Art by Medium: Plaster

Gustave Fontaine (Etterbeek 1877-1952 Brussels) was a sculptor–painter. He took courses in Saint-Josse-ten-Noode and continued his training at the Aca...

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Ragisména which in Greek means cracked, has its materiality manifested through the desire to recreate and make feelings, memories and mythology tangible in the physical world. The wo...

Ragisména which in Greek means cracked, has its materiality manifested through the desire to recreate and make feelings, memories and mythology tangible in the physical world. The wo...

"Aqueduc" is part of an edition of 5 pieces. Mattia Listowski (b. 1987, Paris, France) is a French sculptor, draughtsman, and photographer with French, Italian, and Polish origins, ...

One of a kind painting by Noche Crist (1909-2004). Noche Crist was an American artist born in Romania. Acrylic painting is made with plaster on wood, which gives the painting a wonderful texture and depth. Painting is signed and titled on reverse "The Fountain of Youth...

This piece titled "Friendly Money Loan" is an original artwork made from paper, plaster, vinyl, acrylic, enamel, polyester, basswood, chain, wire, inkjet prints, and pastel by Drew Leshko. This piece measures 35"h x 16"w x 9"d. Drew Leshko is a Philadelphia, Pennsylvania-based artist. By carving, cutting, and layering varieties of paper and wood, Leshko creates documentary studies of architecture from his neighborhood in an attempt to create a three dimensional archive of buildings that are in transitional periods. The work examines gentrification and history, how historical relevance is determined, and most importantly, what is worth preserving. Working from observation and photographs, the artist painstakingly recreates building facades from his neighborhood at a 1:12 scale...

Feline is a unique smoke-fired stoneware, resin, plaster and clay sculpture by French contemporary artist Cécile Raynal, dimensions are 78 × 35 × 60 cm (30.7 × 13.7 × 23.6 in). This ...

Even in the hardest moments, when darkness seems to engulf everything, if you pause, listen, and look closely — you can find the light. It never disappears, it only fades from sight ...

In crafting this piece, I poured my soul into each brushstroke, seeking to capture the essence of emotion in a bold yet refined visual language. The work interweaves the dynamism of ...

Textured Abstract Expressionist Composition in Acrylic on Board Textured and detailed abstract composition by Loretta Burton Youngman (American, b. 1943). Red and charcoal blue patc...

Large, brightly colored abstract geometric painting in various shades of red, pink, and peach with accents of mint green, teal, blue, yellow, white and black. "Memory Wall #6" made ...

Imprints/I am Yourself is a work of collection; a collection of images augmented by Casey Waterman to create a habitat where paralleled materials, connotations, and ambiguity comment...

Shawn Dulaney The Virtues IV Handmade paint on venetian plaster on paper, signed and titled verso 22 x 30 in. (sheet), 28 1/4 x 36 1/4 in. (frame). Shawn Dulaney’s paintings are layered constructions of color, spacious abstractions that read like cloud banks, flows of water, magnetic fields charged with monumental energy. Dulaney spent her childhood on a vast Colorado plateau looking west to the Rocky Mountains and has travelled widely, immersing herself in landscape. Her work captures the experience and feeling of place. Doug McClemont of ArtNews writes that Dulaney’s paintings “concern the earth, and the unyielding hand of nature”. Her work has been described by William Zimmer of The New York Times as belonging to “a very strong tradition, that of 19 th -century Northern European Romanticism in which nature was seen as corresponding to human emotional states.” He says of her work, “Ms. Dulaney makes it clear that her inner life is very much a part of each painting, and this alone distinguishes it from most abstraction…Shawn Dulaney is deliberately out for grandeur, but she is also out for intimacy. Her paintings take advantage of their innate ambiguity and declare themselves to be very current in the thinking that lies behind them.” "The kind of painting to which Ms. Dulaney's work is most closely related, at least superficially, is the Mark Rothko branch of Abstract Expressionism, in which a sense of deep space is sought." Dulaney makes handmade paints consisting of acrylic medium and powdered pigments allowing her to get a wide range of saturations and transparencies as they spread out on Venetian plaster and linen over panel. “Her surfaces”, as described by Dominick Lombardi-also of The New York Times, are “exquisitely painted and a pleasure to see.” Dulaney continues to travel between New York, the American Southwest, and the United Kingdom, as well as having recently been awarded the Pink House Artist Residency on the Beara Peninsula in Ireland. Her paintings capture the ephemeral and evoke the Celtic notion of a “thin place”, a place of energy where the veil between this world and the eternal is thin. A working artist for over 4 decades, Dulaney is represented by Sears Peyton Gallery, Weber Fine Art, Carrie Haddad Gallery and Beth Urdang Gallery. Exhibited widely, her paintings can be found in extensive public and private collections including those of the Hunterdon Museum of Art in NJ, the Venetia Resort in China, J Crew in NYC, as well as in the private collections of author Annie Proulx, actor Steve Buscemi, talk-show host Conan O’Brien and musician Stuart Copeland. Her work has appeared in episodes of TV’s Enlightened, Portlandia and Sex & the City, and the films It’s Complicated (2009), Interview (2007) and John Wick 3 (2019). Her work has been reviewed in ArtNews and The New York Times, and has been featured in Parabola and New American Paintings. A contemporary, Post war American woman artist. She currently lives and works in Brooklyn, NY. Select Group Exhibitions 2022 - Sears-Peyton Gallery, Playground, New York, NY 2022 - Weber Fine Arts, Summer Exhibition Renate Aller...

Washes of charcoal and ochre merge with a tactile surface in this atmospheric plaster and pigment painting by Jutta Naim. Marks pulled by hand through the plaster, thick and cracking...

Never opened at all and still sealed in Original Packaging. An absolutely iconic piece from Daniel Arsham and a must have for any Pokemon Fan! Daniel Arsham Pokemon Perrotin Pika...

Fantastical portrayal of five white doves surrounded by flowers and clusters of grapes in a dreamy, colorful vineyard garden setting by Mohammad Hourian (Iranian/American, 1955-2014)...

This artwork presents a striking interplay of texture and minimalism, featuring a bold, irregular gold form set against a pristine white background. The golden section, resembling a ...

Acrylic Work on plaster and cement Born in 1944 in the canton of Fribourg, Gilbert Pauli lived in Geneva, where he devoted himself to painting and sculpture, a passion he developed...

Shots Sculpture by Zoe Moss Resin & Plaster Sculpture (set of 3) Limited Edition out of 25 Comes with a Certificate of Authenticity by the artist

Born in 1944 in the canton of Fribourg, Gilbert Pauli lived in Geneva, where he devoted himself to painting and sculpture, a passion he developed from his childhood. His favorite the...

Goat is a unique smoke-fired stoneware, resin, plaster and clay sculpture by French contemporary artist Cécile Raynal, dimensions are 82 × 35 × 45 cm (32.2 × 13.7 × 17.7 in). This sc...

Gustave Fontaine (Etterbeek 1877-1952 Brussels) was a sculptor–painter. He took courses in Saint-Josse-ten-Noode and continued his training at the Academy of Brussels and with the sculptor Julien...

Jean-Baptiste Carpeaux (1827-1875) Why Born a Slave (Replica after the original work) Tinted terracotta or plaster, 60 cm in height, base 18 x 20 cm Provenance: Private collection...

Katherine Bowling (American, b. 1955) Oil on spackle on wood 1988 Hand signed, titled and dated verso, Dimensions: 48"h x 48"w Provenance: From an Important Private Collection, NYC; bears gallery label from Blum Helman Gallery, NYC Notes/Literature: Exhibited: "Earth and Sky: Recent Paintings by Katherine Bowling, Joan Nelson and Ellen Phelan", Hood Museum of Art, Dartmouth College 1992 Katherine Bowling (born 1955, Washington, D.C.) is a modernist painter known for her layered landscape paintings that draw inspiration from nature in the Hudson Valley. Katherine Bowling grew up in Tidewater, Virginia. She received her BFA from Virginia Commonwealth University in 1978. Bowling's first New York show, as well as her first solo exhibition, was in 1987. Bowling's works tend to be luminous landscape paintings that often feature woods and fields as well as roads. Many of her paintings are based on her photographs of woods and fields surrounding and in Schoharie County, where she rents a house. As Molly O'Neill notes in an essay on Bowling and her work, this area is "fifty miles northwest of the vistas that inspired the Hudson River School painters in the mid-1800s." Bowling focused in particular on the imagery of roads for the theme of her exhibition at Greenberg Van Doren, Divide. As the title implies, writes Lilly Wei in the exhibition's accompanying catalog, Bowling views the roads as "abstract marks in the landscape that divide and order space." Even with roads she has often traveled, Bowling finds something new on closer inspection that alters her perception of the familiar and mundane. Bowling explains that the roads "function as a metaphor for memory and displacement." In 2001, Bowling exhibited a number of seascape paintings. In her essay on the exhibition, art historian and critic Nancy Princenthal writes that, far from being an aberration from Bowling's typically home-based scenes, the ocean paintings are "a return to childhood memories and life long inclinations. A native of Virginia, she spent her first summers at the Atlantic shore and on the Chesapeake Bay." Primarily, however, Bowling's works focus on capturing the play of light and shadow. Art critic Eleanor Heartney notes that "Her paintings, like those of Monet, Pissarro, and Renoir, focus on the ephemeral moment and the fleeting impression, conjuring the flicker of sunlight through the trees, the shifting shadows of early evening, the reflections of clouds and foliage glancing across the rippling surface of a lake." They have a luminist quality to them. O'Neill argues that Bowling additionally "has an innate sense of abstraction and she ranges happy as an uncaged chicken, pecking elements from the Impressionists' obsession with light; from modern photography; and the drip paintings of Jackson Pollock." Bowling is influenced by the use of light in the paintings of European Romantics such as J. M. W. Turner and John Constable as well as by the later work of George Inness:  Her paintings also recall landscapes by Claude Lorraine, Albert Pinkham Ryder and Camille Corot. Bowling is known for her use of spackle. She uses a long process of layering and sanding to create the "back-lit" effect found in her paintings. First, the paintings begin as a photograph which she typically takes near her rented house in the Hudson Valley. Then, she uses these photographs, which serve as her "preliminary drawings," to aid in the painting process. She also paints from memory and direct observation. Bowling paints on square panels of plywood. Bowling considers rectangular pieces to be too horizontal and rife of implications already of landscapes and horizons. She sometimes paints on one of these square and sometimes paints on several square panels together. The seams between these adjoined panels are left visible. Next, Bowling applies layers of spackle. O'Neill remarks that "Inspired, perhaps, by her day job of painting houses, [Bowling] turned to more industrial media: damp vinyl spackle, a building compound that is applied to wooden panels to create a matte, fresco-like surface. Thinned oil pigments are poured, allowed to dry, and then the Sisyphean task of sanding begins."  Initial layers generally correspond with the color of the light—varying from pinks, golds, blues, and oranges. Through this layering and sanding, she creates a luminous quality in her landscapes. Despite rigorous sanding, air bubbles within the spackle layers are revealed occasionally on the surface. Rather than disguise them, Bowling integrates them. Heartney writes that Bowling "allows these irregularities to become part of the painting so that the viewer's perception of the play of light and shadow across the image cannot be separated from an awareness of surface itself." In later stages of painting, Bowling stands above panels to throw, dribble, and splatter paint with a hair dryer, recalling the techniques of Abstract Expressionist artists such as Jackson Pollock. Awards and honors 1991 National Endowment for the Arts Grant 1989 New York State Foundation for the Arts Fellowship 1988 Mid Atlantic Arts Foundation Fellowship Notable public collections The Metropolitan Museum of Art, New York, NY Brooklyn Museum of Art, New York, NY Mary and Leigh Block Museum of Art, Evanston, IL Phoenix Art Museum, Phoenix, AZ Norton Museum of Art, West Palm Beach, CA Fisher Landau Center, New York, NY Select exhibitions 2025 PS122 Gallery Lower East Side, New York 2022 Katherine Bowling: Trees Winston Wachter Fine Art, New York 2013 Woods, Lovely Dark and Deep. DC Moore Gallery Chelsea NY Featuring: Eric Aho, Milton Avery, Romare Bearden, Dozier Bell, Jake Berthot, Katherine Bowling, Charles Burchfield, Mary Frank, Noriko Furunishi, April Gornik, Marsden Hartley, Daniel Heidkamp, David Hilliard, Mark Innerst, Max Jansons, Sissel Kardel, Whitfield...

Pair of scagliola sculptures - Double-tailed winged sirens. Italy, 17th century. 60 x 45 x h 100 cm each. Made entirely of scagliola, these replicas are statues from a Baroque vill...

19th century French School Amazonamachy: A Classical plaster figural frieze relief Amazonomachy represents the Greek ideal of civilization. The Amazons were portrayed as a savage an...

French mid 20th century Montparnasse style picture frame Wood and plaster Internal measurement (to house painting or mirror): 18 x 15 inches Overal outer measurements: 24 x 21 inches Provenance: from a collection in Paris Condition: all old picture frames...

PLATO'S CAVE 2024, Paris, France A bold and graphic black & white painting with primitive undertones. Black and white acrylic paint lay over a purple-brown wash forming shapes. Very...

The Ragisména series, which in Greek means cracked, has its materiality manifested through the desire to recreate and make feelings, memories and mythology tangible in the physical w...

Acrylic Work on plaster and cement Born in 1944 in the canton of Fribourg, Gilbert Pauli lived in Geneva, where he devoted himself to painting and sculpture, a passion he developed...

This piece is made by casting Hydrocal FGR95 (a very hard plaster) on top of an oil clay pattern. Once cured, the oil clay is removed, then paint and brass leaf are applied to the su...

Char is a unique smoke-fired stoneware, resin, plaster and clay sculpture by French contemporary artist Cécile Raynal, dimensions are 84 × 28 × 48 cm (33 × 11 × 18.9 in). This sculpt...

Squirrel is a unique smoke-fired stoneware, resin and plaster sculpture by French contemporary artist Cécile Raynal, dimensions are 75 × 30 × 60 cm (29.5 × 11.8 × 23.6 in). This scul...

Cow is a unique smoke-fired stoneware, resin, plaster and clay sculpture by French contemporary artist Cécile Raynal, dimensions are 86 × 52 × 60 cm (33.8 × 20.4 × 23.6 in). This scu...

Artist: John Taylor (1936-) Scottish Title: "Wall Relief Tiles" (a pair) Medium: oil on board Size: 15cm x 20cm inc. frame & 13cm x 21cm inc. frame Notes: Painter, notably in watercolour, and printmaker, gallery owner and teacher, born in Darvel, Ayrshire. Graduated from Glasgow School of Art in 1959, some years later taking a higher diploma in art. Taylor made a big impact on the Scottish gallery scene when in 1963 he opened the New Charing Cross Gallery in Glasgow, giving young artists a chance to exhibit more adventurous work. Taylor had a long association with the Glasgow Print Studio as senior technician. In 1977, with Ainslie Yule, he was recommended by Scottish Arts Council for a residency at Editions Alecto to work on a screenprint. Taylor’s own work could sometimes have a strong polemical element, notably regarding war and the nuclear threat. As well as taking part in many group shows across Europe he was a regular solo exhibitor. Notable among these were Compass Gallery, Glasgow, 1985 and 1987; Richard Demarco Gallery in Edinburgh and Glasgow Print Studio in 1987; and Edinburgh Print...

Life-Size Charioteer of Delphi — Museum-Quality Plaster Cast with Custom Bronze Patination After the Ancient Greek Original, c. 470 BCE This life-size plaster cast of the Charioteer ...

Exhibited in "Benji Stiles: A Human Day" at Reeves Art + Design. In “A Human Day,” a solo show dedicated to the work of contemporary multidisciplinary artist Benji Stiles, we explor...

Taking its name from the seven-tablet Babylonian creation myth, Enūma Elish unfolds across sculpture, video, engraving, and performance — summoning ancient mythologies into contempor...

French mid 20th century picture frame Internal measurement (to house painting or mirror): 13 x 18 inches Overal outer measurements: 21.5 x 26 inches Provenance: from a collection in Paris Condition: all old picture frames...

The Ragisména series, which in Greek means cracked, has its materiality manifested through the desire to recreate and make feelings, memories and mythology tangible in the physical w...

"Make Yourself Useful" is an original piece byJedediah Morfit made from fiberglass reinforced plaster, paint.This piece measures 22"h x 23"w x 6.25"d and comes with a gallery-issued ...

Walter Sinz (American, 1881-1966) Mother and Child, 1949 Plaster Signed and dated on base 23.5 x 6 x 9 inches Walter A. Sinz was an American sculptor born in Cleveland, Ohio on Jul...

Paolo Valle (born 1948) Venicem Italy, Original mixed media oil painting and cement or plaster on burlap canvas. title: A Sud Di Rio. Depicts abstract forms with a raised text...

"Trash Fish" is an original piece byJedediah Morfit made from fiberglass reinforced plaster, googly eyes, paint. This piece measures 10.75"h x 24.75"w x 2.5"d and comes with a galler...

Shawn Dulaney The Virtues III Handmade paint on venetian plaster on paper, signed and titled verso 22 x 30 in. (sheet), 28 1/4 x 36 1/4 in. (frame). Shawn Dulaney’s paintings are layered constructions of color, spacious abstractions that read like cloud banks, flows of water, magnetic fields charged with monumental energy. Dulaney spent her childhood on a vast Colorado plateau looking west to the Rocky Mountains and has travelled widely, immersing herself in landscape. Her work captures the experience and feeling of place. Doug McClemont of ArtNews writes that Dulaney’s paintings “concern the earth, and the unyielding hand of nature”. Her work has been described by William Zimmer of The New York Times as belonging to “a very strong tradition, that of 19 th -century Northern European Romanticism in which nature was seen as corresponding to human emotional states.” He says of her work, “Ms. Dulaney makes it clear that her inner life is very much a part of each painting, and this alone distinguishes it from most abstraction…Shawn Dulaney is deliberately out for grandeur, but she is also out for intimacy. Her paintings take advantage of their innate ambiguity and declare themselves to be very current in the thinking that lies behind them.” "The kind of painting to which Ms. Dulaney's work is most closely related, at least superficially, is the Mark Rothko branch of Abstract Expressionism, in which a sense of deep space is sought." Dulaney makes handmade paints consisting of acrylic medium and powdered pigments allowing her to get a wide range of saturations and transparencies as they spread out on Venetian plaster and linen over panel. “Her surfaces”, as described by Dominick Lombardi-also of The New York Times, are “exquisitely painted and a pleasure to see.” Dulaney continues to travel between New York, the American Southwest, and the United Kingdom, as well as having recently been awarded the Pink House Artist Residency on the Beara Peninsula in Ireland. Her paintings capture the ephemeral and evoke the Celtic notion of a “thin place”, a place of energy where the veil between this world and the eternal is thin. A working artist for over 4 decades, Dulaney is represented by Sears Peyton Gallery, Weber Fine Art, Carrie Haddad Gallery and Beth Urdang Gallery. Exhibited widely, her paintings can be found in extensive public and private collections including those of the Hunterdon Museum of Art in NJ, the Venetia Resort in China, J Crew in NYC, as well as in the private collections of author Annie Proulx, actor Steve Buscemi, talk-show host Conan O’Brien and musician Stuart Copeland. Her work has appeared in episodes of TV’s Enlightened, Portlandia and Sex & the City, and the films It’s Complicated (2009), Interview (2007) and John Wick 3 (2019). Her work has been reviewed in ArtNews and The New York Times, and has been featured in Parabola and New American Paintings. A contemporary, Post war American woman artist. She currently lives and works in Brooklyn, NY. Select Group Exhibitions 2022 - Sears-Peyton Gallery, Playground, New York, NY 2022 - Weber Fine Arts, Summer Exhibition Renate Aller...

"The Artist Is Present" is an original piece byJedediah Morfit made from fiberglass reinforced plaster, paint.This piece measures 29.5"h x 16.5"w x 2.5"d and comes with a gallery-is...

This piece titled "Ortliebs" is original artwork made from paper, inkjet print, enamel, wire, chain, aluminum tube, pastel by Drew Leshko. This piece measures 13”h x 1”w x 7.5”d. Dr...

A minimalist depiction of a woman in a large hat by Constantin Antonovici. This white marble sculpture is composed almost entirely of two colliding ovals, with a few ridges visible o...

The figure has always been Deborah Ballard’s muse in her sculptures. Ballard works in bronze, cast stone, and plaster; her figures ranging from life-size to hand-size. Ballard says...

This artwork presents a striking interplay of texture and minimalism, irregular gold form set against a red background. The golden section, resembling a fluid, flowing contour, is ri...

This artwork presents a striking interplay of texture and minimalism, irregular gold form set against a black background. The golden section, resembling a fluid, flowing contour, is ...

An abstract sculpture by Post War artist Tim Hawkinson depicting yellow shoes encased in plaster in a red shoe box. Signed underneath, "Tim Hawkinson, Tim...

Artist: Sam Peacock Title: Bury Materials: Oil, Coffee and Parafin on steel Medium: Mild steel sheet Size: 85 x 35 cm Edition: Original Artwork Year: 2018 ____________________...

"Silicon Valley" is an original piece by Jedediah Morfit made from fiberglass, reinforced plaster, paint, and wood. This piece measures 20"h x 24.25"w x 2.75"d framed, and is shipped...

The Ragisména series, which in Greek means cracked, has its materiality manifested through the desire to recreate and make feelings, memories and mythology tangible in the physical w...

Daniel Arsham Fictional Nonfiction: Archaeology, 2019 Plaster, crushed glass in custom packaging 8 × 5 × 1/2 in 20.3 × 12.7 × 1.3 cm Edition of 500 Kindly note that the first photog...

Artist: Claes Oldenburg (1929-2022) Title: Fire Plug Souvenir-'Chicago August 1968' (Platzker 10) Year: 1967 Medium: Cast plaster with acrylic paint Sculpture Size: 7.875 x 7.5 x 5.8...

The figure has always been Deborah Ballard’s muse in her sculptures. Ballard works in bronze, cast stone, and plaster; her figures ranging from life-size to hand-size. Ballard says, ...

Rosa Roig-Fiol b. 1991 Lunch with Views, 2025 acrylic and plaster on canvas 76 x 101.5 cm 29 7/8 x 40 in signed, titled and dated verso Rosa Roig-Fiol is a Spanish-British artist wh...