Art by Medium: Plaster

Imprints/I am Yourself is a work of collection; a collection of images augmented by Casey Waterman to create a habitat where paralleled materials, connotations, and ambiguity comment...

Imprints/I am Yourself is a work of collection; a collection of images augmented by Casey Waterman to create a habitat where paralleled materials, connotations, and ambiguity comment...

Imprints/I am Yourself is a work of collection; a collection of images augmented by Casey Waterman to create a habitat where paralleled materials, connotations, and ambiguity comment...

Imprints/I am Yourself is a work of collection; a collection of images augmented by Casey Waterman to create a habitat where paralleled materials, connotations, and ambiguity comment...

Imprints/I am Yourself is a work of collection; a collection of images augmented by Casey Waterman to create a habitat where paralleled materials, connotations, and ambiguity comment...

This piece is made by casting Hydrocal FGR95 (a very hard plaster) on top of an oil clay pattern. Once cured, the oil clay is removed, then paint is applied to the surface. The pie...

This piece is made by casting Hydrocal FGR95 (a very hard plaster) on top of an oil clay pattern. Once cured, the oil clay is removed, then paint and brass leaf are applied to the s...

Peter Saari is an American artist who's work aims to re-invent antiquity through recreating ancient wall paintings and decoration. Provenance: Lamanga Gal...

He. Lost Figure A figure that should have been — but is lost. What remains is only a trace, suspended in memory, evoking both curiosity and quiet pain. He exists as an imprint, not a...

SKYLAR FEIN was born in Greenwich Village and raised in the Bronx. He has had many careers including teaching nonviolent resistance under the umbrella of the Quakers, working for a g...

Self-Portrait This is not a portrait of appearance — it is a map of scars, inner cracks, and wounds that remain unseen. I am not a victim, and not a heroine. I simply exist. Alive. ...

Artwork is exclusive to IdeelArt. Knaut builds her compositions slowly over time, adding layers of colors and materials and then scraping them away, working them over and over. Gest...

Bartolomeo Paoletti (1757-1834) and Pietro Paoletti (1801-1847). Original nineteenth century plaster cameo seals edged in folded paper and tipped with gold, as issued by Bartolomeo Paoletti (1757-1834) and his son Pietro Paoletti (1801-1847). These ‘Grand Tour’ souvenirs were brought home by wealthy European travellers. Rome was the ultimate destination and a tour of the treasures contained in its many museums complemented a young man’s education. Collecting boxes and faux bindings containing plaster casts of ancient gems...

"Existential Matter" This work captures a state where matter becomes the carrier of existential tension. Inner pressure does not find release but condenses into a dense core. Emotio...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

Work on plaster and cement

David Pryor Adickes American (b. 1927) John F. Kennedy bas-relief plaster relief sculpture in artists frame incised signature lower center. with gold stars. Deep relief, approximatel...

The woods are lovely, dark and deep… A forest in snowfall. A space both shadowed and luminous. It draws you in — quiet, vast, unknowable — and yet calming in its purity. The snow sof...

Mixed media on canvas

Winter Forest When you step deep into the woods, it is both enchanting and unsettling. It is something wild, untouched by man, and breathtaking in its simplicity. The snow crunches u...

"Embrace of Anxiety" – A moment stretched between what was and what will be. A fragile breath before the unknown, where fear and anticipation intertwine. If change is life, then this...

Artist: Curtis Mitchell, American (1954 - ) Title: Broken Wall Year: 1989 Medium: Mixed Media Wall Sculpture (Plaster, Resin, Acrylic), signed and dated ...

Born in 1944 in the canton of Fribourg, Gilbert Pauli lived in Geneva, where he devoted himself to painting and sculpture, a passion he developed from his childhood. His favorite the...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

Born in 1944 in the canton of Fribourg, Gilbert Pauli lived in Geneva, where he devoted himself to painting and sculpture, a passion he developed from his childhood. His favorite the...

This is a one of a kind original painting by southern California artist, Kathleen Kane Murrell. Its dimensions are 40" x 90" x 1.5" (HxWxD). It is acrylic and plaster on canvas. It i...

SKYLAR FEIN was born in Greenwich Village and raised in the Bronx. He has had many careers including teaching nonviolent resistance under the umbrella of the Quakers, working for a g...

Artist: Paul Von Ringleheim, Austrian/American (1933 - 2003) Title: Bust - II Year: Circa 1970 Medium: Painted Plaster Size: 26 x 11 x 15.5 inches

SKYLAR FEIN was born in Greenwich Village and raised in the Bronx. He has had many careers including teaching nonviolent resistance under the umbrella of the Quakers, working for a g...

When the world feels like it’s falling apart and pain fills every corner around you, dear, breathe. Don’t forget to breathe, because with each new breath, you grow stronger. The cast...

When the world feels like it’s falling apart and pain fills every corner around you, dear, breathe. Don’t forget to breathe, because with each new breath, you grow stronger. The cast...

When the world feels like it’s falling apart and pain fills every corner around you, dear, breathe. Don’t forget to breathe, because with each new breath, you grow stronger. The cast...

When the world feels like it’s falling apart and pain fills every corner around you, dear, breathe. Don’t forget to breathe, because with each new breath, you grow stronger. The cast...

"What Is Between?" is a visual representation of my journey into the realm of non-binary thinking, sparked during a reflection on "The Non-Normativity of Thought." This artwork embod...

"Storm" captures the tumultuous whirlwind of human emotions—a true tempest of feelings where passion, fear, love, hope, sorrow, and determination all converge. This artwork embodies ...

"Manifestation" is my contemplation of the power woven into the fabric of our being. In this piece, I reflect on the deep, unseen forces that ground and strengthen us. It's about the...

"Into the Depths" captures the pivotal moment of decision, where one stands on the threshold of self-discovery. It represents the brave journey inward, into the metaphorical forest o...

John Marak 12x12-07-12-2021 Plaster, Acrylic Year: 2021 Size: 12x12 in Signed by hand COA provided ------------------------------------- John Marak is a second-generation artist b...

Inspired by amateur archaeologists such as Heinrich Schliemann who discovered Troy and by past elaborate hoaxes like that of the Piltdown Man, Joshua travels the world performing sta...

Michael O’Keefe’s sculptures, drawings, and paintings depict figurative narratives born from unpredictable processes. He couples innovative methods with unconventional tools to creat...

In his sculptures, drawings and paintings, Michael O’Keefe employs unpredictable processes as a means to discover content. He couples accident and chance with unconventional methods,...

Elizabeth Jordan is an artist working primarily in sculpture and whose work uses multiple materials to produce unique, organic forms. In addition to a solo and group shows at Ivy Brown Gallery, she has exhibited at The American Academy of Arts and Letters, the Nassau County Museum of Art, The Cornell Art Museum in Delray Beach, Florida and the New York Artists Equity Gallery. In 2023, she received a 2023 Fellowship from the New Jersey State Council on the Arts in sculpture, and in 2022 was awarded the Alex J...

Daniel Fiorda takes objects such as old typewriters and 35mm cameras: “Discarded remnants of the industrial world,” transforming these objects into high-e...

Learn to Swim, 2020

Solitude

Aimé-Jules Dalou (1838-1902) was one of only a handful of leading late-nineteenth century French Sculptors, whose reputation was perhaps second only to his contemporaries, Henri Chapu (1833-1891) and Marius Jean Antonin Mercié (1845-1916). Dalou was hugely influential and was a founding member of the Société des Artistes Français and later a founder of the Société Nationale des Beaux-Arts. He was officially rewarded with the highest rank of the Légion d'Honneur two years before his death, with the inauguration of the Triumph of the Republic, in 1899. He started his artistic training in 1852 at the Petite Ecole after being encouraged to do so by Jean-Baptiste Carpeaux, where he studied drawing and modelling. Carpeaux continued to support Dalou throughout his career and influenced his sculpture greatly. Dalou began employment in the field of decorative sculpture working for two companies in Paris, Lefèvre and Favière goldsmiths. During this time he contributed towards the architectural features of Hôtel de la Païva, the then home of the infamous French courtesan Esther Lachmann known as La Païva. Dalou's unique approach lay in his broad range of subject, painterly and sculptural source material, though which he absorbed an impressive spectrum of inspiration. The work of an eighteenth-century sculptor, Louis-François Roubiliac, played a significant role in Dalou's artistic development, whose sculptures he studied whilst in London. Dalou's work includes friezes, maquettes, reliefs, and individual bronze figures. He is known for Baroque-inspired allegorical group compositions, as much as for his depictions of the French rural labouring classes. Dalou encouraged students of art to free themselves from the constraints of established traditions, with his style and teachings thought to have awakened a new generation of young British sculptors whose work was later aligned to the New Sculpture movement. This rough plaster model was kept in the studio of Alfred Drury...

This is a one of a kind original painting by southern California artist, Kathleen Kane Murrell. Its dimensions are 40" x 40" x 2". It is acrylic and oil on panel, painted, plexiglass...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you ...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you ...

This is a one of a kind original painting by southern California artist, Kathleen Kane Murrell. Its dimensions are 52" x 40" x 2". It is acrylic on canvas, glass beads, paper, plaste...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you ...

Gustave Fontaine (Etterbeek 1877-1952 Brussels) was a sculptor–painter. He took courses in Saint-Josse-ten-Noode and continued his training at the Academy of Brussels and with the sculptor Julien...

"When I walk into my atelier to start a new painting, I look at the white surface, feeling into it, and the first color that comes to mind is where I begin. I start by pouring the pa...

"Cigne Noire" conjures a swan in its most dramatic and vulnerable moment — wings splayed, neck curling downward in a gesture that reads equally as ecstasy and surrender — rendered en...

**STORE CLOSURE - UP TO 80% OFF - TAKE ADVANTAGE OF IT** ***EVERYTHING MUST GO BY DECEMBER 31ST!*** >>The artist is moving to a new full time venture in 2026<< _________...

Modern artist George L.K. Morris created this abstract biomorphic nonobjective plaster sculpture during the WPA era of the 1930s / 40s. Monogrammed. Though George Lovett Kingsland Morris studied with realist painters John Sloan and Kenneth Hayes Miller at the Art Students League, the influence of their points of view was replaced by that of abstractionists Amedee Ozenfant and Fernand Leger. The paintings of Morris were two-dimensional, hard-edged and brightly colored. Born in New York City in 1905, Morris became a full-fledged abstractionist and a founder in 1936 of the American Abstract Artists. He edited "The World of Abstract Art, the group's publication, and was their president from 1948-1950. Morris had graduated from Yale in 1928 and studied at the League until 1930, when he went to Paris to attend the Academie Moderne. A sculptor, writer, art critic and teacher in addition to abstract painter Morris himself later taught at the Art Students League from 1943-1944, as well as St. John's College, Annapolis, Maryland, 1960-1961. Morris' intrinsic abstract bent was made even clearer by his positive feeling for Hans Arp's sculpture. He and Arp edited the French art magazine, "Plastique." Morris also edited the "Bulletin of the Museum of Modern Art" and "Partisan Review." He died in 1975 in New York City. George LK...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you ...

Artwork made with birch, acrylic, satin lacquer & metallic gold venetian plaster UltraMarine is a mixed media wall sculpture. Made from acrylic washes on birch, MDF and gold metallic Venetian plaster paint. Finished with an elegant satin clear lacquer to enhance the wood grain. The multiple opacities of navy and indigo are almost denim-like in color and allow the brown wood grain to add texture and interest to the piece. Ultramarine takes on the abstract form of a soaring building or perhaps a church spire or other tall building in form. Ultramarine is a monochromatic piece which is minimalistic in nature, so the form, composition and the balance of the piece trump a definitive subject matter. However, the shape is reminesent of mid-century modernism, the sputnik design movement and futurism. The result is an elegant wall sculpture...

"Claws Out" is Bassett's most architecturally assertive work, its wide horizontal format hosting a series of sharp, shelf-like plaster ledges that thrust outward from the surface on ...