Art by Medium: Monotype

An original drypoint monotype by American female artist Kathleen Sherin.

An original drypoint monotype by American female artist Kathleen Sherin.

Signed, titled and dated verso Monotype on lithographic plate (unique) Created while the artist was at the University of Delaware With distre...

Barbara Szüts was born in Bad Bleiberg in Carinthia (AUSTRIA) in 1952. She studied painting with Carl Unger at the University of Applied Arts in Vienna from 1974 to 1980. From 1986 ...

Mixed media on paper. Framed: 15" x 18" My work comes from observation, memory and imagination. Collective daydreams that make another world out of this world--the experience of ‘in...

This unique print is 1 of 5 in the series. TumbleWeed 01 is a monotype with mixed media on white BFK Rives printmaking paper and hand pulled by the Artist on the etching press. Thes...

This unique print is 1 of 5 in the series. TumbleWeed 03 is a monotype with mixed media on white BFK Rives printmaking paper and hand pulled by the Artist on the etching press. Thes...

This unique print is 1 of 3 in the series. The Rustling III is a monotype with mixed media on white BFK Rives printmaking paper and hand pulled by the Artist on the etching press. T...

Turning Over A New Leaf is a monotype with mixed media on white BFK Rives printmaking paper and hand pulled by the Artist on the etching press. These small, one of a kind prints mak...

This unique print is 1 of 3 in the series. Behind Bars No. 2 is a monotype with mixed media on white BFK Rives printmaking paper and hand pulled by the Artist on the etching press. ...

This unique print is 1 of 3 in the series. The Rustling II is a monotype with mixed media on white BFK Rives printmaking paper and hand pulled by the Artist on the etching press. Th...

This unique print is 1 of 3 in the series. Behind Bars No. 3 is a monotype with mixed media on white BFK Rives printmaking paper and hand pulled by the Artist on the etching press. ...

Nancy Lasar’s work is described as “drawing with light”, “condensed energy and flow”, “calm and crazy”, and “organized chaos”. The lines in Lasar’s works that are electrifying. They ...

Artist Commentary: This framed monotype is a mystical image of tree in soft hues of violets and blues. The cost includes the a wooden silver frame and archival mat and glass. About the artist: Monice Morenz...

I primarily paint on location, en plein air. Direct observation allows me to translate the light and color of a particular location as I try to capture a specific point in time. The ...

Artist Commentary: This work is part of a portfolio of art inspired by my 2013 summer trip to the magnificant Mt. Denali in Alaska. About the artist: Monice Morenz...

Artist Commentary: The first thought in my head when I finished this was ‘antibodies’. They are anti-body, for sure. It looks like something under microscope and is unlike anything ...

Monotype

Monotype

Monotype

About the artist: Oi Fortin is an award-winning monotype printmaker, working in New Haven, CT, USA. Her contemporary abstract expressionist prints are notable for a vivid palette and...

Removed From Time and Place is an original monotype print by celebrated contemporary American Western artist Donna Howell-Sickles (b. 1949). Widely acclaimed for her evocative interp...

Artist Commentary: This work is part of a portfolio of art inspired by my summer trip to a totem pole nature center in Alaska in 2013. Rich Colors, ...

Monotype with chine collé on white BFK Rives Printmaking Paper. Approx image size: 20" x 15.75" Paper: 30" x 22" At the core of the dialogue between the artist and the work is an ...

Monotype on white BFK Rives Printmaking Paper. Could pair with "OrangeBlast(R)" Approx image size: 16" x 16" Paper: 22.5" x 22.5" At the core of the dialogue between the artist and...

Artist Commentary: This original monotype combines shapes, patterns and leaf elements in soft earth tones. About the artist: Monice Morenz was introdu...

Artist Commentary: This image called, "Flower Scape," is one of my favorite images. It is perfectly seasoned with spring coming right around the corner. The colors are very well exe...

Otto Neumann (1895-1975) was a German Expressionist painter and printmaker. His monotypes evolved from sharp, angular, black and whites to late abstract p...

Frame size: 34x26.5" Elizabeth Higgins describes herself as an abstract figurative and landscape painter. Everything around her serves as a potential subject, an inspiration to begi...

Parthenocissus came about in the spring, I was focusing quite a bit on my monotypes in the print studio and wanted to create a painting that incorporated my monotyping technique in a...

This painting came about mid summer, while I was beginning my paintings as monotypes and working through them after. The mayapples were flourishing and their shape became a motif thr...

Frame size: 24.625x32.25" Elizabeth Higgins describes herself as an abstract figurative and landscape painter. Everything around her serves as a potential subject, an inspiration to...

Frame size: 28.75x23" Elizabeth Higgins describes herself as an abstract figurative and landscape painter. Everything around her serves as a potential subject, an inspiration to beg...

This Is What Happens When You Are Not Careful Monotype print Natasha Karpinskaia's paintings are characterized by their vibrant colors, bold shapes, and dynamic compositions. She us...

Space Balls Monotype print Natasha Karpinskaia's paintings are characterized by their vibrant colors, bold shapes, and dynamic compositions. She uses a variety of media, including a...

Through the Glass Monotype print Natasha Karpinskaia's paintings are characterized by their vibrant colors, bold shapes, and dynamic compositions. She uses a variety of media, inclu...

Sketches IX Monotype print Natasha Karpinskaia's paintings are characterized by their vibrant colors, bold shapes, and dynamic compositions. She uses a variety of media, including a...

Sketches VI Monotype print Natasha Karpinskaia's paintings are characterized by their vibrant colors, bold shapes, and dynamic compositions. She uses a variety of media, including a...

Red Dawn Monotype print Natasha Karpinskaia's paintings are characterized by their vibrant colors, bold shapes, and dynamic compositions. She uses a variety of media, including acry...

Labyrinth Monotype print Natasha Karpinskaia's paintings are characterized by their vibrant colors, bold shapes, and dynamic compositions. She uses a variety of media, including acr...

Infinity Monotype print Natasha Karpinskaia's paintings are characterized by their vibrant colors, bold shapes, and dynamic compositions. She uses a variety of media, including acry...

Descending Monotype print Natasha Karpinskaia's paintings are characterized by their vibrant colors, bold shapes, and dynamic compositions. She uses a variety of media, including ac...

Ancient Symbols Monotype print Natasha Karpinskaia's paintings are characterized by their vibrant colors, bold shapes, and dynamic compositions. She uses a variety of media, includi...

Ancient Ruins Monotype print Natasha Karpinskaia's paintings are characterized by their vibrant colors, bold shapes, and dynamic compositions. She uses a variety of media, including...

Oil based ink and paint monotype on fine printmaking paper. Expressionist female figure in abstracted landscape, active ink and paint manipulation.

Unique. Monotype on canvas. 1/1 ex. Signed,titled and dated at the verso. Artwork size: 103×70 cm. Frame size: 118 × 85 x 5 cm. Acquired directly from the artist. Free shipment...

Unique. Monotype on canvas. 1/1 ex. Signed,titled and dated at the verso. Artwork size: 102 × 85 cm. Frame size: 117 × 100 x 5 cm. Acquired directly from the artist. Free ship...

Unique. Monotype on canvas. 1/1 ex. Signed,titled and dated at the verso. Artwork size: 83×102 cm. Frame size: 98 × 117 x 5 cm. Acquired directly from the artist. Free shipment worldwide. “I paint because painting is a private Utopia,” Erró writes of his art. The landscapes in Erró’s work are a constantly changing kaleidoscope of images, multivalent and mysterious, not infrequently controversial, bursting with life – and titillating, too! There is room in his pictures for both paradise and visions of fear. Erró is the alias of Gudmundur Gudmundsson, born on 19 July 1932 in Olafsvik, in north-western Iceland. Since Gudmundur first became enthralled by pictures of works of art in a catalogue from the Museum of Modern Art in New York at the tender age of ten, painting has been his passion and his mission in life. He was accepted into art school in Reykjavik as a 19-year old, subsequently complementing what he had learned there with further studies in Oslo. Erró travelled extensively in Spain, Italy, France and Germany in the 1950s, studying at the Florence Academy of Art in 1954 and at the School of Byzantine Mosaic Art in Ravenna in 1955. It was around this time that he began to exhibit his works, first and foremost in Paris, where he chose to make his home in 1958. During the 1960s he established contact with the Swedish museum director Pontus Hultén, who encouraged him and took him under his wing. Over the years Erró has taken part in hundreds of exhibitions and today his works are on show in museums all over the world, including the Centre Pompidou in Paris. Erró’s pictorial world is peopled by comic-strip characters and autocratic despots alike. Donald Duck with his Daisy, Chip & Dale, and other Walt Disney creations are unselfconsciously juxtaposed with Greek gods and madonnas. Elsewhere the German dictator Adolf Hitler stands shoulder to shoulder with his Iraqi counterpart Saddam Hussein...

Unique. Monotype on canvas. 1/1 ex. Signed,titled and dated at the verso. Artwork size: 102×77 cm. Frame size: 117 × 93 x 5 cm. Acquired directly from the artist. Free shipment w...

Unique. Monotype on canvas. 1/1 ex. Signed,titled and dated at the verso. Artwork size: 104 × 83 cm. Frame size: 119 × 98 x 5 cm. Acquired directly from the artist. Free shipmen...

Oil on paper About Tom Bennett: With quick brushstrokes, Tom Bennett creates representational images of human figures and animals, emphasizing movement in a manner reminiscent of Lucien Freud, Edgar Degas and the photographer Eadweard Muybridge. Elongated and blurry, the horse racing up a hill (Canter Fritz, 2002) and the sinister cat landing a leap (Chien Blanc, 1998) elicit a sense of foreboding enhanced by Bennett’s somber palette; his female figures too reflect a grim sense of humor with their distorted nude bodies. The face of Untitled Figure (1997), for example, is obscured by layers of dark paint. Classically trained as a painter, he initially worked in oil on canvas but discovered that monotype printing enabled him to “literally push the image around,” creating an essential element of motion. To overcome the limited scale of monotypes, however, he switched to painting on slick-surfaced plastic. Tom Bennett’s practice is rooted in the classical tradition where painting and drawing from life is highly regarded. Bennett’s work is heavily influenced by Francis Bacon, Frank Auberbauch and foremost his father, Harry Bennett, who was also an artist. Tom’s time living abroad in Spain and traveling through Eastern Europe and Africa provided the artistic freedom to explore many of the techniques and subject matter that continue to define his practice. Bennett was born and raised in Connecticut. His mediums include monotypes, oil on paper, canvas or styrene board. In a technique that Tom started over 4 years ago, several of his monotypes have been painted over with oil paint using a palette knife, brush, or his fingers to re-purpose the underlying image. These works are a testament to Bennett’s ability to quickly and concisely compose an image with expressive brush strokes, foreshortened figures and expertly rendered light. Tom’s work has been featured in group and solo exhibitions worldwide. Bennett lives and works in Brooklyn, New York. He is currently represented by Tabla Rasa...

Monotype Dramatic imagery from Tom Bennett’s series of monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett creates representational images of human figures and animals, emphasizing movement in a manner reminiscent of Lucien Freud, Edgar Degas and the photographer Eadweard Muybridge. Elongated and blurry, the horse racing up a hill (Canter Fritz, 2002) and the sinister cat landing a leap (Chien Blanc, 1998) elicit a sense of foreboding enhanced by Bennett’s somber palette; his female figures too reflect a grim sense of humor with their distorted nude bodies. The face of Untitled Figure (1997), for example, is obscured by layers of dark paint. Classically trained as a painter, he initially worked in oil on canvas but discovered that monotype printing enabled him to “literally push the image around,” creating an essential element of motion. To overcome the limited scale of monotypes, however, he switched to painting on slick-surfaced plastic. Tom Bennett’s practice is rooted in the classical tradition where painting and drawing from life is highly regarded. Bennett’s work is heavily influenced by Francis Bacon, Frank Auberbauch and foremost his father, Harry Bennett, who was also an artist. Tom’s time living abroad in Spain and traveling through Eastern Europe and Africa provided the artistic freedom to explore many of the techniques and subject matter that continue to define his practice. Bennett was born and raised in Connecticut. His mediums include monotypes, oil on paper, canvas or styrene board. In a technique that Tom started over 4 years ago, several of his monotypes have been painted over with oil paint using a palette knife, brush, or his fingers to re-purpose the underlying image. These works are a testament to Bennett’s ability to quickly and concisely compose an image with expressive brush strokes, foreshortened figures and expertly rendered light. Tom’s work has been featured in group and solo exhibitions worldwide. Bennett lives and works in Brooklyn, New York. He is currently represented by Tabla Rasa...

Monotype on paper Dramatic imagery from Tom Bennett’s series of black and white monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett creates representational images of human figures and animals, emphasizing movement in a manner reminiscent of Lucien Freud, Edgar Degas and the photographer Eadweard Muybridge. Elongated and blurry, the horse racing up a hill (Canter Fritz, 2002) and the sinister cat landing a leap (Chien Blanc, 1998) elicit a sense of foreboding enhanced by Bennett’s somber palette; his female figures too reflect a grim sense of humor with their distorted nude bodies. The face of Untitled Figure (1997), for example, is obscured by layers of dark paint. Classically trained as a painter, he initially worked in oil on canvas but discovered that monotype printing enabled him to “literally push the image around,” creating an essential element of motion. To overcome the limited scale of monotypes, however, he switched to painting on slick-surfaced plastic. Tom Bennett’s practice is rooted in the classical tradition where painting and drawing from life is highly regarded. Bennett’s work is heavily influenced by Francis Bacon, Frank Auberbauch and foremost his father, Harry Bennett, who was also an artist. Tom’s time living abroad in Spain and traveling through Eastern Europe and Africa provided the artistic freedom to explore many of the techniques and subject matter that continue to define his practice. Bennett was born and raised in Connecticut. His mediums include monotypes, oil on paper, canvas or styrene board. In a technique that Tom started over 4 years ago, several of his monotypes have been painted over with oil paint using a palette knife, brush, or his fingers to re-purpose the underlying image. These works are a testament to Bennett’s ability to quickly and concisely compose an image with expressive brush strokes, foreshortened figures and expertly rendered light. Tom’s work has been featured in group and solo exhibitions worldwide. Bennett lives and works in Brooklyn, New York. He is currently represented by Tabla Rasa...

Monotype on paper Dramatic disrupted realism imagery from Tom Bennett’s series of monochromatic monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett creates representational images of human figures and animals, emphasizing movement in a manner reminiscent of Lucien Freud, Edgar Degas and the photographer Eadweard Muybridge. Elongated and blurry, the horse racing up a hill (Canter Fritz, 2002) and the sinister cat landing a leap (Chien Blanc, 1998) elicit a sense of foreboding enhanced by Bennett’s somber palette; his female figures too reflect a grim sense of humor with their distorted nude bodies. The face of Untitled Figure (1997), for example, is obscured by layers of dark paint. Classically trained as a painter, he initially worked in oil on canvas but discovered that monotype printing enabled him to “literally push the image around,” creating an essential element of motion. To overcome the limited scale of monotypes, however, he switched to painting on slick-surfaced plastic. Tom Bennett’s practice is rooted in the classical tradition where painting and drawing from life is highly regarded. Bennett’s work is heavily influenced by Francis Bacon, Frank Auberbauch and foremost his father, Harry Bennett, who was also an artist. Tom’s time living abroad in Spain and traveling through Eastern Europe and Africa provided the artistic freedom to explore many of the techniques and subject matter that continue to define his practice. Bennett was born and raised in Connecticut. His mediums include monotypes, oil on paper, canvas or styrene board. In a technique that Tom started over 4 years ago, several of his monotypes have been painted over with oil paint using a palette knife, brush, or his fingers to re-purpose the underlying image. These works are a testament to Bennett’s ability to quickly and concisely compose an image with expressive brush strokes, foreshortened figures and expertly rendered light. Tom’s work has been featured in group and solo exhibitions worldwide. Bennett lives and works in Brooklyn, New York. He is currently represented by Tabla Rasa...

Unique. Monotype on canvas. 1/1 ex. Signed,titled and dated at the verso. Artwork size: 95 × 103 cm. Frame size: 110 x 118 x 5 cm. Acquired directly from the artist. Free shipme...

Ribs 12 (Abstract Print) Monotype - Unframed Anne Russinof often does paintings on paper to loosen up for the larger canvas works. The point is to free her hand. For her, everyt...

Monotype on paper

Rubato #10 (Abstract print) Monotype - Unframed. Plate size: 13.5” x 11.75 - 34 x 30 cm. She layers paint in gestural, horizontal swaths from left to right, stacking the horizonta...

Monotype Dramatic imagery from Tom Bennett’s series of monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett creates...

Rubato #10 (Abstract print) Monotype - Unframed. Plate size: 13.5” x 11.75 - 34 x 30 cm. She layers paint in gestural, horizontal swaths from left to right, stacking the horizonta...