Art by Medium: Oil

Artist/ School: French School, 19th century, after the earlier work by Rembrandt Title: Self portrait of the artist Medium: oil on canvas, framed in antique gilt swept frame. Fra...

Title: Spanish Landscape with Farmhouse Artist: Rafael Duran Benet (Barcelona, 1931–2015) Technique: Oil on canvas board Dimensions: 13 x 16.1 in Signature: Signed "R. Duran" in ...

A realist painting of three plump oranges hanging from a nail amidst their own leaves, against a blue backdrop. A round panel, aka tondo, is framed in a gold Italian custom made fram...

A beautiful oil on canvas painting by the French artist, Jean Salabet. Salabet was a Parisian painter known for his colorful cityscapes depicting the times of his generation. His wor...

Vintage Floral Still Life - Cup with Cascading Flowers Detailed and moody still life of flowers in a ridged cup by Alan Inger (British b. 1901 d. 1978.) The background is full of de...

“Warm Touch” A peaceful wave unfolds across the canvas — not forceful, not fierce, but gently wrapping the space in tenderness. Its shifting shades of blue flow softly, like the brea...

Untitled (perhaps New Jersey Factories), c. 1940s, oil on board, signed lower left, 24 x 28 inches, perhaps exhibited Fifty-First Annual Exhibition, National Association of Women Art...

Christ Healing the Sick French School, 19th century oil on canvas, unframed canvas: 15 x 20.5 inches Provenance: private collection, Europe Condition: some craquelure throughout, mo...

“Eastern White Pines, c. 1910” by Charles Warren Eaton (American, 1857-1937). A wonderful example of Eaton’s renowned compositions of Eastern white pine trees in his mature style. A...

Katharina Husslein’s impressionist landscape paintings beautifully reflect her experiences abroad. The vibrant colors and dynamic textures in her work capture the essence of diverse ...

Sunrise Sensation, Beautiful Skies Series oil/panel 9x12 image unframed,15.25 x 18.25 x .75 framed signed LL Sunrise Sensation is an oil painting on canvas panel by award winning con...

The Quiet River French Impressionist, signed and dated 1940's oil on canvas, framed in original French frame. signed and dated framed: 35.5 x 36 inches canvas: 24 x 29 inches Prove...

An impressionistic portrayal of Japanese Koi fish jubilantly depicted with movement and enthusiasm. In a burst of motion, the fish joyfully swim in the clear light blue waters, as th...

Title: French Impressionist Oil Painting of Tranquil Sailboats Along the Riverside By Fanch Lel (French b. 1930) Size: 8.75 x 10.75 inches (height x width) Signed: Yes Oil painting o...

In this piece, I poured my emotions through textured acrylic strokes, blending soft pastels with bold contrasts. It captures the delicate balance between chaos and calm, inviting a c...

Artist Comments
A bluebird perches quietly amidst a field of soft, lavender-toned flowers. Its vibrant orange breast and deep blue feathers provide a striking contrast to the d...

Landscape Impressionism Original Oil Painting Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Signed to lower left Medium: Oil on Canvas Year: 2...

A beautiful French post-impressionist oil on panel by Jules Merle depicting sunlit buildings with a solitary figure, probably Provence. The work very nicely painted with some lovel...

Near Midhurst (Surrey, England) by David Mead (1906-1986) signed, dated verso to label 1976. titled verso oil on canvas, framed canvas: 23 x 36 inches framed: 29 x 41 inches the pai...

This intimate landscape from 1888 belongs to Anton Genberg’s early mature period and reveals the qualities that would later establish him as one of Sweden’s foremost painters of atmo...

Artist Comments
The artwork captures the quiet majesty and solemn atmosphere of Venice. The church bells seem to linger in the air, while the fading light glides across the wat...

This stunning abstract artwork was made in 1966, by the well known Italian artist Ermete Lancini. The artwork is a painting and a collage with newspaper...

White Cottages signed initials by Irina Hale (British 1932-2022) oil painting on thin card , unframed painting: 4 x 5 inches provenance: private collection, Cotswolds condition: very...

Charming Harbour Scene by Fanch Lel (French b. 1930) Size: 8.5 x 10.5 inches Oil painting on cardboard, unframed Condition: The painting is in good condition, with minor signs of agi...

Pocket Pale Yellow Daffodil 201 (canvas size 5x5cm) is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil painting...

Artist: Elisabeth Hahn (German 1924-2021), Elisabeth Hahn was born in Dortmund, Germany, where she began her artistic studies. In 1953, she moved to P...

Sunlit Mediterranean Village, Provence signed oil on board, framed Framed: 16 x 14 inches Board : 10.5 x 9 inches inscribed verso Provenance: private collection, Paris Condition: ver...

A beautiful large oil on canvas painting by American artist Gregory Sievers, capturing a romantic and atmospheric summer evening near Place de la Bastille at twilight after rainfall....

Portrait of a Lady English School, 18th century oil on canvas, unframed canvas : 31 x 25 inches provenance: private collection, UK condition: good and sound condition

This charming 19th century devotional painting depicts St. Colette of Corbie, pictured clad in her Franciscan habit, her hands clasped in prayer, with a staff at her side symbolising...

Alfred Arthur BRUNEL DE NEUVILLE French 1852 - 1942 Signed by the artist bottom right Picture Size: 18 x 22" (46 x 56cm) Frame Size: 25 x 29" (64 x 74cm) Born in 1852 in Paris and ...

“Still Life, 1936” by Katharine "Kitty" Duff Church (British, 1910-1999). This large, early painting by Katherine Church is among her finest canvases of the period. Characterized by its bold color palette, simplified forms, and expressive brushwork, this composition centers around a tabletop adorned with various objects: potted plants, a ceramic dish, bottles, and what appear to be books or papers. The two potted plants provide contrasting elements: on the left, what appears to be a cyclamen with red blossoms and delicate leaves, and on the right, a lush green plant with darker foliage. These plants, painted with loose, textured strokes, add an organic quality to the otherwise structured arrangement. The tabletop is cluttered yet thoughtfully composed, featuring additional objects like a clear, faceted glass bowl, a small bottle, and books or pads in striking red and green. The dynamic use of color blocks and the juxtaposition of shapes (round pots against rectangular books) create a sense of rhythm and harmony. The background is darker and less defined, emphasizing the brightly lit tabletop. Church's brushwork is gestural and modernist, leaning toward abstraction, challenging traditional still life conventions. This painting reflects Church’s interest in balancing everyday objects with bold artistic expression. It conveys both the simplicity and complexity of daily life, transforming an ordinary moment into a vibrant and engaging work of art. This work is oil on canvas and is signed and dated in the lower right. It is housed in its original gessoed frame and retains various labels and inscriptions on the reverse. Size: 28.25 inches tall by 36 inches wide (painting) 34 inches tall by 42 inches wide by 2 inches deep (frame) Provenance: Private collection, NY; Acquired from the above About the artist: Born in Highgate, north London, Katharine Church, known as ‘Kitty’ amongst friends and family, always wanted to paint. She trained at the Royal Academy of Arts between 1930-1933 and at the Slade between 1933 and 1934. In her early years Kitty exhibited regularly at the Royal Academy. Her first solo exhibition was in 1933 at the Wertheim Gallery. Other artists who exhibited there included Christopher Wood, Victor Pasmore and Cedric Morris. Kitty also showed with the New English Art Club, the London Group and between 1937-1947 her work was exhibited at the influential Lefevre Gallery, which supported avant-garde artists such as Henry Moore, Ben Nicholson and Barbara Hepworth. In 1954 the artist was invited to take part in the Figures in their setting exhibition held at the Tate Gallery. Henry Tonks and Philip Wilson Steer had a strong influence on Kitty’s early work, but it was her friendship with Ivon Hitchens that liberated her painting technique. In 1936 Kitty married Anthony West, the son of writers Rebecca West and H.G. Wells. The couple initially lived in London before moving to Quarry Farm, Chicksgrove, Tisbury, near Salisbury, where they brought up their children Caroline and Edmund. There they hosted many of their friends, including the New Zealand painter Frances Hodgkins. Other regular visitors before the War included John and Mywafany Piper, Ralph and Frances Partridge, Noel and Catharine Carrington, Julian Trevelyan and Mary Fedden. For many of those who visited Kitty would organise painting expeditions. After the war Kitty and Anthony separated, with Anthony moving to the United States. Anthony West moved to the United States to work as a journalist for The New Yorker. In the early years after their parting Kitty visited most years with the children. In the 1960s Kitty purchased Sutton House and ran the Hambledon Gallery at Blandford Forum. There she promoted the work of her early art-school friends Mary Fedden and Julian Trevelyan, alongside work by the Pipers, John Craxton...

Wintry Pool oil on canvas 12 x 16 image size Signed LR when viewing the painting and again verso, on back. Image measures 12 x 16 The painting is in good condition in a period gilded...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2021 Style: Impressionism, Subject: Carmel, Size: 30" x 55" x 1'' in...

3794 Equestrian oil painting set in a custom wood frame Image size 23.5x19.25"

Original oil on canvas painting of a lakeside Norwegian landscape complete with several rustic cabins and snow covered mountains in the background. The artist of the painting is Joh...

* No US duty or taxes to pay on works of art * A beautiful Syrian abstract oil on canvas depicting female villagers, by Jumaah Nazhan. The artist is very interesting as was the onl...

Old pond 3 120cm x 60cm, 47" x 24". 2025, oil on canvas The pond stretches out serenely, reflecting the sky on its calm surface. Waterlilies float delicately on the water, creating ...

Pierre Coquet - Tin cans Reference number F455 Framed with a natural oak floated frame 35 x 40 cm frame included (30 x 35 cm without frame) This work is painted with oil on a paper t...

European artist, second half 20th century signed lower corner oil on canvas, framed framed: 25 x 35 inches canvas: 20 x 30 inches provenance: private ...

Evening in the Dunes of Hossegor France 19th C Original Oil by Issaac A. Josephi "Soir dans les dunes d'Hossegor" (Evening in the Dunes of Hossegor) by Isaac A. Josephi (American, 1...

KC Crompton Always with you Original Abstract Painting Oil Paint, Graphite and Oil Stick on Canvas 90 X 122 cm x 3.5 cm Unframed 96 x 129 cm Framed Sold Framed: Dark wood float frame...

Gabriel Strandberg (1885–1966) Sweden View of Stockholm from Västerbron, 1943 signed and dated lower left oil on board unframed 36.5 × 55 cm (14.4 × 21.7 in) framed 46.5 × 65 cm (1...

A Unique, Unusual and Striking Abstract Surrealist Painting Completed in the Chicago Imagist Tradition by Notable Artist, Stanley Dean Edwards (Am. Born 1941). Titled "The Last Living Face in Pompeii", the painting is oil and acrylic on canvas presented in its original frame. The artwork shows a unique synthesis of Post-War Surrealist influences, including the avant-garde Italian artist Enrico Baj and the vibrant palette of the Chicago Imagist school, namely Ed Paschke and his contemporaries. The collage-like references in the composition recall the artwork of sculptor H.C. Westermann and others experimenting with assemblage, found objects and the integration of inanimate objects. Artwork size: 38 1/2 x 32 inches; Framed size: 39 1/4 x 33 1/4 inches. Signed "Edwards", lower right; signed, titled and dated on reverse. Provenance: The Artist; Private Collection, Chicago, IL (circa 2010). Born 1941 in Joliet, Illinois, Stanley Dean Edwards moved to Chicago early in life to pursue his life as an artist. His mother was a Chicago public school teacher, and his father was a Methodist minister. He studied painting and design at the School of the Art Institute of Chicago (SAIC), receiving a BFA in 1967. While at SAIC, Edwards was influenced by Vera Berdich's printmaking classes and Daniel Massen's design classes. After a brief stay in New York (1967-1970), where he was profoundly shaken by urban rioting and general upheaval of this time, Edwards returned to Chicago and later set up a studio in the Pilsen Neighborhood. Edwards is primarily a figurative painter whose work is informed by both Surrealism and Constructivism. Early hard-edge paintings from the mid-1960's feature a series of screaming babies set in brightly colored environments. These works offer religious suggestions, as the infants are paired with ecclesiastical figures presented atop an altar. Other protagonists of his series include dogs and faceless men. (1) In the early 1960's, Stan Edwards was part of a diverse group of artists that included George Kokines, Ray Siemanowski, Michael Hurson and Peter Holbrook among others. These artists and Edwards were part of that decade's vanguard and their work was included in an exhibition titled, "Twelve Chicago Artists" at the Walker Art Center. The curator was Jan Van der Marck. Edwards called his paintings of babies, dogs and erotic torsos from that period "image painting" because they were taken not from the model stand but cast off photo images. One painting from this period, Infant in Altar IV, is a 60" x 60" an oil and acrylic painting and was loaned by the National Museum of American Art at the Smithsonian to the Museum of Contemporary Art for its fifty year retrospective titled, "Art in Chicago, 1945 to 1995." The painting is part of the Martha Jackson memorial collection at the National Museum of American Art. (2.) Recent paintings, which Edwards calls "Icons for a New Era: Assembled Art Imagery," feature iconic images composed of items from popular culture; witty titles often allude to the materials from which they were made. The found objects, vibrant colors, and slick presentations of his works indicate their relationship to and a continuation of Pop art. Both humorous and sinister, Edwards' paintings reflect the psychological uneasiness associated with the close of the twentieth century. (3.) One painting of this series titled Surveyor is a 66" x 60" oil and acrylic painting and appears in the book Humor in Art by Nicholas Roukes, published by Davis Inc. The book is widely used as a text for art and design projects. (4.) In October of 2002 Edwards presented a retrospective exhibition of his work at the Illinois Institute of Art where he taught art and design in the foundation program. His lecture and exhibition were presented as part of "Chicago Artist's Month" sponsored by the Department of Cultural Affairs for the City of Chicago. In 2004 Edwards completed a major commission for the new Veterans' Administration building in Chicago. The commission centered on patriotic themes and one large 6 and 1/2' x 10' painting is dedicated to prisoners of war. Five others are 48" x 48" and depict the military branch seals, and four paintings 32" x 32" are based on 19th century patriotic engravings. Stan Edwards, who retired from the Illinois Institute of Art in 2009, lives and works in Chicago, Illinois. Sources: (2. & 4.) Press release (1. & 3.) "Art in Chicago 1945 1995, MCA.) COLLECTIONS: Selected corporate & institutional collections National Museum of American Art/Smithsonian Corcoran Gallery of Art Ceco Corporation Crain Communications Thrall Railcar Company American Hospital Association Plyzynski & Associates, Inc. NYC North American Jet Corporation Ball State University Illinois Institute of Art at Chicago State University of New York Harris Bank & Trust Dallas Theater Center Electronic Media Magazine Johnson Controls Central National Bank of Cleveland Associates Commercial Corporation Corporate Art Source Veterans' Administration Commission, Chicago, 2004 Ten site specific paintings Siemens Corporation COLLECTIONS: Selected private collections Walter & Dawn Clark Netsch Beatrice "Buddy" Mayer Douglas Ross Larry Aronson Marc & Ilana Platt Phil & Joan Krone Craig & Janet Duchossois Sally Fairweather Shirley Hardin Brian Boyer Pritzker collection James Speyer collection Michael Greany Ed & Lindy Bergman Collection Leigh Block Collection Professor Harold Platt Professors Lew Erenberg & Susan Hirsch Dr. David Gross Professor Mihaly Csiksentmihalyi Dr. Paula Young Dr. & Mrs. Imre Hidvegi EXHIBITIONS: Selected exhibitions Biennial Drawing Exhibition, Art Institute of Chicago, 1962 Momentum II, Lexington Hall, University of Chicago, 1964 The Sunken City Rises, Hermann Hall, Illinois Institute of Technology,1964 Eye on Chicago, Hermann Hall, Illinois Institute of Technology, 1964 29th Corcoran Biennial, 1965, Washington, D.C. Inaugural exhibition, Fairweather-Hardin, 1965 Society for Contemporary Art, Art Institute of Chicago, 1965 12 Chicago Painters...

A stunning and masterful depiction of a Parisian street view from the 20th Century. The artist executed this painting en plein air with street life and cars parked along into the dis...

Painting on glass realized in the 1980s. Hans signed and framed. Very good condition.

6145 Tuscan landscape painting on artist board Set in a vintage ornate wood frame Image size 10.5x9"

Artist Comments
Layers of blue and cream with touches of orange and black create an energetic composition. The blending of colors evokes a strong sense of movement, while the...

Artist: Vadim Zang Title: Lora Medium: Oil on Linen Year: 2014 Style: Figurative Impressionism Dimensions: 14" x 11" x 0.8" inch (36 x 28 x 2c...

Bay Hunter Horse Standing in a Summer Meadow by Frances Mabel Hollams (British, 1877–1963) Signed. Framed: 21 × 27 inches Canvas: 18 × 24 inches Medium: oil on canvas. Provenance: fr...

‘The Grand Canal from St. Mark’s, Venice’ by Edward Pritchett RWS (1807-1876). The painting hangs in a superb gilded and sgraffito carved exhibition frame bearing insignias of the Li...

Erik Tryggelin (1878–1962) Sweden Cloud Study over Lake Vättern, Vadstena, 7 September 1935 signed and dated lower right E. Tryggelin 7/9 1935 inscribed Vadstena oil on canvas laid...

This beautiful 1930’s Art Deco portrait oil painting is by Italian New York artist Arturo Noci. It was painted in 1932 in New York where he lived from 1923 to his death in 1953 aged ...

Algerian Mid century oil on board landscape by Franco Algerian artist André Boureau a pupil of Othon Freize. The painting is signed bottom right and is presented in a custom patinate...

Wesley Lea (1914-1981). Cubist Composition, ca. 1960. Oil on masonite panel, measuring 14.5 x 22 inches. Framed measurement: 19.5 x 27 inches. Signed lower left.

Oil on canvas signed R.B.FELTRAP, France, 1937. Nude. With frame : 101.5x82.5 cm - 40x32.5 inches ; without frame : 92x73 cm - 36.2x28.75 inches. Format 30F. Signed and dated "R.B.Fe...

Ken Valastro (1954-2014) created dynamic oil paintings characterized by bold color contrasts and vigorous brushwork that captured the energy of urban scenes. His signature style feat...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

Artist Comments
A bouquet of white hydrangeas rests in a deep blue vase. Thick palette-knife strokes give the flowers a sculptural presence, while soft green tones in the backg...

Title: Interior with Fruits and Portrait Artist: Signed as J. Guinovart Attribution: Possibly a very early work by Josep Guinovart (1927–2007) Technique: Oil on canvas Dimensions: 46...