Art by Medium: Oak

Inspired by Victorian era taxidermy dioramas, 'Dark Flora' is a series of photographs using wild plants and flowers in a curated yet naturalistic arrangement. The plants are foraged ...

Standing at 188cm x 50.5cm x 28cm, Jean-Patrice Oulmont's wood and oak sculpture is a captivating blend of traditional craftsmanship and modern sensibility. Oulmont's distinctive sty...

Sculpture in oak and metal.

I am artist and furniture maker working in new Hampshire. I use nails to create intricate patterns on all variety of objects and surfaces The nails are glued into pilot holes, clipped, sanded flush with the surface, then polished. The result is a pattern of shiny dots of various dimeters. I create objects and furniture that is generally modern in form but highly decorated with as many as 11,000 nails. I use this nail inlay...

Here you will find an extraordinary and high quality lamp, which conjures a beautiful shadow pattern on the wall or ceiling. This ball lamp is delivered in lacquered rust optic, wit...

Bound Heart is a unique oak wood and cotton cord sculpture by contemporary artist Peter Brooke-Ball, dimensions are 19 × 34 × 26 cm (7.5 × 13.4 × 10.2 in). The sculpture comes with...

Variation on a Theme II: Avoidance is a unique bronze, steel and oak wood sculpture by contemporary artist Peter Brooke-Ball, dimensions are 23 cm × 24 cm × 24 cm (9.1 × 9.4 × 9.4 in...

Lilac marble, oak, rope. Dimensions : 74 cm × 20 cm × 16 cm Unique work delivered with a certificate of authenticity. Peter Brooke-Ball's works surprise with their humour, simplicit...

Inspired by Victorian era taxidermy dioramas, 'Dark Flora' is a series of photographs using wild plants and flowers in a curated yet naturalistic arrangement. The plants are foraged ...

It's really majestic piece. It's grand in size and its got a very beautiful and impressive contrast in shades. This piece is something very special... two Luminograms in one work of...

Brian Griffin Joe Jackson - Look Sharp, 1979 Vintage Gelatin Silver Print, Framed; museum mount board, antireflective art glass, oak frame Image size; 11 4/5 × 15 7/10 in 30 × 40 cm...

This intricate ink drawing by John Bauer, measuring approximately 8 x 5 cm and presented in an oval format, encapsulates a profound expression in its modest size. It features a minus...

Oak with marble top Height: 55 inches (86.25 cm) Width: 55 inches (140 cm) Provenance Château de Mareil Le Guyon This commode is available to view at our gallery on Cecil Court. Jean-Pierre Latz Jean-Pierre Latz was one of the handful of truly outstanding cabinetmakers working in Paris in the mid 18th-century. Like several of his peers in the French capital, he was of German origin. His furniture is in a fully developed rococo style, employing boldly sculptural gilt-bronze mounts complementing marquetry motifs of flowers and leafy sprays, in figured tropical veneers like tulipwood, amarante, purpleheart and rosewood, often featuring the distinctive end-grain cuts. He also produced lacquered pieces, most famously the slant-front desk in the collection of Stavros Niarchos...

“It was shot on a grey misty day on Dungeness Beach in Sussex. Charlie Wood lit the sky rocket and stood to attention, and I fired the flashgun that was stuffed into his trousers to ...

red oak, concrete 68" x 27" x 17" As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the vis...

Fanjo bleached oak, dyed mahogany 32" x 6" x 6" As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are us...

Dark Flora #4 - Autumn Weald: An arrangement of cloth of gold, pine, beech, and bracken surrounding a nest of exquisite blue eggs. Archival Pigment Print, Mounted on Aluminium, in bespoke Oak Framed, Edition 3/8 Print size: 75 x 54 cm Framed: 80 x 60 cm approx. Inspired by Victorian era taxidermy dioramas...

Oil on oak panel Image size: 9 x 7 1/4 inches (23 x 18.5 cm) Period style hand made frame This is a self-portrait is most likely by a 17th century English...

"Azurite Gossamer" by Antoinette Ferwerda, an original abstract painting that invites you to explore the interplay of textured vertical lines and vibrant blocks of colors. Crafted w...

“Feathers are more than pretty; they contain a whole host of spiritual and cultural meanings.... It symbolises trust, honour, strength, wisdom, power, and freedom” Naturally shed feathers, none of them were dyed, all natural colours. Birds’ feathers included in this artwork: Blue Jay Pheasant Woodcock Blue Mallard Homing Pigeon Teal Duck Partridge Han Mallard Magpie Red Kite Blue & Gold Maccaw Red and Green Maccaw Peacock Guinea Fowl Parrot Leopard Spotted Argus Pheasant Lady Amherst Pheasant Ringneck Pheasant Golden Reeves Pheasant Tragopan Pheasant Oriental Bay Owl Scarlet Ibis Feathers, 2022 Series: Detritus Archival Pigment Print, Mounted on Dibond in custom made Frame; with Black Stained Oak and antireflective UV protective museum standard Art Glass Print 100 x 100 cm / Framed: 102 x 102 cm/ 40 x 40 inches approx. Edition of 5 + 2AP About the Artist George McLeod...

"Sweet Grass I," an original abstract painting that unfolds like a blossoming garden captured on canvas. Crafted with finesse using mixed media, this artwork invites viewers into a w...

"Rosalie Gossamer," a captivating original abstract painting that weaves a tapestry of visual poetry. Created with finesse using mixed media on canvas, this artwork invites viewers ...

Indulge in the delicate beauty of Antoinette Ferwerda's "Sweet Grass I," an original abstract painting that unfolds like a blossoming garden captured on canvas. Crafted with finesse ...

This piece titled "Delight or Disgust" is an original artwork by Angela Rio and is made of acrylic on masonite, framed in artist-made oak wood. This piece measures 18”h x 24”w framed...

The extraordinary polygon sculpture "Eagle" with burner insert on a pedestal of oxidised oak for our garden, is available in 3 different sizes, in the overall sizes 105 cm, 125 cm an...

Francis Linke (1855-1946) Oak table, veneered with mahogany, marble top, gilded bronze, legs from mahogany wood, 75.5 cm; d 59 cm

Extraordinary garden torch with one burner insert on an untreated oak spot. Customization possible and designed in 2010. Also available to order in stainless steel. The included bur...

Andrey and Alexey Kulibin are self-taught artists who established their studio in 2020. The advertising industry seemed too bureaucratic and regulated to us, so one day in 2019 we si...

Andrey and Alexey Kulibin are self-taught artists who established their studio in 2020. The advertising industry seemed too bureaucratic and regulated to us, so one day in 2019 we si...

Andrey and Alexey Kulibin are self-taught artists who established their studio in 2020. The advertising industry seemed too bureaucratic and regulated to us, so one day in 2019 we si...

We are delighted to present a significant piece from the Dutch School, most likely dating back to the late 17th century. This captivating painting showcases the dynamic force of nature with three ships vigorously navigating through stormy waters. The foreground is a scene of nautical struggle, as figures are depicted working intensely with the sails, steering, and bracing against the tumultuous sea. In the serene background, the silhouette of a quaint town emerges, with spires from churches and the outlines of various buildings is visible. This juxtaposition of the calm town against the chaotic foreground serves as a powerful reminder of the unpredictability of life and nature. Dominating the canvas, the sky occupies two-thirds of the painting, filled with brooding clouds that occasionally break to reveal patches of blue. The presence of birds adds a dynamic element to the otherwise ominous atmosphere. While the artist remains unknown, the work is quintessentially Dutch in its execution, with meticulous attention to detail and a profound understanding of maritime life. The painting's oval shape is quite distinctive and is complemented by a suitably antique octagonal black frame, which adds to its historical charm. This piece is a testament to the mastery of Dutch maritime painting...

Virgin and Child Workshop of Pieter Coecke Van Aelst (Aelst, 1502- Brussels, 1550) 16th century Oil on oak panel Dimensions: panel: h. 71.5cm, W. 48.5 cm (28.15 in x 19.09 in) Later ...

Justus Juncker (1703-1763, Germany) Attributed to Scholar Sharpening His Quill Penn Expertise: We would like to thank Dr. Fred G Meijer for his valuab...

The Prodigal Son Among Courtesans Attributed to Hieronymus Francken II (Antwerp 1578-1623) Early 17th century Antwerp school Oil on oak panel, Dimensions: H. 52.5 cm (20.67 in), W. 74 cm (29.14 in) Flemish-style moulded wood frame Frame: h. 78 cm (h. 30.70 in.), w. 100 cm (39.37 in.) At first glance, this festive and joyful painting depicts a group of elegantly dressed people dancing to the sound of an orchestra in a richly decorated interior with a wide opening onto a rural exterior. However, the real theme is cleverly concealed by the painter and is only discernible through the artifice of a small scene in the background where we see a half-naked man, in the company of the pigs next to a makeshift shelter. In fact, beyond the pleasant and apparently superficial character of the painting, it is a subject taken from the parable of the prodigal son in the Gospel. The illustrated episode is the prodigal son among courtesans. Even if the viewer's attention is drawn to the central couple (prodigal son embracing a pretty courtesan) doing the dance steps, the artist takes care in a narrative approach of all the groups and ancillary scenes in order to create a rich and varied composition. Thus the musicians seated on a raised platform are depicted with great skill, their faces animated, their clothes abundantly varied. The theme of music, which has always been associated with that of sensuality and physical love, helps to exacerbate licentious pleasures. The merry company dances "Spanish pavane", a slow court dance from the sixteenth century, danced close to the ground by couples arranged in a procession, which was probably introduced to the south of the Netherlands around 1600 during the governance of Albrecht VII and the daughter of the King of Spain Isabella Clara Eugenia in Brussels. The interior of the house is also carefully elaborated, the embossed leather dyes on the walls, the middle sideboard (typical in Francken interiors), where the rich gold and silver crockery is placed in front of the painting "Andromeda chained to the rock and Perseus arriving to rescue her". The inclusion of a contemporary and probably extant pictorial work is also one of the characteristics of the Francken family, among them Frans Francken the Younger...

Rest during the Flight into Egypt - The Virgin and Child with St. John the Baptist and the angels in a Landscape. Attributed to Pieter Van Avont (1600-1652) 17th century Antwerp School, circa 1630 Oil on oak panel, Dimensions: h. 38 cm, w. 50 cm (14.96 in x 19.68 in) Flemish style frame in ebonized and moulded wood Framed: h. 56 cm, w. 68.5 cm (22.04 in. x 26.97 in.) In the heart of a lush wooded landscape, the Virgin with Jesus rests in a green clearing accompanied by Saint John the Baptist and the cherubs. Seated to the left of the composition, the Virgin Mary holds the Child on her lap; the little Saint John the Baptist wearing the camel-skin tunic (his attribute) stands before Jesus to exchange a few caresses. On the right, the couple of cherubs are playing with the lamb of Saint John the Baptist, bringing a jovial character to the scene. A pair of gardening putti on the left pick flowers to bring bouquets to the Virgin and Jesus. Spring flowers such as tulips, daffodils and anemones that grow abundantly around them and enrich the composition with their shimmering colors. A lush rose bush blooms to the left of the figures offering delicate roses. (The rose is the flower associated with the Virgin Mary, who is the "mystical rose," the one that does not bear the "thorn of sin") At the feet of the Virgin are bunches of grapes (symbol of the future passion of Christ) as well as apples (symbol of the original fall of Man but also of the Redemption in Christ) In the foreground we find a wicker basket filled in profusion with beautiful flowers and guinea pigs nibbling on the blades of grass. In a cleverly arranged disorder, these elements of the still life with their strong symbolic power accentuate the religious theme, but are also an opportunity for the artist to demonstrate his know-how in the still life genre that is gaining momentum in Antwerp. The landscape behind the figures consists of a large tree with a twisted trunk and a luminous opening to the horizon placed on the right. We see Saint Joseph arriving with a donkey, a small reminder from the artist that the composition is associated with the episode of Rest during the flight into Egypt. The calm expanse of this bucolic forest opening onto the luminous distance, with its profusion of symbolic flowers and fruits, is particularly suited to this sacred scene. The theme of Jesus' sacrifice and his tragic fate is mitigated by cherubs who play with innocence and carelessness in the face of the fragility of life symbolized by cut flowers. The great mastery of the painter is manifested by the finesse of the drawing enhanced by the delicacy in the application of the brushstrokes bringing a multitude of details. The richness of the whole is exacerbated thanks to the choice of colours, this varied palette is an undeniable asset of our work. The virtuosity of our artist lies in his versatility, as much concerned with the success of the landscape and flowers as with the modelling of his figures. The cherubs with their naked bodies are gracefully illuminated by warm colours with subtle shadows, while the still life is rendered with astonishing realism, both in the precision of the drawing and in the countless shades of the flowers. There are several compositions similar to ours, of which below are the closest versions: • Sale, Jean-Claude Anaf et Associés, Lyon, 08/02/1998, attributed to Pieter Van Avont, oil on panel, h. 48 cm, l. 71 cm (recorded on RKD n° 31451). Comment: identical composition, only St Joseph with the donkey is different) • Christie's New York sale, 29/01/1998, Pieter Van Avont, oil on copper, h. 23.8 cm, w. 24.8 cm • Dorotheum sale, Vienna, 25/04/2017, Pieter Van Avont and Jan Breughel II, oil on copper, h .26 cm, w. 39 cm • Hermitage Museum, Saint Petersburg, Russia, Pieter Van Avont, oil on panel, h. 50.5 cm, w. 71.7 cm Peter van Avont, Flemish painter (Mechelen, 1600 - Antwerp. 1652) Born in Mechelen, he is mentioned in 1620 as a member of the painters' guild of his hometown. He left in 1 622 for Antwerp, where he was also a member of the guild. He collaborated with many painters, including Jan Brueguel the Younger, David Vinckboons, Lucas van Uden...

Madonna and Child with Saint John the Baptist and angels Circle of Joos Van Cleve (1485 – 1541) 16th century Antwerp school Oil on oak panel Dimensions: h. 32 cm (13 in.), w. 28.5 cm...

Justus Juncker (1703-1763, Germany) Attributed to Scholar Sharpening His Quill Penn Expertise: We would like to thank Dr. Fred G Meijer for his valuab...

Ascension Day in Venice 17th century Antwerp School Louis de Caullery (1582-1621) Oil on oak panel Dimensions: h. 12.8 in, w. 23.03 in (h. 32,5 cm, w. 58,5 c...

Discover a captivating piece of nature with this unique section of a vintage herbarium. Crafted with meticulous care, this botanical press on paper c...

Discover a captivating piece of nature with this unique section of a vintage French herbarium. Crafted with meticulous care, this botanical press on p...

Discover a captivating piece of nature with this unique section of a vintage herbarium. Crafted with meticulous care, this botanical press on paper c...

Extraordinary garden torch with one burner insert on an untreated oak spot. If the spot is set up outside, she develops a gray patina. There are already individual lava stones in th...

Discover a captivating piece of nature with this unique section of a vintage herbarium. Crafted with meticulous care, this botanical press on paper c...

The extraordinary candle holder "Flames" on a oxidised oak pedestal, conjures up a beautiful shadow pattern in your home. The candle holder has a rust look and stands on a 15x15cm o...

Flemish 1600s School The Card Players oil on oak panel panel dimensions 22.5 x 20 cm frame included Provenance: From a Swedish private collection. Condition: Flat and stabl...

Materials: Red, green, black, natural lacquer, Hindi (Delhi) and Malayalam (Kerala State) newspapers. This artwork is framed in a maple wood shadowbox with Optium Museum plexiglass. Toshio Sekiji...

Extraordinary garden torch with one burner insert on an untreated oak spot. If the spot is set up outside, she develops a gray patina. There are already individual lava stones in th...

Extraordinary garden torch with one burner insert on an untreated oak spot. If the spot is set up outside, she develops a gray patina. There are already individual lava stones in th...

The extraordinary candle holder "Flames" on a natural oak pedestal, conjures up a beautiful shadow pattern in your home. The candle holder has a rust look and stands on a 15x15cm na...

Jim Miller-Melberg (1929 - 2017) was a mid-century industrial designer and sculptor known for his ubiquitous playground sculptures. Jim studied at the University of Michigan, Cranbrook Academy of Art in Bloomfield Hills...

The extraordinary candle holder "Dragon" on a natural oak pedestal, conjures up a beautiful shadow pattern in your home. The candle holder has a rust look and stands on a 15x15x15cm...

Extraordinary garden torch with one burner insert on an untreated oak spot. If the spot is set up outside, she develops a gray patina. There are already individual lava stones in th...

Artwork made with spray acrylic on solid mahogany, cherry & oak. Small Pop series are minimalist driven, wood wall sculptures that are small and blocky and feature bright saturated ...

Shipping costs on request Extraordinary garden torch with one burner insert on an untreated oak spot. If the spot is set up outside, she develops a gray patina. Unique, handcrafted...

Jim Miller-Melberg (1929 - 2017) was a mid-century industrial designer and sculptor known for his ubiquitous playground sculptures. Jim studied at the University of Michigan, Cranbrook Academy of Art in Bloomfield Hills...

Inspired by the effect nature has on materials, Pascal Oudet’s wood sculptures are intricate filled with complex yet simple details. Born in 1972 in Vesoul, France and trained in eng...

This torch is the eye-catcher in your garden. Customization possible and designed in 2010. Also available to order in stainless steel. Due to good air supply, you can very quickly l...

Inspired by the effect nature has on materials, Pascal Oudet’s wood sculptures are intricate filled with complex yet simple details. Born in 1972 in Vesoul, France and trained in eng...