Art by Medium: Monotype

Larry Brown Long-time established New York painter as well as faculty member the The Cooper Union, Brown works in oil on canvas and tempera paints on paper. He deals with themes of science and universality. EDUCATION: 1970 M.F.A. in Painting, University of Arizona 1967 BA in Painting, Washington State University SELECT GROUP EXHIBITIONS: Mixed Company: Women Choose Men, AIR Gallery, New York, NY Easy Breezy, Sears-Peyton Gallery, New York, NY From Stone and Plate: Contemporary Prints from Tamarind Institute, California State University Change of View Tamarind Institute Gallery, Albuquerque, NM Animal As Muse, The Norton Museum of Art, W. Palm Beach, FL Painting--Larry Brown, Joseph Haske, David Schoffman, Helander Gallery, New York, NY Paper Houses, David Beitzel Gallery, New York, NY Curators Choice, Albright-Knox Art Gallery, Buffalo, NY Current Trends in Abstraction-- Larry Brown, Bill Drew...

Fred Alfred Theophil Fathwinter Untitled Abstract Composition Monotype Year: 1969 signed, numbered and dated by hand Size: 11.0×3.9in on 11.6×8.3in COA provided Ref.: 924802-1180 Fathwinter, artist name for Franz Alfred Theophil Winter (May 23, 1906 in Mainz, † June 27, 1974 in Düsseldorf), was an artist of the Informel. From 1924 to 1927 he studied at the State School for Arts and Crafts in Mainz and in 1929/30 in evening classes at the Städelschule in Frankfurt am Main. During the National Socialist period he was banned from exhibiting. His evacuation to Murnau in 1942 led to a closer acquaintance with Gabriele Münter...

This artwork titled "Monotype" 1991 is an original monotype by renown American glass sculptor Marvin Lipofsky. It is signed, titled and dated in pencil by the artist. The artwork size is 30 x 22.5 inches, framed is 33.75 x 26.25 inches. It is custom framed in the original wooden off white frame. It is in excellent condition. About the artist: Glassmaker, sculptor and graphic artist, Marvin Lipofsky, born in 1938, received his B.F.A. degree in Industrial Design from the University of Illinois. He earned his M.S. degree, 1963, and M.F.A., 1964, in sculpture from the University of Madison, Wisconsin. There, he was one of Harvey Littleton's first graduate students working in glass. Littleton had been the first American artist, in the 1960s, to visit Czechoslovakia, famous for its work in glass, where glass sculpture had been made since the 1950s. Marvin Lipofsky would also be an early visitor, observing there. Since that time, the artist has traveled extensively, collaborating with the world's best glass artists. After graduation from Wisconsin, Lipofsky was hired by the University of California, Berkeley, where he introduced the second university glass program in America (Littleton was the first). Lipofsky also established the glass program at the California College of Arts and Crafts in Oakland in 1967, the San Francisco area becoming a center for glass in the 60s and 70s because of his own work and the students produced by his teaching. While Lipofsky may be best known for three-dimensional globe forms, he has indulged himself in the making of glass Pop Art pickles and hamburgers. He has also created multi-colored, irregular flower...

Monotype Dimensions : 42 x 29 1/16 inches image and paper Peter Voulkos (popular name of Panagiotis Voulkos; January 29, 1924 – February 16, 2002) was an American artist of Greek descent. He is known for his abstract expressionist ceramic sculptures, which crossed the traditional divide between ceramic crafts and fine art. While his early work was fired in electric and gas kilns, later in his career he primarily fired in the anagama kiln of Peter Callas, who had helped to introduce Japanese wood firing aesthetics in the United States. After serving in the United States Army during the Second World War, Voulkos studied painting and printmaking at Montana State College, in Bozeman (now Montana State University), where he was also introduced to ceramics; Frances Senska...

John Beerman, American (1958 - ) - Yellow Field, Year: 1985, Medium: Monotype, signed and numbered in pencil, Edition: 1/1, Image Size: 18 x 23.5 inches, Size: 25.5 x 30 in. (64...

Though this unique monotype looks like a woodcut or linocut, it is not. This is a cyanotype, a kind of lensless photography dating back to the 1800s, but the artist altered the ratio...

Monotype Dimensions : 44.5 x 30.75 inches image and paper Peter Voulkos (popular name of Panagiotis Voulkos; January 29, 1924 – February 16, 2002) was an American artist of Greek descent. He is known for his abstract expressionist ceramic sculptures, which crossed the traditional divide between ceramic crafts and fine art. While his early work was fired in electric and gas kilns, later in his career he primarily fired in the anagama kiln of Peter Callas, who had helped to introduce Japanese wood firing aesthetics in the United States. After serving in the United States Army during the Second World War, Voulkos studied painting and printmaking at Montana State College, in Bozeman (now Montana State University), where he was also introduced to ceramics; Frances Senska...

Both the natural world and architectural grit have a place in Lisa Breslow's work, highlighting the pull of New York City that is created by these opposing forces side-by-side. She ...

Tom Alan Lieber, (American, born 1949), GTW #11 -7, 1986, Oil and mixed media on paper, 30.25 x 44 inches, Hand signed and dated lower right Provenance: Garner Tullis Workshop, ...

Mountainous Landscape, Mexico Monotype in colors on heavy paper, c. 1960's Signed in ink lower left "G Ceniceros" Condition: Excellent Image size: 6 x 14 1/2" (15.24 x 36.83cm) Sheet size: 12 7/8 x 19 11/16 inches Guillermo Ceniceros (born May 7, 1939) is a Mexican painter and muralist, best known for his mural work in Mexico City, as well as his figurative easel work. He began his mural painting career as an assistant to mural painters such as Federico Cantú, Luis Covarrubias and then David Alfaro Siqueiros who was a mentor and a key influence. Ceniceros is the most notable of Siqueiros' assistants. While he has experimented with abstract expression, his easel work mostly classifies as figurativism and is influenced by the geometrical construct of Mexican muralism. He has had over 300 individual and collective exhibitions in Mexico and the International stage. His work has been recognized by the Mexican Ministry of Culture and several of its institutions. He has painted over 20 large scale Mural Paintings with some of the most notable being the large scale work for the Legislative Palace of San Lazaro (Mexico's Legislative Building) as well as his murals in the Metro Subway System. He is a member of the Salón de la Plástica Mexicana. In 1995, the State of Durango, Ceniceros' native state, opened to the public the Guillermo Ceniceros Art Museum within the oversight of the Ministry of Culture. Ceniceros has been reviewed by notable critics such as Berta Taracena, Raquel Tibol, Alaide Foppa, Graciela Kartofel, José Angel Leyva and Eduardo Blackaller among others. There are several publications about his work including a vast review of his art life endeavors developed by the Ministries of Culture of Durango and Nuevo León. He is married to the artist Esther González and lives in his studio house in the Colonia Roma of Mexico City. Life Interview with the subject Ceniceros and Siqueiros Ceniceros was born in a small village called El Salto, located in the municipality of Pueblo Nuevo in the Mexican state of Durango. His father was a woodworker who made toys and furniture in his workshop. His father's shop would become an influence in Ceniceros' life long interest in developing his own innovative working tools. When he was twelve the family moved to Monterrey to seek better economic opportunities. There he attended school and when he was fourteen he entered the Fabricación de Máquinas, S.A. (FAMA), a school/business, where he studied industrial drawing. He considers this early training important as it taught him the importance of geometry, use of space and materials. While at FAMA he met painters Gerardo Cantú and Ignacio Ortiz, and collaborated with them on sketches for publications of Alfonso Reyes, Pedro Garfias and other notable writers. In 1955, he enrolled in the Taller de Artes Plásticas at the Universidad Autónoma de Nuevo León, graduating in 1958. At the Taller he met fellow Mexican artist Esther González, whom he married and with whom he has two children. In 1962 he moved to Mexico City with the goal of working in the Taller of the Maestro David Alfaro Siqueiros. He became Siqueiros' first assistant working on his last murals while at the same time working at night on his easel painting work. Siqueiros supported Ceniceros decision to leave his Taller and supported him in his career until his death in 1974. By then Ceniceros was already a break thru artist having had several individual exhibitions including the prestigious Palacio De Bellas Artes as well as other recognitions. Thru the 70's and 80s Ceniceros continued his work with an emphasis on exhibits and exchanges abroad and traveling to Eastern Europe, Cuba, China, Chile, Ecuador, Italy and the United States. His Mexico City contemporaries and circle would include names that today have become reference such as Sebastian, José Luis Cuevas, Gilberto Aceves Navarro, Benjamin Dominguez, Gustavo Arias Murueta, Byron Galvez, Leonel Maciel among others. In the 70's his Row-House neighbors in the colonia Roma were Francisco Toledo and Alejandro Jodorowski. His focus on mural painting is renewed in the mid 80's thru his large scale work in the Metro Subway System with him working on major commissions consistently and into the new century. While the Mexican school of Muralism had been challenged by the Ruptura members, the interest in Mural painting as a unique national form of expression continues. He lives in Mexico City at a studio/home in the Colonia Roma. His home is a frequent gathering place for writers, poets, painters, singers, actors and journalists. He has a strong interest in Spanish language literature. Juan Rulfo...

Liu Jian, Chinese (1961 - ) - XLI, Year: 1999, Medium: Monoprint, signed and dated in pencil, Size: 25 x 19 in. (63.5 x 48.26 cm), Description: An Abstract Expressionist monopr...

A strikingly vibrant monoprint, showing a graphic, gestural drawing of a tropical leaf on an array of vivid colours. The artist has signed and dated ...

This artwork "Landscape #III' c.2000 is an original color monotype by American artist Thomas (Tom) Monaghan, b. 1961. It is hand signed and numbered 1/1 in pencil by the artist. The image (plate mark) size is 8 x 15.75 inches, the sheet size is 15 x 22 inches. it is in excellent condition, has never been framed. About the artist: Born in Chicago in 1961, Monaghan received his MFA from the University Northern Illinois. He moved west to Sonoma County in his mid-twenties and starting showing in galleries in San Francisco in the early 1990's, his move having a profound impact on his painting. The first impression of that sparkle on water upon the great lakes in Chicago continue his drive to seek out natural beauty in the landscape. Monaghan has had regional acclaim and International showing, include, International Art Fairs in San Francisco in 2011 and 2012. Selected exhibitions 1993 Claudia Chapline Gallery, Stinson Beach, CA., 1993 Heirloom Gallery, Chicago, I., 1994 Marinscapes., 1995 John Mallon, Editions Limited, Indianapolis, IN., 1996 Marinscapes., 1997 John Mallon, Editions Limited, Indianapolis, IN., 1998 Ira Wolk Gallery, St. Helena, CA., 2000 Erickson & Elins Gallery, San Francisco, CA ., 2001 Ira Wolk Gallery, St. Helena, CA, 2002 Ira Wolk Gallery, St. Helena, CA., Erickson Fine Art Gallery 2008. Selected collections The Prudential, Merrill Lynch, LaSalle National Bank, Chicago Mercantile Exchange...

Soft blues, rust, yellow-golds, and sparkling accents play across this beautiful semi-abstract original work "Counterpoise State II 'B' " by master print maker Linda Whittemore. This...

Though it resembles a giant abstract watercolor painting owing to its soft gradations and luminous quality, this is a form of photography called a cyanotype, photogram or sun print. ...

Larry Brown Long-time established New York painter as well as faculty member the The Cooper Union, Brown works in oil on canvas and tempera paints on paper. He deals with themes of science and universality. EDUCATION: 1970 M.F.A. in Painting, University of Arizona 1967 BA in Painting, Washington State University SELECT GROUP EXHIBITIONS: Mixed Company: Women Choose Men, AIR Gallery, New York, NY Easy Breezy, Sears-Peyton Gallery, New York, NY From Stone and Plate: Contemporary Prints from Tamarind Institute, California State University Change of View Tamarind Institute Gallery, Albuquerque, NM Animal As Muse, The Norton Museum of Art, W. Palm Beach, FL Painting--Larry Brown, Joseph Haske, David Schoffman, Helander Gallery, New York, NY Paper Houses, David Beitzel Gallery, New York, NY Curators Choice, Albright-Knox Art Gallery, Buffalo, NY Current Trends in Abstraction-- Larry Brown, Bill Drew...

Barbara Hocker sees her life’s vocation as being an ambassador for the natural world through her art. Nature is facing many challenges right now. Hock...

Pierre Andre Obando creates process oriented abstract paintings. He was born in Belize City, Belize and grew up in the Caribbean, the U.S. Virgin Islands, Miami, Fl and Jackson, MS. Pierre Obando completed his MFA at Hunter College and completed his undergraduate studies at New World School of the Arts, Miami, Fl. His work was featured in the Queens International Biennial in 2004, and 2006 at the Queens Museum of Art. His work has been in group exhibitions at Angela Hanley Gallery, Los Angeles, CA; Rockland Center for the Arts, West Nyack, NY; Rush Arts Gallery, New York, NY; MACO Mexico Art Fair in Mexico City; Nina Freudenheim Gallery, Buffalo, NY; Royale Projects, Indian Wells, CA; The Painting Center, New York, NY; and Dean Project, New York, NY. In 2008, he had a solo exhibition at Heskin Contemporary, New York, NY and in 2009, at project space show at Rush Arts Gallery, New York, NY. He has participated in the Atlantic Center for the Arts Artists-in-Residence Program. In the fall of 2012, he participated in the group show Caribe Now, at the Nathan Cumming Foundation, which was organized by El Museo del Barrio, New York, NY. Contemporary Pattern and Decoration piece, The original movement was championed by the gallery owner Holly Solomon. The P&D movement wanted to revive an interest in minor forms such as patterning which at that point was equated with triviality. The prevailing negative view of decoration was one not generally shared by non-Western cultures, The Pattern and Decoration movement was influenced by sources outside of what was considered to be fine art. Blurring the line between art and design, many P&D works mimic patterns like those on wallpapers, printed fabrics, and quilts. There is a close connection between the Pattern and Decoration movement and the Feminist art movement. The P&D movement arose in opposition to the Minimalist and Conceptualist movements. Mary Grigoriadis, Valerie Jaudon, Joyce Kozloff, Miriam Schapiro, Robert Zakanitch were early proponents of this style. The artist lives and works in New York City. Education: 2001 MFA, Painting, Hunter College, New York, NY 2000 Study Abroad, Slade School, UCL, London, United Kingdom 1997 BFA, Painting, New World School of The Arts, Miami, FL Solo Exhibitions: 2015 ‘Like New’, Thierry Goldberg Gallery, New York, NY 2009 ‘Nowhere’, Rush Arts, New York, NY 2008 ‘Noise’, Heskin Contemporary, New York, NY Group Exhibitions: 2018 ‘Revival: Contemporary Pattern and Decoration’, El Museo at Hostos, Bronx, NY Including artists: Abelardo Cruz Santiago Pierre Obando Antonio Pulgarín Keisha Scarville Mickalene Thomas and others. 2017 Locust Projects Contemporary in Miami benefit auction including artists Dara Friedman, Trenton Doyle Hancock, Larry Bell, and more 2017 ‘Browsing Chamber’, Torch Gallery, Amsterdam, Netherlands 2015 ‘#BemisPainters, 1982-2015’, Bemis Center, Omaha, NE 2015 ‘Spat Spell’, Thierry Goldberg Gallery, New York, NY 2013 ‘Un-Natural Constellations’, Newman Popiashvili Gallery, New York, NY 2012 ‘Caribe Now’, Nathan Cummings Foundation/El Museo del Barrio, New York, NY 2012 ‘Lucid Fence’, Dean Project, New York, NY 2012 ‘Abstract Gambol’, Heskin Contemporary, New York, NY 2012 ‘Reenacting Sense’, Yace Gallery, Long Island City, NY 2010 ‘Continuing Color Abstraction’, The Painting Center, New York, NY 2009 ‘West/East’, Royale Projects, Indian Wells, CA 2009 ‘Alternative Abstraction’, Nina Freudenheim Gallery, Buffalo, NY Including works by Stephen Antonakos, Warren Isensee, Gary Lang, Melissa Meyer and Katherine Sehr...

Silver and orange monotype EV —edition variée ed 3/5 with heavy hand coloring. A final work from the artist's mportant Cautionary Tales series, that was her focus throughout 2015. Th...

Mr. Mazur’s restless artistic temperament led him to explore a variety of styles and media, shuttling between realism and abstraction. He produced narrative paintings like “Incident ...

Though it resembles a giant abstract watercolor painting owing to its soft gradations and luminous quality, this is a form of photography called a cyanotype, photogram or sun print. ...

Artist: Richard Attilio Moquin (American, born 1934) Title: Untitled #2 Year: 1992 Medium: Monotype Paper: B.F.K Rives Image size: 13.75 x 9.75 inches paper size: 20.5 x...

NOTE: It is impossible to buy this pair of works and ALSO the very similar "Foggy Iris Triptych" because two of the works in the triptych are these two here. The price is lower for p...

John Beerman, American (1958 - ) - Tree and Mountain, Year: 1992, Medium: Monotype, signed and numbered in pencil, Edition: 1/1, Image Size: 6.5 x 17 inches, Size: 16 x 26 in. (...

Liu Jian, Chinese (1961 - ) - XXXII, Year: 1999, Medium: Monoprint, signed and dated in pencil, Size: 25 in. x 19 in. (63.5 cm x 48.26 cm), Description: An Abstract Expressionist...

Paint and collage on pressed rice paper, signed on front and titled on verso. Artist Robert Roach lived in Santa Fe, New Mexico. His one-of-a-kind, abstract monoprints were inspire...

Red Grooms (American, b. 1937). Keystone Kops to the Rescue III. 2006. Triptych color monotype created by the artist with lithographic ink on plexiglass plates, and then hand-colored by the artist. Printed by master printer Bud Shark. Printed on White Rives BFK. A unique impression, signed by the artist in pencil lower right. 3 sheets. Each sheet is 30 x 44 ½ ”. Overall: 30 x 133 ½ ” This has all the wonderful components of a Red Grooms piece, Keystone Kops policemen, Circus, Cactus, Cowboys, Hollywood sign etc. Red Grooms (born Charles Rogers Grooms on June 7, 1937) is an American multimedia artist best known for his colorful pop-art constructions depicting frenetic scenes of modern urban life. Grooms was given the nickname "Red" by Dominic Falcone (of Provincetown's Sun Gallery) when he was starting out as a dishwasher at a restaurant in Provincetown and was studying with Hans Hofmann. Grooms was born in Nashville, Tennessee during the middle of the Great Depression. Red Grooms came of age in the shadow of the Abstract Expressionists. He studied at the Art Institute of Chicago, then at Nashville's Peabody College. In 1956, Grooms moved to New York City, to enroll at the New School for Social Research. A year later, Grooms attended a summer session at the Hans Hofmann School of Fine Arts in Provincetown, Massachusetts. There he met experimental animation pioneer Yvonne Andersen, with whom he collaborated on several short films. Grooms follows in the tradition of William Hogarth and Honoré Daumier, who were canny commentators on the human condition. In 1969, Peter Schjeldahl compared Grooms to Marcel Duchamp, because both embodied "a movement of one man that is open to everybody." In the spring of 1958, Grooms, Yvonne Andersen and Lester Johnson each painted twelve-foot by twelve-foot panels, which they erected with telephone poles on a parking lot adjacent an amusement park in Salisbury, MA. Inspired by artist-run spaces such as New York's Hansa Gallery and Phoenix, and Provincetown's Sun Gallery, Grooms and painter Jay Milder opened the City Gallery in Grooms' second-floor loft in the Flatiron District. When Phoenix refused to show Claes Oldenburg, Grooms and Milder dropped out of Phoenix and City Gallery presented Oldenberg's first New York exhibition, as well as that of Jim Dine. Other artists who showed at City Gallery include Stephen Durkee, Mimi Gross (daughter of Chaim Gross and Red Grooms wife), Bob Thompson, Lester Johnson, and Alex Katz. Grooms never developed the detached stance of such Pop Art practitioners as Andy Warhol, Roy Lichtenstein or James Rosenquist. Instead he painted his own life, and became, literally, an actor on the stage of life -- in this case the art-as-life "happenings" of the downtown New York scene. Inspired by George Méliès...

This collage on wooden panel was made by cutting up and reassembling hand-printed botanical cyanotypes (blueprints or sunprints) of leaves from my own garden. While cyanotypes are tr...

Monica DeSalvo’s “Dressed Up Properties” is a 22 x 30 inch triptych composed of three abstract acrylic monoprints with leaf forms. Red, yellow, royal blue, magenta, pink, sky blue, and hints of green and orange run from bright and crisp to muted and distressed. Handwritten math equations are exposed through the imagery on the left and right panels printed on vintage ruled...

In this contemporary encaustic monotype, layers of pigmented beeswax on lightweight kozo paper create an undulating composition suggesting layers of the earth's crust and geological ...

Arthur Gibbons, American (1947 - ) - Wakoia, Year: 1982, Medium: Monotype Etching with Aquatint, signed, titled and dated in pencil, Image Size: 31.5 x 23.25 inches, Size: 39.5 x...

Details: + Title: Modernist Breezeblocks + Year: 2026 + Stamped and Certificate of Authenticity provided + Measurements : 70x200 cm (28x 80 in.), each panel measures 70x100cm (28x40...

Unique monotype, signed and numbered 1/1. Artist Robert Roach lives and works in Santa Fe, New Mexico. His one-of-a-kind, abstract monoprints are inspired by the landscape, climate...

Jane Kent, American (1952 - ) - Fried Egg, Year: circa 1980, Medium: Monotype etching on heavy stock cotton paper, signed and numbered in pencil, Edition: 1/1, Image Size: 24 x 2...

This artwork "Landscape #IV' c.2000 is an original color monotype by American artist Thomas (Tom) Monaghan, b. 1961. It is hand signed and numbered 1/1 in pencil by the artist. The image (plate mark) size is 8 x 15.75 inches, the sheet size is 15 x 22 inches. it is in excellent condition, has never been framed. About the artist: Born in Chicago in 1961, Monaghan received his MFA from the University Northern Illinois. He moved west to Sonoma County in his mid-twenties and starting showing in galleries in San Francisco in the early 1990's, his move having a profound impact on his painting. The first impression of that sparkle on water upon the great lakes in Chicago continue his drive to seek out natural beauty in the landscape. Monaghan has had regional acclaim and International showing, include, International Art Fairs in San Francisco in 2011 and 2012. Selected exhibitions 1993 Claudia Chapline Gallery, Stinson Beach, CA., 1993 Heirloom Gallery, Chicago, I., 1994 Marinscapes., 1995 John Mallon, Editions Limited, Indianapolis, IN., 1996 Marinscapes., 1997 John Mallon, Editions Limited, Indianapolis, IN., 1998 Ira Wolk Gallery, St. Helena, CA., 2000 Erickson & Elins Gallery, San Francisco, CA ., 2001 Ira Wolk Gallery, St. Helena, CA, 2002 Ira Wolk Gallery, St. Helena, CA., Erickson Fine Art Gallery 2008. Selected collections The Prudential, Merrill Lynch, LaSalle National Bank, Chicago Mercantile Exchange...

This is a combination of painting and photography, the antique cyanotype process. The silhouette of the plant was first drawn, then painted not with ink or paint, but with light-sens...

Monica DeSalvo’s “Throwing Stones” is a diptych of two 4.25 x 6 inch collages on abstract acrylic monotypes. Green lettuce, tan and ivory eggs, and blurred fields of red, maroon, and...

This long narrow blue and white monotype was made by carefully arranging hundreds of individual flowers of fresh-cut Dutch clover growing wild. This unique print is the same size as ...

A large, unique print on canvas by American Artist, Mitch Lyons (1938-2018), signed lower right. The canvas is unstretched and will be shipped rolled in a tube. Mitch Lyons earned ...

Though it resembles a giant abstract watercolor painting owing to its soft gradations and luminous quality, this is a form of photography called a cyano...

City 14. 1964, monotype, 47x62 cm Soikans Nikolay, pseudonym Niklo de Martell (till 1953.) 1926. 9 IX Ludza – 1980. 21 II Lester, Great Britain – graphic artist. He was born at ...

Friedel Dzubas Untitled, 1982 Monotype on handmade paper 33 1/4 x 33 inches A noted figure in the New York School, Friedel Dzubas was associated with the Color Field painting movem...

Born in 1937 in Breckenridge, Minnesota, Fritz Scholder knew what he must do at an early age. As a high school student at Pierre, South Dakota, his teacher was Oscar Howe...

An original mid century modern abstract expressionist monotype print by American artist Toma Yovanovich. Toma Yovanovich (1931-2016) Yovanovich was a painter/printmaker whos...

Color monotype.

This species of tree is a Dancing Peacock Full Moon Japanese Maple or in Latin, acer japonicum aconitifolium. The actual Japanese name is Mai Kujaku. Cyanotypes are a kind of 19th ce...

This gray and white Japanese-inspired monotype was made using freshly-cut long-stemmed wild iris (iris douglasiana) that grow along the California coast. Their impossibly long stems ...

This unique multistep technique is a combination of a painting and a photograph or monotype. Cyanotypes are a kind of alternative photographic process from the 1800s. The chemicals a...

Black and white minimal monotype print of an abstracted female torso. The work is signed and titled by the artist in pencil along the front lower margin. Currently hung in a black fr...

The leaves of the Chinese elm here are a pale blue rather than white. Though this monoprint looks like a wood cut or screen print, this is actually a form of photography called a cya...

Con Suture is an original Contemporary artwork realized in 1985 by the italian artist Leo Guida (1992 - 2017). Original Lithograph and Chalchography, unique specimen. Hand-signed a...

Friedel Dzubas Untitled, 1981 Hand-painted monotype on pulp paper 30 1/4 x 24 3/4 inches A noted figure in the New York School, Friedel Dzubas was associated with the Color Field p...

Jerry Garcia (Text Dark Star by the Grateful Dead) Handtyped on SCM Widecarriage typewriter 24 x 20 x 18 Typewriter included with the piece

Oil on paper, signed lower right corner. Artist Robert Roach lives and works in Santa Fe, New Mexico. His one-of-a-kind, abstract monoprints are inspire...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

Expressive brushstrokes in vivid colours play against a sunny yellow in this contemporary composition by Yvonne Lammerich. The form of this silkscreen...

Artist: Kazuhide Yamazaki (Japanese-American, 1951-2023) Title: "House with Fence" *Signed and dated by Yamazaki in pencil lower right Year: 1983 Medium: Original Monotype on Arches ...

Though these pale mint green botanical monotypes resemble woodcuts or linocuts they are actually cyanotypes, a form of kind of photography dating back to the 1800s, but the artist al...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

Bold portrait monotype with striped blue background by American artist Kismine Varner, 1990. Signed in pencil lower right. Original artwork on paper displayed on a white mat with ...