Art by Medium: Panel

Color pencil, ink pen and Chinese ink on wooden panel

Artwork made with pigment (Iwaenogu), glue & water on cotton paper (Washi) marouflaged on Japanese wooden panel Fusako Ekuni is a Japanese artist born in 1947 and who lives & works ...

This is a one of a kind original abstract oil painting on panel by Southern California artist, Daniel Ketelhut. Its dimensions are 22" x 30" x 1". It is unframed. A certificate of au...

This is a one of a kind original abstract oil painting on panel by Southern California artist, Daniel Ketelhut. Its dimensions are 18" x 24" x 1". It is unframed. A certificate of au...

This is a one of a kind original abstract oil painting on panel by Southern California artist, Daniel Ketelhut. Its dimensions are 18" x 21" x1". It is unframed. A certificate of aut...

Beeswax, resin and pigment on canvas mounted on panels. Unframed. This work is from a series of formal compositions of quiet horizontal abstraction, based in the Venetian tradition ...

Dan McCaw's (US based) "Standing Figure" is an original, handmade oil painting that depicts an abstracted figure of gray and white standing within a neutral interior. Artist Stateme...

Untitled Abstraction Oil on panel 18 ½" x 13" 22" x 16 ½"x 1 ½" framed Signed "Serisawa" lower right

Bryan Ryley: Rigorous Inquiry at the Intersection of Material and Structure Bryan Ryley, a significant figure in contemporary Canadian abstraction, operates from his studio in Verno...

Dimitri incorporates and captures free form expression using urban iconography, text, collage and traditions methods.

This creation is a symphony of organic forms, where minimalism meets nature's complexity. Crafted with acrylic, every stroke and shape is charged with emotion, capturing the beauty o...

Like his mentor the great American Impressionist William Merritt Chase, Charles Webster Hawthorne was equally admired in his own day as both a talented painter and a highly influential instructor. Hawthorne first studied with Chase at his Shinnecock Summer School of Art, which was specifically dedicated to open-air landscape painting. Not only did Hawthorne quickly absorb all the principles of Chase’s instruction, but he also became determined to found his own school based on the same model. In 1899 Hawthorne discovered the small fishing village of Provincetown on the furthermost tip of Cape Cod, and after purchasing a large house on Miller Hill, he opened the Cape Cod School of Art, which proved to be an immediate success. While Hawthorne’s own approach as a teacher owed much to Chase, he developed a distinctly unique painting style and teaching method that defies easy categorization. He was greatly impressed with the work of Franz Hals, which he was exposed to during his trip to Holland in the summer of 1898. Hawthorne was particularly struck by Hals’ Regentesses of the Old Men’s Almhouse, and from this work he absorbed a deep appreciation for the power of human expression and an economy of technique. Hawthorne applied these lessons to his own realistic portraits of Provincetown fishermen and their families; these works have a somber, almost melancholy quality to them, and they reveal a sense of the vulnerability of the human condition. Stylistically, Hawthorne maintained a life-long commitment to the importance of color. “Beauty in art,” he said, “is the delicious notes of color one against the other.” Of equal importance to him was capturing the effects of light. He told his students: “Everything in painting is a matter of silhouettes. Hold light against shadow, not light against light.” He developed a particular technique of layering glazes and texturing the surface of his paintings, which heightens the relationship between the colors and creates a light effect that seems to emanate from within the painting. These stylistic techniques in combination with his straightforward compositions of one or more figures shown at close range create the hallmarks of Hawthorne’s best paintings. Hawthorne and his wife Ethel’s 1905-1907 trip to Italy did not result in a drastic impact on his artistic style. Nonetheless, it proved to be a transformative and enlightening voyage. The extensive trip was financed by collectors who paid in advance for a painting to be produced abroad. On the trip, Hawthorne explored the work of old masters and was struck particularly by the paintings of Titian, which to Hawthorne, demonstrated the master’s true adoration for the act of painting itself through his handling of paint and color. Where Titian’s paintings...

Spray paint on upcycled plastic Set of 8 panels Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Master of Science in Intern...

ABSTRACTION Mid-Century Abstract Non-Objective Color Field oil American Modern James Daugherty (1887 – 1974) "Abstraction" 11 ¾ x 13 ¾ inches Oil on...

"QUEEN VICTORIA" is created and from acrylic and found objects on round MDF panel by renowned Black African American artist Richard J. Watson. It includes a photograph of a figure, p...

Mixed media on wooden panel Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Master of Science in International Fashion Marke...

Finding My Way Cheryl D. McClure oil on wood panel 30 x 30 x 2 Also shown are other available works on 1stdibs. To make my paintings I have come to the realization that I use what I ...

This wooden wall sculpture features hues of navy, turquoise and yellow. Nancy is inspired by the works of Carmen Herrera, Deborah Zlotzky and Grazia Varisco...

"When Encroachment Was A Thing" is an artist painted paper collage piece with grey and green hues on wood panel. Aimée Farnet Siegel is inspired by the work of Mark Bradford, Richar...

Convergence in Blue by Rose Umerlik is an abstract painting, Oil and Graphite on wood panel, 24 x 38. Rose Umerlik extracts the intangible emotional moments that live in our collect...

Oil, casein & ink on panel Paul Lorenz is an American artist born in 1961 who lives & works in Buckeye, AZ, USA. With an education in Bauhaus architecture, fine art, and music compo...

Acrylic paint, textiles and metal on wooden panel, ed. 1/3

Confluence 23 B (2023) Acrylic, aluminum leaf, and wax on aluminum panel 50 x 42 inches Hester’s practice is a meditation on both her personal and our collective pasts. Throughout h...

"Wonderwheel #31" features hues of pink, yellow and gold. Kate Hooray Osmond is inspired by the work of Hilma af Klint and Damien Hirst. Kate Hooray ...

Artwork made with pigment (Iwaenogu), glue & water on cotton paper (Washi) marouflaged on Japanese wooden panel Fusako Ekuni is a Japanese artist born in 1947 and who lives & works ...

Available at Madelyn Jordon Fine Art. 'Nougat' by Marylyn Dintenfass, 2009. Oil on panel, 12 x 12 in. This abstract painting features a vibrant palette of red and orange. Through a d...

"History Lesson," Oil on Panels, 49 x 48 Inches (Diptych). Abstraction in shades of tan, yellow, cream, deep blue, burgundy, red and green. This painting is on 2 panels which can ...

Silent Shores is a unique painting by French contemporary artist Frédérique Domergue. This painting is made with oxidized zinc and bronze leaves on honeycomb aluminum panel, patina f...

Far away mountains is a unique painting by French contemporary artist Frédérique Domergue. This painting is made with oxidized zinc and bronze leaves on aluminum panel, patina fixed ...

Very colourful and modern painting. Acrylic on wood.

Echo by Rose Umerlik is an abstract painting, Oil and Graphite on wood panel, 32 x 52. This is part of a new 2022 series. According to Umerlik, " I became a mother this past year. ...

"History Sticks to Your Feet" (2025) is an original, handmade oil painting on canvas, by Amy Hutcheson, that depicts an abstract painting with colorful geometric shapes in a pale blu...

This beautiful contemporary high textured abstract painting is great for a classic and contemporary setting. The variation of colors and rich texture would greatly bring a space to l...

Acrylic and Spray paint on wood panel 12 x 12 x 1.25 inches Set of 4 canvases (To purchase individual canvases instead of all 4 message us to discuss)

"The Rider Comes Bearing Noise" stages a collision between mythic image and epistemological decay. It turns the familiar figure of the rider into an emissary of our time, evoking an ...

Seit seinem frühen Tod 1999 erlebt das Werk von Franz Ecker eine längst fällige Neubewertung, die sich auch in zahlreichen Einzelausstellungen, Katalogen und einem sehenswerten Kinof...

"Today is the day you took me out of your life" (2024) is an abstract geometric painting where stark contrasts of red, black, white, and gold become a visual language for rupture and memory. The square format enhances the sense of finality and balance, while the gold leaf suggests both sacredness and fragility. The textured surface carries the emotional weight of love and separation — an intimate confession turned into geometry. Through its structured blocks of color, the painting transforms a personal moment of loss into a universal meditation on absence and resilience. The title underscores its raw honesty: a specific day, a decisive act, captured forever in form and texture. Direct from the artist’s studio, the work reflects the artist’s ongoing exploration of truth, vulnerability, and the tension between beauty and pain. Title: "Today is the day you took me out of your life" Medium: Oil and gold leaf on panel Dimensions: 31 x 31 cm Year: 2024 Condition: New Provenance: Direct from the artist, Aurelian Razvan...

Nancy is inspired by the works of Carmen Herrera, Deborah Zlotzky and Grazia Varisco. Nancy Talero is an artist and designer whose multi-panel works ch...

This abstract painting from series “Organic Forms” is inspired by minimalism, modern art and hard edge. This work is signed, dated and tilted by Artist on the back. Gesso on Birch Wo...

"Lyrical Miracle" is built from layers of paper, resin, paint and wood,. The geese are suspended between abstraction and figuration. The resin’s translucence invites the viewer to lo...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

Mary Didoardo Blue Poem , 2024 oil on wood panel 30 x 30 in (dido118AP) Artist Statement In order to make a meaningful painting I have to establish form somewhere in the swirl of l...

"GHST" is an original acrylic work on panel by Jim Houser measuring 10in x 10in. ABOUT // Jim Houser was born in 1973 in Philadelphia, Pennsylvania, the city where he currently res...

Title: Guardians of the Metropolitan Abstract, Limited Color, Modern, Contemporary, Investment, Bold, Artwork, Painting The delicious textures, symbols and forms brings the viewer ...

Artist Commentary: The colors really pop in this dynamic abstract painting by award-winning American artist Evan Stuart Marshall. Pinks, fuchsia and magenta stand out pleasingly against a turquoise and blue background in a rough cruciform shape. This painting features texture both physical and visual, and is guaranteed to add a punch of drama to any room or office in which it is hung. Words that describe this piece: vivid, cruciform, fuchsia, magenta, orange, turquoise, blue, green, colorful, bright, vivid Details about the piece: This is a hand-painted, original mixed-media painting. Professional grade acrylic paints and other media on a cradled 1.5" deep pinewood panel. Wired and ready to hang. Signed on the back. Comes with a certificate of authenticity. Artist Biography: Evan Stuart Marshall is an award-winning contemporary abstract painter based in Roseland, New Jersey. Born in Boston and raised in Sharon, Massachusetts, he lives and works in Roseland, New Jersey. Largely self-taught, Evan has received numerous awards for his work, including the Mary Koether Merit Award from the West Essex (New Jersey) Art Association. His work has been featured in many juried exhibitions, both solo and group, and is held in many private collections around the world. His artwork is carried by major online retailers including Homesquare, Houzz, Kmart, Pier 1, Walmart and Wayfair. One of Evan’s paintings was recently selected by the renowned curator and art consultant Paige Powell...

Layers of Life is a powerful mixed media painting by Brooklyn-based artist Ned Martin, combining photorealistic rendering with abstract overlays to explore the tension between realit...

Colors (Abstract Photography) Photography/painting, mixed media - Unframed. Artwork exclusive to IdeelArt. Artworks are of the highest archival standards. Wood supports are sealed...

Lorenzo’s Riddle (Abstract painting) Acrylic on aluminum panel - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with pa...

Artist Commentary: atmospheric landscape inspired by the ocean and flora of Cape Cod Words that describe this piece: green,grey,,sky,clouds,nature,atmosphere Artist Biography: Do...

Interested in communicating ideas of history, place and nature in her painting practice, Jennifer Wolf utilizes natural dyes and minerals to feature a historically significant palett...

"Safe in Here" unfolds as both a landscape and an interior. The painting’s surface is built through successive layers of paint, glaze, paper, ink and resin. It shimmers like wet skin...

Brian O'Neill's "Deep Dive 2" is a remarkable original artwork created in 2024. This piece measures 12 x 12 x 1.50 inches (30.48 x 30.48 x 3.81 cm) and features a sophisticated combi...

0riginal acrylic on panel painting by the well known American artist, Syd Solomon. Signed Syd Solomon lower center. Signed and dated Syd Solomon 1971 and inscribed as titled on the reverse. 30 × 24 inches. Condition is very good, no issues. The painting is framed in its original wood with silver reveal floating frame. Overall framed measurements are 32.5 by 26.75 inches. Provenance: A private collector. American, 1917-2004 SYD SOLOMON BIOGRAPHY: Written by Dr. Lisa Peters/Berry Campbell Gallery Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow, Barney Rosset, Arthur Kopit, and Harold Rosenberg. In 1970, Solomon, along with architect Gene Leedy, one of the founders of the Sarasota School of Architecture, built an award-winning precast concrete and glass house and studio on the Gulf of Mexico near Midnight Pass in Sarasota. Because of its siting, it functioned much like Monet’s home in Giverny, France. Open to the sky, sea, and shore with inside and outside studios, Solomon was able to fully solicit all the environmental forces that influenced his work. His friend, the art critic Harold Rosenberg, said Solomon’s best work was produced in the period he lived on the beach. During 1974 and 1975, a retrospective exhibition of Solomon’s work was held at the New York Cultural Center and traveled to the John and Mable Ringling Museum in Sarasota. Writer Kurt Vonnegut, Jr. conducted an important interview with Solomon for the exhibition catalogue. The artist was close to many writers, including Harold Rosenberg, Joy Williams, John D. McDonald, Budd Schulberg, Elia Kazan, Betty Friedan...

Susan English Three Sides of Gray, 2025 tinted polymer on Dibond panel 51 x 48 in. (eng294)

"Sargasso" hand-carved wooden New Brutalism wall sculpture by Hudson Valley artist, Stephen Walling, made in 2013 36 x 40 x 2.5 inches Carved wood and ac...

Artist: Valverde, Francisco Title: Arift Date: 2025 Medium: Pigmented resin on panel Unframed Dimensions: 36.25" x 36" x 3" Signature: Signed Edition: Unique

Anthony Falcetta Smp#11, 2023 acrylic, gypsum compound & spray paint on panel 16 x 12 in. (fal004)

Artist: Maya Kabat Title: Super Spatial 4 Medium: Oil on canvas on panel Size: 22x12 inches Year: 2019 Price: $2000

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

Arielle Zamora they/them (b.1990) is a Portland, Oregon-based painter and printmaker. Their painting practice features layers of paint and joint compound as an exploration of line an...