Art by Medium: Plaster

"Claws Out" is Bassett's most architecturally assertive work, its wide horizontal format hosting a series of sharp, shelf-like plaster ledges that thrust outward from the surface on ...

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D. BRUCCIANI & CO (19th Century) St Cecilia Polychrome painted plaster bust with mould lines visible (probably later painting) 47 cm., 18 ½ in. high Dom...

ODETTA is pleased to offer this important sculpture from the Estate of David Hayes. David Vincent Hayes (March 15, 1931 – April 9, 2013) was an American sculptor.. These Form Studi...

ODETTA is pleased to offer this important sculpture from the Estate of David Hayes. David Vincent Hayes (March 15, 1931 – April 9, 2013) was an American sculptor.. These Form Studi...

ODETTA is pleased to offer this important sculpture from the Estate of David Hayes. David Vincent Hayes (March 15, 1931 – April 9, 2013) was an American sculptor.. These Form Studi...

ODETTA is pleased to offer this important sculpture from the Estate of David Hayes. David Vincent Hayes (March 15, 1931 – April 9, 2013) was an American sculptor.. Hayes received a...

ODETTA is pleased to offer this important sculpture from the Estate of David Hayes. David Vincent Hayes (March 15, 1931 – April 9, 2013) was an American sculptor.. Hayes received a...

Panoply 5 Mounted on a Cradled Birchwood panel, 16 plaster of Paris squares each 4 X 4 x 3/4 inches. The full piece is 24 X 24 x 2.5 inches. Acrylic paint and ink. Jose Castro was ...

"In This Moment" is luminous and breath-like, its Tadelakt plaster surface rendered in warm white, pale stone, and soft greige that feels open and quietly meditative. Small raised re...

“Flower Study I” by Dawn Bassett presents a delicate, tactile composition. Centered on a square field of softly embedded floral motifs, subtle relief patterns are interspersed with s...

“Flower Study II” by Dawn Bassett is a minimalist circular piece divided into four subtle quadrants, each featuring delicately embossed floral motifs. The palette stays within soft w...

Oscar Tuazon Sheetrock, 2013 Plaster on steel 165.5 x 165.7 cm 65.16 x 65.16 inches In speaking about his architectonic sculptures and installations, Oscar Tuazon says, “I hope that...

Elizabeth Jordan is an artist working primarily in sculpture and whose work uses multiple materials to produce unique, organic forms. In addition to a solo and group shows at Ivy Bro...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

Seeking the Sound of Cobalt Blue is a series of paintings and sculptures that have been created since the spring of 2014. Using domestic construction materials from her garage, extras from home improvement projects or the garden, have been captured, much like a photogram, but with paint, not silver. By blending photography and painting, Fagan finds that the patterns created with industrial, mass-produced objects around the house and garage, speak to her interest in producing paintings that link to sound. These works are portraits of the artist’s home, its history, and the materials used to build that maintain her home. Ellen Hackl Fagan builds connections between color and sound using installations, interactive games, and collaborative projects that combine color-and-texture saturated paintings with music...

Painting with plaster and gilt details. Attributed to Edgar levy. A modernist still-life painter whose style leaned towards Cubism, Edgar Levy had a studio in Brooklyn, New York. H...

In Sylvia Schwartz' structures, silicone molds are cast from both natural and hand-made forms, including clay coils, volcanic rock patterns, seaweed, and her own fingerprints. The h...

"Tick Tock" arranges a grid of capsule-shaped forms across a warm blush Tadelakt ground — each one divided precisely between charcoal and white, repeating with the measured regularit...

"Picnic" is a joyful departure in tone, its circular Tadelakt plaster panel — warm white and luminous as a summer afternoon — hosting a cheerful scatter of daisy-like flowers that ra...

4 Views with Light is a portal, it takes you on a journey. Where do you want to go? 17" x 19.5", initialed and dated lower left. Eleanor Burnette's artistic journey is a testament...

"Concrete Gardens" is a body of work that translates Patrick Burns' deep love of the land and complicated past into richly textured, mixed-media paintings with reverberating, monochr...

Bartolomeo Paoletti (1757-1834) and Pietro Paoletti (1801-1847). Original nineteenth century plaster cameo seals edged in folded paper and tipped with gold, as issued by Bartolomeo ...

"Recognize" is a study in architectural precision and quiet restraint, its square Tadelakt plaster panel framing a clean central void with carefully composed sections of fine vertica...

You scream Sculpture by Zoe Moss Plaster & Resin Limited Edition out of 25 Comes with a Certificate of Authenticity by the artist

Skylar Fein was born in Greenwich Village and raised in the Bronx. He has had many careers including teaching nonviolent resistance under the umbrella of the Quakers, working for a g...

"Scent" is an exercise in the beauty of near-invisibility, its pale Tadelakt plaster surface carved with large, overlapping floral forms that reveal themselves slowly — petals, fans,...

Megan Klim's mixed media work juxtaposes several materials on one picture plane.  She highlights their inherent qualities to create surface tension which sparks a conversation and in...

Kathleen Hope MODULAR 26 cement, pigment, plaster 8.00 X 8.00 in $250.00

SKYLAR FEIN was born in Greenwich Village and raised in the Bronx. He has had many careers including teaching nonviolent resistance under the umbrella of the Quakers, working for a g...

Kathleen Hope MODULAR 48 cement, pigment, plaster 8.00 X 8.00 in $250.00

Taking its name from the seven-tablet Babylonian creation myth, Enūma Elish unfolds across sculpture, video, engraving, and performance — summoning ancient mythologies into contempor...

Rosa Roig-Fiol b. 1991 Lunch with Views, 2025 acrylic and plaster on canvas 76 x 101.5 cm 29 7/8 x 40 in signed, titled and dated verso Rosa Roig-Fiol is a Spanish-British artist wh...

Kathleen Hope MODULAR 6 cement, pigment, plaster 8.00 X 8.00 in $250.00

Bartolomeo Paoletti (1757-1834) and Pietro Paoletti (1801-1847). Original nineteenth century plaster cameo seals edged in folded paper and tipped with gold, as issued by Bartolomeo Paoletti (1757-1834) and his son Pietro Paoletti (1801-1847). These ‘Grand Tour’ souvenirs were brought home by wealthy European travellers. Rome was the ultimate destination and a tour of the treasures contained in its many museums complemented a young man’s education. Collecting boxes and faux bindings containing plaster casts of ancient gems...

Ginger Williams Cook is a painter, published illustrator, and arts educator based in Jackson, MS. Her paintings have been featured in numerous exhibitions, publications, and media. Ginger's journey into motherhood and coping through art is featured in an HBO Documentary, The Dead Mothers Club. Her painting comparing phantom limb sensation to grief was selected as the documentary's featured poster. She is an avid sketchbook artist who cultivates an intuitive drawing practice to document the mundane. Ginger uses digital illustration to develop mockups, experimenting with imagery, color palettes, and composition. The techniques in her artwork combine washes of acrylic paint that take shape with colored pencils and pastels, serving as a visual conversation between two hemispheres - the creator and the corrector dancing through a changing process. The common thread in her work is emotional attachment to physical objects, and the power nostalgia has to unlock a memory. The artist says of her work... The setting of Fidus Amor and Flora & Zephyr draws inspiration from Baroque- style landscapes with an applied field of color harkening to works by Maurice Noble...

Kathleen Hope MODULAR 86 cement, pigment, plaster 8.00 X 8.00 in $250.00

Kathleen Hope MODULAR 82 cement, pigment, plaster 8.00 X 8.00 in $250.00

Kathleen Hope MODULAR 78 cement, pigment, plaster 8.00 X 8.00 in $250.00

Bartolomeo Paoletti (1757-1834) and Pietro Paoletti (1801-1847). Original nineteenth century plaster cameo seals edged in folded paper and tipped with gol...

Kathleen Hope MODULAR 57 cement, pigment, plaster 8.00 X 8.00 in $250.00

Medial Woman with Frog, on a rough wood plank, is covered with burlap and plaster for a leathery look, edged with beads. Encaustic wax layers the elements together. Medial Woman, as ...

An initialed, vigorously modeled, patinated resin sculpture of two stallions at play signed (see image 5) by listed, Italian artist, Marino Mazzacurati (1900-1969). Mazzacurati was ...

Bartolomeo Paoletti (1757-1834) and Pietro Paoletti (1801-1847). Original nineteenth century plaster cameo seals edged in folded paper and tipped with gol...

InstaGRAM Sculpture by Zoe Moss Plaster & Resin Limited Edition out of 25

ZURA (Georgian-American, b. 1969) DEMNA BABIES, 2024 Mixed media H. 35 x W. 12 x D. 10 in. (89 x 30 x 25 cm) Clear acrylic plexiglass included Zura’s Demna Babies are edgy, mixed-me...

This artwork presents a striking interplay of texture and minimalism, irregular gold form set against a red background. The golden section, resembling a fluid, flowing contour, is ri...

This artwork presents a striking interplay of texture and minimalism, irregular gold form set against a black background. The golden section, resembling a fluid, flowing contour, is ...

SKYLAR FEIN was born in Greenwich Village and raised in the Bronx. He has had many careers including teaching nonviolent resistance under the umbrella of the Quakers, working for a g...

Megan Klim's mixed media work juxtaposes several materials on one picture plane. She highlights their inherent qualities to create surface tension which sparks a conversation and in...

Essential Silence is a contemplative series of monochromatic, three-dimensional abstract paintings that explore the expressive power of reduction and material presence. In this body...

Kathleen Hope MODULAR 54 cement, pigment, plaster 8.00 X 8.00 in $250.00

Kathleen Hope MODULAR 67 cement, pigment, plaster 8.00 X 8.00 in $250.00

Kathleen Hope MODULAR 35 cement, pigment, plaster 8.00 X 8.00 in $250.00

Inspired by amateur archaeologists such as Heinrich Schliemann who discovered Troy and by past elaborate hoaxes like that of the Piltdown Man, Joshua travels the world performing st...

Kathleen Hope MODULAR 4 cement, pigment, plaster 8.00 X 8.00 in $250.00

Gustave Fontaine (Etterbeek 1877-1952 Brussels) was a sculptor–painter. He took courses in Saint-Josse-ten-Noode and continued his training at the Aca...

A rare and deeply evocative original plaster maquette by Raymond Sudre, Piline embodies the poetic and introspective spirit of the Symbolist movement at the turn of the twentieth cen...

Abstract painting of a rock with a white stripe across

Elizabeth Jordan is an artist working primarily in sculpture and whose work uses multiple materials to produce unique, organic forms. In addition to a solo and group shows at Ivy Bro...