized by Gastone Novelli. Image dimensions: Cm 23.5 x 18 Signed "G. Novelli" on the lower right. Ve...

Barbara Hocker sees her life’s vocation as being an ambassador for the natural world through her art. Nature is facing many challenges right now. Hock...

Monotype ev edition 2/4 with hand coloring. the plate is 12 x 12 inches and the overall paper size is 21 x 20 inches. Kim Frohsin spend 12 years working on monotype ev's, and works f...

Cool turquoise and blues are streaked with colorful gold and red accents that play across this beautiful abstract original work "Balance of Life" by master print maker Linda Whittemore. This mixed media viscosity monotype displays all of the unique skill and painterly touch of the artist, who draws her inspiration from the natural beauty that surrounds her on her home of Maui. Linda works in a printmaking style called viscosity monotype, although she is trained in the traditional form of Intaglio printmaking. Her works are a story of color and mood, She continues to paint scenes around the island of Maui and further abstracts them in her studio using the printmaking process. Often, watercolor plein aire paintings are a prelude to her original monotypes. “It’s all a process, one medium leads to the next. We create from what we know or don’t know. My paintings are who I am.” Linda also has enjoyed painting the figure for many years. Linda began a life long relationship with watercolor painting at the age of eight. She studied two full years with the past president of the Watercolor Society, Roger Armstrong, as well as other teachers like Chris Sullivan, Hiroke Morinue, Richard Nelson...

In her Delft Garden series, artist Christine So first drew the outline of a plant in pencil and then painted it in a dark room —not paint– but with the cyanotype light-sensitive emu...

This unique multistep technique is a combination of a painting and a photograph or monotype. Cyanotypes are a kind of alternative photographic process from the 1800s. The chemicals a...

This unique multistep technique is a combination of a painting and a photograph or monotype. Cyanotypes are a kind of alternative photographic process from the 1800s. The chemicals a...

An original mid century modern abstract expressionist monotype print by American artist Toma Yovanovich. Toma Yovanovich (1931-2016) Yovanovich was a painter/printmaker whose ...

A unique, one-of-a-kind, monoprint by the listed British artist Peter Ford (b.1937). Entitled 'Torso II'. Pencil signed below plate lines. Presented in a contemporary wooden frame. L...

This is a combination of painting and photography, the antique cyanotype process. The silhouette of the plant was first drawn, then painted not with ink or paint, but with light-sens...

A bright golden sunset illuminates the sky and landscape in this signed and numbered monotype by John Beerman. In the foreground, two stones sit on a cliff t...

monotype EV —edition variée 1/4 with heavy hand coloring in mixed media. Plate/image is 10 x 10 inches. Paper dimension is 18 x 18 inches. Pink, blue and white candy still life of B...

Robin Winters (American, born 1950), Untitled (Red Face) from "Cherry Block Series" 1986, monotype, pencil signed and dated lower right, plate: 6"h x 8.5"w, overall (with frame): 22.25"h x 18.25"w. Provenance: Property from a Private Collection, San Francisco. Winters was invited to make monotypes at Experimental Workshop in San Francisco, (they printed Richard Bosman, Sam Francis, Claire Falkenstein, Deborah Oropallo and Kenneth Noland and many more greats). Winters chose to paint on wood blocks rather than the more usual metal plates in order to capture the organic quality of the natural material. He exploited a salient characteristic of the monoprint in Ghost Story by adding new painted elements onto the increasingly faint ghost images that result from successive impressions from a single block. In so doing he achieved the effect of transparent layers of color and shadow imagery. Winters's brightly-colored monotypes portray an array of figures and landscapes (and an occasional still-life) that, although can be seen in the context of a general trend away from abstraction that has marked the 1980s, defy strict stylistic categorization. They are neither realistic nor abstract, psychological self-examinations nor narrative fictions, but they contain elements of all of these approaches. Like Jonathan Borofsky, Winters derives much of his subject matter from dreams, believing that through his private fears and obsessions he can touch similar emotions in others. Although at first glance Winters's images look as if they could have been made by a child, closer attention reveals sly art historical references to Jackson Pollock and Pattern Painting (the drip and splatter backgrounds), Mark Rothko (the three-part horizontal compositions) and Minimalism (the gridded Cherry Block Series: Bread Beat). Robin Winters (born 1950 in Benicia, California) is an American conceptual, multi-disciplinary, artist and teacher based in New York. Winters is known for creating solo exhibitions containing an interactive durational performance component to his installations, sometimes lasting up to two months. Winters first emerged in the burgeoning Soho NYC art scene of the 1970s. An early practitioner of the Relational Aesthetics (social interaction as an art medium) Winters also created in works through sculpture, installation, performance, painting, drawing and prints. His art maintains a whimsical spirit, and he often returns to ongoing themes involving faces, boats, cars, bottles, hats and jesters or fools. Winters has incorporated such devices as blind dates, double dates, dinners, fortune telling, and free consultation in his performances. Throughout his career he has engaged in a wide variety of media, such as performance art, film, video, writing prose and poetry, photography, installation art, printmaking, drawing, painting, ceramic sculpture, bronze sculpture, and glassblowing. Winters was born in Benicia, California in 1950 to lawyer parents. As a child his hobby was collecting glass bottles found on the beach and under old buildings, which would later influence him as an artist. In 1968, Winters had his first durational performance, entitled Norman Thomas Travelling Museum. The artist drove a Volkswagen bus decorated in collage, many of the images relating to current events and politics. Inside was what the artist described as a “reliquary” containing many objects, including a bottle collection. Winters took the van to shopping centers and even as far as Mexico. That same year, Winters opted not to register for the military draft. Although he was deemed fit to serve, Winters refused. In 1975 the resulting legal proceedings finally came to a close after it was proven that the artist had been harassed by the local draft board. In his teens and early twenties, Winters became acquainted with several local artists who helped shape his aesthetic, most notably Manuel Neri and Robert Arneson. By the early 1970s, Winters was studying at the San Francisco Art Institute (SFAI) and had relocated to San Francisco. At this time Winters became friends with the Bay Area conceptual artists Terry Fox and Howard Fried, and participated in several of Fried's performance works. In 1972 Winters was accepted into the Whitney Independent Study Program in New York City. After coming to New York City, Winters helped support himself by working for various artists, among them the performance artist Joan Jonas and sculptor Donald Judd. In 1974, Winters performed The Secret Life of Bob-E or Bob-E Behind the Veil eight hours a day, five days a week for a month in his studio apartment. Behind a one-way mirror the audience could watch Winters play the character of Bob-E, whose goal was to make a monument for everyone in the world in the form of blue and yellow rubber top hats. By the end of the month the artist had constructed 262 hats. The following year, Winters was invited to take part in the Whitney Museum's 1975 Biennial Exhibition. Entitled W.B. Bearman Bags a Job or Diary of a Dreamer. Winters was traveling in 1975 and 1976, spending time in North Africa and in Europe. At a time when most young American artists were unaware of their European counterparts, Winters met and was influenced by such artists as Sigmar Polke and Marcel Broodthaers (with whom Winters worked on an installation) and also had a one-person exhibition, at the Konrad Fischer Gallery in Dusseldorf. Returning to New York in 1976, Winters teamed up with a group of artists to form Collaborative Projects (Colab), a rather anarchistic organization dedicated to artistic collaboration and the creation of art that questioned social values.. Also in 1976, Winters formed the partnership “X&Y” with fellow artist Coleen Fitzgibbon that would last two years. Together they performed a series of shows in the Netherlands, most notably a show entitled Take the Money and Run. Performed at De Appel in Amsterdam, the show involved the artists robbing their audience. The following day the audience was given an apology, as well as the opportunity to retrieve any valuables and participate in a lottery to win the artists’ services. They also made a Super 8 film in NY called Rich-Poor, in which they asked people on the streets their thoughts on the rich and poor. In 1980 Winters participated in The Real Estate Show and in Absurdities at ABC No Rio. That same year he and artists Peter Fend, Coleen Fitzgibbon, Peter Nadin, Jenny Holzer, and Richard Prince also formed The Offices of Fend, Fitzgibbon, Holzer, Nadin, Prince & Winters. This short-lived collective was based out of an office on lower Broadway and offered “Practical Esthetic Services Adaptable to Client Situation”, as stated on their business card. Their goal was to offer their art as “socially helpful work for hire”. In June of that year Winters participated in The Times Square Show, Colab's most well-known exhibition. The month-long show took place in a four floor building on West 41st Street and was densely packed with art. To cap off a busy year, Winters also became one of the first artists to join the Mary Boone Gallery, showing a successful solo exhibition in 1981. His work was shown in the New York/New Wave show in 1981 at MoMA PS1 along with Jean-Michel Basquiat, Roberta Bayley, William S. Burroughs, David Byrne, Sarah Charlesworth, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Peter Fend, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Marcus Leatherdale, Christopher Makos, Robert Mapplethorpe, Elaine Mayes, Frank Moore, Kenny Scharf and others. In 1982, Winters had his first solo exhibition in Los Angeles at the Richard Kuhlenschmidt Gallery. At the Mo David Gallery in 1984, Winters created an installation piece that consisted of a floor of plaster tiles. Underneath each tile, hidden from view, was a drawing. He designed the stage sets for the musician Nico, and assisted French artist Orlan, American artist Stuart Sherman, and American poet Gregory Corso. Two years later Winters was invited to take part in Chambres d’Amis (In Ghent there is Always a Free Room for Albrecht Durer) in Ghent, Belgium. In it, 51 artists created installations in 50 different sites, mostly private homes. Winters chose the home of a local art historian. The artist made 90 drawings based on images found in the large collection of art books in the home's library. He made two copies of each drawing and placed the originals in the books themselves. One set of copies was exhibited in the sponsoring museum, Museum van Hedendaagse, as "The Ghent Drawings". The drawings were also on display at Winters’ solo exhibition at Luhring Augustine & Hodes Gallery in New York City in 1987. In 1986, Winters had a solo exhibition at Maurice Keitelman Gallery in Brussels, Belgium, and the following year a solo exhibition at the Centre Régional d'Art Contemporain Midi-Pyrénées in Toulouse, France. Also in 1986, Winters' Playroom was held at the Institute for Contemporary Art in Boston, Massachusetts. The exhibition was part of Think Tank, a retrospective of Winters' work which traveled to the Stedelijk Museum in the Netherlands, the Centre Regional d’Art Contemporain in France, and the Contemporary Arts Center in Ohio. Winters spent a month in 1989 working with students at the San Francisco Art Institute. Never having worked with ceramics, he spent the month making numerous ceramic pieces, which were then shown in the aptly named One Month in San Francisco. Other components of the piece included Winters’ childhood bottle collection and a video showing each piece in the show filmed briefly next to a ruler.[ Also that year, Robin served as a visiting artist at the Pilchuck Glass School, where he met artist John Drury, who was then working as the school's artist liaison. In the summer of 1990, Winters interviewed fellow artist Kiki Smith for her eponymous book, which was published later that year. That same year (1990), Winters was invited by the Val Saint Lambert glass factory in Belgium to create glassworks in their facility. Winters, artists John Drury and Tracy Glover...

Monotype

This large scale landscape monotype in black and brown features a scene from London’s Greenwich Park, a former hunting park established in the 15...

Color cityscape and landscape with swimmers bathing with friends in a large sapphire blue pool or body of water. This monotype -- a unique painting in ink -- presents an atmospheric scene of European leisure and sports. Turquoise water contrasts with the swimmer's bodies, painted with shades of peach, with black outlines. Paper 35 x 26 in. / 90 x 66 cm. Monotype on white MBM Ingres d'Arches paper. Signed by the artist, annotated "IIC", and dated 1990 lower right in pencil. This large, multi-color monotype depicts a group of young men swimming...

Monotype

This is one-of-a-kind, unframed colored pencil & collage on archival pigment print. See image gallery for example of framing possibilities. These pieces work particularly well as a s...

This large-scale, colorful ocean landscape monotype gives the viewer a hidden vantage point: through the dark silhouette of tangled vines can be seen a placid, turquoise sea lapping ...

"Máscara", by the Argentine visual artist and sculptor Blas Castagna (Buenos Aires, 1935). Hand-colored Symbolist Monotype. Mixed media on handmade paper. Image size: 26 × 25 cm Fr...

A large, unique print on canvas by American Artist, Mitch Lyons (1938-2018), signed lower right. The canvas is unstretched and will be shipped rolled in a tube.

In this unique Michael Hurson monotype, stylized Greco-Roman pillars flank a plane of crosshatched and dotted texture in black, brown, and purple ink. The...

This is one-of-a-kind, unframed colored pencil & collage on archival pigment print. See image gallery for example of framing possibilities. These pieces work particularly well as a s...

Andrea Belag Beauty for Sale, 1990 Monotype on cotton rag paper 42 1/2 × 30 inches Unframed Pencil signed, dated and titled on the front; bears publisher name and copyright on the back Exquisite monotype; both gestural and minimalist. The title speaks for itself and defines the work. American painter Andrea Belag creates lush and luminous abstractions inspired by the visual and spiritual principles of Zen, as well as artists such as Mary Heilmann, Bernard Frize...

This artwork "Untitled" is a monotype on paper by noted artist Tracey Adams, born 1954. It is hand signed and dated 98 in pencil at the lower right corner by the artist. The image si...

Siergiej Timochow, a Belorussian artist, born in 1960. He studied at an art school in Minsk in 1979 before continuing to study at the Fine Arts Academy in Belarus. His acrylic and ...