Art by Medium: Monotype

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...

Unframed. Two 40h x 26w inch monotypes. Signed on the back by the artist. Images of the prints framed are just to give a sense of how much wall they would cover once framed with a...

"Capricho" Original Impressionist Monotype In this eye-catching monotype, a performer stands on a stage, lit by a beam of light with one hand raised above her. The lifted hand and p...

Bold and graphic orange abstract monotype by American artist Kismine Varner, circa 1990. Signed lower right. Original artwork on paper displayed on ...

"Sale Julia" Abstract Figurative Monotype by California artist Linda O'Hagan. This dynamic print by Linda O'Hagan captures the movement of a dancer mid-turn. The background is comp...

These are two miniature 12 x 6 inch hand-printed abstract cyanotypes mounted on wood. They are sealed with a satin finish varnish on the face and all sides.The sides are natural wood...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

This still-life fresco painting is part of a series depicting ancient Greek amphoras and pottery vases from the archaeological site of Paliopoli, in the Greek island of Kythera, known as the place where Aphrodite was born and emerged from the sea. Tzannes used his own fresco technique where the pigment is imbedded in the slab as it dries. The outcome is a sensual, almost silky surface with subtle gray and white tones. The drawing is imbedded in the concrete surface, nearly as an ancient fossil. The amphoras are drawn from the original Minoan pottery...

Luis Miguel Valdes (Cuba, 1949) "Another sitting on the wall", 2024 monotype (monoprint) on paper 22.5 x 28.75 in. (57x73 cm.) Hand-signed by author ________________________________...

Paul Gattuso attended the Art Students League and worked primarily in New York City. There is an old address with a Bronx, Grand Concourse address. Gattus...

This striped collage in all shades of indigo calls to mind Indonesian or Guatemalan woven textiles. The pattern mounted on wood panel was made by hand-printing, then then slicing int...

This artwork "Untitled #3" 1992 is a original monotype on paper by Swiss artist Barbara Diethelm, born 1962. It is hand signed and dated in pencil by the artist. Printed and published by Aurobora Press, San Francisco. The artwork (image) size is 7 x 6.65 inches, sheet size is 15 x 11 inches. It is in excellent condition. About the artist. Barbara Diethelm was born and raised in Zürich. After attending college in Zürich she moves to the United States in 1982. 1983 – 1988 Studies Graphic Design and Fine Art (with Mel Casas, Mark Pritchett und Tom Willome) at S.A.C. in San Antonio, Texas. Studies Humanities and Management at St. Mary’s University, San Antonio. 1988 – 1990 studies Painting (with Sam Tchakalian...

Michael Heizer III-8 (two pages), 1983 Monoprint on two individual sheets of white handmade TGL paper, hand colored with colored pencils, paint sticks, and liquid and spray acrylic p...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

Criss-Cross, 2019 by a.muse is about missed connections and chance meetings. A red geometric work on paper, 11.5" x 9.5" Criss-Cross is dated, titled, and signed by the artist. A one...

This artwork titled "Monotype" 1991 is an original monotype by renown American glass sculptor Marvin Lipofsky. It is signed, titled and dated in pencil by the artist. The artwork size is 30 x 22.5 inches, framed is 33.75 x 26.25 inches. It is custom framed in the original wooden off white frame. It is in excellent condition. About the artist: Glassmaker, sculptor and graphic artist, Marvin Lipofsky, born in 1938, received his B.F.A. degree in Industrial Design from the University of Illinois. He earned his M.S. degree, 1963, and M.F.A., 1964, in sculpture from the University of Madison, Wisconsin. There, he was one of Harvey Littleton's first graduate students working in glass. Littleton had been the first American artist, in the 1960s, to visit Czechoslovakia, famous for its work in glass, where glass sculpture had been made since the 1950s. Marvin Lipofsky would also be an early visitor, observing there. Since that time, the artist has traveled extensively, collaborating with the world's best glass artists. After graduation from Wisconsin, Lipofsky was hired by the University of California, Berkeley, where he introduced the second university glass program in America (Littleton was the first). Lipofsky also established the glass program at the California College of Arts and Crafts in Oakland in 1967, the San Francisco area becoming a center for glass in the 60s and 70s because of his own work and the students produced by his teaching. While Lipofsky may be best known for three-dimensional globe forms, he has indulged himself in the making of glass Pop Art pickles and hamburgers. He has also created multi-colored, irregular flower...

This painting measures 15.8" x 14" inches. The technique imitates fresco painting. It depicts an ancient Greek vase. It is part of a series depicti...

Konrad Cramer, 'Colored Drawing No. 6' (Reclining Woman), monotype, 1931. Signed and dated in pencil beneath the image, lower right. Annotated 'Colored D' (drawing), No 6' in pencil, lower left sheet corner. A fine, spontaneous work, on cream laid paper, with full margins (1 1/8 to 1 3/4 inches); original brown paper hinges in the top left and right sheet corners, in excellent condition. Image size 5 3/8 x 10 7/8 inches; sheet size 8 1/2 x 13 7/8 inches. Matted to museum standards, unframed. A monotype is the printmaking technique of drawing or painting on a smooth, non-absorbent surface. The surface or matrix can vary from a copper etching plate...

Dramatic, large scale black, white, green and grey Western American landscape with river, grassy banks, trees, and rolling clouds filling the sky. Hang in minimalist, modern, and con...

Olive trees and olive groves are often the main subject of Tzannes paintings. An American painter of Greek origins, Tzannes visited the Greek island of Kythera in his twenties. Since that time, the island has become the major reference of his creativity. The choice of using black and white to represent this landscape gives the mighty hundred-years old olive trees a monumental presence. The viewer is drawn into the timeless, spiritual quality of the Greek landscape. Despite the absence of color, Tzannes' mastery of drawing creates a tangible effect of the Greek light...

Though this unique monotype looks like a woodcut or linocut, it is not. This is a cyanotype, a kind of lensless photography dating back to the 1800s, but the artist altered the ratio...

Though this unique monotype looks like a woodcut or linocut, it is not. This is a cyanotype, a kind of lensless photography dating back to the 1800s, but the artist altered the ratio...

Though this unique monotype looks like a woodcut or linocut, it is not. This is a cyanotype, a kind of lensless photography dating back to the 1800s, but the artist altered the ratio...

Though this unique monotype looks like a woodcut or linocut, it is not. This is a cyanotype, a kind of lensless photography dating back to the 1800s, but the artist altered the ratio...

Though this unique monotype looks like a woodcut or linocut, it is not. This is a cyanotype, a kind of lensless photography dating back to the 1800s, but the artist altered the ratio...

This square woodcut print on paper is composed of a central, circular, metallic silver shape spreading outward into an abstract pattern over a bright turquoise blue background that c...

Collaged monotype still-life silhouette of a cat. David Konigsberg Black Cat, 2023 15" x 18.5" monotype, collage and oil on panel This contemporary still-li...

Robin Winters (American, born 1950), Untitled (Red Face) from "Cherry Block Series" 1986, monotype, pencil signed and dated lower right, plate: 6"h x 8.5"w, overall (with frame): 22.25"h x 18.25"w. Provenance: Property from a Private Collection, San Francisco. Winters was invited to make monotypes at Experimental Workshop in San Francisco, (they printed Richard Bosman, Sam Francis, Claire Falkenstein, Deborah Oropallo and Kenneth Noland and many more greats). Winters chose to paint on wood blocks rather than the more usual metal plates in order to capture the organic quality of the natural material. He exploited a salient characteristic of the monoprint in Ghost Story by adding new painted elements onto the increasingly faint ghost images that result from successive impressions from a single block. In so doing he achieved the effect of transparent layers of color and shadow imagery. Winters's brightly-colored monotypes portray an array of figures and landscapes (and an occasional still-life) that, although can be seen in the context of a general trend away from abstraction that has marked the 1980s, defy strict stylistic categorization. They are neither realistic nor abstract, psychological self-examinations nor narrative fictions, but they contain elements of all of these approaches. Like Jonathan Borofsky, Winters derives much of his subject matter from dreams, believing that through his private fears and obsessions he can touch similar emotions in others. Although at first glance Winters's images look as if they could have been made by a child, closer attention reveals sly art historical references to Jackson Pollock and Pattern Painting (the drip and splatter backgrounds), Mark Rothko (the three-part horizontal compositions) and Minimalism (the gridded Cherry Block Series: Bread Beat). Robin Winters (born 1950 in Benicia, California) is an American conceptual, multi-disciplinary, artist and teacher based in New York. Winters is known for creating solo exhibitions containing an interactive durational performance component to his installations, sometimes lasting up to two months. Winters first emerged in the burgeoning Soho NYC art scene of the 1970s. An early practitioner of the Relational Aesthetics (social interaction as an art medium) Winters also created in works through sculpture, installation, performance, painting, drawing and prints. His art maintains a whimsical spirit, and he often returns to ongoing themes involving faces, boats, cars, bottles, hats and jesters or fools. Winters has incorporated such devices as blind dates, double dates, dinners, fortune telling, and free consultation in his performances. Throughout his career he has engaged in a wide variety of media, such as performance art, film, video, writing prose and poetry, photography, installation art, printmaking, drawing, painting, ceramic sculpture, bronze sculpture, and glassblowing. Winters was born in Benicia, California in 1950 to lawyer parents. As a child his hobby was collecting glass bottles found on the beach and under old buildings, which would later influence him as an artist. In 1968, Winters had his first durational performance, entitled Norman Thomas Travelling Museum. The artist drove a Volkswagen bus decorated in collage, many of the images relating to current events and politics. Inside was what the artist described as a “reliquary” containing many objects, including a bottle collection. Winters took the van to shopping centers and even as far as Mexico. That same year, Winters opted not to register for the military draft. Although he was deemed fit to serve, Winters refused. In 1975 the resulting legal proceedings finally came to a close after it was proven that the artist had been harassed by the local draft board. In his teens and early twenties, Winters became acquainted with several local artists who helped shape his aesthetic, most notably Manuel Neri and Robert Arneson. By the early 1970s, Winters was studying at the San Francisco Art Institute (SFAI) and had relocated to San Francisco. At this time Winters became friends with the Bay Area conceptual artists Terry Fox and Howard Fried, and participated in several of Fried's performance works. In 1972 Winters was accepted into the Whitney Independent Study Program in New York City. After coming to New York City, Winters helped support himself by working for various artists, among them the performance artist Joan...

This is an exclusive handprinted limited edition cyanotype. Details: + Title: Diptych of Ancient Theaters + Year: 2023 + Edition Size: 50 + Stamped and Certificate of Authenticity provided + Measurements : Two panels of 70x100 cm (28x 40 in.), a total of 70x200cm (28x80 in.) + All cyanotype prints are made on high-quality Italian watercolor paper WHAT IS A CYANOTYPE? The cyanotype (a.k.a. sun-print) process is one of the oldest in the history of photography, dating back to the 1840's. Cyanotypes were then made famous by Anna Atkins...

Carlo Alberto Petrucci, 'Still Life with Peonies', color monotype, c. 1915. Signed in pencil, in the image, lower right. A superb, painterly impression, with fresh colors, on heavy c...

This collage on wooden panel was made by cutting up and reassembling hand-printed botanical cyanotypes (blueprints or sunprints) of leaves from my own garden. While cyanotypes are tr...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-light. Details: + Title: Mid Century Shapes...

Expressive brushstrokes in vivid colours play against a sunny yellow in this contemporary composition by Yvonne Lammerich. The form of this silkscreen...

This encaustic collage is mounted on a birch wood panel with 3/4 deep natural wood sides. The thick transparent slightly frosty encaustic beeswax coating on the front gives it a cool...

Abstract landscape print of a country farm in earth tones of beige, orange, and brown 12 x 24 inch image on 22 x 30 inch Rives BFK paper, unframed Rives BFK paper is made of cotton,...

Geometric shapes in yellow, coral red and light sky blue are layered on an indigo blue background. Available unframed, please inquire with the gallery for framing costs. Signed on r...

Color monotype with collage.

Tracey Emin Hello Willow, from the Estate of Andy Warhol curator Tim Hunt and his widow, bestselling author Tama Janowitz, 1997 Monotype on paper. Created expressly for Willow, the d...

This monotype from Nina Tichava is a stellar example of a part of her practice that focuses on botanical shapes and the interaction between colors. Each print is set in a custom buil...

"Tar Cart #2" by Joseph Solman (American, 1909-2008) Hand signed recto Joseph Solman (January 25, 1909 – April 16, 2008) was a Jewish American painter, a founder of The Ten, a group...

Beautiful monotype of various couples sketches with background of leaves by American artist Kismine Varner, 1990. Original artwork on paper displayed on a white mat with a gold b...

Luis Feito (Spain, 1929-2021) 'Guadarrama IV', 2004 intaglio monotype on paper 55.2 x 39.4 in. (140 x 100 cm.) Edition of 76 Unframed ID: FEI1051-062 Hand-signed by author

Geometric shapes in yellow, red, green and blue on a soft gray background. Available unframed, please inquire with the gallery for framing costs. Signed on recto, titled on verso. ...

Olive trees and olive groves are often the main subject of Tzannes paintings. An American painter of Greek origins, Tzannes visited the Greek island of K...

"Tree Bottles for Two People" is an exclusive handprinted unique cyanotype made by layering paper cutouts of bottle silhouettes using uv-light and multiple exposures. This artwork ...

This is an exclusive handprinted limited edition cyanotype. Details: + Title: Ancient Roman Amphitheater + Year: 2022 + Edition Size: 50 + Stamped and Certificate of Authenticity provided + Measurements : 70x100 cm (28x 40 in.), a standard frame size + All cyanotype prints...

The artwork will be sent unframed Linocut and Monotype print „Loneliness 1 ” 2021 Limited edition, print unique number 3/5 Paper Fabriano Rosaspina 220 g Paper size 15,75x19,69 inch...

Rafael Canogar (Spain, 1935) 'Semana Santa III', 2018 monotype on dibond 13 x 39.4 in. (33 x 100 cm.) 1st edition Unframed ID: CAN1030-109 Hand-signed by author _____________________...

Landscape with Ranch Fence in bright vibrant colors. Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. For over forty years, Baxter& has continually produced works that question the role of art as commodity and as a medium for cultural commentary. Among his many innovations, Baxter& was the first artist to adopt a corporate persona: in 1966, he formed the N.E. Thing Company. NETCO output ranged from conceptual, satirical, vacuum-formed still lives to post-modern appropriations of famous artworks. His recent work includes neon signs, ‘animal preserves’, a grocery cart of ‘GMO’s’ (genetically modified organisms) and installations using obsolete technology.) He is a painter, photographer, sculptor, mixed media artist, installationist, film & video maker, interventionist & performance artist who has been a forerunner of conceptual art in Canada. BAXTER& has been considered the Marshall McLuhan of Visual Arts in Canada. Continuous themes in his work include information technology, landscape, art as commodity, & environmental & ecological concerns. These prominent themes throughout BAXTER&‘s work are often met with wit, parody, satire & word-play. Through his art, teaching, and mentorship, BAXTER& has widely influenced Canadian art, creating new movements such as the Vancouver School of Photo-conceptualism and blurring the lines between private and public through his N.E. Thing Co. among many other impactful projects. He has also directly influenced major Canadian artists, including Stan Douglas, Ian Wallace, Jeff Wall, Roy Arden, Ken Lum and Rodney Graham. BAXTER& has exhibited throughout Canada and internationally in the United States, China, Korea, Japan, and Europe including at the Guggenheim New York, The National Gallery of Canada & the Canadian Cultural Center in Paris, France, Los Angeles Museum of Contemporary Art, Museum of Modern Art, New York & the Tate Modern, London. In 2011, BAXTER&’s work was compiled into a major retrospective IAIN BAXTER&: 1958--‐2011, organized by the Art Gallery of Ontario & The Museum of Contemporary Art Chicago. His work can be found in collections including the National Gallery of Canada, the Art Gallery of Ontario, The Museum of Modern Art, New York, The Vancouver Art Gallery, the F.R.A.C Art Museum in Bretagne, France, the Gemeentemuseum in The Hague, The Netherlands, the Los Angeles County Museum of Art, & the Tate Modern, London. He is a Member of the Royal Canadian Academy. His work was included in the seminal Made of Plastic show that included Abe Ajay...

Luis Feito (Spain, 1929-2021) 'Guadarrama VI', 2004 intaglio monotype on paper 55.2 x 39.4 in. (140 x 100 cm.) Edition of 76 Unframed ID: FEI1051-064 Hand-signed by author

Pitcher (Contemporary Graphic Black & White Still Life Collage of Kitchen Jug) David Konigsberg Pitcher, 2023 15" x 15" monotype and oil on panel This con...

Rafael Canogar (Spain, 1935) 'Semana Santa II', 2018 monotype on dibond 13 x 39.4 in. (33 x 100 cm.) 1st edition Unframed ID: CAN1030-108 Hand-signed by author ______________________...

John Walker British (b. 1939) Salsipuedes Forms (1991) Monoprint relief print with dry pigment, monotype Hand signed lower right Provenance: Garner Tullis Workshop A monotype is literally one of a kind; it is not a method of multiplication. The artist makes an image with a liquid medium on wood, metal or glass, and paper is laid over the moist image and bonded under pressure the paper is then removed bringing with it the transposed monotype. John Walker (born 1939) is an English painter and printmaker. He has been called "one of the standout abstract painters of the last 50 years." Walker studied in Birmingham at the Moseley School of Art, and later the Birmingham School of Art and Académie de la Grande Chaumière in Paris. Some of his early work was inspired by abstract expressionist art and post-painterly abstraction, and often combined apparently three-dimensional, sculptural shapes with "flatter" elements. These pieces are usually rendered in acrylic paint. In the early 1970s, Walker made a series of large Blackboard Pieces using chalk first exhibited at the opening of Ikon Gallery, in Birmingham Shopping Centre, Birmingham in 1972 and the Juggernaut works which also use dry pigment. From the late 1970s, his work marked allusions to earlier painters, such as Francisco Goya, Edouard Manet and Henri Matisse, either through the quoting of a pictorial motif, or the use of a particular technique. Also during this time, he began to use oil paint more in his work. His paintings of the 1970s are also notable for what has come to be termed canvas collage, the application of glued-on, separately painted patches of canvas to the main canvas. Beginning in the 1970s John Walker was one of the most influential and imitated painters working in the UK; he exhibited alongside Andy Warhol and Roy Lichtenstein, represented his country at the 1972 Venice Biennale, had extensive survey shows at both the Tate and Hayward galleries and was nominated for the Turner Prize in 1985. After spending some time in Australia, Walker got a position at the Victoria College of the Arts in Melbourne. He produced the Oceania series around this time which incorporates elements of native Oceanic art. Walker is currently the head of the graduate painting program at Boston University. Walker won the 1976 John Moores Painting Prize and was nominated for the Turner Prize in 1985. In September 2010, Walker and five other British artists including Howard Hodgkin, John Hoyland, Ian Stephenson, Patrick Caulfield and R.B. Kitaj were included in an exhibition entitled The Independent Eye: Contemporary British Art From the Collection of Samuel and Gabrielle Lurie, at the Yale Center for British Art. His art was influenced by Boston Expressionism. Along with Aaron Fink, Gerry Bergstein, Jon Imber, Michael Mazur, Katherine Porter, Jane Smaldone, John Walker, and Philip Guston. Through Garner Tullis at Experimental Press he met Sean Scully, Friedel Dzubas, Helen Frankenthaler, Sam Francis, William Wiley, and others. Select Group Exhibitions (partial list) 1965 John Moores Liverpool Exhibition. Walker Art Center, Liverpool. 1966 Recent Aspects of British Art. Australia and New Zealand (traveled). 1967 4 Artists. Betty Parsons Gallery, New York. John Walker, Michael Kidner, Bruce Tippett, Michael Tyzack...

Vivid monotype abstract in warm tones of yellows and reds by American artist Kismine Varner, 1990. Signed and dated lower right. Original artwork on paper displayed on a white mat...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

Luis Miguel Valdes (Cuba, 1949) 'Untitled', 2015 monotype on paper Guarro Biblos 250g. 29 x 33.9 in. (73.5 x 86 cm.) ID: 1D201506 Hand-signed by author ______________________________...

James Nares Fountain, 1987 Monotype on paper Hand signed and dated lower front Unique Frame included Measurements: Framed 41.5 by 34 inches Work 30.25 by 22.25 inches Dazzling Jame...

Rich monotype abstract in tones of dark purples and blues by American artist Kismine Varner, 1990. Signed in pencil lower right. Original artwork on paper displayed on a white mat...

This is a monotype, a unique print with no other editions. The square print on delicate Asian paper layers geometric shapes in navy, light yellow, green and dark coral on a light blu...